Framed time :: toward a postfilmic cinema /
Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema?s 1995 centenary,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago :
University of Chicago Press,
2007.
|
| Schriftenreihe: | Cinema and modernity.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema?s 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip. Brilliantly interpreting dozens of recent films?from Being John Malkovich, Donnie Darko, and The Sixth Sense to La mala educación and Caché?Stewart investigate. |
| Beschreibung: | 1 online resource (x, 299 pages :) |
| Bibliographie: | Includes bibliographical references (pages 267-282) and index. |
| ISBN: | 9780226774572 0226774570 1281966576 9781281966575 9786611966577 6611966579 |
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| 505 | 0 | |a Acknowledgments; Introduction: On Optical Allusion; Lexeme to Pixel: An Experiment in Narratography; Trick Beginnings and the European Uncanny; Out of Body in Hollywood; Temportation; VR from Cimnemonics to Digitime; Media Archaeology, Hermeneutics, Narratography; Appendix: Precinematics; or, Reading the Narratogram; Notes; Terms; Index. | |
| 520 | |a Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema?s 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip. Brilliantly interpreting dozens of recent films?from Being John Malkovich, Donnie Darko, and The Sixth Sense to La mala educación and Caché?Stewart investigate. | ||
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| contents | Acknowledgments; Introduction: On Optical Allusion; Lexeme to Pixel: An Experiment in Narratography; Trick Beginnings and the European Uncanny; Out of Body in Hollywood; Temportation; VR from Cimnemonics to Digitime; Media Archaeology, Hermeneutics, Narratography; Appendix: Precinematics; or, Reading the Narratogram; Notes; Terms; Index. |
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| series | Cinema and modernity. |
| series2 | Cinema and modernity |
| spelling | Stewart, Garrett. Framed time : toward a postfilmic cinema / Garrett Stewart. Chicago : University of Chicago Press, 2007. 1 online resource (x, 299 pages :) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Cinema and modernity Includes bibliographical references (pages 267-282) and index. Print version record. Acknowledgments; Introduction: On Optical Allusion; Lexeme to Pixel: An Experiment in Narratography; Trick Beginnings and the European Uncanny; Out of Body in Hollywood; Temportation; VR from Cimnemonics to Digitime; Media Archaeology, Hermeneutics, Narratography; Appendix: Precinematics; or, Reading the Narratogram; Notes; Terms; Index. Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema?s 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip. Brilliantly interpreting dozens of recent films?from Being John Malkovich, Donnie Darko, and The Sixth Sense to La mala educación and Caché?Stewart investigate. English. Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Space and time in motion pictures. http://id.loc.gov/authorities/subjects/sh96003971 Espace et temps au cinéma. Cinéma. PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures fast Space and time in motion pictures fast Motion pictures. lcgft http://id.loc.gov/authorities/genreForms/gf2011026406 Films. rvmgf Print version: Stewart, Garrett. Framed time. Chicago : University of Chicago Press, 2007 9780226774152 0226774155 (DLC) 2006031119 (OCoLC)71427286 Cinema and modernity. http://id.loc.gov/authorities/names/n2005024640 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=260237 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=260237 Volltext |
| spellingShingle | Stewart, Garrett Framed time : toward a postfilmic cinema / Cinema and modernity. Acknowledgments; Introduction: On Optical Allusion; Lexeme to Pixel: An Experiment in Narratography; Trick Beginnings and the European Uncanny; Out of Body in Hollywood; Temportation; VR from Cimnemonics to Digitime; Media Archaeology, Hermeneutics, Narratography; Appendix: Precinematics; or, Reading the Narratogram; Notes; Terms; Index. Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Space and time in motion pictures. http://id.loc.gov/authorities/subjects/sh96003971 Espace et temps au cinéma. Cinéma. PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures fast Space and time in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088084 http://id.loc.gov/authorities/subjects/sh96003971 http://id.loc.gov/authorities/genreForms/gf2011026406 |
| title | Framed time : toward a postfilmic cinema / |
| title_auth | Framed time : toward a postfilmic cinema / |
| title_exact_search | Framed time : toward a postfilmic cinema / |
| title_full | Framed time : toward a postfilmic cinema / Garrett Stewart. |
| title_fullStr | Framed time : toward a postfilmic cinema / Garrett Stewart. |
| title_full_unstemmed | Framed time : toward a postfilmic cinema / Garrett Stewart. |
| title_short | Framed time : |
| title_sort | framed time toward a postfilmic cinema |
| title_sub | toward a postfilmic cinema / |
| topic | Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Space and time in motion pictures. http://id.loc.gov/authorities/subjects/sh96003971 Espace et temps au cinéma. Cinéma. PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures fast Space and time in motion pictures fast |
| topic_facet | Motion pictures. Space and time in motion pictures. Espace et temps au cinéma. Cinéma. PERFORMING ARTS Film & Video Reference. Motion pictures Space and time in motion pictures Films. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=260237 |
| work_keys_str_mv | AT stewartgarrett framedtimetowardapostfilmiccinema |