Charles Sheeler :: modernism, precisionism and the borders of abstraction /
Charles Sheeler was the stark poet of the machine age. Photographer of the Ford Motor Company and founder of the painting movement Precisionism, he is remembered as a promoter of - and apologist for - the industrialised capitalist ethic. This major new rethink of one of the key figures of American m...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York :
I.B. Tauris,
2008.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Charles Sheeler was the stark poet of the machine age. Photographer of the Ford Motor Company and founder of the painting movement Precisionism, he is remembered as a promoter of - and apologist for - the industrialised capitalist ethic. This major new rethink of one of the key figures of American modernism argues that Sheeler's true relationship to progress was in fact highly negative, his 'precisionism' both skewed and imprecise. Covering the entire oeuvre from photography to painting and drawing attention to the inconsistencies, curiosities and 'puzzles' embedded in Sheeler's work, Rawlinso. |
| Beschreibung: | 1 online resource (viii, 210 pages, 8 unnumbered pages of plates) : illustrations (some color) |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 182-205) and index. |
| ISBN: | 9781435691285 1435691288 9781850439011 185043901X |
Internformat
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| 245 | 1 | 0 | |a Charles Sheeler : |b modernism, precisionism and the borders of abstraction / |c Mark Rawlinson. |
| 246 | 3 | 0 | |a Modernism, precisionism and the borders of abstraction |
| 260 | |a London ; |a New York : |b I.B. Tauris, |c 2008. | ||
| 300 | |a 1 online resource (viii, 210 pages, 8 unnumbered pages of plates) : |b illustrations (some color) | ||
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| 504 | |a Includes bibliographical references (pages 182-205) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a 1. Musing on primitiveness -- 2. A photograph, a drawing and a painting: Sheeler's New York series -- 3. The disappearing subject: Self-Portrait -- 4. Is it still life? Sheeler, Adorno and dwelling -- 5. Between commission and autonomy: Sheeler's River Rouge -- 6. Late work/late style. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 520 | |a Charles Sheeler was the stark poet of the machine age. Photographer of the Ford Motor Company and founder of the painting movement Precisionism, he is remembered as a promoter of - and apologist for - the industrialised capitalist ethic. This major new rethink of one of the key figures of American modernism argues that Sheeler's true relationship to progress was in fact highly negative, his 'precisionism' both skewed and imprecise. Covering the entire oeuvre from photography to painting and drawing attention to the inconsistencies, curiosities and 'puzzles' embedded in Sheeler's work, Rawlinso. | ||
| 600 | 1 | 0 | |a Sheeler, Charles, |d 1883-1965 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Sheeler, Charles, |d 1883-1965 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJjdkt4dJMFJBC6GchC84q |
| 650 | 0 | |a Precisionism |z United States. | |
| 650 | 0 | |a Modernism (Art) |z United States. | |
| 650 | 0 | |a Machinery in art. |0 http://id.loc.gov/authorities/subjects/sh85079396 | |
| 650 | 6 | |a Précisionnisme |z États-Unis. | |
| 650 | 6 | |a Modernisme (Art) |z États-Unis. | |
| 650 | 6 | |a Machines dans l'art. | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a Machinery in art |2 fast | |
| 650 | 7 | |a Modernism (Art) |2 fast | |
| 650 | 7 | |a Precisionism |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Rawlinson, Mark (Mark S.). |t Charles Sheeler. |d London ; New York : I.B. Tauris, 2008 |z 1850439028 |z 9781850439028 |w (OCoLC)171560381 |
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Datensatz im Suchindex
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| _version_ | 1816881684380909568 |
| adam_text | |
| any_adam_object | |
| author | Rawlinson, Mark (Mark S.) |
| author_GND | http://id.loc.gov/authorities/names/no2008046470 |
| author_facet | Rawlinson, Mark (Mark S.) |
| author_role | |
| author_sort | Rawlinson, Mark |
| author_variant | m r mr |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6537 |
| callnumber-raw | N6537.S523 R39 2008eb |
| callnumber-search | N6537.S523 R39 2008eb |
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| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | 1. Musing on primitiveness -- 2. A photograph, a drawing and a painting: Sheeler's New York series -- 3. The disappearing subject: Self-Portrait -- 4. Is it still life? Sheeler, Adorno and dwelling -- 5. Between commission and autonomy: Sheeler's River Rouge -- 6. Late work/late style. |
| ctrlnum | (OCoLC)298663130 |
| dewey-full | 759.13 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.13 |
| dewey-search | 759.13 |
| dewey-sort | 3759.13 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn298663130 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:16:38Z |
| institution | BVB |
| isbn | 9781435691285 1435691288 9781850439011 185043901X |
| language | English |
| oclc_num | 298663130 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (viii, 210 pages, 8 unnumbered pages of plates) : illustrations (some color) |
| psigel | ZDB-4-EBA |
| publishDate | 2008 |
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| spelling | Rawlinson, Mark (Mark S.) https://id.oclc.org/worldcat/entity/E39PCjDTKJDv8bhDqJbj37tfG3 http://id.loc.gov/authorities/names/no2008046470 Charles Sheeler : modernism, precisionism and the borders of abstraction / Mark Rawlinson. Modernism, precisionism and the borders of abstraction London ; New York : I.B. Tauris, 2008. 1 online resource (viii, 210 pages, 8 unnumbered pages of plates) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references (pages 182-205) and index. Print version record. 1. Musing on primitiveness -- 2. A photograph, a drawing and a painting: Sheeler's New York series -- 3. The disappearing subject: Self-Portrait -- 4. Is it still life? Sheeler, Adorno and dwelling -- 5. Between commission and autonomy: Sheeler's River Rouge -- 6. Late work/late style. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Charles Sheeler was the stark poet of the machine age. Photographer of the Ford Motor Company and founder of the painting movement Precisionism, he is remembered as a promoter of - and apologist for - the industrialised capitalist ethic. This major new rethink of one of the key figures of American modernism argues that Sheeler's true relationship to progress was in fact highly negative, his 'precisionism' both skewed and imprecise. Covering the entire oeuvre from photography to painting and drawing attention to the inconsistencies, curiosities and 'puzzles' embedded in Sheeler's work, Rawlinso. Sheeler, Charles, 1883-1965 Criticism and interpretation. Sheeler, Charles, 1883-1965 fast https://id.oclc.org/worldcat/entity/E39PBJjdkt4dJMFJBC6GchC84q Precisionism United States. Modernism (Art) United States. Machinery in art. http://id.loc.gov/authorities/subjects/sh85079396 Précisionnisme États-Unis. Modernisme (Art) États-Unis. Machines dans l'art. ART History General. bisacsh Machinery in art fast Modernism (Art) fast Precisionism fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Criticism, interpretation, etc. fast Print version: Rawlinson, Mark (Mark S.). Charles Sheeler. London ; New York : I.B. Tauris, 2008 1850439028 9781850439028 (OCoLC)171560381 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=243344 Volltext |
| spellingShingle | Rawlinson, Mark (Mark S.) Charles Sheeler : modernism, precisionism and the borders of abstraction / 1. Musing on primitiveness -- 2. A photograph, a drawing and a painting: Sheeler's New York series -- 3. The disappearing subject: Self-Portrait -- 4. Is it still life? Sheeler, Adorno and dwelling -- 5. Between commission and autonomy: Sheeler's River Rouge -- 6. Late work/late style. Sheeler, Charles, 1883-1965 Criticism and interpretation. Sheeler, Charles, 1883-1965 fast https://id.oclc.org/worldcat/entity/E39PBJjdkt4dJMFJBC6GchC84q Precisionism United States. Modernism (Art) United States. Machinery in art. http://id.loc.gov/authorities/subjects/sh85079396 Précisionnisme États-Unis. Modernisme (Art) États-Unis. Machines dans l'art. ART History General. bisacsh Machinery in art fast Modernism (Art) fast Precisionism fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85079396 |
| title | Charles Sheeler : modernism, precisionism and the borders of abstraction / |
| title_alt | Modernism, precisionism and the borders of abstraction |
| title_auth | Charles Sheeler : modernism, precisionism and the borders of abstraction / |
| title_exact_search | Charles Sheeler : modernism, precisionism and the borders of abstraction / |
| title_full | Charles Sheeler : modernism, precisionism and the borders of abstraction / Mark Rawlinson. |
| title_fullStr | Charles Sheeler : modernism, precisionism and the borders of abstraction / Mark Rawlinson. |
| title_full_unstemmed | Charles Sheeler : modernism, precisionism and the borders of abstraction / Mark Rawlinson. |
| title_short | Charles Sheeler : |
| title_sort | charles sheeler modernism precisionism and the borders of abstraction |
| title_sub | modernism, precisionism and the borders of abstraction / |
| topic | Sheeler, Charles, 1883-1965 Criticism and interpretation. Sheeler, Charles, 1883-1965 fast https://id.oclc.org/worldcat/entity/E39PBJjdkt4dJMFJBC6GchC84q Precisionism United States. Modernism (Art) United States. Machinery in art. http://id.loc.gov/authorities/subjects/sh85079396 Précisionnisme États-Unis. Modernisme (Art) États-Unis. Machines dans l'art. ART History General. bisacsh Machinery in art fast Modernism (Art) fast Precisionism fast |
| topic_facet | Sheeler, Charles, 1883-1965 Criticism and interpretation. Sheeler, Charles, 1883-1965 Precisionism United States. Modernism (Art) United States. Machinery in art. Précisionnisme États-Unis. Modernisme (Art) États-Unis. Machines dans l'art. ART History General. Machinery in art Modernism (Art) Precisionism United States Criticism, interpretation, etc. |
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