Platonism, music and the listener's share /:
What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-chan...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
Continuum,
2006.
|
| Schriftenreihe: | Continuum studies in philosophy.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-changing socio-cultural or ideological contexts that make up its reception-history to date? Can music be thought of as possessing certain attributes, structural features, or intrinsically valuable qualities that are response-transcendent, i.e., that might always elude or surpass the best state of (curre. |
| Beschreibung: | 1 online resource (202 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781847144386 1847144381 9781472597977 1472597974 |
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| 245 | 1 | 0 | |a Platonism, music and the listener's share / |c Christopher Norris. |
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| 490 | 1 | |a Continuum studies in philosophy | |
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| 505 | 0 | |a Introduction and Acknowledgements; 1 Platonism, Music and the 'Listener's Share'; 2 On Knowing What We Like: 'Best Opinion' and Evaluative Warrant; 3 What's In a Work? Music, Ontology and the 'Deconstructive Turn'; 4 Between Phenomenology and Structuralism: Alternative Resources for Music Theory; 5 Music, Pleasure and the Claims of Analysis; Notes; Index of Names. | |
| 520 | |a What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-changing socio-cultural or ideological contexts that make up its reception-history to date? Can music be thought of as possessing certain attributes, structural features, or intrinsically valuable qualities that are response-transcendent, i.e., that might always elude or surpass the best state of (curre. | ||
| 588 | 0 | |a Print version record. | |
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| author | Norris, Christopher, 1947- |
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| contents | Introduction and Acknowledgements; 1 Platonism, Music and the 'Listener's Share'; 2 On Knowing What We Like: 'Best Opinion' and Evaluative Warrant; 3 What's In a Work? Music, Ontology and the 'Deconstructive Turn'; 4 Between Phenomenology and Structuralism: Alternative Resources for Music Theory; 5 Music, Pleasure and the Claims of Analysis; Notes; Index of Names. |
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| dewey-search | 781.1/7 |
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| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn290596128 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:16:37Z |
| institution | BVB |
| isbn | 9781847144386 1847144381 9781472597977 1472597974 |
| language | English |
| oclc_num | 290596128 |
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| publisher | Continuum, |
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| series | Continuum studies in philosophy. |
| series2 | Continuum studies in philosophy |
| spelling | Norris, Christopher, 1947- https://id.oclc.org/worldcat/entity/E39PBJdWTB4BFpFqh8tJDVRMyd http://id.loc.gov/authorities/names/n78058159 Platonism, music and the listener's share / Christopher Norris. London : Continuum, 2006. 1 online resource (202 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Continuum studies in philosophy Includes bibliographical references and index. Introduction and Acknowledgements; 1 Platonism, Music and the 'Listener's Share'; 2 On Knowing What We Like: 'Best Opinion' and Evaluative Warrant; 3 What's In a Work? Music, Ontology and the 'Deconstructive Turn'; 4 Between Phenomenology and Structuralism: Alternative Resources for Music Theory; 5 Music, Pleasure and the Claims of Analysis; Notes; Index of Names. What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-changing socio-cultural or ideological contexts that make up its reception-history to date? Can music be thought of as possessing certain attributes, structural features, or intrinsically valuable qualities that are response-transcendent, i.e., that might always elude or surpass the best state of (curre. Print version record. Plato Criticism and interpretation. Plato fast Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Musique Philosophie et esthétique. MUSIC Instruction & Study Appreciation. bisacsh Music Philosophy and aesthetics fast Platonisme. gtt Muziek. gtt Criticism, interpretation, etc. fast Print version: Norris, Christopher, 1947- Platonism, music and the listener's share. London : Continuum, 2006 (DLC) 2007271456 Continuum studies in philosophy. http://id.loc.gov/authorities/names/no2004041814 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=226974 Volltext |
| spellingShingle | Norris, Christopher, 1947- Platonism, music and the listener's share / Continuum studies in philosophy. Introduction and Acknowledgements; 1 Platonism, Music and the 'Listener's Share'; 2 On Knowing What We Like: 'Best Opinion' and Evaluative Warrant; 3 What's In a Work? Music, Ontology and the 'Deconstructive Turn'; 4 Between Phenomenology and Structuralism: Alternative Resources for Music Theory; 5 Music, Pleasure and the Claims of Analysis; Notes; Index of Names. Plato Criticism and interpretation. Plato fast Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Musique Philosophie et esthétique. MUSIC Instruction & Study Appreciation. bisacsh Music Philosophy and aesthetics fast Platonisme. gtt Muziek. gtt |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088808 |
| title | Platonism, music and the listener's share / |
| title_auth | Platonism, music and the listener's share / |
| title_exact_search | Platonism, music and the listener's share / |
| title_full | Platonism, music and the listener's share / Christopher Norris. |
| title_fullStr | Platonism, music and the listener's share / Christopher Norris. |
| title_full_unstemmed | Platonism, music and the listener's share / Christopher Norris. |
| title_short | Platonism, music and the listener's share / |
| title_sort | platonism music and the listener s share |
| topic | Plato Criticism and interpretation. Plato fast Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Musique Philosophie et esthétique. MUSIC Instruction & Study Appreciation. bisacsh Music Philosophy and aesthetics fast Platonisme. gtt Muziek. gtt |
| topic_facet | Plato Criticism and interpretation. Plato Music Philosophy and aesthetics. Musique Philosophie et esthétique. MUSIC Instruction & Study Appreciation. Music Philosophy and aesthetics Platonisme. Muziek. Criticism, interpretation, etc. |
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