The couch and the silver screen :: psychoanalytic reflections on European cinema /
The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a s...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Hove ; New York :
Brunner-Routledge,
2003.
|
| Ausgabe: | 1st ed. |
| Schriftenreihe: | New library of psychoanalysis ;
44. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a specific expertise in the interpretation of films, as well as the filmmakers themselves. This composite approach offers a fascinating insight into the world of cinema. The Couch and the Silver Screen is illustrated with stills throughout and Andrea Sabbadini's introduction provides a theoretical and h. |
| Beschreibung: | 1 online resource (xx, 258 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and indexes. |
| ISBN: | 0203013913 9780203013915 0203357205 9780203357200 9786610059911 6610059918 9781583919521 158391952X 9781583919514 1583919511 9781135444525 1135444528 9781135444471 1135444471 9781135444518 113544451X 1280059915 9781280059919 |
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| 049 | |a MAIN | ||
| 245 | 0 | 4 | |a The couch and the silver screen : |b psychoanalytic reflections on European cinema / |c edited by Andrea Sabbadini. |
| 250 | |a 1st ed. | ||
| 260 | |a Hove ; |a New York : |b Brunner-Routledge, |c 2003. | ||
| 300 | |a 1 online resource (xx, 258 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a The new library of psychoanalysis ; |v 44 | |
| 504 | |a Includes bibliographical references and indexes. | ||
| 505 | 0 | 0 | |t Foreword / |r Laura Mulvey -- |t Introduction / |r Andrea Sabbadini -- |g SET AND STAGE -- |t Inner and outer worlds of the filmmaker's temporary social structure / |r Bernardo Bertolucci, |r Fiona Shaw, |r Chris Mawson -- |t One in the eye from Sam: Samuel Beckett's Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / |r Ian Christie, |r Juliet Stevenson, |r Helen Taylor Robinson -- |t WORKING THROUGH TRAUMA -- |t Sons and fathers: a room of their own -- Nanni Moretti's The son's room (2001) / |r Nanni Moretti [and others] -- |t Witness and persecution in two short films: Miguel Sapochnik's The dreamer (2001) and Lindy Heymann's Kissing Buba (2001) / |r Jed Sekoff -- |t Post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer's Run, Lola, run (1998) / |r Annegret Mahler-Bungers -- |t Thomas Vinterberg's Festen (1998): an attempt to avoid madness through denunciation / |r Liliana Pedrón de Martín -- |t István Szabó's Sunshine (1999): the cinematic representation of historical and familial trauma / |r Diana Diamond -- |g HORROR PERSPECTIVES -- |t Notes on the relevance of psychoanalytic theory to Euro-horror cinema / |r Steven Jay Schneider -- |t Dario Argento's Phenomena (1985): a psychoanalytic perspective on the 'horror film' genre and adolescent development / |r Donald Campbell -- |t Freedom through re-introjection: a Kleinian perspective on Dominik Moll's Harry: he's here to help (2000) / |r Candy Aubry -- |t Cinema, horror and the abominations of hell: Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The beyond (1981) / |r Michael Grant -- |g DOCUMENTING INTERNAL WORLDS -- |t Narratives and documentaries: an encounter with Michael Apted and his films / |r Michael Apted, |r Helen Taylor Robinson -- |t Cinematic dream-work of Ingmar Bergman's Wild strawberries (1957) / |r Elizabeth Cowie -- |t Film as an abreaction of totalitarianism: Vinko Brešan's Marshal Tito's spirit (1999) / |r Ljiljana Filipović -- |t Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer's Fortuna (2000) and Michael Aviad's Ever shot anyone? (1995) / |r Emanuel Berman, |r Timna Rosenheimer, |r Michal Aviad -- |t Filming psychoanalysis: feature or documentary? Two contributions / |r Hugh Brody, |r Michael Brearley. |
| 588 | 0 | |a Print version record. | |
| 520 | |a The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a specific expertise in the interpretation of films, as well as the filmmakers themselves. This composite approach offers a fascinating insight into the world of cinema. The Couch and the Silver Screen is illustrated with stills throughout and Andrea Sabbadini's introduction provides a theoretical and h. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Motion pictures |z Europe |x Psychological aspects. | |
| 650 | 0 | |a Psychoanalysis and motion pictures. |0 http://id.loc.gov/authorities/subjects/sh88003429 | |
| 650 | 0 | |a Psychoanalytic interpretation. |0 http://id.loc.gov/authorities/subjects/sh85108424 | |
| 651 | 0 | |a Europe. |0 http://id.loc.gov/authorities/subjects/sh85045631 | |
| 650 | 0 | |a Mass media. |0 http://id.loc.gov/authorities/subjects/sh85081863 | |
| 650 | 0 | |a Teaching |x Aids and devices. |0 http://id.loc.gov/authorities/subjects/sh85133053 | |
| 650 | 1 | 2 | |a Motion Pictures as Topic |
| 650 | 1 | 2 | |a Psychoanalytic Interpretation |
| 651 | 2 | |a Europe | |
| 650 | 2 | |a Teaching Materials |0 https://id.nlm.nih.gov/mesh/D013664 | |
| 650 | 4 | |a Music, Dance, Drama & Film. | |
| 650 | 4 | |a Film. | |
| 650 | 6 | |a Psychanalyse et cinéma. | |
| 650 | 6 | |a Interprétation psychanalytique. | |
| 651 | 6 | |a Europe. | |
| 650 | 6 | |a Médias. | |
| 650 | 6 | |a Matériel didactique. | |
| 650 | 7 | |a mass media. |2 aat | |
| 650 | 7 | |a audiovisual materials. |2 aat | |
| 650 | 7 | |a instructional materials. |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a Psychoanalytic interpretation |2 fast | |
| 650 | 7 | |a Motion pictures |x Psychological aspects |2 fast | |
| 650 | 7 | |a Psychoanalysis and motion pictures |2 fast | |
| 651 | 7 | |a Europe |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq | |
| 650 | 7 | |a Psychoanalyse |2 gnd | |
| 650 | 7 | |a Film |2 gnd |0 http://d-nb.info/gnd/4017102-4 | |
| 650 | 1 | 7 | |a Films. |2 gtt |
| 650 | 1 | 7 | |a Psychoanalyse. |2 gtt |
| 650 | 7 | |a Music, Dance, Drama & Film. |2 hilcc | |
| 650 | 7 | |a Film. |2 hilcc | |
| 700 | 1 | |a Sabbadini, Andrea. | |
| 758 | |i has work: |a The couch and the silver screen (Text) |1 https://id.oclc.org/worldcat/entity/E39PD36KJHTGFRGPTytGby3g6q |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Couch and the silver screen. |b 1st ed. |d Hove ; New York : Brunner-Routledge, 2003 |w (DLC) 2003004236 |
| 830 | 0 | |a New library of psychoanalysis ; |v 44. |0 http://id.loc.gov/authorities/names/n84736156 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn252906205 |
|---|---|
| _version_ | 1816881677407879168 |
| adam_text | |
| any_adam_object | |
| author2 | Sabbadini, Andrea |
| author2_role | |
| author2_variant | a s as |
| author_additional | Laura Mulvey -- Andrea Sabbadini -- Bernardo Bertolucci, Fiona Shaw, Chris Mawson -- Ian Christie, Juliet Stevenson, Helen Taylor Robinson -- Nanni Moretti [and others] -- Jed Sekoff -- Annegret Mahler-Bungers -- Liliana Pedrón de Martín -- Diana Diamond -- Steven Jay Schneider -- Donald Campbell -- Candy Aubry -- Michael Grant -- Michael Apted, Elizabeth Cowie -- Ljiljana Filipović -- Emanuel Berman, Timna Rosenheimer, Michal Aviad -- Hugh Brody, Michael Brearley. |
| author_facet | Sabbadini, Andrea |
| author_sort | Sabbadini, Andrea |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.E8 C68 2003eb |
| callnumber-search | PN1993.5.E8 C68 2003eb |
| callnumber-sort | PN 41993.5 E8 C68 42003EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Foreword / Introduction / Inner and outer worlds of the filmmaker's temporary social structure / One in the eye from Sam: Samuel Beckett's Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / WORKING THROUGH TRAUMA -- Sons and fathers: a room of their own -- Nanni Moretti's The son's room (2001) / Witness and persecution in two short films: Miguel Sapochnik's The dreamer (2001) and Lindy Heymann's Kissing Buba (2001) / Post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer's Run, Lola, run (1998) / Thomas Vinterberg's Festen (1998): an attempt to avoid madness through denunciation / István Szabó's Sunshine (1999): the cinematic representation of historical and familial trauma / Notes on the relevance of psychoanalytic theory to Euro-horror cinema / Dario Argento's Phenomena (1985): a psychoanalytic perspective on the 'horror film' genre and adolescent development / Freedom through re-introjection: a Kleinian perspective on Dominik Moll's Harry: he's here to help (2000) / Cinema, horror and the abominations of hell: Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The beyond (1981) / Narratives and documentaries: an encounter with Michael Apted and his films / Cinematic dream-work of Ingmar Bergman's Wild strawberries (1957) / Film as an abreaction of totalitarianism: Vinko Brešan's Marshal Tito's spirit (1999) / Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer's Fortuna (2000) and Michael Aviad's Ever shot anyone? (1995) / Filming psychoanalysis: feature or documentary? Two contributions / |
| ctrlnum | (OCoLC)252906205 |
| dewey-full | 791.43/75/019 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/75/019 |
| dewey-search | 791.43/75/019 |
| dewey-sort | 3791.43 275 219 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 1st ed. |
| format | Electronic eBook |
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| geographic_facet | Europe. Europe |
| id | ZDB-4-EBA-ocn252906205 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:16:31Z |
| institution | BVB |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xx, 258 pages) : illustrations |
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| publishDate | 2003 |
| publishDateSearch | 2003 |
| publishDateSort | 2003 |
| publisher | Brunner-Routledge, |
| record_format | marc |
| series | New library of psychoanalysis ; |
| series2 | The new library of psychoanalysis ; |
| spelling | The couch and the silver screen : psychoanalytic reflections on European cinema / edited by Andrea Sabbadini. 1st ed. Hove ; New York : Brunner-Routledge, 2003. 1 online resource (xx, 258 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file The new library of psychoanalysis ; 44 Includes bibliographical references and indexes. Foreword / Laura Mulvey -- Introduction / Andrea Sabbadini -- SET AND STAGE -- Inner and outer worlds of the filmmaker's temporary social structure / Bernardo Bertolucci, Fiona Shaw, Chris Mawson -- One in the eye from Sam: Samuel Beckett's Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / Ian Christie, Juliet Stevenson, Helen Taylor Robinson -- WORKING THROUGH TRAUMA -- Sons and fathers: a room of their own -- Nanni Moretti's The son's room (2001) / Nanni Moretti [and others] -- Witness and persecution in two short films: Miguel Sapochnik's The dreamer (2001) and Lindy Heymann's Kissing Buba (2001) / Jed Sekoff -- Post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer's Run, Lola, run (1998) / Annegret Mahler-Bungers -- Thomas Vinterberg's Festen (1998): an attempt to avoid madness through denunciation / Liliana Pedrón de Martín -- István Szabó's Sunshine (1999): the cinematic representation of historical and familial trauma / Diana Diamond -- HORROR PERSPECTIVES -- Notes on the relevance of psychoanalytic theory to Euro-horror cinema / Steven Jay Schneider -- Dario Argento's Phenomena (1985): a psychoanalytic perspective on the 'horror film' genre and adolescent development / Donald Campbell -- Freedom through re-introjection: a Kleinian perspective on Dominik Moll's Harry: he's here to help (2000) / Candy Aubry -- Cinema, horror and the abominations of hell: Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The beyond (1981) / Michael Grant -- DOCUMENTING INTERNAL WORLDS -- Narratives and documentaries: an encounter with Michael Apted and his films / Michael Apted, Helen Taylor Robinson -- Cinematic dream-work of Ingmar Bergman's Wild strawberries (1957) / Elizabeth Cowie -- Film as an abreaction of totalitarianism: Vinko Brešan's Marshal Tito's spirit (1999) / Ljiljana Filipović -- Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer's Fortuna (2000) and Michael Aviad's Ever shot anyone? (1995) / Emanuel Berman, Timna Rosenheimer, Michal Aviad -- Filming psychoanalysis: feature or documentary? Two contributions / Hugh Brody, Michael Brearley. Print version record. The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a specific expertise in the interpretation of films, as well as the filmmakers themselves. This composite approach offers a fascinating insight into the world of cinema. The Couch and the Silver Screen is illustrated with stills throughout and Andrea Sabbadini's introduction provides a theoretical and h. English. Motion pictures Europe Psychological aspects. Psychoanalysis and motion pictures. http://id.loc.gov/authorities/subjects/sh88003429 Psychoanalytic interpretation. http://id.loc.gov/authorities/subjects/sh85108424 Europe. http://id.loc.gov/authorities/subjects/sh85045631 Mass media. http://id.loc.gov/authorities/subjects/sh85081863 Teaching Aids and devices. http://id.loc.gov/authorities/subjects/sh85133053 Motion Pictures as Topic Psychoanalytic Interpretation Europe Teaching Materials https://id.nlm.nih.gov/mesh/D013664 Music, Dance, Drama & Film. Film. Psychanalyse et cinéma. Interprétation psychanalytique. Europe. Médias. Matériel didactique. mass media. aat audiovisual materials. aat instructional materials. aat PERFORMING ARTS Film & Video History & Criticism. bisacsh PERFORMING ARTS Film & Video. bisacsh Psychoanalytic interpretation fast Motion pictures Psychological aspects fast Psychoanalysis and motion pictures fast Europe fast https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq Psychoanalyse gnd Film gnd http://d-nb.info/gnd/4017102-4 Films. gtt Psychoanalyse. gtt Music, Dance, Drama & Film. hilcc Film. hilcc Sabbadini, Andrea. has work: The couch and the silver screen (Text) https://id.oclc.org/worldcat/entity/E39PD36KJHTGFRGPTytGby3g6q https://id.oclc.org/worldcat/ontology/hasWork Print version: Couch and the silver screen. 1st ed. Hove ; New York : Brunner-Routledge, 2003 (DLC) 2003004236 New library of psychoanalysis ; 44. http://id.loc.gov/authorities/names/n84736156 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=134820 Volltext |
| spellingShingle | The couch and the silver screen : psychoanalytic reflections on European cinema / New library of psychoanalysis ; Foreword / Introduction / Inner and outer worlds of the filmmaker's temporary social structure / One in the eye from Sam: Samuel Beckett's Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / WORKING THROUGH TRAUMA -- Sons and fathers: a room of their own -- Nanni Moretti's The son's room (2001) / Witness and persecution in two short films: Miguel Sapochnik's The dreamer (2001) and Lindy Heymann's Kissing Buba (2001) / Post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer's Run, Lola, run (1998) / Thomas Vinterberg's Festen (1998): an attempt to avoid madness through denunciation / István Szabó's Sunshine (1999): the cinematic representation of historical and familial trauma / Notes on the relevance of psychoanalytic theory to Euro-horror cinema / Dario Argento's Phenomena (1985): a psychoanalytic perspective on the 'horror film' genre and adolescent development / Freedom through re-introjection: a Kleinian perspective on Dominik Moll's Harry: he's here to help (2000) / Cinema, horror and the abominations of hell: Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The beyond (1981) / Narratives and documentaries: an encounter with Michael Apted and his films / Cinematic dream-work of Ingmar Bergman's Wild strawberries (1957) / Film as an abreaction of totalitarianism: Vinko Brešan's Marshal Tito's spirit (1999) / Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer's Fortuna (2000) and Michael Aviad's Ever shot anyone? (1995) / Filming psychoanalysis: feature or documentary? Two contributions / Motion pictures Europe Psychological aspects. Psychoanalysis and motion pictures. http://id.loc.gov/authorities/subjects/sh88003429 Psychoanalytic interpretation. http://id.loc.gov/authorities/subjects/sh85108424 Mass media. http://id.loc.gov/authorities/subjects/sh85081863 Teaching Aids and devices. http://id.loc.gov/authorities/subjects/sh85133053 Motion Pictures as Topic Psychoanalytic Interpretation Teaching Materials https://id.nlm.nih.gov/mesh/D013664 Music, Dance, Drama & Film. Film. Psychanalyse et cinéma. Interprétation psychanalytique. Médias. Matériel didactique. mass media. aat audiovisual materials. aat instructional materials. aat PERFORMING ARTS Film & Video History & Criticism. bisacsh PERFORMING ARTS Film & Video. bisacsh Psychoanalytic interpretation fast Motion pictures Psychological aspects fast Psychoanalysis and motion pictures fast Psychoanalyse gnd Film gnd http://d-nb.info/gnd/4017102-4 Films. gtt Psychoanalyse. gtt Music, Dance, Drama & Film. hilcc Film. hilcc |
| subject_GND | http://id.loc.gov/authorities/subjects/sh88003429 http://id.loc.gov/authorities/subjects/sh85108424 http://id.loc.gov/authorities/subjects/sh85045631 http://id.loc.gov/authorities/subjects/sh85081863 http://id.loc.gov/authorities/subjects/sh85133053 https://id.nlm.nih.gov/mesh/D013664 http://d-nb.info/gnd/4017102-4 |
| title | The couch and the silver screen : psychoanalytic reflections on European cinema / |
| title_alt | Foreword / Introduction / Inner and outer worlds of the filmmaker's temporary social structure / One in the eye from Sam: Samuel Beckett's Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / WORKING THROUGH TRAUMA -- Sons and fathers: a room of their own -- Nanni Moretti's The son's room (2001) / Witness and persecution in two short films: Miguel Sapochnik's The dreamer (2001) and Lindy Heymann's Kissing Buba (2001) / Post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer's Run, Lola, run (1998) / Thomas Vinterberg's Festen (1998): an attempt to avoid madness through denunciation / István Szabó's Sunshine (1999): the cinematic representation of historical and familial trauma / Notes on the relevance of psychoanalytic theory to Euro-horror cinema / Dario Argento's Phenomena (1985): a psychoanalytic perspective on the 'horror film' genre and adolescent development / Freedom through re-introjection: a Kleinian perspective on Dominik Moll's Harry: he's here to help (2000) / Cinema, horror and the abominations of hell: Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The beyond (1981) / Narratives and documentaries: an encounter with Michael Apted and his films / Cinematic dream-work of Ingmar Bergman's Wild strawberries (1957) / Film as an abreaction of totalitarianism: Vinko Brešan's Marshal Tito's spirit (1999) / Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer's Fortuna (2000) and Michael Aviad's Ever shot anyone? (1995) / Filming psychoanalysis: feature or documentary? Two contributions / |
| title_auth | The couch and the silver screen : psychoanalytic reflections on European cinema / |
| title_exact_search | The couch and the silver screen : psychoanalytic reflections on European cinema / |
| title_full | The couch and the silver screen : psychoanalytic reflections on European cinema / edited by Andrea Sabbadini. |
| title_fullStr | The couch and the silver screen : psychoanalytic reflections on European cinema / edited by Andrea Sabbadini. |
| title_full_unstemmed | The couch and the silver screen : psychoanalytic reflections on European cinema / edited by Andrea Sabbadini. |
| title_short | The couch and the silver screen : |
| title_sort | couch and the silver screen psychoanalytic reflections on european cinema |
| title_sub | psychoanalytic reflections on European cinema / |
| topic | Motion pictures Europe Psychological aspects. Psychoanalysis and motion pictures. http://id.loc.gov/authorities/subjects/sh88003429 Psychoanalytic interpretation. http://id.loc.gov/authorities/subjects/sh85108424 Mass media. http://id.loc.gov/authorities/subjects/sh85081863 Teaching Aids and devices. http://id.loc.gov/authorities/subjects/sh85133053 Motion Pictures as Topic Psychoanalytic Interpretation Teaching Materials https://id.nlm.nih.gov/mesh/D013664 Music, Dance, Drama & Film. Film. Psychanalyse et cinéma. Interprétation psychanalytique. Médias. Matériel didactique. mass media. aat audiovisual materials. aat instructional materials. aat PERFORMING ARTS Film & Video History & Criticism. bisacsh PERFORMING ARTS Film & Video. bisacsh Psychoanalytic interpretation fast Motion pictures Psychological aspects fast Psychoanalysis and motion pictures fast Psychoanalyse gnd Film gnd http://d-nb.info/gnd/4017102-4 Films. gtt Psychoanalyse. gtt Music, Dance, Drama & Film. hilcc Film. hilcc |
| topic_facet | Motion pictures Europe Psychological aspects. Psychoanalysis and motion pictures. Psychoanalytic interpretation. Europe. Mass media. Teaching Aids and devices. Motion Pictures as Topic Psychoanalytic Interpretation Europe Teaching Materials Music, Dance, Drama & Film. Film. Psychanalyse et cinéma. Interprétation psychanalytique. Médias. Matériel didactique. mass media. audiovisual materials. instructional materials. PERFORMING ARTS Film & Video History & Criticism. PERFORMING ARTS Film & Video. Psychoanalytic interpretation Motion pictures Psychological aspects Psychoanalysis and motion pictures Psychoanalyse Film Films. Psychoanalyse. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=134820 |
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