Philosophy of the arts :: an introduction to aesthetics /
Philosophy of the Arts presents a comprehensive and accessible introduction to those coming to aesthetics and the philosophy of art for the first time. The third edition is greatly enhanced by new sections on art and beauty, modern art, Aristotle and katharsis, and Hegel. Each chapter has been thoro...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York :
Routledge,
2005.
|
| Ausgabe: | 3rd ed. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Philosophy of the Arts presents a comprehensive and accessible introduction to those coming to aesthetics and the philosophy of art for the first time. The third edition is greatly enhanced by new sections on art and beauty, modern art, Aristotle and katharsis, and Hegel. Each chapter has been thoroughly revised with fresh material and extended discussions. As with previous editions, the book:is jargon-free and will appeal to students of music, art history and literature as well as philosophylooks at a wide range of the arts from film, painting and architec. |
| Beschreibung: | 1 online resource (xi, 268 pages) |
| Bibliographie: | Includes bibliographical references (pages 252-255) and index. |
| ISBN: | 0203696220 9780203696224 9780415349789 0415349788 9780415349796 0415349796 9786610247523 6610247528 |
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| 100 | 1 | |a Graham, Gordon, |d 1949 July 15- | |
| 245 | 1 | 0 | |a Philosophy of the arts : |b an introduction to aesthetics / |c Gordon Graham. |
| 250 | |a 3rd ed. | ||
| 260 | |a London ; |a New York : |b Routledge, |c 2005. | ||
| 300 | |a 1 online resource (xi, 268 pages) | ||
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| 504 | |a Includes bibliographical references (pages 252-255) and index. | ||
| 505 | 0 | |a Art and pleasure -- Hume on taste and tragedy -- Collingwood on art as amusement -- Mill on higher and lower pleasures -- The nature of pleasure -- Art and beauty -- Beauty and pleasure -- Kant on beauty -- The aesthetic attitude and the sublime -- Art and the aesthetic -- Gadamer and art as play -- Art and sport -- Art and emotion -- Tolstoy and everyday expressivism -- Aristotle and katharsis -- Expression and imagination -- Croce and 'intuition' -- Collingwood's expressivism -- Expression vs expressiveness -- Art and understanding -- Hegel, art and mind -- Art, science and knowledge -- Aesthetic cognitivism, for and against -- Imagination and experience -- The objects of imagination -- Art and the world -- Understanding as a norm -- Art and human nature -- Music and sonic art -- Music and pleasure -- Music and emotion -- Music as language -- Music and representation -- Résumé -- The uniqueness of music -- Music and beauty -- Music as the exploration of sound -- Sonic art and digital technology -- The visual arts -- What is representation? -- Representation and artistic value -- Art and the visual -- Visual art and the non-visual -- Film as art -- Montage vs long shot -- Talkies -- The 'auteur' in film -- The literary arts -- Poetry and prose -- The unity of form and content -- Figures of speech -- Expressive language -- Poetic devices -- Narrative and fiction -- Literature and understanding -- The performing arts -- Artist, audience and performer -- Painting as the paradigm of art -- Nietzsche and the birth of tragedy -- Performance and participation -- The art of the actor -- Architecture as an art -- The peculiarities of architecture -- Form, function and 'the decorated shed' -- Façade, deception and the 'Zeitgeist' -- Functionalism -- Formalism and 'space' -- Résumé -- Architectural expression -- Architecture and understanding -- Modern art -- The break with tradition -- Experimental art and the avant-garde -- The art of the readymade -- Conceptual art -- The market in art -- Art and leisure -- The aesthetics of nature -- Objectivism vs subjectivism -- The artist's intention and the 'intentional fallacy' -- The aesthetics of nature -- Theories of art -- Defining art -- Art as an institution -- Marxism and the sociology of art -- Lévi-Strauss and structuralism -- Derrida, deconstruction and postmodernism -- Normative theory of art. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Philosophy of the Arts presents a comprehensive and accessible introduction to those coming to aesthetics and the philosophy of art for the first time. The third edition is greatly enhanced by new sections on art and beauty, modern art, Aristotle and katharsis, and Hegel. Each chapter has been thoroughly revised with fresh material and extended discussions. As with previous editions, the book:is jargon-free and will appeal to students of music, art history and literature as well as philosophylooks at a wide range of the arts from film, painting and architec. | ||
| 650 | 0 | |a Aesthetics. |0 http://id.loc.gov/authorities/subjects/sh85001441 | |
| 650 | 0 | |a Philosophy. |0 http://id.loc.gov/authorities/subjects/sh85100849 | |
| 650 | 2 | |a Philosophy |0 https://id.nlm.nih.gov/mesh/D010684 | |
| 650 | 6 | |a Philosophie. | |
| 650 | 7 | |a philosophy. |2 aat | |
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| 650 | 7 | |a Aesthetics |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Graham, Gordon, 1949 July 15- |t Philosophy of the arts. |b 3rd ed. |d London ; New York : Routledge, 2005 |w (DLC) 2005002568 |
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| author | Graham, Gordon, 1949 July 15- |
| author_facet | Graham, Gordon, 1949 July 15- |
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| author_sort | Graham, Gordon, 1949 July 15- |
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| callnumber-first | B - Philosophy, Psychology, Religion |
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| contents | Art and pleasure -- Hume on taste and tragedy -- Collingwood on art as amusement -- Mill on higher and lower pleasures -- The nature of pleasure -- Art and beauty -- Beauty and pleasure -- Kant on beauty -- The aesthetic attitude and the sublime -- Art and the aesthetic -- Gadamer and art as play -- Art and sport -- Art and emotion -- Tolstoy and everyday expressivism -- Aristotle and katharsis -- Expression and imagination -- Croce and 'intuition' -- Collingwood's expressivism -- Expression vs expressiveness -- Art and understanding -- Hegel, art and mind -- Art, science and knowledge -- Aesthetic cognitivism, for and against -- Imagination and experience -- The objects of imagination -- Art and the world -- Understanding as a norm -- Art and human nature -- Music and sonic art -- Music and pleasure -- Music and emotion -- Music as language -- Music and representation -- Résumé -- The uniqueness of music -- Music and beauty -- Music as the exploration of sound -- Sonic art and digital technology -- The visual arts -- What is representation? -- Representation and artistic value -- Art and the visual -- Visual art and the non-visual -- Film as art -- Montage vs long shot -- Talkies -- The 'auteur' in film -- The literary arts -- Poetry and prose -- The unity of form and content -- Figures of speech -- Expressive language -- Poetic devices -- Narrative and fiction -- Literature and understanding -- The performing arts -- Artist, audience and performer -- Painting as the paradigm of art -- Nietzsche and the birth of tragedy -- Performance and participation -- The art of the actor -- Architecture as an art -- The peculiarities of architecture -- Form, function and 'the decorated shed' -- Façade, deception and the 'Zeitgeist' -- Functionalism -- Formalism and 'space' -- Résumé -- Architectural expression -- Architecture and understanding -- Modern art -- The break with tradition -- Experimental art and the avant-garde -- The art of the readymade -- Conceptual art -- The market in art -- Art and leisure -- The aesthetics of nature -- Objectivism vs subjectivism -- The artist's intention and the 'intentional fallacy' -- The aesthetics of nature -- Theories of art -- Defining art -- Art as an institution -- Marxism and the sociology of art -- Lévi-Strauss and structuralism -- Derrida, deconstruction and postmodernism -- Normative theory of art. |
| ctrlnum | (OCoLC)252743283 |
| dewey-full | 111/.85 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 111 - Ontology |
| dewey-raw | 111/.85 |
| dewey-search | 111/.85 |
| dewey-sort | 3111 285 |
| dewey-tens | 110 - Metaphysics |
| discipline | Philosophie |
| edition | 3rd ed. |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn252743283 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:16:30Z |
| institution | BVB |
| isbn | 0203696220 9780203696224 9780415349789 0415349788 9780415349796 0415349796 9786610247523 6610247528 |
| language | English |
| oclc_num | 252743283 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xi, 268 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | Routledge, |
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| spelling | Graham, Gordon, 1949 July 15- Philosophy of the arts : an introduction to aesthetics / Gordon Graham. 3rd ed. London ; New York : Routledge, 2005. 1 online resource (xi, 268 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Includes bibliographical references (pages 252-255) and index. Art and pleasure -- Hume on taste and tragedy -- Collingwood on art as amusement -- Mill on higher and lower pleasures -- The nature of pleasure -- Art and beauty -- Beauty and pleasure -- Kant on beauty -- The aesthetic attitude and the sublime -- Art and the aesthetic -- Gadamer and art as play -- Art and sport -- Art and emotion -- Tolstoy and everyday expressivism -- Aristotle and katharsis -- Expression and imagination -- Croce and 'intuition' -- Collingwood's expressivism -- Expression vs expressiveness -- Art and understanding -- Hegel, art and mind -- Art, science and knowledge -- Aesthetic cognitivism, for and against -- Imagination and experience -- The objects of imagination -- Art and the world -- Understanding as a norm -- Art and human nature -- Music and sonic art -- Music and pleasure -- Music and emotion -- Music as language -- Music and representation -- Résumé -- The uniqueness of music -- Music and beauty -- Music as the exploration of sound -- Sonic art and digital technology -- The visual arts -- What is representation? -- Representation and artistic value -- Art and the visual -- Visual art and the non-visual -- Film as art -- Montage vs long shot -- Talkies -- The 'auteur' in film -- The literary arts -- Poetry and prose -- The unity of form and content -- Figures of speech -- Expressive language -- Poetic devices -- Narrative and fiction -- Literature and understanding -- The performing arts -- Artist, audience and performer -- Painting as the paradigm of art -- Nietzsche and the birth of tragedy -- Performance and participation -- The art of the actor -- Architecture as an art -- The peculiarities of architecture -- Form, function and 'the decorated shed' -- Façade, deception and the 'Zeitgeist' -- Functionalism -- Formalism and 'space' -- Résumé -- Architectural expression -- Architecture and understanding -- Modern art -- The break with tradition -- Experimental art and the avant-garde -- The art of the readymade -- Conceptual art -- The market in art -- Art and leisure -- The aesthetics of nature -- Objectivism vs subjectivism -- The artist's intention and the 'intentional fallacy' -- The aesthetics of nature -- Theories of art -- Defining art -- Art as an institution -- Marxism and the sociology of art -- Lévi-Strauss and structuralism -- Derrida, deconstruction and postmodernism -- Normative theory of art. Print version record. Philosophy of the Arts presents a comprehensive and accessible introduction to those coming to aesthetics and the philosophy of art for the first time. The third edition is greatly enhanced by new sections on art and beauty, modern art, Aristotle and katharsis, and Hegel. Each chapter has been thoroughly revised with fresh material and extended discussions. As with previous editions, the book:is jargon-free and will appeal to students of music, art history and literature as well as philosophylooks at a wide range of the arts from film, painting and architec. Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Philosophy. http://id.loc.gov/authorities/subjects/sh85100849 Philosophy https://id.nlm.nih.gov/mesh/D010684 Philosophie. philosophy. aat PHILOSOPHY Aesthetics. bisacsh Aesthetics fast Print version: Graham, Gordon, 1949 July 15- Philosophy of the arts. 3rd ed. London ; New York : Routledge, 2005 (DLC) 2005002568 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=144308 Volltext |
| spellingShingle | Graham, Gordon, 1949 July 15- Philosophy of the arts : an introduction to aesthetics / Art and pleasure -- Hume on taste and tragedy -- Collingwood on art as amusement -- Mill on higher and lower pleasures -- The nature of pleasure -- Art and beauty -- Beauty and pleasure -- Kant on beauty -- The aesthetic attitude and the sublime -- Art and the aesthetic -- Gadamer and art as play -- Art and sport -- Art and emotion -- Tolstoy and everyday expressivism -- Aristotle and katharsis -- Expression and imagination -- Croce and 'intuition' -- Collingwood's expressivism -- Expression vs expressiveness -- Art and understanding -- Hegel, art and mind -- Art, science and knowledge -- Aesthetic cognitivism, for and against -- Imagination and experience -- The objects of imagination -- Art and the world -- Understanding as a norm -- Art and human nature -- Music and sonic art -- Music and pleasure -- Music and emotion -- Music as language -- Music and representation -- Résumé -- The uniqueness of music -- Music and beauty -- Music as the exploration of sound -- Sonic art and digital technology -- The visual arts -- What is representation? -- Representation and artistic value -- Art and the visual -- Visual art and the non-visual -- Film as art -- Montage vs long shot -- Talkies -- The 'auteur' in film -- The literary arts -- Poetry and prose -- The unity of form and content -- Figures of speech -- Expressive language -- Poetic devices -- Narrative and fiction -- Literature and understanding -- The performing arts -- Artist, audience and performer -- Painting as the paradigm of art -- Nietzsche and the birth of tragedy -- Performance and participation -- The art of the actor -- Architecture as an art -- The peculiarities of architecture -- Form, function and 'the decorated shed' -- Façade, deception and the 'Zeitgeist' -- Functionalism -- Formalism and 'space' -- Résumé -- Architectural expression -- Architecture and understanding -- Modern art -- The break with tradition -- Experimental art and the avant-garde -- The art of the readymade -- Conceptual art -- The market in art -- Art and leisure -- The aesthetics of nature -- Objectivism vs subjectivism -- The artist's intention and the 'intentional fallacy' -- The aesthetics of nature -- Theories of art -- Defining art -- Art as an institution -- Marxism and the sociology of art -- Lévi-Strauss and structuralism -- Derrida, deconstruction and postmodernism -- Normative theory of art. Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Philosophy. http://id.loc.gov/authorities/subjects/sh85100849 Philosophy https://id.nlm.nih.gov/mesh/D010684 Philosophie. philosophy. aat PHILOSOPHY Aesthetics. bisacsh Aesthetics fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85001441 http://id.loc.gov/authorities/subjects/sh85100849 https://id.nlm.nih.gov/mesh/D010684 |
| title | Philosophy of the arts : an introduction to aesthetics / |
| title_auth | Philosophy of the arts : an introduction to aesthetics / |
| title_exact_search | Philosophy of the arts : an introduction to aesthetics / |
| title_full | Philosophy of the arts : an introduction to aesthetics / Gordon Graham. |
| title_fullStr | Philosophy of the arts : an introduction to aesthetics / Gordon Graham. |
| title_full_unstemmed | Philosophy of the arts : an introduction to aesthetics / Gordon Graham. |
| title_short | Philosophy of the arts : |
| title_sort | philosophy of the arts an introduction to aesthetics |
| title_sub | an introduction to aesthetics / |
| topic | Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Philosophy. http://id.loc.gov/authorities/subjects/sh85100849 Philosophy https://id.nlm.nih.gov/mesh/D010684 Philosophie. philosophy. aat PHILOSOPHY Aesthetics. bisacsh Aesthetics fast |
| topic_facet | Aesthetics. Philosophy. Philosophy Philosophie. philosophy. PHILOSOPHY Aesthetics. Aesthetics |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=144308 |
| work_keys_str_mv | AT grahamgordon philosophyoftheartsanintroductiontoaesthetics |