Catholicism, sexual deviance, and Victorian Gothic culture /:

It has long been recognised that the Gothic genre sensationalised beliefs and practices associated with Catholicism. Often, the rhetorical tropes and narrative structures of the Gothic, with its lurid and supernatural plots, were used to argue that both Catholicism and sexual difference were fundame...

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Bibliographische Detailangaben
1. Verfasser: O'Malley, Patrick R.
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Cambridge : Cambridge University Press, 2006.
Schriftenreihe:Cambridge studies in nineteenth-century literature and culture ; 51.
Schlagworte:
Online-Zugang:Volltext
Zusammenfassung:It has long been recognised that the Gothic genre sensationalised beliefs and practices associated with Catholicism. Often, the rhetorical tropes and narrative structures of the Gothic, with its lurid and supernatural plots, were used to argue that both Catholicism and sexual difference were fundamentally alien and threatening to British Protestant culture. Ultimately, however, the Gothic also provided an imaginative space in which unconventional writers from John Henry Newman to Oscar Wilde could articulate an alternative vision of British culture. Patrick O'Malley charts these developments from the origins of the Gothic novel in the mid-eighteenth century, through the mid-nineteenth-century sensation novel, toward the end of the Victorian Gothic in Bram Stoker's Dracula and Thomas Hardy's Jude the Obscure. O'Malley foregrounds the continuing importance of Victorian Gothic as a genre through which British authors defined their culture and what was outside it.
Beschreibung:1 online resource (x, 279 pages) : illustrations
Bibliographie:Includes bibliographical references (pages 260-274) and index.
ISBN:051124634X
9780511246340
9780511247019
051124701X
9786610703685
661070368X
0511318839
9780511318832
1280703687
9781280703683
0511484895
9780511484896
0511245637
9780511245633

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