Federico Fellini :: contemporary perspectives /
Federico Fellini remains the best known of the postwar Italian directors. This collection of essays brings Fellini criticism up to date, employing a range of recent critical filters, including semiotic, psychoanalytical, feminist and deconstructionist. Accordingly, a number of important themes arise...
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| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto :
University of Toronto Press,
[2002]
|
| Schriftenreihe: | Toronto Italian studies.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Federico Fellini remains the best known of the postwar Italian directors. This collection of essays brings Fellini criticism up to date, employing a range of recent critical filters, including semiotic, psychoanalytical, feminist and deconstructionist. Accordingly, a number of important themes arise - the reception of fascism, the crisis of the subject, the question of agency, homo-eroticism, feminism, and constructions of gender. Since the early 1970s, a slide in critical and theoretical attention to Fellini's work has corresponded with an assumption that his films are self-indulgent and lacking in political value. This volume moves the discussion towards a politics of signification, contending that Fellini's evolving self-reflexivity is not mere solipsism but rather a critique of both aesthetics and signification. The essays presented here are almost all new - the two exceptions being important signifiers in Fellini studies. The first, Frank Burke's "Federico Fellini: Reality/Representation/Signification" laid the foundation in the late 1980s for considering Fellini's work in the light of postmodernism. The second, Marguerite Waller's "Whose Dolce Vita is this Anyway?: The Language of Fellini's Cinema" (1990), provides a contemporary re-reading of Fellini's most successful film. This lively and ambitious collection brings a new critical language to bear on Fellini's films, offering fresh insights into their underlying issues and meaning. In bringing Fellini criticism up to date, it will have a significant impact on film studies, reclaiming this important director for a contemporary audience |
| Beschreibung: | 1 online resource (xvi, 239 pages, 16 unnumbered pages of plates) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 233-234) and filmography (p. 235-236). |
| ISBN: | 9781442674837 1442674830 9781282003170 1282003178 |
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| 504 | |a Includes bibliographical references (pages 233-234) and filmography (p. 235-236). | ||
| 505 | 0 | |a Federico Fellini: realism/representation/signification / Frank Burke -- Subtle wasted traces: Fellini and the circus / Helen Stoddart -- Fellini and Lacan: the hollow phallus, the male womb, and the retying of the umbilical / William van Watson -- When in Rome do as the Romans do? Federico Fellini's problematization of femininity (The white sheik) / Virginia Picchietti -- Whose Dolce vita is this, anyway? The language of Fellini's cinema / Marguerite R. Waller -- 'Toby dammit, ' intertext, and the end of humanism / Christopher Sharrett -- Fellini's Amarcord: variations on the libidinal limbo of adolescence / Dorothée Bonnigal -- Memory, dialect, politics: linguistic strategies in Fellini's Amarcord / Cosetta Gaudenzi -- Fellini's Ginger and Fred: postmodern simulation meets Hollywood romance / Millicent Marcus -- Cinecittà and America: Fellini interviews Kafka (Intervista) / Carlo Testa -- Interview with the vamp: deconstructing femininity in Fellini's final films (Intervista, La voce della luna) / Áine O'Healy. | |
| 520 | |a Federico Fellini remains the best known of the postwar Italian directors. This collection of essays brings Fellini criticism up to date, employing a range of recent critical filters, including semiotic, psychoanalytical, feminist and deconstructionist. Accordingly, a number of important themes arise - the reception of fascism, the crisis of the subject, the question of agency, homo-eroticism, feminism, and constructions of gender. Since the early 1970s, a slide in critical and theoretical attention to Fellini's work has corresponded with an assumption that his films are self-indulgent and lacking in political value. This volume moves the discussion towards a politics of signification, contending that Fellini's evolving self-reflexivity is not mere solipsism but rather a critique of both aesthetics and signification. The essays presented here are almost all new - the two exceptions being important signifiers in Fellini studies. The first, Frank Burke's "Federico Fellini: Reality/Representation/Signification" laid the foundation in the late 1980s for considering Fellini's work in the light of postmodernism. The second, Marguerite Waller's "Whose Dolce Vita is this Anyway?: The Language of Fellini's Cinema" (1990), provides a contemporary re-reading of Fellini's most successful film. This lively and ambitious collection brings a new critical language to bear on Fellini's films, offering fresh insights into their underlying issues and meaning. In bringing Fellini criticism up to date, it will have a significant impact on film studies, reclaiming this important director for a contemporary audience | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on June 27, 2022). | |
| 600 | 1 | 0 | |a Fellini, Federico |x Criticism and interpretation. |
| 600 | 1 | 6 | |a Fellini, Federico |x Critique et interprétation. |
| 600 | 1 | 7 | |a Fellini, Federico |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJwCWPrRRfQWXm7PJwJFKd |
| 600 | 1 | 7 | |a Fellini, Federico. |2 swd |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 1 | 7 | |a Filmkunst. |2 gtt |
| 650 | 1 | 7 | |a Films. |2 gtt |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Burke, Frank, |e editor. |0 http://id.loc.gov/authorities/names/n84056378 | |
| 700 | 1 | |a Waller, Marguerite R., |d 1948- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PBJcGk9HWDx8CdxPMcyFtKd |0 http://id.loc.gov/authorities/names/n80032275 | |
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| _version_ | 1816881672713404416 |
| adam_text | |
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| author2 | Burke, Frank Waller, Marguerite R., 1948- |
| author2_role | edt edt |
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| author_GND | http://id.loc.gov/authorities/names/n84056378 http://id.loc.gov/authorities/names/n80032275 |
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| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1998 |
| callnumber-raw | PN1998.3.F45 F455 2002 |
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| collection | ZDB-4-EBA |
| contents | Federico Fellini: realism/representation/signification / Frank Burke -- Subtle wasted traces: Fellini and the circus / Helen Stoddart -- Fellini and Lacan: the hollow phallus, the male womb, and the retying of the umbilical / William van Watson -- When in Rome do as the Romans do? Federico Fellini's problematization of femininity (The white sheik) / Virginia Picchietti -- Whose Dolce vita is this, anyway? The language of Fellini's cinema / Marguerite R. Waller -- 'Toby dammit, ' intertext, and the end of humanism / Christopher Sharrett -- Fellini's Amarcord: variations on the libidinal limbo of adolescence / Dorothée Bonnigal -- Memory, dialect, politics: linguistic strategies in Fellini's Amarcord / Cosetta Gaudenzi -- Fellini's Ginger and Fred: postmodern simulation meets Hollywood romance / Millicent Marcus -- Cinecittà and America: Fellini interviews Kafka (Intervista) / Carlo Testa -- Interview with the vamp: deconstructing femininity in Fellini's final films (Intervista, La voce della luna) / Áine O'Healy. |
| ctrlnum | (OCoLC)244768219 |
| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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Waller.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Toronto :</subfield><subfield code="b">University of Toronto Press,</subfield><subfield code="c">[2002]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xvi, 239 pages, 16 unnumbered pages of plates) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Toronto Italian studies</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 233-234) and filmography (p. 235-236).</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Federico Fellini: realism/representation/signification / Frank Burke -- Subtle wasted traces: Fellini and the circus / Helen Stoddart -- Fellini and Lacan: the hollow phallus, the male womb, and the retying of the umbilical / William van Watson -- When in Rome do as the Romans do? Federico Fellini's problematization of femininity (The white sheik) / Virginia Picchietti -- Whose Dolce vita is this, anyway? The language of Fellini's cinema / Marguerite R. Waller -- 'Toby dammit, ' intertext, and the end of humanism / Christopher Sharrett -- Fellini's Amarcord: variations on the libidinal limbo of adolescence / Dorothée Bonnigal -- Memory, dialect, politics: linguistic strategies in Fellini's Amarcord / Cosetta Gaudenzi -- Fellini's Ginger and Fred: postmodern simulation meets Hollywood romance / Millicent Marcus -- Cinecittà and America: Fellini interviews Kafka (Intervista) / Carlo Testa -- Interview with the vamp: deconstructing femininity in Fellini's final films (Intervista, La voce della luna) / Áine O'Healy.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Federico Fellini remains the best known of the postwar Italian directors. This collection of essays brings Fellini criticism up to date, employing a range of recent critical filters, including semiotic, psychoanalytical, feminist and deconstructionist. Accordingly, a number of important themes arise - the reception of fascism, the crisis of the subject, the question of agency, homo-eroticism, feminism, and constructions of gender. Since the early 1970s, a slide in critical and theoretical attention to Fellini's work has corresponded with an assumption that his films are self-indulgent and lacking in political value. This volume moves the discussion towards a politics of signification, contending that Fellini's evolving self-reflexivity is not mere solipsism but rather a critique of both aesthetics and signification. The essays presented here are almost all new - the two exceptions being important signifiers in Fellini studies. The first, Frank Burke's "Federico Fellini: Reality/Representation/Signification" laid the foundation in the late 1980s for considering Fellini's work in the light of postmodernism. The second, Marguerite Waller's "Whose Dolce Vita is this Anyway?: The Language of Fellini's Cinema" (1990), provides a contemporary re-reading of Fellini's most successful film. This lively and ambitious collection brings a new critical language to bear on Fellini's films, offering fresh insights into their underlying issues and meaning. 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| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn244768219 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:16:27Z |
| institution | BVB |
| isbn | 9781442674837 1442674830 9781282003170 1282003178 |
| language | English |
| oclc_num | 244768219 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xvi, 239 pages, 16 unnumbered pages of plates) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2002 |
| publishDateSearch | 2002 |
| publishDateSort | 2002 |
| publisher | University of Toronto Press, |
| record_format | marc |
| series | Toronto Italian studies. |
| series2 | Toronto Italian studies |
| spelling | Federico Fellini : contemporary perspectives / edited by Frank Burke and Marguerite R. Waller. Toronto : University of Toronto Press, [2002] 1 online resource (xvi, 239 pages, 16 unnumbered pages of plates) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Toronto Italian studies Includes bibliographical references (pages 233-234) and filmography (p. 235-236). Federico Fellini: realism/representation/signification / Frank Burke -- Subtle wasted traces: Fellini and the circus / Helen Stoddart -- Fellini and Lacan: the hollow phallus, the male womb, and the retying of the umbilical / William van Watson -- When in Rome do as the Romans do? Federico Fellini's problematization of femininity (The white sheik) / Virginia Picchietti -- Whose Dolce vita is this, anyway? The language of Fellini's cinema / Marguerite R. Waller -- 'Toby dammit, ' intertext, and the end of humanism / Christopher Sharrett -- Fellini's Amarcord: variations on the libidinal limbo of adolescence / Dorothée Bonnigal -- Memory, dialect, politics: linguistic strategies in Fellini's Amarcord / Cosetta Gaudenzi -- Fellini's Ginger and Fred: postmodern simulation meets Hollywood romance / Millicent Marcus -- Cinecittà and America: Fellini interviews Kafka (Intervista) / Carlo Testa -- Interview with the vamp: deconstructing femininity in Fellini's final films (Intervista, La voce della luna) / Áine O'Healy. Federico Fellini remains the best known of the postwar Italian directors. This collection of essays brings Fellini criticism up to date, employing a range of recent critical filters, including semiotic, psychoanalytical, feminist and deconstructionist. Accordingly, a number of important themes arise - the reception of fascism, the crisis of the subject, the question of agency, homo-eroticism, feminism, and constructions of gender. Since the early 1970s, a slide in critical and theoretical attention to Fellini's work has corresponded with an assumption that his films are self-indulgent and lacking in political value. This volume moves the discussion towards a politics of signification, contending that Fellini's evolving self-reflexivity is not mere solipsism but rather a critique of both aesthetics and signification. The essays presented here are almost all new - the two exceptions being important signifiers in Fellini studies. The first, Frank Burke's "Federico Fellini: Reality/Representation/Signification" laid the foundation in the late 1980s for considering Fellini's work in the light of postmodernism. The second, Marguerite Waller's "Whose Dolce Vita is this Anyway?: The Language of Fellini's Cinema" (1990), provides a contemporary re-reading of Fellini's most successful film. This lively and ambitious collection brings a new critical language to bear on Fellini's films, offering fresh insights into their underlying issues and meaning. In bringing Fellini criticism up to date, it will have a significant impact on film studies, reclaiming this important director for a contemporary audience Online resource; title from digital title page (viewed on June 27, 2022). Fellini, Federico Criticism and interpretation. Fellini, Federico Critique et interprétation. Fellini, Federico fast https://id.oclc.org/worldcat/entity/E39PBJwCWPrRRfQWXm7PJwJFKd Fellini, Federico. swd PERFORMING ARTS Film & Video Direction & Production. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Filmkunst. gtt Films. gtt Electronic books. Criticism, interpretation, etc. fast Burke, Frank, editor. http://id.loc.gov/authorities/names/n84056378 Waller, Marguerite R., 1948- editor. https://id.oclc.org/worldcat/entity/E39PBJcGk9HWDx8CdxPMcyFtKd http://id.loc.gov/authorities/names/n80032275 has work: Federico Fellini (Text) https://id.oclc.org/worldcat/entity/E39PCFBQb9KyGyHxgP8YtgBqXq https://id.oclc.org/worldcat/ontology/hasWork Print version: Federico Fellini. Toronto ; Buffalo : University of Toronto Press, ©2002 9780802006967 (DLC) 2002728423 (OCoLC)48416474 Toronto Italian studies. http://id.loc.gov/authorities/names/n95026425 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=468127 Volltext |
| spellingShingle | Federico Fellini : contemporary perspectives / Toronto Italian studies. Federico Fellini: realism/representation/signification / Frank Burke -- Subtle wasted traces: Fellini and the circus / Helen Stoddart -- Fellini and Lacan: the hollow phallus, the male womb, and the retying of the umbilical / William van Watson -- When in Rome do as the Romans do? Federico Fellini's problematization of femininity (The white sheik) / Virginia Picchietti -- Whose Dolce vita is this, anyway? The language of Fellini's cinema / Marguerite R. Waller -- 'Toby dammit, ' intertext, and the end of humanism / Christopher Sharrett -- Fellini's Amarcord: variations on the libidinal limbo of adolescence / Dorothée Bonnigal -- Memory, dialect, politics: linguistic strategies in Fellini's Amarcord / Cosetta Gaudenzi -- Fellini's Ginger and Fred: postmodern simulation meets Hollywood romance / Millicent Marcus -- Cinecittà and America: Fellini interviews Kafka (Intervista) / Carlo Testa -- Interview with the vamp: deconstructing femininity in Fellini's final films (Intervista, La voce della luna) / Áine O'Healy. Fellini, Federico Criticism and interpretation. Fellini, Federico Critique et interprétation. Fellini, Federico fast https://id.oclc.org/worldcat/entity/E39PBJwCWPrRRfQWXm7PJwJFKd Fellini, Federico. swd PERFORMING ARTS Film & Video Direction & Production. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Filmkunst. gtt Films. gtt |
| title | Federico Fellini : contemporary perspectives / |
| title_auth | Federico Fellini : contemporary perspectives / |
| title_exact_search | Federico Fellini : contemporary perspectives / |
| title_full | Federico Fellini : contemporary perspectives / edited by Frank Burke and Marguerite R. Waller. |
| title_fullStr | Federico Fellini : contemporary perspectives / edited by Frank Burke and Marguerite R. Waller. |
| title_full_unstemmed | Federico Fellini : contemporary perspectives / edited by Frank Burke and Marguerite R. Waller. |
| title_short | Federico Fellini : |
| title_sort | federico fellini contemporary perspectives |
| title_sub | contemporary perspectives / |
| topic | Fellini, Federico Criticism and interpretation. Fellini, Federico Critique et interprétation. Fellini, Federico fast https://id.oclc.org/worldcat/entity/E39PBJwCWPrRRfQWXm7PJwJFKd Fellini, Federico. swd PERFORMING ARTS Film & Video Direction & Production. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Filmkunst. gtt Films. gtt |
| topic_facet | Fellini, Federico Criticism and interpretation. Fellini, Federico Critique et interprétation. Fellini, Federico Fellini, Federico. PERFORMING ARTS Film & Video Direction & Production. PERFORMING ARTS Film & Video History & Criticism. Filmkunst. Films. Electronic books. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=468127 |
| work_keys_str_mv | AT burkefrank federicofellinicontemporaryperspectives AT wallermargueriter federicofellinicontemporaryperspectives |