Aretino's satyr :: sexuality, satire and self-projection in sixteenth-century literature and art /
Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto [Ont.] :
University of Toronto Press,
©2004.
|
| Schriftenreihe: | Toronto Italian studies.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts. |
| Beschreibung: | 1 online resource (xxv, 279 pages) : 65 illustrations |
| Bibliographie: | Includes bibliographical references (pages 237-267) and index. |
| ISBN: | 9781442670976 1442670975 1281994685 9781281994684 |
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| 245 | 1 | 0 | |a Aretino's satyr : |b sexuality, satire and self-projection in sixteenth-century literature and art / |c Raymond B. Waddington. |
| 260 | |a Toronto [Ont.] : |b University of Toronto Press, |c ©2004. | ||
| 300 | |a 1 online resource (xxv, 279 pages) : |b 65 illustrations | ||
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| 490 | 1 | |a Toronto Italian studies | |
| 504 | |a Includes bibliographical references (pages 237-267) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g 1. |t Ostentatio genitalium: Revaluing Sexuality |g 3 -- |t Priapus and the Satyr |g 11 -- |t Aretino as Counter-Petrarch |g 20 -- |g 2. |t Aretino and Print Culture |g 33 -- |t Printing and Prostitution |g 34 -- |t The New Man of Letters |g 45 -- |g 3. |t The Better Image: Portraits in Words, Wood, and Bronze |g 57 -- |t Portraits of the Artist as a Middle-Aged Man |g 61 -- |t Aretino and Medals |g 69 -- |t Leone Leoni |g 75 -- |t Alessandro Vittoria |g 78 -- |t Adria's Medal |g 83 -- |g 4. |t Satyr and Satirist |g 91 -- |t Truth and the Satyr |g 93 -- |t Veritas Odium Parit |g 96 -- |t Images of Truth |g 103 -- |t Phallic Satyrs |g 109 -- |g 5. |t Serious Play: From Satyr to Silenus |g 117 -- |t Arcimboldo's Composite Portraits |g 122 -- |t The Silenus of Alcibiades |g 124 -- |t Satyr Art and Satyric Portraits |g 132 -- |t Marsyas |g 144 -- |t Epilogue: Titian's The Flaying of Marsyas |g 153. |
| 520 | |a Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts. | ||
| 600 | 1 | 0 | |a Aretino, Pietro, |d 1492-1556 |x Criticism and interpretation. |
| 600 | 1 | 6 | |a Aretino, Pietro, |d 1492-1556 |x Critique et interprétation. |
| 600 | 1 | 7 | |a Aretino, Pietro, |d 1492-1556 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJvhjkHpRVYxdxHw3mCqQq |
| 600 | 1 | 7 | |a Aretino, Pietro. |2 swd |
| 650 | 7 | |a LITERARY CRITICISM |x European |x Italian. |2 bisacsh | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Aretino's satyr (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGQjpf8V9BBXD8gKbYg8BX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Waddington, Raymond B. |t Aretino's satyr. |d Toronto ; Buffalo : University of Toronto Press, ©2004 |z 0802088147 |w (DLC) 2004299279 |w (OCoLC)52324165 |
| 830 | 0 | |a Toronto Italian studies. |0 http://id.loc.gov/authorities/names/n95026425 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn244768148 |
|---|---|
| _version_ | 1816881672640004096 |
| adam_text | |
| any_adam_object | |
| author | Waddington, Raymond B. |
| author_facet | Waddington, Raymond B. |
| author_role | |
| author_sort | Waddington, Raymond B. |
| author_variant | r b w rb rbw |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PQ4564 |
| callnumber-raw | PQ4564 .W33 2003eb |
| callnumber-search | PQ4564 .W33 2003eb |
| callnumber-sort | PQ 44564 W33 42003EB |
| callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
| classification_rvk | IU 4285 |
| collection | ZDB-4-EBA |
| contents | Ostentatio genitalium: Revaluing Sexuality Priapus and the Satyr Aretino as Counter-Petrarch Aretino and Print Culture Printing and Prostitution The New Man of Letters The Better Image: Portraits in Words, Wood, and Bronze Portraits of the Artist as a Middle-Aged Man Aretino and Medals Leone Leoni Alessandro Vittoria Adria's Medal Satyr and Satirist Truth and the Satyr Veritas Odium Parit Images of Truth Phallic Satyrs Serious Play: From Satyr to Silenus Arcimboldo's Composite Portraits The Silenus of Alcibiades Satyr Art and Satyric Portraits Marsyas Epilogue: Titian's The Flaying of Marsyas |
| ctrlnum | (OCoLC)244768148 |
| dewey-full | 858/.309 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 858 - Italian miscellaneous writings |
| dewey-raw | 858/.309 |
| dewey-search | 858/.309 |
| dewey-sort | 3858 3309 |
| dewey-tens | 850 - Italian, Romanian & related literatures |
| discipline | Romanistik |
| format | Electronic eBook |
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| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn244768148 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:16:27Z |
| institution | BVB |
| isbn | 9781442670976 1442670975 1281994685 9781281994684 |
| language | English |
| oclc_num | 244768148 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xxv, 279 pages) : 65 illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2004 |
| publishDateSearch | 2004 |
| publishDateSort | 2004 |
| publisher | University of Toronto Press, |
| record_format | marc |
| series | Toronto Italian studies. |
| series2 | Toronto Italian studies |
| spelling | Waddington, Raymond B. Aretino's satyr : sexuality, satire and self-projection in sixteenth-century literature and art / Raymond B. Waddington. Toronto [Ont.] : University of Toronto Press, ©2004. 1 online resource (xxv, 279 pages) : 65 illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Toronto Italian studies Includes bibliographical references (pages 237-267) and index. Print version record. 1. Ostentatio genitalium: Revaluing Sexuality 3 -- Priapus and the Satyr 11 -- Aretino as Counter-Petrarch 20 -- 2. Aretino and Print Culture 33 -- Printing and Prostitution 34 -- The New Man of Letters 45 -- 3. The Better Image: Portraits in Words, Wood, and Bronze 57 -- Portraits of the Artist as a Middle-Aged Man 61 -- Aretino and Medals 69 -- Leone Leoni 75 -- Alessandro Vittoria 78 -- Adria's Medal 83 -- 4. Satyr and Satirist 91 -- Truth and the Satyr 93 -- Veritas Odium Parit 96 -- Images of Truth 103 -- Phallic Satyrs 109 -- 5. Serious Play: From Satyr to Silenus 117 -- Arcimboldo's Composite Portraits 122 -- The Silenus of Alcibiades 124 -- Satyr Art and Satyric Portraits 132 -- Marsyas 144 -- Epilogue: Titian's The Flaying of Marsyas 153. Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts. Aretino, Pietro, 1492-1556 Criticism and interpretation. Aretino, Pietro, 1492-1556 Critique et interprétation. Aretino, Pietro, 1492-1556 fast https://id.oclc.org/worldcat/entity/E39PBJvhjkHpRVYxdxHw3mCqQq Aretino, Pietro. swd LITERARY CRITICISM European Italian. bisacsh Electronic books. Criticism, interpretation, etc. fast has work: Aretino's satyr (Text) https://id.oclc.org/worldcat/entity/E39PCGQjpf8V9BBXD8gKbYg8BX https://id.oclc.org/worldcat/ontology/hasWork Print version: Waddington, Raymond B. Aretino's satyr. Toronto ; Buffalo : University of Toronto Press, ©2004 0802088147 (DLC) 2004299279 (OCoLC)52324165 Toronto Italian studies. http://id.loc.gov/authorities/names/n95026425 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=467913 Volltext |
| spellingShingle | Waddington, Raymond B. Aretino's satyr : sexuality, satire and self-projection in sixteenth-century literature and art / Toronto Italian studies. Ostentatio genitalium: Revaluing Sexuality Priapus and the Satyr Aretino as Counter-Petrarch Aretino and Print Culture Printing and Prostitution The New Man of Letters The Better Image: Portraits in Words, Wood, and Bronze Portraits of the Artist as a Middle-Aged Man Aretino and Medals Leone Leoni Alessandro Vittoria Adria's Medal Satyr and Satirist Truth and the Satyr Veritas Odium Parit Images of Truth Phallic Satyrs Serious Play: From Satyr to Silenus Arcimboldo's Composite Portraits The Silenus of Alcibiades Satyr Art and Satyric Portraits Marsyas Epilogue: Titian's The Flaying of Marsyas Aretino, Pietro, 1492-1556 Criticism and interpretation. Aretino, Pietro, 1492-1556 Critique et interprétation. Aretino, Pietro, 1492-1556 fast https://id.oclc.org/worldcat/entity/E39PBJvhjkHpRVYxdxHw3mCqQq Aretino, Pietro. swd LITERARY CRITICISM European Italian. bisacsh |
| title | Aretino's satyr : sexuality, satire and self-projection in sixteenth-century literature and art / |
| title_alt | Ostentatio genitalium: Revaluing Sexuality Priapus and the Satyr Aretino as Counter-Petrarch Aretino and Print Culture Printing and Prostitution The New Man of Letters The Better Image: Portraits in Words, Wood, and Bronze Portraits of the Artist as a Middle-Aged Man Aretino and Medals Leone Leoni Alessandro Vittoria Adria's Medal Satyr and Satirist Truth and the Satyr Veritas Odium Parit Images of Truth Phallic Satyrs Serious Play: From Satyr to Silenus Arcimboldo's Composite Portraits The Silenus of Alcibiades Satyr Art and Satyric Portraits Marsyas Epilogue: Titian's The Flaying of Marsyas |
| title_auth | Aretino's satyr : sexuality, satire and self-projection in sixteenth-century literature and art / |
| title_exact_search | Aretino's satyr : sexuality, satire and self-projection in sixteenth-century literature and art / |
| title_full | Aretino's satyr : sexuality, satire and self-projection in sixteenth-century literature and art / Raymond B. Waddington. |
| title_fullStr | Aretino's satyr : sexuality, satire and self-projection in sixteenth-century literature and art / Raymond B. Waddington. |
| title_full_unstemmed | Aretino's satyr : sexuality, satire and self-projection in sixteenth-century literature and art / Raymond B. Waddington. |
| title_short | Aretino's satyr : |
| title_sort | aretino s satyr sexuality satire and self projection in sixteenth century literature and art |
| title_sub | sexuality, satire and self-projection in sixteenth-century literature and art / |
| topic | Aretino, Pietro, 1492-1556 Criticism and interpretation. Aretino, Pietro, 1492-1556 Critique et interprétation. Aretino, Pietro, 1492-1556 fast https://id.oclc.org/worldcat/entity/E39PBJvhjkHpRVYxdxHw3mCqQq Aretino, Pietro. swd LITERARY CRITICISM European Italian. bisacsh |
| topic_facet | Aretino, Pietro, 1492-1556 Criticism and interpretation. Aretino, Pietro, 1492-1556 Critique et interprétation. Aretino, Pietro, 1492-1556 Aretino, Pietro. LITERARY CRITICISM European Italian. Electronic books. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=467913 |
| work_keys_str_mv | AT waddingtonraymondb aretinossatyrsexualitysatireandselfprojectioninsixteenthcenturyliteratureandart |