Eco's chaosmos :: from the Middle Ages to postmodernity /
"While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his critical and fictional writing is the tens...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Toronto, Ont. :
University of Toronto Press,
©2003.
|
Schriftenreihe: | Toronto Italian studies.
|
Schlagworte: | |
Online-Zugang: | DE-862 DE-863 |
Zusammenfassung: | "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his critical and fictional writing is the tension between a typically medieval search for a code and a hermeneutic representative of deconstructive tendencies. This tension between cosmos and chaos, order and disorder, is reflected in the word chaosmos." "In this assessment of the philosophical basis of Eco's critical and fictional writing, Cristina Farronato explores the other distinctive aspect of Eco's thought - the struggle for a composition of opposites, the outcome deriving from his ability to elicit similar contrasts from the past and replay them in modern terms. Focusing principally on how Eco's scholarly background influenced his study of semiotics, Farronato analyses The Name of the Rose in relation to William of Ockhman's epistemology, C.S. Peirce's work on abduction, and Wittgenstein's theory of language. She also discusses Foucault's Pendulum as an explicit comment on the modern debate on interpretation through a direct reference to early modern hermetic thought, correlates The Island of the Day Before as a postmodern mixture of science and superstition, and reviews Baudolino as a historical/fantastic novel that again situates the Middle Ages in a postmodern context. Demonstrating Eco's use of semiotic theory, Eco's Chaosmos shows how critical models of the past map contemporary literature and culture."--Jacket |
Beschreibung: | 1 online resource (xiv, 246 pages :) |
Bibliographie: | Includes bibliographical references (pages 229-239) and index. |
ISBN: | 9781442674257 1442674253 1281994561 9781281994561 9780802085863 0802085865 |
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505 | 0 | |a Introduction -- From cosmos to chaosmos: Eco and Joyce -- Semiotics as a solution: from a theory of aesthetics to the study of culture -- The aesthetics of reception and the reflection on the reader: from the labyrinth to the Southern Seas -- Intertextuality: the Middle Ages, postmodernity, and the use of citation -- A theory of medieval laughter: the comic, humour, and wit -- The whodunit and Eco's postmodern fiction -- Baudolino and the language of monsters -- Conclusion. | |
520 | 1 | |a "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his critical and fictional writing is the tension between a typically medieval search for a code and a hermeneutic representative of deconstructive tendencies. This tension between cosmos and chaos, order and disorder, is reflected in the word chaosmos." "In this assessment of the philosophical basis of Eco's critical and fictional writing, Cristina Farronato explores the other distinctive aspect of Eco's thought - the struggle for a composition of opposites, the outcome deriving from his ability to elicit similar contrasts from the past and replay them in modern terms. Focusing principally on how Eco's scholarly background influenced his study of semiotics, Farronato analyses The Name of the Rose in relation to William of Ockhman's epistemology, C.S. Peirce's work on abduction, and Wittgenstein's theory of language. She also discusses Foucault's Pendulum as an explicit comment on the modern debate on interpretation through a direct reference to early modern hermetic thought, correlates The Island of the Day Before as a postmodern mixture of science and superstition, and reviews Baudolino as a historical/fantastic novel that again situates the Middle Ages in a postmodern context. Demonstrating Eco's use of semiotic theory, Eco's Chaosmos shows how critical models of the past map contemporary literature and culture."--Jacket | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn244768129 |
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adam_text | |
any_adam_object | |
author | Farronato, Cristina |
author_GND | http://id.loc.gov/authorities/names/no2004016582 |
author_facet | Farronato, Cristina |
author_role | |
author_sort | Farronato, Cristina |
author_variant | c f cf |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PQ4865 |
callnumber-raw | PQ4865.C6 Z645 2003eb |
callnumber-search | PQ4865.C6 Z645 2003eb |
callnumber-sort | PQ 44865 C6 Z645 42003EB |
callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
collection | ZDB-4-EBA |
contents | Introduction -- From cosmos to chaosmos: Eco and Joyce -- Semiotics as a solution: from a theory of aesthetics to the study of culture -- The aesthetics of reception and the reflection on the reader: from the labyrinth to the Southern Seas -- Intertextuality: the Middle Ages, postmodernity, and the use of citation -- A theory of medieval laughter: the comic, humour, and wit -- The whodunit and Eco's postmodern fiction -- Baudolino and the language of monsters -- Conclusion. |
ctrlnum | (OCoLC)244768129 |
dewey-full | 853/.914 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 853 - Italian fiction |
dewey-raw | 853/.914 |
dewey-search | 853/.914 |
dewey-sort | 3853 3914 |
dewey-tens | 850 - Italian, Romanian & related literatures |
discipline | Romanistik |
format | Electronic eBook |
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genre | Electronic books. Criticism, interpretation, etc. fast |
genre_facet | Electronic books. Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn244768129 |
illustrated | Illustrated |
indexdate | 2025-03-18T14:14:32Z |
institution | BVB |
isbn | 9781442674257 1442674253 1281994561 9781281994561 9780802085863 0802085865 |
language | English |
oclc_num | 244768129 |
open_access_boolean | |
owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
physical | 1 online resource (xiv, 246 pages :) |
psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
publishDate | 2003 |
publishDateSearch | 2003 |
publishDateSort | 2003 |
publisher | University of Toronto Press, |
record_format | marc |
series | Toronto Italian studies. |
series2 | Toronto Italian studies |
spelling | Farronato, Cristina. http://id.loc.gov/authorities/names/no2004016582 Eco's chaosmos : from the Middle Ages to postmodernity / Cristina Farronato. Toronto, Ont. : University of Toronto Press, ©2003. 1 online resource (xiv, 246 pages :) text txt rdacontent computer c rdamedia online resource cr rdacarrier Toronto Italian studies Includes bibliographical references (pages 229-239) and index. Introduction -- From cosmos to chaosmos: Eco and Joyce -- Semiotics as a solution: from a theory of aesthetics to the study of culture -- The aesthetics of reception and the reflection on the reader: from the labyrinth to the Southern Seas -- Intertextuality: the Middle Ages, postmodernity, and the use of citation -- A theory of medieval laughter: the comic, humour, and wit -- The whodunit and Eco's postmodern fiction -- Baudolino and the language of monsters -- Conclusion. "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his critical and fictional writing is the tension between a typically medieval search for a code and a hermeneutic representative of deconstructive tendencies. This tension between cosmos and chaos, order and disorder, is reflected in the word chaosmos." "In this assessment of the philosophical basis of Eco's critical and fictional writing, Cristina Farronato explores the other distinctive aspect of Eco's thought - the struggle for a composition of opposites, the outcome deriving from his ability to elicit similar contrasts from the past and replay them in modern terms. Focusing principally on how Eco's scholarly background influenced his study of semiotics, Farronato analyses The Name of the Rose in relation to William of Ockhman's epistemology, C.S. Peirce's work on abduction, and Wittgenstein's theory of language. She also discusses Foucault's Pendulum as an explicit comment on the modern debate on interpretation through a direct reference to early modern hermetic thought, correlates The Island of the Day Before as a postmodern mixture of science and superstition, and reviews Baudolino as a historical/fantastic novel that again situates the Middle Ages in a postmodern context. Demonstrating Eco's use of semiotic theory, Eco's Chaosmos shows how critical models of the past map contemporary literature and culture."--Jacket Print version record. Eco, Umberto Criticism and interpretation. Eco, Umberto Critique et interprétation. Eco, Umberto fast https://id.oclc.org/worldcat/entity/E39PBJxrVppTfTr9pkJMjX8t8C Eco, Umberto. swd LITERARY CRITICISM European Italian. bisacsh Letterkunde. gtt Italiaans. gtt Filosofische aspecten. gtt Electronic books. Criticism, interpretation, etc. fast has work: Eco's chaosmos (Text) https://id.oclc.org/worldcat/entity/E39PCG7Qdj7F7YRPWvGV398Fjy https://id.oclc.org/worldcat/ontology/hasWork Print version: Farronato, Cristina. Eco's chaosmos. Toronto, Ont. : University of Toronto Press, ©2003 (DLC) 2004301081 (OCoLC)52574799 Toronto Italian studies. http://id.loc.gov/authorities/names/n95026425 |
spellingShingle | Farronato, Cristina Eco's chaosmos : from the Middle Ages to postmodernity / Toronto Italian studies. Introduction -- From cosmos to chaosmos: Eco and Joyce -- Semiotics as a solution: from a theory of aesthetics to the study of culture -- The aesthetics of reception and the reflection on the reader: from the labyrinth to the Southern Seas -- Intertextuality: the Middle Ages, postmodernity, and the use of citation -- A theory of medieval laughter: the comic, humour, and wit -- The whodunit and Eco's postmodern fiction -- Baudolino and the language of monsters -- Conclusion. Eco, Umberto Criticism and interpretation. Eco, Umberto Critique et interprétation. Eco, Umberto fast https://id.oclc.org/worldcat/entity/E39PBJxrVppTfTr9pkJMjX8t8C Eco, Umberto. swd LITERARY CRITICISM European Italian. bisacsh Letterkunde. gtt Italiaans. gtt Filosofische aspecten. gtt |
title | Eco's chaosmos : from the Middle Ages to postmodernity / |
title_auth | Eco's chaosmos : from the Middle Ages to postmodernity / |
title_exact_search | Eco's chaosmos : from the Middle Ages to postmodernity / |
title_full | Eco's chaosmos : from the Middle Ages to postmodernity / Cristina Farronato. |
title_fullStr | Eco's chaosmos : from the Middle Ages to postmodernity / Cristina Farronato. |
title_full_unstemmed | Eco's chaosmos : from the Middle Ages to postmodernity / Cristina Farronato. |
title_short | Eco's chaosmos : |
title_sort | eco s chaosmos from the middle ages to postmodernity |
title_sub | from the Middle Ages to postmodernity / |
topic | Eco, Umberto Criticism and interpretation. Eco, Umberto Critique et interprétation. Eco, Umberto fast https://id.oclc.org/worldcat/entity/E39PBJxrVppTfTr9pkJMjX8t8C Eco, Umberto. swd LITERARY CRITICISM European Italian. bisacsh Letterkunde. gtt Italiaans. gtt Filosofische aspecten. gtt |
topic_facet | Eco, Umberto Criticism and interpretation. Eco, Umberto Critique et interprétation. Eco, Umberto Eco, Umberto. LITERARY CRITICISM European Italian. Letterkunde. Italiaans. Filosofische aspecten. Electronic books. Criticism, interpretation, etc. |
work_keys_str_mv | AT farronatocristina ecoschaosmosfromthemiddleagestopostmodernity |