Kant's intuitionism :: a commentary on the transcendental aesthetic /
"Ever since the publication of his Critique of Pure Reason in 1781, Immanuel Kant has occupied a central position in the philosop Transcendental Aesthetic, namely, his position on how we manage to intuit the properties and relations of objects as they exist in space and time." "It is...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto, Ont. :
University of Toronto Press,
©1995.
|
| Schriftenreihe: | Toronto studies in philosophy.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Ever since the publication of his Critique of Pure Reason in 1781, Immanuel Kant has occupied a central position in the philosop Transcendental Aesthetic, namely, his position on how we manage to intuit the properties and relations of objects as they exist in space and time." "It is a major problem not only in philosophy, but in cognitive science in general, to decide how much structure sensory input has of itself and how much we give it through processing. How much do our faculties do to structure our knowledge of objects and to give them their spatial and temporal existence? Recent interpretations of Kant's doctrine of intuition have emphasized the constructivist answer to this question, stressing that sensations have no structure of their own and that, for the objects of our experience to have any spatial or temporal structure at all, we must impose a structure through synthetic processes of the imagination or understanding. Rehabilitating an interpretation of Kant outlined in the nineteenth century, Falkenstein argues that our knowledge of objects in space and time is not grounded in concepts but in the quasi-physiological constitution of our senses." "Falkenstein begins with a careful critique of both historical and contemporary approaches to this problem and goes on the develop a cogent and stimulating argument for his position. The dialectic that results advances the discussion into controversial new realms, revitalizing the debate about the implications of Kant's Transcendental Aesthetic."--Jacket |
| Beschreibung: | 1 online resource |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references and indexes. |
| ISBN: | 9781442676480 1442676485 1282023462 9781282023468 |
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| 245 | 1 | 0 | |a Kant's intuitionism : |b a commentary on the transcendental aesthetic / |c Lorne Falkenstein. |
| 260 | |a Toronto, Ont. : |b University of Toronto Press, |c ©1995. | ||
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| 520 | |a "Ever since the publication of his Critique of Pure Reason in 1781, Immanuel Kant has occupied a central position in the philosop Transcendental Aesthetic, namely, his position on how we manage to intuit the properties and relations of objects as they exist in space and time." "It is a major problem not only in philosophy, but in cognitive science in general, to decide how much structure sensory input has of itself and how much we give it through processing. How much do our faculties do to structure our knowledge of objects and to give them their spatial and temporal existence? Recent interpretations of Kant's doctrine of intuition have emphasized the constructivist answer to this question, stressing that sensations have no structure of their own and that, for the objects of our experience to have any spatial or temporal structure at all, we must impose a structure through synthetic processes of the imagination or understanding. Rehabilitating an interpretation of Kant outlined in the nineteenth century, Falkenstein argues that our knowledge of objects in space and time is not grounded in concepts but in the quasi-physiological constitution of our senses." "Falkenstein begins with a careful critique of both historical and contemporary approaches to this problem and goes on the develop a cogent and stimulating argument for his position. The dialectic that results advances the discussion into controversial new realms, revitalizing the debate about the implications of Kant's Transcendental Aesthetic."--Jacket | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 505 | 0 | |a Contents -- Preface -- Acknowledgments -- Bibliographical Note -- INTRODUCTION -- i. Nativism and Empirism -- ii. Intuitionism and Constructivism -- iii. Formal Intuitionism -- iv. Kant's Formal Intuitionism -- v. Grounds for the Popular Neglect of Formal Intuitionism -- PART I: KANT'S REPRESENTATION TERMINOLOGY -- Introduction -- i. The Place of the Aesthetic in the Critique of Pure Reason -- ii. Basic Confusions in Kant's Thought -- 1 The Distinction between Intuition and Understanding -- i. The Sense/Intellect Distinction in ID -- ii. The Argument of ID | |
| 505 | 8 | |a Iii. Strategic Difficultiesiv. The Distinction between the Faculties in the Critique -- v. The Circularity Problem -- vi. Regressive Terminology -- 2 The Distinction between Form and Matter of Intuition -- The Blindness Problem -- i. The Two Basic Features of an Intuitive Representation -- ii. Textual Evidence against Forms as Mechanisms -- iii. Textual Evidence against Forms as Representations -- iv. Conflicting Passages -- v. Afterword -- 3 Sensation and the Matter of Intuition -- i. The Epistemological Role of Sensation | |
| 505 | 8 | |a Ii. The Ontological Status of SensationAppendix: Sensations as Effects of the Intensity of Force -- Objection -- 4 Origins of the Form and the Matter of Intuition -- Summary and Conclusions to Part I -- PART II: THE EXPOSITIONS -- Introduction: Purpose and Method of the Expositions -- i. Purpose -- ii. Method -- Appendix: An Empirical Exposition of Our Concepts of Sensible Qualities -- 5 The First Exposition -- i. Kant's Objectives in the First Exposition -- ii. Kant's Sensationist Opposition -- iii. The Standard Objection to the First Exposition | |
| 505 | 8 | |a Iv. The Grounds of Kant's Rejection of SensationismAppendix: Meditations on the Epistemology of Order -- 6 The Second Exposition -- i. Analysis of the Argument -- ii. The Inextricability Argument -- iii. The Third Exposition in A and the Validity of Geometry -- iv. The Independence Argument -- 7 The Later Expositions -- i. The Singularity Argument -- ii. The Whole/Part Priority Argument -- iii. The Infinity Argument -- iv. The Completeness of the Later Expositions -- v. The Composition of Intelligible Spaces and Times -- 8 The Transcendental Expositions | |
| 505 | 8 | |a I. The Buttressing Argumentii. The Subjectivity Argument -- iii. The Explanation of the Possibility of Geometry and Mechanics -- Summary and Conclusions to Part II -- i. The Metaphysical Expositions -- ii. The Transcendental Expositions -- iii. Conclusions -- PART III: CONCLUSIONS FROM THE ABOVE CONCEPTS -- Introduction -- 9 Kant's Argument for the Non-spatiotemporality of Things in Themselves -- i. Substantival Space and Time -- ii. Relative Space and Time -- iii. Limits of Kant's Result -- iv. Summary and Conclusions | |
| 600 | 1 | 0 | |a Kant, Immanuel, |d 1724-1804. |t Kritik der reinen Vernunft. |0 http://id.loc.gov/authorities/names/no2002033195 |
| 600 | 1 | 6 | |a Kant, Immanuel, |d 1724-1804. |t Kritik der reinen Vernunft. |
| 630 | 0 | 7 | |a Kritik der reinen Vernunft (Kant, Immanuel) |2 fast |
| 650 | 0 | |a Intuition. |0 http://id.loc.gov/authorities/subjects/sh85067653 | |
| 650 | 0 | |a Transcendentalism. |0 http://id.loc.gov/authorities/subjects/sh85136885 | |
| 650 | 0 | |a Aesthetics. |0 http://id.loc.gov/authorities/subjects/sh85001441 | |
| 650 | 0 | |a Knowledge, Theory of. |0 http://id.loc.gov/authorities/subjects/sh85072732 | |
| 650 | 0 | |a Reality. |0 http://id.loc.gov/authorities/subjects/sh85111773 | |
| 650 | 0 | |a Judgment (Aesthetics) |0 http://id.loc.gov/authorities/subjects/sh85070915 | |
| 650 | 6 | |a Intuition. | |
| 650 | 6 | |a Théorie de la connaissance. | |
| 650 | 6 | |a Réalité. | |
| 650 | 6 | |a Transcendantalisme. | |
| 650 | 6 | |a Esthétique. | |
| 650 | 6 | |a Jugement (Esthétique) | |
| 650 | 7 | |a intuition. |2 aat | |
| 650 | 7 | |a transcendentalism. |2 aat | |
| 650 | 7 | |a epistemology. |2 aat | |
| 650 | 7 | |a PHILOSOPHY |x Epistemology. |2 bisacsh | |
| 650 | 7 | |a PHILOSOPHY |x Aesthetics. |2 bisacsh | |
| 650 | 7 | |a Reality |2 fast | |
| 650 | 7 | |a Knowledge, Theory of |2 fast | |
| 650 | 7 | |a Judgment (Aesthetics) |2 fast | |
| 650 | 7 | |a Aesthetics |2 fast | |
| 650 | 7 | |a Intuition |2 fast | |
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| 650 | 1 | 7 | |a Kritik der reinen Vernunft (Kant) |2 gtt |
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| contents | Contents -- Preface -- Acknowledgments -- Bibliographical Note -- INTRODUCTION -- i. Nativism and Empirism -- ii. Intuitionism and Constructivism -- iii. Formal Intuitionism -- iv. Kant's Formal Intuitionism -- v. Grounds for the Popular Neglect of Formal Intuitionism -- PART I: KANT'S REPRESENTATION TERMINOLOGY -- Introduction -- i. The Place of the Aesthetic in the Critique of Pure Reason -- ii. Basic Confusions in Kant's Thought -- 1 The Distinction between Intuition and Understanding -- i. The Sense/Intellect Distinction in ID -- ii. The Argument of ID Iii. Strategic Difficultiesiv. The Distinction between the Faculties in the Critique -- v. The Circularity Problem -- vi. Regressive Terminology -- 2 The Distinction between Form and Matter of Intuition -- The Blindness Problem -- i. The Two Basic Features of an Intuitive Representation -- ii. Textual Evidence against Forms as Mechanisms -- iii. Textual Evidence against Forms as Representations -- iv. Conflicting Passages -- v. Afterword -- 3 Sensation and the Matter of Intuition -- i. The Epistemological Role of Sensation Ii. The Ontological Status of SensationAppendix: Sensations as Effects of the Intensity of Force -- Objection -- 4 Origins of the Form and the Matter of Intuition -- Summary and Conclusions to Part I -- PART II: THE EXPOSITIONS -- Introduction: Purpose and Method of the Expositions -- i. Purpose -- ii. Method -- Appendix: An Empirical Exposition of Our Concepts of Sensible Qualities -- 5 The First Exposition -- i. Kant's Objectives in the First Exposition -- ii. Kant's Sensationist Opposition -- iii. The Standard Objection to the First Exposition Iv. The Grounds of Kant's Rejection of SensationismAppendix: Meditations on the Epistemology of Order -- 6 The Second Exposition -- i. Analysis of the Argument -- ii. The Inextricability Argument -- iii. The Third Exposition in A and the Validity of Geometry -- iv. The Independence Argument -- 7 The Later Expositions -- i. The Singularity Argument -- ii. The Whole/Part Priority Argument -- iii. The Infinity Argument -- iv. The Completeness of the Later Expositions -- v. The Composition of Intelligible Spaces and Times -- 8 The Transcendental Expositions I. The Buttressing Argumentii. The Subjectivity Argument -- iii. The Explanation of the Possibility of Geometry and Mechanics -- Summary and Conclusions to Part II -- i. The Metaphysical Expositions -- ii. The Transcendental Expositions -- iii. Conclusions -- PART III: CONCLUSIONS FROM THE ABOVE CONCEPTS -- Introduction -- 9 Kant's Argument for the Non-spatiotemporality of Things in Themselves -- i. Substantival Space and Time -- ii. Relative Space and Time -- iii. Limits of Kant's Result -- iv. Summary and Conclusions |
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| dewey-full | 121/.3 |
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| dewey-ones | 121 - Epistemology (Theory of knowledge) |
| dewey-raw | 121/.3 |
| dewey-search | 121/.3 |
| dewey-sort | 3121 13 |
| dewey-tens | 120 - Epistemology, causation, humankind |
| discipline | Philosophie |
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"It is a major problem not only in philosophy, but in cognitive science in general, to decide how much structure sensory input has of itself and how much we give it through processing. How much do our faculties do to structure our knowledge of objects and to give them their spatial and temporal existence? Recent interpretations of Kant's doctrine of intuition have emphasized the constructivist answer to this question, stressing that sensations have no structure of their own and that, for the objects of our experience to have any spatial or temporal structure at all, we must impose a structure through synthetic processes of the imagination or understanding. Rehabilitating an interpretation of Kant outlined in the nineteenth century, Falkenstein argues that our knowledge of objects in space and time is not grounded in concepts but in the quasi-physiological constitution of our senses." 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Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.</subfield><subfield code="u">http://purl.oclc.org/DLF/benchrepro0212</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="583" ind1="1" ind2=" "><subfield code="a">digitized</subfield><subfield code="c">2010</subfield><subfield code="h">HathiTrust Digital Library</subfield><subfield code="l">committed to preserve</subfield><subfield code="2">pda</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Contents -- Preface -- Acknowledgments -- Bibliographical Note -- INTRODUCTION -- i. Nativism and Empirism -- ii. Intuitionism and Constructivism -- iii. Formal Intuitionism -- iv. Kant's Formal Intuitionism -- v. Grounds for the Popular Neglect of Formal Intuitionism -- PART I: KANT'S REPRESENTATION TERMINOLOGY -- Introduction -- i. 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The Ontological Status of SensationAppendix: Sensations as Effects of the Intensity of Force -- Objection -- 4 Origins of the Form and the Matter of Intuition -- Summary and Conclusions to Part I -- PART II: THE EXPOSITIONS -- Introduction: Purpose and Method of the Expositions -- i. Purpose -- ii. Method -- Appendix: An Empirical Exposition of Our Concepts of Sensible Qualities -- 5 The First Exposition -- i. Kant's Objectives in the First Exposition -- ii. Kant's Sensationist Opposition -- iii. The Standard Objection to the First Exposition</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Iv. The Grounds of Kant's Rejection of SensationismAppendix: Meditations on the Epistemology of Order -- 6 The Second Exposition -- i. Analysis of the Argument -- ii. The Inextricability Argument -- iii. The Third Exposition in A and the Validity of Geometry -- iv. The Independence Argument -- 7 The Later Expositions -- i. The Singularity Argument -- ii. 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| id | ZDB-4-EBA-ocn244767362 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:16:26Z |
| institution | BVB |
| isbn | 9781442676480 1442676485 1282023462 9781282023468 |
| language | English |
| oclc_num | 244767362 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
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| psigel | ZDB-4-EBA |
| publishDate | 1995 |
| publishDateSearch | 1995 |
| publishDateSort | 1995 |
| publisher | University of Toronto Press, |
| record_format | marc |
| series | Toronto studies in philosophy. |
| series2 | Toronto studies in philosophy |
| spelling | Falkenstein, Lorne, 1957- http://id.loc.gov/authorities/names/no96008095 Kant's intuitionism : a commentary on the transcendental aesthetic / Lorne Falkenstein. Toronto, Ont. : University of Toronto Press, ©1995. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Toronto studies in philosophy Includes bibliographical references and indexes. Print version record. "Ever since the publication of his Critique of Pure Reason in 1781, Immanuel Kant has occupied a central position in the philosop Transcendental Aesthetic, namely, his position on how we manage to intuit the properties and relations of objects as they exist in space and time." "It is a major problem not only in philosophy, but in cognitive science in general, to decide how much structure sensory input has of itself and how much we give it through processing. How much do our faculties do to structure our knowledge of objects and to give them their spatial and temporal existence? Recent interpretations of Kant's doctrine of intuition have emphasized the constructivist answer to this question, stressing that sensations have no structure of their own and that, for the objects of our experience to have any spatial or temporal structure at all, we must impose a structure through synthetic processes of the imagination or understanding. Rehabilitating an interpretation of Kant outlined in the nineteenth century, Falkenstein argues that our knowledge of objects in space and time is not grounded in concepts but in the quasi-physiological constitution of our senses." "Falkenstein begins with a careful critique of both historical and contemporary approaches to this problem and goes on the develop a cogent and stimulating argument for his position. The dialectic that results advances the discussion into controversial new realms, revitalizing the debate about the implications of Kant's Transcendental Aesthetic."--Jacket Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Contents -- Preface -- Acknowledgments -- Bibliographical Note -- INTRODUCTION -- i. Nativism and Empirism -- ii. Intuitionism and Constructivism -- iii. Formal Intuitionism -- iv. Kant's Formal Intuitionism -- v. Grounds for the Popular Neglect of Formal Intuitionism -- PART I: KANT'S REPRESENTATION TERMINOLOGY -- Introduction -- i. The Place of the Aesthetic in the Critique of Pure Reason -- ii. Basic Confusions in Kant's Thought -- 1 The Distinction between Intuition and Understanding -- i. The Sense/Intellect Distinction in ID -- ii. The Argument of ID Iii. Strategic Difficultiesiv. The Distinction between the Faculties in the Critique -- v. The Circularity Problem -- vi. Regressive Terminology -- 2 The Distinction between Form and Matter of Intuition -- The Blindness Problem -- i. The Two Basic Features of an Intuitive Representation -- ii. Textual Evidence against Forms as Mechanisms -- iii. Textual Evidence against Forms as Representations -- iv. Conflicting Passages -- v. Afterword -- 3 Sensation and the Matter of Intuition -- i. The Epistemological Role of Sensation Ii. The Ontological Status of SensationAppendix: Sensations as Effects of the Intensity of Force -- Objection -- 4 Origins of the Form and the Matter of Intuition -- Summary and Conclusions to Part I -- PART II: THE EXPOSITIONS -- Introduction: Purpose and Method of the Expositions -- i. Purpose -- ii. Method -- Appendix: An Empirical Exposition of Our Concepts of Sensible Qualities -- 5 The First Exposition -- i. Kant's Objectives in the First Exposition -- ii. Kant's Sensationist Opposition -- iii. The Standard Objection to the First Exposition Iv. The Grounds of Kant's Rejection of SensationismAppendix: Meditations on the Epistemology of Order -- 6 The Second Exposition -- i. Analysis of the Argument -- ii. The Inextricability Argument -- iii. The Third Exposition in A and the Validity of Geometry -- iv. The Independence Argument -- 7 The Later Expositions -- i. The Singularity Argument -- ii. The Whole/Part Priority Argument -- iii. The Infinity Argument -- iv. The Completeness of the Later Expositions -- v. The Composition of Intelligible Spaces and Times -- 8 The Transcendental Expositions I. The Buttressing Argumentii. The Subjectivity Argument -- iii. The Explanation of the Possibility of Geometry and Mechanics -- Summary and Conclusions to Part II -- i. The Metaphysical Expositions -- ii. The Transcendental Expositions -- iii. Conclusions -- PART III: CONCLUSIONS FROM THE ABOVE CONCEPTS -- Introduction -- 9 Kant's Argument for the Non-spatiotemporality of Things in Themselves -- i. Substantival Space and Time -- ii. Relative Space and Time -- iii. Limits of Kant's Result -- iv. Summary and Conclusions Kant, Immanuel, 1724-1804. Kritik der reinen Vernunft. http://id.loc.gov/authorities/names/no2002033195 Kant, Immanuel, 1724-1804. Kritik der reinen Vernunft. Kritik der reinen Vernunft (Kant, Immanuel) fast Intuition. http://id.loc.gov/authorities/subjects/sh85067653 Transcendentalism. http://id.loc.gov/authorities/subjects/sh85136885 Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Knowledge, Theory of. http://id.loc.gov/authorities/subjects/sh85072732 Reality. http://id.loc.gov/authorities/subjects/sh85111773 Judgment (Aesthetics) http://id.loc.gov/authorities/subjects/sh85070915 Intuition. Théorie de la connaissance. Réalité. Transcendantalisme. Esthétique. Jugement (Esthétique) intuition. aat transcendentalism. aat epistemology. aat PHILOSOPHY Epistemology. bisacsh PHILOSOPHY Aesthetics. bisacsh Reality fast Knowledge, Theory of fast Judgment (Aesthetics) fast Aesthetics fast Intuition fast Transcendentalism fast Kritik der reinen Vernunft (Kant) gtt Esthetica. gtt Print version: Falkenstein, Lorne, 1957- Kant's intuitionism. Toronto, Ont. : University of Toronto Press, ©1995 9780802037749 (DLC) 96122369 (OCoLC)34057082 Toronto studies in philosophy. http://id.loc.gov/authorities/names/n93033299 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=468243 Volltext |
| spellingShingle | Falkenstein, Lorne, 1957- Kant's intuitionism : a commentary on the transcendental aesthetic / Toronto studies in philosophy. Contents -- Preface -- Acknowledgments -- Bibliographical Note -- INTRODUCTION -- i. Nativism and Empirism -- ii. Intuitionism and Constructivism -- iii. Formal Intuitionism -- iv. Kant's Formal Intuitionism -- v. Grounds for the Popular Neglect of Formal Intuitionism -- PART I: KANT'S REPRESENTATION TERMINOLOGY -- Introduction -- i. The Place of the Aesthetic in the Critique of Pure Reason -- ii. Basic Confusions in Kant's Thought -- 1 The Distinction between Intuition and Understanding -- i. The Sense/Intellect Distinction in ID -- ii. The Argument of ID Iii. Strategic Difficultiesiv. The Distinction between the Faculties in the Critique -- v. The Circularity Problem -- vi. Regressive Terminology -- 2 The Distinction between Form and Matter of Intuition -- The Blindness Problem -- i. The Two Basic Features of an Intuitive Representation -- ii. Textual Evidence against Forms as Mechanisms -- iii. Textual Evidence against Forms as Representations -- iv. Conflicting Passages -- v. Afterword -- 3 Sensation and the Matter of Intuition -- i. The Epistemological Role of Sensation Ii. The Ontological Status of SensationAppendix: Sensations as Effects of the Intensity of Force -- Objection -- 4 Origins of the Form and the Matter of Intuition -- Summary and Conclusions to Part I -- PART II: THE EXPOSITIONS -- Introduction: Purpose and Method of the Expositions -- i. Purpose -- ii. Method -- Appendix: An Empirical Exposition of Our Concepts of Sensible Qualities -- 5 The First Exposition -- i. Kant's Objectives in the First Exposition -- ii. Kant's Sensationist Opposition -- iii. The Standard Objection to the First Exposition Iv. The Grounds of Kant's Rejection of SensationismAppendix: Meditations on the Epistemology of Order -- 6 The Second Exposition -- i. Analysis of the Argument -- ii. The Inextricability Argument -- iii. The Third Exposition in A and the Validity of Geometry -- iv. The Independence Argument -- 7 The Later Expositions -- i. The Singularity Argument -- ii. The Whole/Part Priority Argument -- iii. The Infinity Argument -- iv. The Completeness of the Later Expositions -- v. The Composition of Intelligible Spaces and Times -- 8 The Transcendental Expositions I. The Buttressing Argumentii. The Subjectivity Argument -- iii. The Explanation of the Possibility of Geometry and Mechanics -- Summary and Conclusions to Part II -- i. The Metaphysical Expositions -- ii. The Transcendental Expositions -- iii. Conclusions -- PART III: CONCLUSIONS FROM THE ABOVE CONCEPTS -- Introduction -- 9 Kant's Argument for the Non-spatiotemporality of Things in Themselves -- i. Substantival Space and Time -- ii. Relative Space and Time -- iii. Limits of Kant's Result -- iv. Summary and Conclusions Kant, Immanuel, 1724-1804. Kritik der reinen Vernunft. http://id.loc.gov/authorities/names/no2002033195 Kant, Immanuel, 1724-1804. Kritik der reinen Vernunft. Kritik der reinen Vernunft (Kant, Immanuel) fast Intuition. http://id.loc.gov/authorities/subjects/sh85067653 Transcendentalism. http://id.loc.gov/authorities/subjects/sh85136885 Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Knowledge, Theory of. http://id.loc.gov/authorities/subjects/sh85072732 Reality. http://id.loc.gov/authorities/subjects/sh85111773 Judgment (Aesthetics) http://id.loc.gov/authorities/subjects/sh85070915 Intuition. Théorie de la connaissance. Réalité. Transcendantalisme. Esthétique. Jugement (Esthétique) intuition. aat transcendentalism. aat epistemology. aat PHILOSOPHY Epistemology. bisacsh PHILOSOPHY Aesthetics. bisacsh Reality fast Knowledge, Theory of fast Judgment (Aesthetics) fast Aesthetics fast Intuition fast Transcendentalism fast Kritik der reinen Vernunft (Kant) gtt Esthetica. gtt |
| subject_GND | http://id.loc.gov/authorities/names/no2002033195 http://id.loc.gov/authorities/subjects/sh85067653 http://id.loc.gov/authorities/subjects/sh85136885 http://id.loc.gov/authorities/subjects/sh85001441 http://id.loc.gov/authorities/subjects/sh85072732 http://id.loc.gov/authorities/subjects/sh85111773 http://id.loc.gov/authorities/subjects/sh85070915 |
| title | Kant's intuitionism : a commentary on the transcendental aesthetic / |
| title_auth | Kant's intuitionism : a commentary on the transcendental aesthetic / |
| title_exact_search | Kant's intuitionism : a commentary on the transcendental aesthetic / |
| title_full | Kant's intuitionism : a commentary on the transcendental aesthetic / Lorne Falkenstein. |
| title_fullStr | Kant's intuitionism : a commentary on the transcendental aesthetic / Lorne Falkenstein. |
| title_full_unstemmed | Kant's intuitionism : a commentary on the transcendental aesthetic / Lorne Falkenstein. |
| title_short | Kant's intuitionism : |
| title_sort | kant s intuitionism a commentary on the transcendental aesthetic |
| title_sub | a commentary on the transcendental aesthetic / |
| topic | Kant, Immanuel, 1724-1804. Kritik der reinen Vernunft. http://id.loc.gov/authorities/names/no2002033195 Kant, Immanuel, 1724-1804. Kritik der reinen Vernunft. Kritik der reinen Vernunft (Kant, Immanuel) fast Intuition. http://id.loc.gov/authorities/subjects/sh85067653 Transcendentalism. http://id.loc.gov/authorities/subjects/sh85136885 Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Knowledge, Theory of. http://id.loc.gov/authorities/subjects/sh85072732 Reality. http://id.loc.gov/authorities/subjects/sh85111773 Judgment (Aesthetics) http://id.loc.gov/authorities/subjects/sh85070915 Intuition. Théorie de la connaissance. Réalité. Transcendantalisme. Esthétique. Jugement (Esthétique) intuition. aat transcendentalism. aat epistemology. aat PHILOSOPHY Epistemology. bisacsh PHILOSOPHY Aesthetics. bisacsh Reality fast Knowledge, Theory of fast Judgment (Aesthetics) fast Aesthetics fast Intuition fast Transcendentalism fast Kritik der reinen Vernunft (Kant) gtt Esthetica. gtt |
| topic_facet | Kant, Immanuel, 1724-1804. Kritik der reinen Vernunft. Kritik der reinen Vernunft (Kant, Immanuel) Intuition. Transcendentalism. Aesthetics. Knowledge, Theory of. Reality. Judgment (Aesthetics) Théorie de la connaissance. Réalité. Transcendantalisme. Esthétique. Jugement (Esthétique) intuition. transcendentalism. epistemology. PHILOSOPHY Epistemology. PHILOSOPHY Aesthetics. Reality Knowledge, Theory of Aesthetics Intuition Transcendentalism Kritik der reinen Vernunft (Kant) Esthetica. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=468243 |
| work_keys_str_mv | AT falkensteinlorne kantsintuitionismacommentaryonthetranscendentalaesthetic |