McLuhan, or, Modernism in reverse /:
Our lives are increasingly dominated by new forms of image, sound, data, and language media. Marshall McLuhan called this new order of things the Global Village, and he strove to be true to it as the media-popular 'McLuhan.' Having little use for traditional critical forms or values, and c...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto, Ont. :
University of Toronto Press,
©1996.
|
| Schriftenreihe: | Theory/culture series.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Our lives are increasingly dominated by new forms of image, sound, data, and language media. Marshall McLuhan called this new order of things the Global Village, and he strove to be true to it as the media-popular 'McLuhan.' Having little use for traditional critical forms or values, and courting instead the discourses of popular culture and big business, McLuhan displayed the authentic, ambivalent place of critical self-reflection in our media-centred world. McLuhan, according to Willmott, must be understood as a vital link in a generation of modern and postmodern critics, one who extracted modernist forms and values from the deconstructions of postmodern culture, and one who forced into public view the emergence of the critical intellectual as 'being-in-media.' Willmott's book fills the need for a first critical, historical, and theoretical re-reading of McLuhan's literary and cultural projects. He re-evaluates McLuhan as a thinker and writer who moved along the borders of academic and popular culture, and locates him as an integral presence in the history of modern critical thought. The book is divided into two parts, representing modern and postmodern periods. Willmott examines McLuhan's relationship to critical and aesthetic modernism, and political and historical sense of modernity in North America, from the early 1930s to the 1950s. This relationship led McLuhan to articulate and practise what Willmott calls a 'modernism in reverse.' Willmott examines the postmodern practice of this critical aesthetic, from the 1950s to the 1970s, which entailed McLuhan's self-commodification in art, business, and popular culture. |
| Beschreibung: | 1 online resource (xv, 262 pages) |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 245-253) and index. |
| ISBN: | 9781442677142 1442677147 |
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| 245 | 1 | 0 | |a McLuhan, or, Modernism in reverse / |c Glenn Willmott. |
| 246 | 3 | 0 | |a Modernism in reverse |
| 260 | |a Toronto, Ont. : |b University of Toronto Press, |c ©1996. | ||
| 300 | |a 1 online resource (xv, 262 pages) | ||
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| 504 | |a Includes bibliographical references (pages 245-253) and index. | ||
| 505 | 0 | |a Introduction: McLuhan's Medium -- 1. The Art of Criticism -- 2. The Art of Montage -- 3. Symbolic Reversals -- 4. The Art of Politics -- 5. Technological Reversals -- 6. The Modern Primitive -- 7. The Postmodern Mask -- 8. The Postmodern Medium -- 9. Being There -- Conclusion: McLuhan's Message. | |
| 520 | |a Our lives are increasingly dominated by new forms of image, sound, data, and language media. Marshall McLuhan called this new order of things the Global Village, and he strove to be true to it as the media-popular 'McLuhan.' Having little use for traditional critical forms or values, and courting instead the discourses of popular culture and big business, McLuhan displayed the authentic, ambivalent place of critical self-reflection in our media-centred world. McLuhan, according to Willmott, must be understood as a vital link in a generation of modern and postmodern critics, one who extracted modernist forms and values from the deconstructions of postmodern culture, and one who forced into public view the emergence of the critical intellectual as 'being-in-media.' Willmott's book fills the need for a first critical, historical, and theoretical re-reading of McLuhan's literary and cultural projects. | ||
| 520 | 8 | |a He re-evaluates McLuhan as a thinker and writer who moved along the borders of academic and popular culture, and locates him as an integral presence in the history of modern critical thought. The book is divided into two parts, representing modern and postmodern periods. Willmott examines McLuhan's relationship to critical and aesthetic modernism, and political and historical sense of modernity in North America, from the early 1930s to the 1950s. This relationship led McLuhan to articulate and practise what Willmott calls a 'modernism in reverse.' Willmott examines the postmodern practice of this critical aesthetic, from the 1950s to the 1970s, which entailed McLuhan's self-commodification in art, business, and popular culture. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 600 | 1 | 0 | |a McLuhan, Marshall, |d 1911-1980 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a McLuhan, Marshall, |d 1911-1980. |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn244766353 |
|---|---|
| _version_ | 1816881671975206912 |
| adam_text | |
| any_adam_object | |
| author | Willmott, Glenn, 1963- |
| author_GND | http://id.loc.gov/authorities/names/n96073568 |
| author_facet | Willmott, Glenn, 1963- |
| author_role | |
| author_sort | Willmott, Glenn, 1963- |
| author_variant | g w gw |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | P92 |
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| callnumber-search | P92.5.M3 W55 1996eb |
| callnumber-sort | P 292.5 M3 W55 41996EB |
| callnumber-subject | P - Philology and Linguistics |
| classification_rvk | EC 2460 MR 1100 MS 1170 |
| collection | ZDB-4-EBA |
| contents | Introduction: McLuhan's Medium -- 1. The Art of Criticism -- 2. The Art of Montage -- 3. Symbolic Reversals -- 4. The Art of Politics -- 5. Technological Reversals -- 6. The Modern Primitive -- 7. The Postmodern Mask -- 8. The Postmodern Medium -- 9. Being There -- Conclusion: McLuhan's Message. |
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| dewey-ones | 302 - Social interaction |
| dewey-raw | 302.23/092 |
| dewey-search | 302.23/092 |
| dewey-sort | 3302.23 292 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie Literaturwissenschaft |
| format | Electronic eBook |
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| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn244766353 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:16:26Z |
| institution | BVB |
| isbn | 9781442677142 1442677147 |
| language | English |
| oclc_num | 244766353 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xv, 262 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 1996 |
| publishDateSearch | 1996 |
| publishDateSort | 1996 |
| publisher | University of Toronto Press, |
| record_format | marc |
| series | Theory/culture series. |
| series2 | Theory/culture |
| spelling | Willmott, Glenn, 1963- https://id.oclc.org/worldcat/entity/E39PCjD88vggtbhRPCpPgw3KMP http://id.loc.gov/authorities/names/n96073568 McLuhan, or, Modernism in reverse / Glenn Willmott. Modernism in reverse Toronto, Ont. : University of Toronto Press, ©1996. 1 online resource (xv, 262 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Theory/culture Includes bibliographical references (pages 245-253) and index. Introduction: McLuhan's Medium -- 1. The Art of Criticism -- 2. The Art of Montage -- 3. Symbolic Reversals -- 4. The Art of Politics -- 5. Technological Reversals -- 6. The Modern Primitive -- 7. The Postmodern Mask -- 8. The Postmodern Medium -- 9. Being There -- Conclusion: McLuhan's Message. Our lives are increasingly dominated by new forms of image, sound, data, and language media. Marshall McLuhan called this new order of things the Global Village, and he strove to be true to it as the media-popular 'McLuhan.' Having little use for traditional critical forms or values, and courting instead the discourses of popular culture and big business, McLuhan displayed the authentic, ambivalent place of critical self-reflection in our media-centred world. McLuhan, according to Willmott, must be understood as a vital link in a generation of modern and postmodern critics, one who extracted modernist forms and values from the deconstructions of postmodern culture, and one who forced into public view the emergence of the critical intellectual as 'being-in-media.' Willmott's book fills the need for a first critical, historical, and theoretical re-reading of McLuhan's literary and cultural projects. He re-evaluates McLuhan as a thinker and writer who moved along the borders of academic and popular culture, and locates him as an integral presence in the history of modern critical thought. The book is divided into two parts, representing modern and postmodern periods. Willmott examines McLuhan's relationship to critical and aesthetic modernism, and political and historical sense of modernity in North America, from the early 1930s to the 1950s. This relationship led McLuhan to articulate and practise what Willmott calls a 'modernism in reverse.' Willmott examines the postmodern practice of this critical aesthetic, from the 1950s to the 1970s, which entailed McLuhan's self-commodification in art, business, and popular culture. Print version record. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL McLuhan, Marshall, 1911-1980 Criticism and interpretation. McLuhan, Marshall, 1911-1980. McLuhan, Marshall, 1911-1980 fast https://id.oclc.org/worldcat/entity/E39PBJyGXMwTGBc3m6cJxXKyBP McLuhan, Marshall. nli McLuhan, Marshall, (1911-1980) Critique et interprétation. ram McLuhan, Marshall. swd Mass media Philosophy. Mass media criticism. http://id.loc.gov/authorities/subjects/sh85081894 Modernism (Aesthetics) http://id.loc.gov/authorities/subjects/sh85086444 Postmodernism. http://id.loc.gov/authorities/subjects/sh85105557 Médias Philosophie. Médias Évaluation. Modernisme (Esthétique) Postmodernisme. PHILOSOPHY History & Surveys General. bisacsh PSYCHOLOGY Social Psychology. bisacsh Postmodernism fast Modernism (Aesthetics) fast Mass media Philosophy fast Mass media criticism fast Literaturkritik gnd Moderne gnd http://d-nb.info/gnd/4039827-4 Literatur gnd Cultuurfilosofie. gtt Postmodernisme. gtt Mass media. nli Mass media Philosophy. nli Mass media criticism. nli Modernism (Aesthetics) nli Postmodernism. nli Médias Philosophie. ram Communication Philosophie. ram Postmodernisme. ram Electronic books. Criticism, interpretation, etc. fast has work: McLuhan, or modernism in reverse (Text) https://id.oclc.org/worldcat/entity/E39PCGybhVMTCYfJhvGyyx7gyq https://id.oclc.org/worldcat/ontology/hasWork Print version: Willmott, Glenn, 1963- McLuhan, or modernism in reverse. Toronto ; Buffalo : University of Toronto Press, ©1996 9780802008015 (DLC) 96166672 (OCoLC)34952668 Theory/culture series. http://id.loc.gov/authorities/names/n92032139 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=682248 Volltext |
| spellingShingle | Willmott, Glenn, 1963- McLuhan, or, Modernism in reverse / Theory/culture series. Introduction: McLuhan's Medium -- 1. The Art of Criticism -- 2. The Art of Montage -- 3. Symbolic Reversals -- 4. The Art of Politics -- 5. Technological Reversals -- 6. The Modern Primitive -- 7. The Postmodern Mask -- 8. The Postmodern Medium -- 9. Being There -- Conclusion: McLuhan's Message. McLuhan, Marshall, 1911-1980 Criticism and interpretation. McLuhan, Marshall, 1911-1980. McLuhan, Marshall, 1911-1980 fast https://id.oclc.org/worldcat/entity/E39PBJyGXMwTGBc3m6cJxXKyBP McLuhan, Marshall. nli McLuhan, Marshall, (1911-1980) Critique et interprétation. ram McLuhan, Marshall. swd Mass media Philosophy. Mass media criticism. http://id.loc.gov/authorities/subjects/sh85081894 Modernism (Aesthetics) http://id.loc.gov/authorities/subjects/sh85086444 Postmodernism. http://id.loc.gov/authorities/subjects/sh85105557 Médias Philosophie. Médias Évaluation. Modernisme (Esthétique) Postmodernisme. PHILOSOPHY History & Surveys General. bisacsh PSYCHOLOGY Social Psychology. bisacsh Postmodernism fast Modernism (Aesthetics) fast Mass media Philosophy fast Mass media criticism fast Literaturkritik gnd Moderne gnd http://d-nb.info/gnd/4039827-4 Literatur gnd Cultuurfilosofie. gtt Postmodernisme. gtt Mass media. nli Mass media Philosophy. nli Mass media criticism. nli Modernism (Aesthetics) nli Postmodernism. nli Médias Philosophie. ram Communication Philosophie. ram Postmodernisme. ram |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85081894 http://id.loc.gov/authorities/subjects/sh85086444 http://id.loc.gov/authorities/subjects/sh85105557 http://d-nb.info/gnd/4039827-4 |
| title | McLuhan, or, Modernism in reverse / |
| title_alt | Modernism in reverse |
| title_auth | McLuhan, or, Modernism in reverse / |
| title_exact_search | McLuhan, or, Modernism in reverse / |
| title_full | McLuhan, or, Modernism in reverse / Glenn Willmott. |
| title_fullStr | McLuhan, or, Modernism in reverse / Glenn Willmott. |
| title_full_unstemmed | McLuhan, or, Modernism in reverse / Glenn Willmott. |
| title_short | McLuhan, or, Modernism in reverse / |
| title_sort | mcluhan or modernism in reverse |
| topic | McLuhan, Marshall, 1911-1980 Criticism and interpretation. McLuhan, Marshall, 1911-1980. McLuhan, Marshall, 1911-1980 fast https://id.oclc.org/worldcat/entity/E39PBJyGXMwTGBc3m6cJxXKyBP McLuhan, Marshall. nli McLuhan, Marshall, (1911-1980) Critique et interprétation. ram McLuhan, Marshall. swd Mass media Philosophy. Mass media criticism. http://id.loc.gov/authorities/subjects/sh85081894 Modernism (Aesthetics) http://id.loc.gov/authorities/subjects/sh85086444 Postmodernism. http://id.loc.gov/authorities/subjects/sh85105557 Médias Philosophie. Médias Évaluation. Modernisme (Esthétique) Postmodernisme. PHILOSOPHY History & Surveys General. bisacsh PSYCHOLOGY Social Psychology. bisacsh Postmodernism fast Modernism (Aesthetics) fast Mass media Philosophy fast Mass media criticism fast Literaturkritik gnd Moderne gnd http://d-nb.info/gnd/4039827-4 Literatur gnd Cultuurfilosofie. gtt Postmodernisme. gtt Mass media. nli Mass media Philosophy. nli Mass media criticism. nli Modernism (Aesthetics) nli Postmodernism. nli Médias Philosophie. ram Communication Philosophie. ram Postmodernisme. ram |
| topic_facet | McLuhan, Marshall, 1911-1980 Criticism and interpretation. McLuhan, Marshall, 1911-1980. McLuhan, Marshall, 1911-1980 McLuhan, Marshall. McLuhan, Marshall, (1911-1980) Critique et interprétation. Mass media Philosophy. Mass media criticism. Modernism (Aesthetics) Postmodernism. Médias Philosophie. Médias Évaluation. Modernisme (Esthétique) Postmodernisme. PHILOSOPHY History & Surveys General. PSYCHOLOGY Social Psychology. Postmodernism Mass media Philosophy Mass media criticism Literaturkritik Moderne Literatur Cultuurfilosofie. Mass media. Communication Philosophie. Electronic books. Criticism, interpretation, etc. |
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| work_keys_str_mv | AT willmottglenn mcluhanormodernisminreverse AT willmottglenn modernisminreverse |