Contemporary Italian filmmaking :: strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation /
Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto, Ont. :
University of Toronto Press,
©1995.
|
| Schriftenreihe: | Toronto Italian studies.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines 'humoristic'. She delineates a 'Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the 'new generation, ' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore. A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello's work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. She identifies two fundamental trends of development in this tradition: the 'melodramatic imagination' and the 'humoristic, ' or comic, imagination. With her focus on the humoristic imagination, Gieri describes a 'Pirandellian mode' derived from his revolutionary utterances on the cinema and narrative, and specifically, from his essay on humour, L'umorismo (On Humour, 1908). She traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour. |
| Beschreibung: | 1 online resource (x, 301 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 269-290) and index. |
| ISBN: | 9781442673359 1442673354 1282002996 9781282002999 9786612002991 6612002999 |
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| 100 | 1 | |a Gieri, Manuela. | |
| 245 | 1 | 0 | |a Contemporary Italian filmmaking : |b strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation / |c Manuela Gieri. |
| 260 | |a Toronto, Ont. : |b University of Toronto Press, |c ©1995. | ||
| 300 | |a 1 online resource (x, 301 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Toronto Italian studies | |
| 504 | |a Includes bibliographical references (pages 269-290) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines 'humoristic'. She delineates a 'Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the 'new generation, ' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore. A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello's work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. She identifies two fundamental trends of development in this tradition: the 'melodramatic imagination' and the 'humoristic, ' or comic, imagination. With her focus on the humoristic imagination, Gieri describes a 'Pirandellian mode' derived from his revolutionary utterances on the cinema and narrative, and specifically, from his essay on humour, L'umorismo (On Humour, 1908). She traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour. | ||
| 505 | 0 | |a CONTENTS -- ACKNOWLEDGMENTS -- Introduction: Why Pirandello and the Cinema? -- 1 He Lost It at the Movies: A Love-Hate Relationship of Over Thirty Years -- 2 Pirandello and the Theory of the Cinema -- 3 The Origins of the Myths: From Pirandello to Fellini -- 4 Character and Discourse from Pirandello to Fellini: Defining a Countertradition in an Italian Context -- 5 Ettore Scola: A Cinematic and Social Metadiscourse -- 6 The New Italian Cinema: Restoration or Subversion? -- NOTES -- BIBLIOGRAPHY -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I | |
| 505 | 8 | |a Jk -- l -- m -- n -- o -- p -- r -- s -- t -- v -- w -- z | |
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Fellini, Federico. |
| 600 | 1 | 0 | |a Pirandello, Luigi, |d 1867-1936. |0 http://id.loc.gov/authorities/names/n79059944 |
| 600 | 1 | 0 | |a Scola, Ettore, |d 1931-2016. |
| 600 | 1 | 6 | |a Pirandello, Luigi, |d 1867-1936. |
| 600 | 1 | 6 | |a Fellini, Federico. |
| 600 | 1 | 6 | |a Scola, Ettore, |d 1931- |
| 600 | 1 | 7 | |a Fellini, Federico |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJwCWPrRRfQWXm7PJwJFKd |
| 600 | 1 | 7 | |a Pirandello, Luigi, |d 1867-1936 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJwCWWTbq37py3fxDTfg8C |
| 600 | 1 | 7 | |a Scola, Ettore, |d 1931-2016 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJhmFyRXy9kVwBFJm93qQq |
| 600 | 1 | 7 | |a Pirandello, Luigi. |2 swd |
| 650 | 0 | |a Motion pictures |z Italy. |0 http://id.loc.gov/authorities/subjects/sh93009046 | |
| 650 | 6 | |a Cinéma |z Italie. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
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| 776 | 0 | 8 | |i Print version: |a Gieri, Manuela. |t Contemporary Italian filmmaking. |d Toronto, Ont. : University of Toronto Press, ©1995 |w (DLC) 96128633 |
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Datensatz im Suchindex
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| _version_ | 1816881671893417984 |
| adam_text | |
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| author | Gieri, Manuela |
| author_facet | Gieri, Manuela |
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| building | Verbundindex |
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| callnumber-first | P - Language and Literature |
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| callnumber-raw | PN1993.5.I88 G54 1995eb |
| callnumber-search | PN1993.5.I88 G54 1995eb |
| callnumber-sort | PN 41993.5 I88 G54 41995EB |
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| classification_rvk | AP 44939 |
| collection | ZDB-4-EBA |
| contents | CONTENTS -- ACKNOWLEDGMENTS -- Introduction: Why Pirandello and the Cinema? -- 1 He Lost It at the Movies: A Love-Hate Relationship of Over Thirty Years -- 2 Pirandello and the Theory of the Cinema -- 3 The Origins of the Myths: From Pirandello to Fellini -- 4 Character and Discourse from Pirandello to Fellini: Defining a Countertradition in an Italian Context -- 5 Ettore Scola: A Cinematic and Social Metadiscourse -- 6 The New Italian Cinema: Restoration or Subversion? -- NOTES -- BIBLIOGRAPHY -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I Jk -- l -- m -- n -- o -- p -- r -- s -- t -- v -- w -- z |
| ctrlnum | (OCoLC)244764669 |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/0945 |
| dewey-search | 791.43/0945 |
| dewey-sort | 3791.43 3945 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines 'humoristic'. She delineates a 'Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the 'new generation, ' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore. A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello's work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. 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| genre | Electronic books. History fast |
| genre_facet | Electronic books. History |
| geographic | Italy fast https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP Italien gnd |
| geographic_facet | Italy Italien |
| id | ZDB-4-EBA-ocn244764669 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:16:26Z |
| institution | BVB |
| isbn | 9781442673359 1442673354 1282002996 9781282002999 9786612002991 6612002999 |
| language | English |
| oclc_num | 244764669 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (x, 301 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 1995 |
| publishDateSearch | 1995 |
| publishDateSort | 1995 |
| publisher | University of Toronto Press, |
| record_format | marc |
| series | Toronto Italian studies. |
| series2 | Toronto Italian studies |
| spelling | Gieri, Manuela. Contemporary Italian filmmaking : strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation / Manuela Gieri. Toronto, Ont. : University of Toronto Press, ©1995. 1 online resource (x, 301 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Toronto Italian studies Includes bibliographical references (pages 269-290) and index. Print version record. Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines 'humoristic'. She delineates a 'Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the 'new generation, ' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore. A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello's work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. She identifies two fundamental trends of development in this tradition: the 'melodramatic imagination' and the 'humoristic, ' or comic, imagination. With her focus on the humoristic imagination, Gieri describes a 'Pirandellian mode' derived from his revolutionary utterances on the cinema and narrative, and specifically, from his essay on humour, L'umorismo (On Humour, 1908). She traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour. CONTENTS -- ACKNOWLEDGMENTS -- Introduction: Why Pirandello and the Cinema? -- 1 He Lost It at the Movies: A Love-Hate Relationship of Over Thirty Years -- 2 Pirandello and the Theory of the Cinema -- 3 The Origins of the Myths: From Pirandello to Fellini -- 4 Character and Discourse from Pirandello to Fellini: Defining a Countertradition in an Italian Context -- 5 Ettore Scola: A Cinematic and Social Metadiscourse -- 6 The New Italian Cinema: Restoration or Subversion? -- NOTES -- BIBLIOGRAPHY -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I Jk -- l -- m -- n -- o -- p -- r -- s -- t -- v -- w -- z English. Fellini, Federico. Pirandello, Luigi, 1867-1936. http://id.loc.gov/authorities/names/n79059944 Scola, Ettore, 1931-2016. Pirandello, Luigi, 1867-1936. Scola, Ettore, 1931- Fellini, Federico fast https://id.oclc.org/worldcat/entity/E39PBJwCWPrRRfQWXm7PJwJFKd Pirandello, Luigi, 1867-1936 fast https://id.oclc.org/worldcat/entity/E39PBJwCWWTbq37py3fxDTfg8C Scola, Ettore, 1931-2016 fast https://id.oclc.org/worldcat/entity/E39PBJhmFyRXy9kVwBFJm93qQq Pirandello, Luigi. swd Motion pictures Italy. http://id.loc.gov/authorities/subjects/sh93009046 Cinéma Italie. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video Direction & Production. bisacsh Motion pictures fast Italy fast https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP Regisseur gnd http://d-nb.info/gnd/4049050-6 Rezeption gnd Italien gnd Film gnd http://d-nb.info/gnd/4017102-4 Filmkunst. gtt Motieven (kunst) gtt Cinema and Television Electronic books. History fast has work: Contemporary Italian filmmaking (Text) https://id.oclc.org/worldcat/entity/E39PCG38f9d97J7rVC7H6kvXQy https://id.oclc.org/worldcat/ontology/hasWork Print version: Gieri, Manuela. Contemporary Italian filmmaking. Toronto, Ont. : University of Toronto Press, ©1995 (DLC) 96128633 Toronto Italian studies. http://id.loc.gov/authorities/names/n95026425 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=468024 Volltext |
| spellingShingle | Gieri, Manuela Contemporary Italian filmmaking : strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation / Toronto Italian studies. CONTENTS -- ACKNOWLEDGMENTS -- Introduction: Why Pirandello and the Cinema? -- 1 He Lost It at the Movies: A Love-Hate Relationship of Over Thirty Years -- 2 Pirandello and the Theory of the Cinema -- 3 The Origins of the Myths: From Pirandello to Fellini -- 4 Character and Discourse from Pirandello to Fellini: Defining a Countertradition in an Italian Context -- 5 Ettore Scola: A Cinematic and Social Metadiscourse -- 6 The New Italian Cinema: Restoration or Subversion? -- NOTES -- BIBLIOGRAPHY -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I Jk -- l -- m -- n -- o -- p -- r -- s -- t -- v -- w -- z Fellini, Federico. Pirandello, Luigi, 1867-1936. http://id.loc.gov/authorities/names/n79059944 Scola, Ettore, 1931-2016. Pirandello, Luigi, 1867-1936. Scola, Ettore, 1931- Fellini, Federico fast https://id.oclc.org/worldcat/entity/E39PBJwCWPrRRfQWXm7PJwJFKd Pirandello, Luigi, 1867-1936 fast https://id.oclc.org/worldcat/entity/E39PBJwCWWTbq37py3fxDTfg8C Scola, Ettore, 1931-2016 fast https://id.oclc.org/worldcat/entity/E39PBJhmFyRXy9kVwBFJm93qQq Pirandello, Luigi. swd Motion pictures Italy. http://id.loc.gov/authorities/subjects/sh93009046 Cinéma Italie. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video Direction & Production. bisacsh Motion pictures fast Regisseur gnd http://d-nb.info/gnd/4049050-6 Rezeption gnd Film gnd http://d-nb.info/gnd/4017102-4 Filmkunst. gtt Motieven (kunst) gtt |
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| title | Contemporary Italian filmmaking : strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation / |
| title_auth | Contemporary Italian filmmaking : strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation / |
| title_exact_search | Contemporary Italian filmmaking : strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation / |
| title_full | Contemporary Italian filmmaking : strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation / Manuela Gieri. |
| title_fullStr | Contemporary Italian filmmaking : strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation / Manuela Gieri. |
| title_full_unstemmed | Contemporary Italian filmmaking : strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation / Manuela Gieri. |
| title_short | Contemporary Italian filmmaking : |
| title_sort | contemporary italian filmmaking strategies of subversion pirandello fellini scola and the directors of the new generation |
| title_sub | strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation / |
| topic | Fellini, Federico. Pirandello, Luigi, 1867-1936. http://id.loc.gov/authorities/names/n79059944 Scola, Ettore, 1931-2016. Pirandello, Luigi, 1867-1936. Scola, Ettore, 1931- Fellini, Federico fast https://id.oclc.org/worldcat/entity/E39PBJwCWPrRRfQWXm7PJwJFKd Pirandello, Luigi, 1867-1936 fast https://id.oclc.org/worldcat/entity/E39PBJwCWWTbq37py3fxDTfg8C Scola, Ettore, 1931-2016 fast https://id.oclc.org/worldcat/entity/E39PBJhmFyRXy9kVwBFJm93qQq Pirandello, Luigi. swd Motion pictures Italy. http://id.loc.gov/authorities/subjects/sh93009046 Cinéma Italie. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video Direction & Production. bisacsh Motion pictures fast Regisseur gnd http://d-nb.info/gnd/4049050-6 Rezeption gnd Film gnd http://d-nb.info/gnd/4017102-4 Filmkunst. gtt Motieven (kunst) gtt |
| topic_facet | Fellini, Federico. Pirandello, Luigi, 1867-1936. Scola, Ettore, 1931-2016. Scola, Ettore, 1931- Fellini, Federico Pirandello, Luigi, 1867-1936 Scola, Ettore, 1931-2016 Pirandello, Luigi. Motion pictures Italy. Cinéma Italie. ART Film & Video. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Film & Video Direction & Production. Motion pictures Italy Regisseur Rezeption Italien Film Filmkunst. Motieven (kunst) Electronic books. History |
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