Forensic art essentials :: a manual for law enforcement artists /
The demand for forensic art usage in investigations is rapidly expanding due to media attention. Despite this fact, to date no book thoroughly explains how to sketch a suspect's face from a witness memory. Forensic Art Essentials teaches artists to extract information from a witness or victim a...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam ; Boston :
Academic Press,
©2008.
|
Schlagworte: | |
Online-Zugang: | Volltext Volltext |
Zusammenfassung: | The demand for forensic art usage in investigations is rapidly expanding due to media attention. Despite this fact, to date no book thoroughly explains how to sketch a suspect's face from a witness memory. Forensic Art Essentials teaches artists to extract information from a witness or victim about a face they have seen, and produce an image good enough to lead detectives to the criminal being described. After reading this book, anyone with adequate drawing skills will be able to learn the tools necessary to develop his or her skills as a forensic artist. Instruction focuses on an explanation of techniques for various scenarios and includes the use of case studies of special situations and how they should be handled. Additionally, Forensic Art Essentials covers skull reconstructions of unidentified murder victims and age progressions to aid in the apprehension of known fugitives. The book also provides step-by-step illustrations of how to reconstruct a face from a skull, and offers solutions to a multitude of common problems that occur in the field. With 500 full-color illustrations, this book is an essential tool for any forensic artist. * Provides insight as to the best way to responsibly interview and extract information from eye-witnesses and victims to develop accurate composite sketches * 500 illustrations, many full color, show examples of various challenges in developing sketches and reconstructing from skulls * Serves as a guide for forensic art professionals as well as a call to law enforcement agencies to expand the use of this valuable forensic tool. |
Beschreibung: | 1 online resource (422 pages, 16 unnumbered pages of plates) :) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780123708984 0123708982 9780080559292 0080559298 |
Internformat
MARC
LEADER | 00000cam a2200000 a 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-ocn228148412 | ||
003 | OCoLC | ||
005 | 20240705115654.0 | ||
006 | m o d | ||
007 | cr cn||||||||| | ||
008 | 080516s2008 ne af obf 001 0 eng d | ||
010 | |z 2007035601 | ||
040 | |a OPELS |b eng |e pn |c OPELS |d OCLCQ |d N$T |d YDXCP |d SHH |d IDEBK |d E7B |d DKDLA |d OCLCQ |d REDDC |d OCLCQ |d OCLCF |d OCLCQ |d OCL |d NLE |d OCLCQ |d AZK |d LOA |d COCUF |d AGLDB |d MOR |d PIFAG |d OCLCQ |d JBG |d U3W |d STF |d WRM |d VNS |d D6H |d VTS |d VT2 |d TOF |d OCLCQ |d TKN |d OCLCQ |d LEAUB |d M8D |d DCT |d OCLCQ |d K6U |d S2H |d OCLCO |d OCLCQ |d OCLCO |d OCLCQ |d INARC |d OCLCO |d OCLCL |d CEF |d OL$ |d VLB | ||
019 | |a 212063870 |a 474211748 |a 648350008 |a 712977663 |a 860415796 |a 961511373 |a 962725144 |a 974151746 |a 982317832 |a 1034919459 |a 1047691539 |a 1096479360 |a 1403841177 | ||
020 | |a 9780123708984 | ||
020 | |a 0123708982 | ||
020 | |a 9780080559292 |q (electronic bk.) | ||
020 | |a 0080559298 |q (electronic bk.) | ||
035 | |a (OCoLC)228148412 |z (OCoLC)212063870 |z (OCoLC)474211748 |z (OCoLC)648350008 |z (OCoLC)712977663 |z (OCoLC)860415796 |z (OCoLC)961511373 |z (OCoLC)962725144 |z (OCoLC)974151746 |z (OCoLC)982317832 |z (OCoLC)1034919459 |z (OCoLC)1047691539 |z (OCoLC)1096479360 |z (OCoLC)1403841177 | ||
037 | |a 134295:134423 |b Elsevier Science & Technology |n http://www.sciencedirect.com | ||
050 | 4 | |a HV8073.4 |b .G54 2008eb | |
072 | 7 | |a LAW |x 041000 |2 bisacsh | |
080 | |a 599.9 | ||
080 | |a 363.25 | ||
082 | 7 | |a 363.25/8 |2 22 | |
049 | |a MAIN | ||
100 | 1 | |a Gibson, Lois. |0 http://id.loc.gov/authorities/names/n2005041599 | |
245 | 1 | 0 | |a Forensic art essentials : |b a manual for law enforcement artists / |c Lois Gibson. |
260 | |a Amsterdam ; |a Boston : |b Academic Press, |c ©2008. | ||
300 | |a 1 online resource (422 pages, 16 unnumbered pages of plates) :) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a data file |2 rda | ||
520 | |a The demand for forensic art usage in investigations is rapidly expanding due to media attention. Despite this fact, to date no book thoroughly explains how to sketch a suspect's face from a witness memory. Forensic Art Essentials teaches artists to extract information from a witness or victim about a face they have seen, and produce an image good enough to lead detectives to the criminal being described. After reading this book, anyone with adequate drawing skills will be able to learn the tools necessary to develop his or her skills as a forensic artist. Instruction focuses on an explanation of techniques for various scenarios and includes the use of case studies of special situations and how they should be handled. Additionally, Forensic Art Essentials covers skull reconstructions of unidentified murder victims and age progressions to aid in the apprehension of known fugitives. The book also provides step-by-step illustrations of how to reconstruct a face from a skull, and offers solutions to a multitude of common problems that occur in the field. With 500 full-color illustrations, this book is an essential tool for any forensic artist. * Provides insight as to the best way to responsibly interview and extract information from eye-witnesses and victims to develop accurate composite sketches * 500 illustrations, many full color, show examples of various challenges in developing sketches and reconstructing from skulls * Serves as a guide for forensic art professionals as well as a call to law enforcement agencies to expand the use of this valuable forensic tool. | ||
505 | 0 | |a CHAPTER ONE: THE MOST UNIQUE ART DISCIPLINE -- CHAPTER TWO: DRAWING IN FORENSIC ART -- CHAPTER THREE: PULLING FACES FROM WITNESS MEMORY -- CHAPTER FOUR: SPECIAL REFINEMNTS TO THE INTERVIEW -- CHAPTER FIVE: RACES, EXPRESSIONS, TEETH, WOMEN, VEHICLES, TATTOOS AND JEWELRY -- CHAPTER SIX: AGE PROGRESSION AND POST MORTEM -- CHAPTER SEVEN: FACIAL RECONSTRUCTION FROM SKELETAL REMAINS -- CHAPTER EIGHT: THREE-DIMENSIONAL FACIAL RECONSTRUCTION OF SKELETAL REMAINS -- CHAPTER NINE: IMPLEMENTATIONS AND CONCLUSIONS. | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a The most unique art discipline -- Drawing in forensic art -- Pulling faces from witness memory -- Special refinements to the interview -- Races, expressions, teeth, women, vehicles, tattoos, and jewelry -- Age progression and postmortem: portraits of unidentified homicide complainants -- Facial reconstruction from skeletal remains -- Three-dimensional facial reconstruction of skeletal remains -- Implementations and conclusions. | |
588 | 0 | |a Print version record. | |
650 | 0 | |a Police artists |v Handbooks, manuals, etc. | |
650 | 0 | |a Criminals |x Identification |v Handbooks, manuals, etc. | |
650 | 0 | |a Drawing |x Technique |v Handbooks, manuals, etc. | |
650 | 0 | |a Facial reconstruction (Anthropology) |v Handbooks, manuals, etc. | |
650 | 6 | |a Dessinateurs de portraits-robots |v Guides, manuels, etc. | |
650 | 6 | |a Criminels |x Identification |v Guides, manuels, etc. | |
650 | 6 | |a Dessin |x Technique |v Guides, manuels, etc. | |
650 | 6 | |a Reconstruction faciale (Anthropologie) |v Guides, manuels, etc. | |
650 | 7 | |a LAW |x Forensic Science. |2 bisacsh | |
650 | 7 | |a Criminals |x Identification |2 fast | |
650 | 7 | |a Drawing |x Technique |2 fast | |
650 | 7 | |a Facial reconstruction (Anthropology) |2 fast | |
650 | 7 | |a Police artists |2 fast | |
655 | 7 | |a manuals (instructional materials) |2 aat | |
655 | 7 | |a handbooks. |2 aat | |
655 | 7 | |a Handbooks and manuals |2 fast | |
655 | 7 | |a Handbooks and manuals. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026109 | |
655 | 7 | |a Guides et manuels. |2 rvmgf | |
758 | |i has work: |a Forensic art essentials (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGTQ9wCT8rvyydJ4q3hgDq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Gibson, Lois. |t Forensic art essentials. |d Amsterdam ; Boston : Academic Press, ©2008 |z 9780123708984 |z 0123708982 |w (DLC) 2007035601 |w (OCoLC)169873393 |
856 | 1 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=219927 |3 Volltext | |
856 | 1 | |l CBO01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=219927 |3 Volltext | |
856 | 1 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://www.sciencedirect.com/science/book/9780123708984 |3 Volltext | |
856 | 1 | |l CBO01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://www.sciencedirect.com/science/book/9780123708984 |3 Volltext | |
938 | |a Internet Archive |b INAR |n forensicartessen0000gibs | ||
938 | |a ebrary |b EBRY |n ebr10216775 | ||
938 | |a EBSCOhost |b EBSC |n 219927 | ||
938 | |a YBP Library Services |b YANK |n 2783772 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn228148412 |
---|---|
_version_ | 1813903316572176384 |
adam_text | |
any_adam_object | |
author | Gibson, Lois |
author_GND | http://id.loc.gov/authorities/names/n2005041599 |
author_facet | Gibson, Lois |
author_role | |
author_sort | Gibson, Lois |
author_variant | l g lg |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | H - Social Science |
callnumber-label | HV8073 |
callnumber-raw | HV8073.4 .G54 2008eb |
callnumber-search | HV8073.4 .G54 2008eb |
callnumber-sort | HV 48073.4 G54 42008EB |
callnumber-subject | HV - Social Pathology, Criminology |
collection | ZDB-4-EBA |
contents | CHAPTER ONE: THE MOST UNIQUE ART DISCIPLINE -- CHAPTER TWO: DRAWING IN FORENSIC ART -- CHAPTER THREE: PULLING FACES FROM WITNESS MEMORY -- CHAPTER FOUR: SPECIAL REFINEMNTS TO THE INTERVIEW -- CHAPTER FIVE: RACES, EXPRESSIONS, TEETH, WOMEN, VEHICLES, TATTOOS AND JEWELRY -- CHAPTER SIX: AGE PROGRESSION AND POST MORTEM -- CHAPTER SEVEN: FACIAL RECONSTRUCTION FROM SKELETAL REMAINS -- CHAPTER EIGHT: THREE-DIMENSIONAL FACIAL RECONSTRUCTION OF SKELETAL REMAINS -- CHAPTER NINE: IMPLEMENTATIONS AND CONCLUSIONS. The most unique art discipline -- Drawing in forensic art -- Pulling faces from witness memory -- Special refinements to the interview -- Races, expressions, teeth, women, vehicles, tattoos, and jewelry -- Age progression and postmortem: portraits of unidentified homicide complainants -- Facial reconstruction from skeletal remains -- Three-dimensional facial reconstruction of skeletal remains -- Implementations and conclusions. |
ctrlnum | (OCoLC)228148412 |
dewey-full | 363.25/8 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 363 - Other social problems and services |
dewey-raw | 363.25/8 |
dewey-search | 363.25/8 |
dewey-sort | 3363.25 18 |
dewey-tens | 360 - Social problems and services; associations |
discipline | Soziologie |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06362cam a2200757 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn228148412</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20240705115654.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cn|||||||||</controlfield><controlfield tag="008">080516s2008 ne af obf 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="z"> 2007035601</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">OPELS</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">OPELS</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">N$T</subfield><subfield code="d">YDXCP</subfield><subfield code="d">SHH</subfield><subfield code="d">IDEBK</subfield><subfield code="d">E7B</subfield><subfield code="d">DKDLA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">REDDC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCL</subfield><subfield code="d">NLE</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AZK</subfield><subfield code="d">LOA</subfield><subfield code="d">COCUF</subfield><subfield code="d">AGLDB</subfield><subfield code="d">MOR</subfield><subfield code="d">PIFAG</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">JBG</subfield><subfield code="d">U3W</subfield><subfield code="d">STF</subfield><subfield code="d">WRM</subfield><subfield code="d">VNS</subfield><subfield code="d">D6H</subfield><subfield code="d">VTS</subfield><subfield code="d">VT2</subfield><subfield code="d">TOF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TKN</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LEAUB</subfield><subfield code="d">M8D</subfield><subfield code="d">DCT</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">K6U</subfield><subfield code="d">S2H</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">INARC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">CEF</subfield><subfield code="d">OL$</subfield><subfield code="d">VLB</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">212063870</subfield><subfield code="a">474211748</subfield><subfield code="a">648350008</subfield><subfield code="a">712977663</subfield><subfield code="a">860415796</subfield><subfield code="a">961511373</subfield><subfield code="a">962725144</subfield><subfield code="a">974151746</subfield><subfield code="a">982317832</subfield><subfield code="a">1034919459</subfield><subfield code="a">1047691539</subfield><subfield code="a">1096479360</subfield><subfield code="a">1403841177</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780123708984</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0123708982</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780080559292</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0080559298</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)228148412</subfield><subfield code="z">(OCoLC)212063870</subfield><subfield code="z">(OCoLC)474211748</subfield><subfield code="z">(OCoLC)648350008</subfield><subfield code="z">(OCoLC)712977663</subfield><subfield code="z">(OCoLC)860415796</subfield><subfield code="z">(OCoLC)961511373</subfield><subfield code="z">(OCoLC)962725144</subfield><subfield code="z">(OCoLC)974151746</subfield><subfield code="z">(OCoLC)982317832</subfield><subfield code="z">(OCoLC)1034919459</subfield><subfield code="z">(OCoLC)1047691539</subfield><subfield code="z">(OCoLC)1096479360</subfield><subfield code="z">(OCoLC)1403841177</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">134295:134423</subfield><subfield code="b">Elsevier Science & Technology</subfield><subfield code="n">http://www.sciencedirect.com</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">HV8073.4</subfield><subfield code="b">.G54 2008eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LAW</subfield><subfield code="x">041000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="080" ind1=" " ind2=" "><subfield code="a">599.9</subfield></datafield><datafield tag="080" ind1=" " ind2=" "><subfield code="a">363.25</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">363.25/8</subfield><subfield code="2">22</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gibson, Lois.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2005041599</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Forensic art essentials :</subfield><subfield code="b">a manual for law enforcement artists /</subfield><subfield code="c">Lois Gibson.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Amsterdam ;</subfield><subfield code="a">Boston :</subfield><subfield code="b">Academic Press,</subfield><subfield code="c">©2008.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (422 pages, 16 unnumbered pages of plates) :)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield><subfield code="2">rda</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The demand for forensic art usage in investigations is rapidly expanding due to media attention. Despite this fact, to date no book thoroughly explains how to sketch a suspect's face from a witness memory. Forensic Art Essentials teaches artists to extract information from a witness or victim about a face they have seen, and produce an image good enough to lead detectives to the criminal being described. After reading this book, anyone with adequate drawing skills will be able to learn the tools necessary to develop his or her skills as a forensic artist. Instruction focuses on an explanation of techniques for various scenarios and includes the use of case studies of special situations and how they should be handled. Additionally, Forensic Art Essentials covers skull reconstructions of unidentified murder victims and age progressions to aid in the apprehension of known fugitives. The book also provides step-by-step illustrations of how to reconstruct a face from a skull, and offers solutions to a multitude of common problems that occur in the field. With 500 full-color illustrations, this book is an essential tool for any forensic artist. * Provides insight as to the best way to responsibly interview and extract information from eye-witnesses and victims to develop accurate composite sketches * 500 illustrations, many full color, show examples of various challenges in developing sketches and reconstructing from skulls * Serves as a guide for forensic art professionals as well as a call to law enforcement agencies to expand the use of this valuable forensic tool.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">CHAPTER ONE: THE MOST UNIQUE ART DISCIPLINE -- CHAPTER TWO: DRAWING IN FORENSIC ART -- CHAPTER THREE: PULLING FACES FROM WITNESS MEMORY -- CHAPTER FOUR: SPECIAL REFINEMNTS TO THE INTERVIEW -- CHAPTER FIVE: RACES, EXPRESSIONS, TEETH, WOMEN, VEHICLES, TATTOOS AND JEWELRY -- CHAPTER SIX: AGE PROGRESSION AND POST MORTEM -- CHAPTER SEVEN: FACIAL RECONSTRUCTION FROM SKELETAL REMAINS -- CHAPTER EIGHT: THREE-DIMENSIONAL FACIAL RECONSTRUCTION OF SKELETAL REMAINS -- CHAPTER NINE: IMPLEMENTATIONS AND CONCLUSIONS.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">The most unique art discipline -- Drawing in forensic art -- Pulling faces from witness memory -- Special refinements to the interview -- Races, expressions, teeth, women, vehicles, tattoos, and jewelry -- Age progression and postmortem: portraits of unidentified homicide complainants -- Facial reconstruction from skeletal remains -- Three-dimensional facial reconstruction of skeletal remains -- Implementations and conclusions.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Police artists</subfield><subfield code="v">Handbooks, manuals, etc.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Criminals</subfield><subfield code="x">Identification</subfield><subfield code="v">Handbooks, manuals, etc.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Drawing</subfield><subfield code="x">Technique</subfield><subfield code="v">Handbooks, manuals, etc.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Facial reconstruction (Anthropology)</subfield><subfield code="v">Handbooks, manuals, etc.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Dessinateurs de portraits-robots</subfield><subfield code="v">Guides, manuels, etc.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Criminels</subfield><subfield code="x">Identification</subfield><subfield code="v">Guides, manuels, etc.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Dessin</subfield><subfield code="x">Technique</subfield><subfield code="v">Guides, manuels, etc.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Reconstruction faciale (Anthropologie)</subfield><subfield code="v">Guides, manuels, etc.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LAW</subfield><subfield code="x">Forensic Science.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Criminals</subfield><subfield code="x">Identification</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Drawing</subfield><subfield code="x">Technique</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Facial reconstruction (Anthropology)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Police artists</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">manuals (instructional materials)</subfield><subfield code="2">aat</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">handbooks.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Handbooks and manuals</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Handbooks and manuals.</subfield><subfield code="2">lcgft</subfield><subfield code="0">http://id.loc.gov/authorities/genreForms/gf2014026109</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Guides et manuels.</subfield><subfield code="2">rvmgf</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Forensic art essentials (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGTQ9wCT8rvyydJ4q3hgDq</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Gibson, Lois.</subfield><subfield code="t">Forensic art essentials.</subfield><subfield code="d">Amsterdam ; Boston : Academic Press, ©2008</subfield><subfield code="z">9780123708984</subfield><subfield code="z">0123708982</subfield><subfield code="w">(DLC) 2007035601</subfield><subfield code="w">(OCoLC)169873393</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=219927</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">CBO01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=219927</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://www.sciencedirect.com/science/book/9780123708984</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">CBO01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://www.sciencedirect.com/science/book/9780123708984</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">forensicartessen0000gibs</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10216775</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">219927</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">2783772</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield></record></collection> |
genre | manuals (instructional materials) aat handbooks. aat Handbooks and manuals fast Handbooks and manuals. lcgft http://id.loc.gov/authorities/genreForms/gf2014026109 Guides et manuels. rvmgf |
genre_facet | manuals (instructional materials) handbooks. Handbooks and manuals Handbooks and manuals. Guides et manuels. |
id | ZDB-4-EBA-ocn228148412 |
illustrated | Illustrated |
indexdate | 2024-10-25T16:16:45Z |
institution | BVB |
isbn | 9780123708984 0123708982 9780080559292 0080559298 |
language | English |
oclc_num | 228148412 |
open_access_boolean | |
owner | MAIN |
owner_facet | MAIN |
physical | 1 online resource (422 pages, 16 unnumbered pages of plates) :) |
psigel | ZDB-4-EBA |
publishDate | 2008 |
publishDateSearch | 2008 |
publishDateSort | 2008 |
publisher | Academic Press, |
record_format | marc |
spelling | Gibson, Lois. http://id.loc.gov/authorities/names/n2005041599 Forensic art essentials : a manual for law enforcement artists / Lois Gibson. Amsterdam ; Boston : Academic Press, ©2008. 1 online resource (422 pages, 16 unnumbered pages of plates) :) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda The demand for forensic art usage in investigations is rapidly expanding due to media attention. Despite this fact, to date no book thoroughly explains how to sketch a suspect's face from a witness memory. Forensic Art Essentials teaches artists to extract information from a witness or victim about a face they have seen, and produce an image good enough to lead detectives to the criminal being described. After reading this book, anyone with adequate drawing skills will be able to learn the tools necessary to develop his or her skills as a forensic artist. Instruction focuses on an explanation of techniques for various scenarios and includes the use of case studies of special situations and how they should be handled. Additionally, Forensic Art Essentials covers skull reconstructions of unidentified murder victims and age progressions to aid in the apprehension of known fugitives. The book also provides step-by-step illustrations of how to reconstruct a face from a skull, and offers solutions to a multitude of common problems that occur in the field. With 500 full-color illustrations, this book is an essential tool for any forensic artist. * Provides insight as to the best way to responsibly interview and extract information from eye-witnesses and victims to develop accurate composite sketches * 500 illustrations, many full color, show examples of various challenges in developing sketches and reconstructing from skulls * Serves as a guide for forensic art professionals as well as a call to law enforcement agencies to expand the use of this valuable forensic tool. CHAPTER ONE: THE MOST UNIQUE ART DISCIPLINE -- CHAPTER TWO: DRAWING IN FORENSIC ART -- CHAPTER THREE: PULLING FACES FROM WITNESS MEMORY -- CHAPTER FOUR: SPECIAL REFINEMNTS TO THE INTERVIEW -- CHAPTER FIVE: RACES, EXPRESSIONS, TEETH, WOMEN, VEHICLES, TATTOOS AND JEWELRY -- CHAPTER SIX: AGE PROGRESSION AND POST MORTEM -- CHAPTER SEVEN: FACIAL RECONSTRUCTION FROM SKELETAL REMAINS -- CHAPTER EIGHT: THREE-DIMENSIONAL FACIAL RECONSTRUCTION OF SKELETAL REMAINS -- CHAPTER NINE: IMPLEMENTATIONS AND CONCLUSIONS. Includes bibliographical references and index. The most unique art discipline -- Drawing in forensic art -- Pulling faces from witness memory -- Special refinements to the interview -- Races, expressions, teeth, women, vehicles, tattoos, and jewelry -- Age progression and postmortem: portraits of unidentified homicide complainants -- Facial reconstruction from skeletal remains -- Three-dimensional facial reconstruction of skeletal remains -- Implementations and conclusions. Print version record. Police artists Handbooks, manuals, etc. Criminals Identification Handbooks, manuals, etc. Drawing Technique Handbooks, manuals, etc. Facial reconstruction (Anthropology) Handbooks, manuals, etc. Dessinateurs de portraits-robots Guides, manuels, etc. Criminels Identification Guides, manuels, etc. Dessin Technique Guides, manuels, etc. Reconstruction faciale (Anthropologie) Guides, manuels, etc. LAW Forensic Science. bisacsh Criminals Identification fast Drawing Technique fast Facial reconstruction (Anthropology) fast Police artists fast manuals (instructional materials) aat handbooks. aat Handbooks and manuals fast Handbooks and manuals. lcgft http://id.loc.gov/authorities/genreForms/gf2014026109 Guides et manuels. rvmgf has work: Forensic art essentials (Text) https://id.oclc.org/worldcat/entity/E39PCGTQ9wCT8rvyydJ4q3hgDq https://id.oclc.org/worldcat/ontology/hasWork Print version: Gibson, Lois. Forensic art essentials. Amsterdam ; Boston : Academic Press, ©2008 9780123708984 0123708982 (DLC) 2007035601 (OCoLC)169873393 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=219927 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=219927 Volltext FWS01 ZDB-4-EBA FWS_PDA_EBA https://www.sciencedirect.com/science/book/9780123708984 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://www.sciencedirect.com/science/book/9780123708984 Volltext |
spellingShingle | Gibson, Lois Forensic art essentials : a manual for law enforcement artists / CHAPTER ONE: THE MOST UNIQUE ART DISCIPLINE -- CHAPTER TWO: DRAWING IN FORENSIC ART -- CHAPTER THREE: PULLING FACES FROM WITNESS MEMORY -- CHAPTER FOUR: SPECIAL REFINEMNTS TO THE INTERVIEW -- CHAPTER FIVE: RACES, EXPRESSIONS, TEETH, WOMEN, VEHICLES, TATTOOS AND JEWELRY -- CHAPTER SIX: AGE PROGRESSION AND POST MORTEM -- CHAPTER SEVEN: FACIAL RECONSTRUCTION FROM SKELETAL REMAINS -- CHAPTER EIGHT: THREE-DIMENSIONAL FACIAL RECONSTRUCTION OF SKELETAL REMAINS -- CHAPTER NINE: IMPLEMENTATIONS AND CONCLUSIONS. The most unique art discipline -- Drawing in forensic art -- Pulling faces from witness memory -- Special refinements to the interview -- Races, expressions, teeth, women, vehicles, tattoos, and jewelry -- Age progression and postmortem: portraits of unidentified homicide complainants -- Facial reconstruction from skeletal remains -- Three-dimensional facial reconstruction of skeletal remains -- Implementations and conclusions. Police artists Handbooks, manuals, etc. Criminals Identification Handbooks, manuals, etc. Drawing Technique Handbooks, manuals, etc. Facial reconstruction (Anthropology) Handbooks, manuals, etc. Dessinateurs de portraits-robots Guides, manuels, etc. Criminels Identification Guides, manuels, etc. Dessin Technique Guides, manuels, etc. Reconstruction faciale (Anthropologie) Guides, manuels, etc. LAW Forensic Science. bisacsh Criminals Identification fast Drawing Technique fast Facial reconstruction (Anthropology) fast Police artists fast |
subject_GND | http://id.loc.gov/authorities/genreForms/gf2014026109 |
title | Forensic art essentials : a manual for law enforcement artists / |
title_auth | Forensic art essentials : a manual for law enforcement artists / |
title_exact_search | Forensic art essentials : a manual for law enforcement artists / |
title_full | Forensic art essentials : a manual for law enforcement artists / Lois Gibson. |
title_fullStr | Forensic art essentials : a manual for law enforcement artists / Lois Gibson. |
title_full_unstemmed | Forensic art essentials : a manual for law enforcement artists / Lois Gibson. |
title_short | Forensic art essentials : |
title_sort | forensic art essentials a manual for law enforcement artists |
title_sub | a manual for law enforcement artists / |
topic | Police artists Handbooks, manuals, etc. Criminals Identification Handbooks, manuals, etc. Drawing Technique Handbooks, manuals, etc. Facial reconstruction (Anthropology) Handbooks, manuals, etc. Dessinateurs de portraits-robots Guides, manuels, etc. Criminels Identification Guides, manuels, etc. Dessin Technique Guides, manuels, etc. Reconstruction faciale (Anthropologie) Guides, manuels, etc. LAW Forensic Science. bisacsh Criminals Identification fast Drawing Technique fast Facial reconstruction (Anthropology) fast Police artists fast |
topic_facet | Police artists Handbooks, manuals, etc. Criminals Identification Handbooks, manuals, etc. Drawing Technique Handbooks, manuals, etc. Facial reconstruction (Anthropology) Handbooks, manuals, etc. Dessinateurs de portraits-robots Guides, manuels, etc. Criminels Identification Guides, manuels, etc. Dessin Technique Guides, manuels, etc. Reconstruction faciale (Anthropologie) Guides, manuels, etc. LAW Forensic Science. Criminals Identification Drawing Technique Facial reconstruction (Anthropology) Police artists manuals (instructional materials) handbooks. Handbooks and manuals Handbooks and manuals. Guides et manuels. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=219927 https://www.sciencedirect.com/science/book/9780123708984 |
work_keys_str_mv | AT gibsonlois forensicartessentialsamanualforlawenforcementartists |