This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses. France offers an intriguing case in point here. A specific sense of momentum comes...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Beugnet, Martine
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Edinburgh : Edinburgh University Press, 2007.
Schlagworte:	Bibel > Philemonbrief Senses and sensation in motion pictures. Human body in motion pictures. Motion pictures > France. Sens et sensations au cinéma. Corps humain au cinéma. Cinéma > France. PERFORMING ARTS > Film & Video > Reference. PERFORMING ARTS > Film & Video > History & Criticism. Human body in motion pictures Motion pictures Senses and sensation in motion pictures France Frankreich Electronic books.
Online-Zugang:	Volltext
Zusammenfassung:	This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses. France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema's sensory impact and transgressive nature: Adieu; A ma soeur; Baise-moi; Beau Travail; La Blessure; La Captive; Dans ma peau; Demonlover; L'Humanité; Flandres; L'Intrus; Les Invisibles; Lady Chatterley; Leçons de ténèbres; Romance; Sombre; Tiresia; Trouble Every Day; Twentynine Palms; Vendredi soir; La Vie nouvelle; Wild Side; Zidane, un portrait du XXIème siècle. These films, amongst others, typify a willingness to explore cinema's unique capacity to move us both viscerally and intellectually. Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream cinema. Her book draws on the writings of the likes of Deleuze, Merleau-Ponty and Bataille, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques and motifs which allows us to engage with the works as material events and as thinking processes. In turn, she demonstrates how the films, envisaged as forms of embodied thought, offer alternative ways of approaching those questions that are at the heart of today's most burning socio-cultural debates: from the growing supremacy of technology, to globalisation, exile and exclusion, these are the issues that appear embedded here in the very texture of images and sounds.
Beschreibung:	1 online resource (vi, 192 pages)
Bibliographie:	Includes bibliographical references (pages 179-187) and index. Includes filmography (page 189).
ISBN:	9780748629176 0748629173 1281251968 9781281251961 9786611251963 6611251960