Poetry and the romantic musical aesthetic /:
James H. Donelan describes how two poets, a philosopher, and a composer - Holderlin, Wordsworth, Hegel, and Beethoven - developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal r...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York :
Cambridge University Press,
2008.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | James H. Donelan describes how two poets, a philosopher, and a composer - Holderlin, Wordsworth, Hegel, and Beethoven - developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures - all born in 1770 - developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831. |
| Beschreibung: | 1 online resource (xvi, 216 pages) |
| Bibliographie: | Includes bibliographical references (pages 205-212) and index. |
| ISBN: | 9780511482076 0511482078 9780511388491 0511388497 0511387504 9780511387500 0521887615 9780521887618 |
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| 520 | |a James H. Donelan describes how two poets, a philosopher, and a composer - Holderlin, Wordsworth, Hegel, and Beethoven - developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures - all born in 1770 - developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831. | ||
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| _version_ | 1813903315240484864 |
| adam_text | |
| any_adam_object | |
| author | Donelan, James H., 1963- |
| author_GND | http://id.loc.gov/authorities/names/n2007073138 |
| author_facet | Donelan, James H., 1963- |
| author_role | |
| author_sort | Donelan, James H., 1963- |
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| callnumber-search | ML3800 .D65 2008eb |
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| contents | Self-consciousness and music in the late Enlightenment. Kant, self-consciousness, and aesthetics. Fichte, Schiller, Schelling, and the Systemprogramm fragment : the origins of Romantic self-consciousness. Mozart and the transformation of Enlightenment musical aesthetics. The beginning of Romantic musical self-consciousness -- Hölderlin's Deutscher Gesang and the music of poetic self-consciousness. "Urtheil und Seyn" : existence in poetry. "Wechsel der Töne" : the music of poetic language. Divine self-positing : "Dichterberuf " and the first letter to Böhlendorff. "Brod und Wein," "Patmos," and "Wie wenn am Feiertage" : the divine origin of Deutscher Gesang -- Hegel's aesthetic theory : self-consciousness and musical material. Hegel's aesthetic lectures : origin and context. Hegelian self-consciousness and art. Music and the Hegelian forms of art. Music and Subjectivity. The problem of absolute music. Poetry and music -- Nature, music, and the imagination in Wordsworth's poetry. Song and articulate meaning : "The solitary reaper". Natural music in The prelude. Text, voice, and imagination : "The dream of the Arab". Natural sound and childhood death : "The boy of Winander". Textual silence : "The blind beggar". Conclusion : "On the Power of Sound" and The Prelude -- Beethoven and musical self-consciousness. Beethoven's intellectual life. The Heroic style (1803-12) . The Late style (1813-27) . Opus 130/133, string quartet No. 13 in Bb: first movement. String quartet no. 13 : middle movements. String quartet no. 13 : Große Fuge and Finale. Reception of the late quartets. Conclusion : the meaning of a quartet -- The persistence of sound. |
| ctrlnum | (OCoLC)227126942 |
| dewey-full | 781.1/7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.1/7 |
| dewey-search | 781.1/7 |
| dewey-sort | 3781.1 17 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre_facet | Electronic books. Poetry poetry. Poetry. Poésie. |
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| illustrated | Not Illustrated |
| indexdate | 2024-10-25T16:16:44Z |
| institution | BVB |
| isbn | 9780511482076 0511482078 9780511388491 0511388497 0511387504 9780511387500 0521887615 9780521887618 |
| language | English |
| oclc_num | 227126942 |
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| physical | 1 online resource (xvi, 216 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2008 |
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| publisher | Cambridge University Press, |
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| spelling | Donelan, James H., 1963- http://id.loc.gov/authorities/names/n2007073138 Poetry and the romantic musical aesthetic / James H. Donelan. Cambridge ; New York : Cambridge University Press, 2008. 1 online resource (xvi, 216 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 205-212) and index. Self-consciousness and music in the late Enlightenment. Kant, self-consciousness, and aesthetics. Fichte, Schiller, Schelling, and the Systemprogramm fragment : the origins of Romantic self-consciousness. Mozart and the transformation of Enlightenment musical aesthetics. The beginning of Romantic musical self-consciousness -- Hölderlin's Deutscher Gesang and the music of poetic self-consciousness. "Urtheil und Seyn" : existence in poetry. "Wechsel der Töne" : the music of poetic language. Divine self-positing : "Dichterberuf " and the first letter to Böhlendorff. "Brod und Wein," "Patmos," and "Wie wenn am Feiertage" : the divine origin of Deutscher Gesang -- Hegel's aesthetic theory : self-consciousness and musical material. Hegel's aesthetic lectures : origin and context. Hegelian self-consciousness and art. Music and the Hegelian forms of art. Music and Subjectivity. The problem of absolute music. Poetry and music -- Nature, music, and the imagination in Wordsworth's poetry. Song and articulate meaning : "The solitary reaper". Natural music in The prelude. Text, voice, and imagination : "The dream of the Arab". Natural sound and childhood death : "The boy of Winander". Textual silence : "The blind beggar". Conclusion : "On the Power of Sound" and The Prelude -- Beethoven and musical self-consciousness. Beethoven's intellectual life. The Heroic style (1803-12) . The Late style (1813-27) . Opus 130/133, string quartet No. 13 in Bb: first movement. String quartet no. 13 : middle movements. String quartet no. 13 : Große Fuge and Finale. Reception of the late quartets. Conclusion : the meaning of a quartet -- The persistence of sound. James H. Donelan describes how two poets, a philosopher, and a composer - Holderlin, Wordsworth, Hegel, and Beethoven - developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures - all born in 1770 - developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831. Print version record. Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Poetry. Romanticism. http://id.loc.gov/authorities/subjects/sh85115078 Poetry as Topic https://id.nlm.nih.gov/mesh/D011037 Musique Philosophie et esthétique. Poésie. Romantisme. poetry. aat romanticism (form of expression) aat MUSIC Instruction & Study Appreciation. bisacsh Music Philosophy and aesthetics. cct Poetry. cct Romanticism. cct Music Philosophy and aesthetics fast Poetry fast Romanticism fast Electronic books. Poetry https://id.nlm.nih.gov/mesh/D055821 Poetry. lcgft http://id.loc.gov/authorities/genreForms/gf2014026481 Poésie. rvmgf has work: Poetry and the romantic musical aesthetic (Text) https://id.oclc.org/worldcat/entity/E39PCGvGKpQYWxHWRkF3YgpPFC https://id.oclc.org/worldcat/ontology/hasWork Print version: Donelan, James H., 1963- Poetry and the romantic musical aesthetic. Cambridge ; New York : Cambridge University Press, 2008 9780521887618 0521887615 (DLC) 2007041786 (OCoLC)174501210 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=221271 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=221271 Volltext |
| spellingShingle | Donelan, James H., 1963- Poetry and the romantic musical aesthetic / Self-consciousness and music in the late Enlightenment. Kant, self-consciousness, and aesthetics. Fichte, Schiller, Schelling, and the Systemprogramm fragment : the origins of Romantic self-consciousness. Mozart and the transformation of Enlightenment musical aesthetics. The beginning of Romantic musical self-consciousness -- Hölderlin's Deutscher Gesang and the music of poetic self-consciousness. "Urtheil und Seyn" : existence in poetry. "Wechsel der Töne" : the music of poetic language. Divine self-positing : "Dichterberuf " and the first letter to Böhlendorff. "Brod und Wein," "Patmos," and "Wie wenn am Feiertage" : the divine origin of Deutscher Gesang -- Hegel's aesthetic theory : self-consciousness and musical material. Hegel's aesthetic lectures : origin and context. Hegelian self-consciousness and art. Music and the Hegelian forms of art. Music and Subjectivity. The problem of absolute music. Poetry and music -- Nature, music, and the imagination in Wordsworth's poetry. Song and articulate meaning : "The solitary reaper". Natural music in The prelude. Text, voice, and imagination : "The dream of the Arab". Natural sound and childhood death : "The boy of Winander". Textual silence : "The blind beggar". Conclusion : "On the Power of Sound" and The Prelude -- Beethoven and musical self-consciousness. Beethoven's intellectual life. The Heroic style (1803-12) . The Late style (1813-27) . Opus 130/133, string quartet No. 13 in Bb: first movement. String quartet no. 13 : middle movements. String quartet no. 13 : Große Fuge and Finale. Reception of the late quartets. Conclusion : the meaning of a quartet -- The persistence of sound. Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Poetry. Romanticism. http://id.loc.gov/authorities/subjects/sh85115078 Poetry as Topic https://id.nlm.nih.gov/mesh/D011037 Musique Philosophie et esthétique. Poésie. Romantisme. poetry. aat romanticism (form of expression) aat MUSIC Instruction & Study Appreciation. bisacsh Music Philosophy and aesthetics. cct Poetry. cct Romanticism. cct Music Philosophy and aesthetics fast Poetry fast Romanticism fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088808 http://id.loc.gov/authorities/subjects/sh85115078 https://id.nlm.nih.gov/mesh/D011037 https://id.nlm.nih.gov/mesh/D055821 http://id.loc.gov/authorities/genreForms/gf2014026481 |
| title | Poetry and the romantic musical aesthetic / |
| title_auth | Poetry and the romantic musical aesthetic / |
| title_exact_search | Poetry and the romantic musical aesthetic / |
| title_full | Poetry and the romantic musical aesthetic / James H. Donelan. |
| title_fullStr | Poetry and the romantic musical aesthetic / James H. Donelan. |
| title_full_unstemmed | Poetry and the romantic musical aesthetic / James H. Donelan. |
| title_short | Poetry and the romantic musical aesthetic / |
| title_sort | poetry and the romantic musical aesthetic |
| topic | Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Poetry. Romanticism. http://id.loc.gov/authorities/subjects/sh85115078 Poetry as Topic https://id.nlm.nih.gov/mesh/D011037 Musique Philosophie et esthétique. Poésie. Romantisme. poetry. aat romanticism (form of expression) aat MUSIC Instruction & Study Appreciation. bisacsh Music Philosophy and aesthetics. cct Poetry. cct Romanticism. cct Music Philosophy and aesthetics fast Poetry fast Romanticism fast |
| topic_facet | Music Philosophy and aesthetics. Poetry. Romanticism. Poetry as Topic Musique Philosophie et esthétique. Poésie. Romantisme. poetry. romanticism (form of expression) MUSIC Instruction & Study Appreciation. Music Philosophy and aesthetics Poetry Romanticism Electronic books. |
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| work_keys_str_mv | AT donelanjamesh poetryandtheromanticmusicalaesthetic |