Pierrot in Petrograd :: the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama /
Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierrot and the restructuring of the plot...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Montréal ; Buffalo :
McGill-Queen's University Press,
©1993.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierrot and the restructuring of the plot); and in Germany (Tieck's and Hoffmann's metatheatre). He also analyses crucial texts by Gozzi, Lothar, Benavente, and Schnitzler that came to play a central role in the Russian theatre. Tracing the history of commedia dell'arte on the Russian stage, he demonstrates that the introduction of the tradition was theory-driven and discusses several milestone productions in the pre- and post-revolutionary period. Clayton examines the impact of commedia dell'arte, russified as the new theatrical genre of balagan, on both popular and lesser-known Russian playwrights, and, in conclusion, explores the significance of the commedia dell'arte as a theoretical underpinning for Sergei Eisenstein's theories of theatre and film. |
| Beschreibung: | 1 online resource (x, 369 pages, 8 unnumbered pages of plates) : illustrations |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 335-348) and index. |
| ISBN: | 9780773564411 0773564411 1282856723 9781282856721 9786612856723 6612856726 |
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| 100 | 1 | |a Clayton, J. Douglas, |e author. |0 http://id.loc.gov/authorities/names/n83141718 | |
| 245 | 1 | 0 | |a Pierrot in Petrograd : |b the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama / |c J. Douglas Clayton. |
| 260 | |a Montréal ; |a Buffalo : |b McGill-Queen's University Press, |c ©1993. | ||
| 300 | |a 1 online resource (x, 369 pages, 8 unnumbered pages of plates) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references (pages 335-348) and index. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Contents -- Preface -- Illustrations -- Prologue -- 1 Who Was That Masked Man? -- 2 Improvisation and Dissonance: Commedia dell'Arte and the Crisis in Theatre -- 3 Pierrot Comes to Petersburg: 1903�17 -- 4 Red Harlequins: The Balagan as a Theatrical Genre -- 5 Pierrot or Petrushka? Russian Harlequinades -- 6 Russian Pirandellos: The Balagan as a Dramatic Genre -- 7 Harlequin's Shadow: The Film as Balagan -- 8 The Empty Throne: Theatre as Metahistory -- Appendix A: The Beggar Harlequin -- Appendix B: Today's Columbine -- Appendix C: Fiametta's Four Corpses | |
| 505 | 8 | |a Appendix D: The LoversAppendix E: Harlequin the Card-Lover -- Appendix F: The Apes Are Coming! -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z | |
| 546 | |a English. | ||
| 520 | |a Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierrot and the restructuring of the plot); and in Germany (Tieck's and Hoffmann's metatheatre). He also analyses crucial texts by Gozzi, Lothar, Benavente, and Schnitzler that came to play a central role in the Russian theatre. Tracing the history of commedia dell'arte on the Russian stage, he demonstrates that the introduction of the tradition was theory-driven and discusses several milestone productions in the pre- and post-revolutionary period. Clayton examines the impact of commedia dell'arte, russified as the new theatrical genre of balagan, on both popular and lesser-known Russian playwrights, and, in conclusion, explores the significance of the commedia dell'arte as a theoretical underpinning for Sergei Eisenstein's theories of theatre and film. | ||
| 650 | 0 | |a Commedia dell'arte |x History and criticism. | |
| 650 | 0 | |a Russian drama |y 20th century |x History and criticism. | |
| 650 | 6 | |a Commedia dell'arte |x Histoire et critique. | |
| 650 | 6 | |a Théâtre russe |y 20e siècle |x Histoire et critique. | |
| 650 | 7 | |a DRAMA |x Continental European. |2 bisacsh | |
| 650 | 7 | |a DRAMA |x Russian & Former Soviet Union. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Drama. |2 bisacsh | |
| 650 | 7 | |a Commedia dell'arte |2 fast | |
| 650 | 7 | |a Russian drama |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Clayton, J. Douglas. |t Pierrot in Petrograd. |d Montréal : McGill-Queen's University Press, ©1993 |z 0773511369 |w (DLC) 95103530 |w (OCoLC)28846439 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=404722 |3 Volltext |
| 938 | |a Canadian Electronic Library |b CELB |n 10134991 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL3330968 | ||
| 938 | |a Internet Archive |b INAR |n pierrotinpetrogr0000clay | ||
| 938 | |a EBSCOhost |b EBSC |n 404722 | ||
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Datensatz im Suchindex
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| author | Clayton, J. Douglas |
| author_GND | http://id.loc.gov/authorities/names/n83141718 |
| author_facet | Clayton, J. Douglas |
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| building | Verbundindex |
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| callnumber-first | P - Language and Literature |
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| callnumber-search | PG3086 .C53 1993eb |
| callnumber-sort | PG 43086 C53 41993EB |
| callnumber-subject | PG - Slavic, Baltic, Abanian Languages |
| collection | ZDB-4-EBA |
| contents | Contents -- Preface -- Illustrations -- Prologue -- 1 Who Was That Masked Man? -- 2 Improvisation and Dissonance: Commedia dell'Arte and the Crisis in Theatre -- 3 Pierrot Comes to Petersburg: 1903�17 -- 4 Red Harlequins: The Balagan as a Theatrical Genre -- 5 Pierrot or Petrushka? Russian Harlequinades -- 6 Russian Pirandellos: The Balagan as a Dramatic Genre -- 7 Harlequin's Shadow: The Film as Balagan -- 8 The Empty Throne: Theatre as Metahistory -- Appendix A: The Beggar Harlequin -- Appendix B: Today's Columbine -- Appendix C: Fiametta's Four Corpses Appendix D: The LoversAppendix E: Harlequin the Card-Lover -- Appendix F: The Apes Are Coming! -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z |
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| id | ZDB-4-EBA-ocn227038219 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:16:19Z |
| institution | BVB |
| isbn | 9780773564411 0773564411 1282856723 9781282856721 9786612856723 6612856726 |
| language | English |
| oclc_num | 227038219 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (x, 369 pages, 8 unnumbered pages of plates) : illustrations |
| psigel | ZDB-4-EBA |
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| spelling | Clayton, J. Douglas, author. http://id.loc.gov/authorities/names/n83141718 Pierrot in Petrograd : the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama / J. Douglas Clayton. Montréal ; Buffalo : McGill-Queen's University Press, ©1993. 1 online resource (x, 369 pages, 8 unnumbered pages of plates) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references (pages 335-348) and index. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Print version record. Contents -- Preface -- Illustrations -- Prologue -- 1 Who Was That Masked Man? -- 2 Improvisation and Dissonance: Commedia dell'Arte and the Crisis in Theatre -- 3 Pierrot Comes to Petersburg: 1903â€?17 -- 4 Red Harlequins: The Balagan as a Theatrical Genre -- 5 Pierrot or Petrushka? Russian Harlequinades -- 6 Russian Pirandellos: The Balagan as a Dramatic Genre -- 7 Harlequin's Shadow: The Film as Balagan -- 8 The Empty Throne: Theatre as Metahistory -- Appendix A: The Beggar Harlequin -- Appendix B: Today's Columbine -- Appendix C: Fiametta's Four Corpses Appendix D: The LoversAppendix E: Harlequin the Card-Lover -- Appendix F: The Apes Are Coming! -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z English. Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierrot and the restructuring of the plot); and in Germany (Tieck's and Hoffmann's metatheatre). He also analyses crucial texts by Gozzi, Lothar, Benavente, and Schnitzler that came to play a central role in the Russian theatre. Tracing the history of commedia dell'arte on the Russian stage, he demonstrates that the introduction of the tradition was theory-driven and discusses several milestone productions in the pre- and post-revolutionary period. Clayton examines the impact of commedia dell'arte, russified as the new theatrical genre of balagan, on both popular and lesser-known Russian playwrights, and, in conclusion, explores the significance of the commedia dell'arte as a theoretical underpinning for Sergei Eisenstein's theories of theatre and film. Commedia dell'arte History and criticism. Russian drama 20th century History and criticism. Commedia dell'arte Histoire et critique. Théâtre russe 20e siècle Histoire et critique. DRAMA Continental European. bisacsh DRAMA Russian & Former Soviet Union. bisacsh LITERARY CRITICISM Drama. bisacsh Commedia dell'arte fast Russian drama fast 1900-1999 fast Criticism, interpretation, etc. fast Print version: Clayton, J. Douglas. Pierrot in Petrograd. Montréal : McGill-Queen's University Press, ©1993 0773511369 (DLC) 95103530 (OCoLC)28846439 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=404722 Volltext |
| spellingShingle | Clayton, J. Douglas Pierrot in Petrograd : the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama / Contents -- Preface -- Illustrations -- Prologue -- 1 Who Was That Masked Man? -- 2 Improvisation and Dissonance: Commedia dell'Arte and the Crisis in Theatre -- 3 Pierrot Comes to Petersburg: 1903â€?17 -- 4 Red Harlequins: The Balagan as a Theatrical Genre -- 5 Pierrot or Petrushka? Russian Harlequinades -- 6 Russian Pirandellos: The Balagan as a Dramatic Genre -- 7 Harlequin's Shadow: The Film as Balagan -- 8 The Empty Throne: Theatre as Metahistory -- Appendix A: The Beggar Harlequin -- Appendix B: Today's Columbine -- Appendix C: Fiametta's Four Corpses Appendix D: The LoversAppendix E: Harlequin the Card-Lover -- Appendix F: The Apes Are Coming! -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z Commedia dell'arte History and criticism. Russian drama 20th century History and criticism. Commedia dell'arte Histoire et critique. Théâtre russe 20e siècle Histoire et critique. DRAMA Continental European. bisacsh DRAMA Russian & Former Soviet Union. bisacsh LITERARY CRITICISM Drama. bisacsh Commedia dell'arte fast Russian drama fast |
| title | Pierrot in Petrograd : the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama / |
| title_auth | Pierrot in Petrograd : the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama / |
| title_exact_search | Pierrot in Petrograd : the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama / |
| title_full | Pierrot in Petrograd : the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama / J. Douglas Clayton. |
| title_fullStr | Pierrot in Petrograd : the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama / J. Douglas Clayton. |
| title_full_unstemmed | Pierrot in Petrograd : the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama / J. Douglas Clayton. |
| title_short | Pierrot in Petrograd : |
| title_sort | pierrot in petrograd the commedia dell arte balagan in twentieth century russian theatre and drama |
| title_sub | the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama / |
| topic | Commedia dell'arte History and criticism. Russian drama 20th century History and criticism. Commedia dell'arte Histoire et critique. Théâtre russe 20e siècle Histoire et critique. DRAMA Continental European. bisacsh DRAMA Russian & Former Soviet Union. bisacsh LITERARY CRITICISM Drama. bisacsh Commedia dell'arte fast Russian drama fast |
| topic_facet | Commedia dell'arte History and criticism. Russian drama 20th century History and criticism. Commedia dell'arte Histoire et critique. Théâtre russe 20e siècle Histoire et critique. DRAMA Continental European. DRAMA Russian & Former Soviet Union. LITERARY CRITICISM Drama. Commedia dell'arte Russian drama Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=404722 |
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