Eyes upside down :: visionary filmmakers and the heritage of Emerson /
Introduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sight...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; New York :
Oxford University Press,
2008.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Introduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe. 7. Beavers's Second Cycle: The Past in the Present - The Present in the Past. 8. Andrew Noren and the Open-Ended Cinematic Sequence. 9. Ernie Gehr and the Axis of Primary Thought. 10. Warren Sonbert's Movements in a Concerto. 11. Brakhage and the Tales of the Tribes. 12. |
| Beschreibung: | 1 online resource (xiv, 417 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. "Chronology of films": pages 401-408 |
| ISBN: | 9780198044116 0198044119 1281342246 9781281342249 9786611342241 6611342249 |
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| 049 | |a MAIN | ||
| 100 | 1 | |a Sitney, P. Adams. |0 http://id.loc.gov/authorities/names/nr88001387 | |
| 245 | 1 | 0 | |a Eyes upside down : |b visionary filmmakers and the heritage of Emerson / |c P. Adams Sitney. |
| 260 | |a Oxford ; |a New York : |b Oxford University Press, |c 2008. | ||
| 300 | |a 1 online resource (xiv, 417 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 504 | |a "Chronology of films": pages 401-408 | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Contents; Introduction: Emersonian Poetics; 1 Marie Menken and the Somatic Camera; 2 Ian Hugo and Superimposition; 3 Stan Brakhage's Autobiography as a Cinematic Sequence; 4 Jonas Mekas and the Diary Film; 5 Hollis Frampton and the Specter of Narrative; 6 Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe; 7 Beavers's Second Cycle: The Past in the Present--the Present in the Past; 8 Andrew Noren and the Open-Ended Cinematic Sequence; 9 Ernie Gehr and the Axis of Primary Thought; 10 Warren Sonbert's Movements in a Concerto; 11 Brakhage and the Tales of the Tribes. | |
| 520 | |a Introduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe. 7. Beavers's Second Cycle: The Past in the Present - The Present in the Past. 8. Andrew Noren and the Open-Ended Cinematic Sequence. 9. Ernie Gehr and the Axis of Primary Thought. 10. Warren Sonbert's Movements in a Concerto. 11. Brakhage and the Tales of the Tribes. 12. | ||
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Emerson, Ralph Waldo, |d 1803-1882 |x Influence. |
| 600 | 1 | 7 | |a Emerson, Ralph Waldo, |d 1803-1882 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxMjrYHjd3YKgyf8FWYyd |
| 650 | 0 | |a Experimental films |z United States |x History and criticism. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a Experimental films |2 fast | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Eyes upside down (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH6KVYrmdb4QbcfKxrGXbb |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Sitney, P. Adams. |t Eyes upside down. |d Oxford ; New York : Oxford University Press, 2008 |z 9780195331141 |z 0195331141 |w (DLC) 2007031171 |w (OCoLC)163603750 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=223862 |3 Volltext |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn227011388 |
|---|---|
| _version_ | 1816881664932970496 |
| adam_text | |
| any_adam_object | |
| author | Sitney, P. Adams |
| author_GND | http://id.loc.gov/authorities/names/nr88001387 |
| author_facet | Sitney, P. Adams |
| author_role | |
| author_sort | Sitney, P. Adams |
| author_variant | p a s pa pas |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.E96 S49 2008eb |
| callnumber-search | PN1995.9.E96 S49 2008eb |
| callnumber-sort | PN 41995.9 E96 S49 42008EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Contents; Introduction: Emersonian Poetics; 1 Marie Menken and the Somatic Camera; 2 Ian Hugo and Superimposition; 3 Stan Brakhage's Autobiography as a Cinematic Sequence; 4 Jonas Mekas and the Diary Film; 5 Hollis Frampton and the Specter of Narrative; 6 Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe; 7 Beavers's Second Cycle: The Past in the Present--the Present in the Past; 8 Andrew Noren and the Open-Ended Cinematic Sequence; 9 Ernie Gehr and the Axis of Primary Thought; 10 Warren Sonbert's Movements in a Concerto; 11 Brakhage and the Tales of the Tribes. |
| ctrlnum | (OCoLC)227011388 |
| dewey-full | 791.430973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430973 |
| dewey-search | 791.430973 |
| dewey-sort | 3791.430973 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe. 7. Beavers's Second Cycle: The Past in the Present - The Present in the Past. 8. Andrew Noren and the Open-Ended Cinematic Sequence. 9. Ernie Gehr and the Axis of Primary Thought. 10. Warren Sonbert's Movements in a Concerto. 11. 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| id | ZDB-4-EBA-ocn227011388 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:16:19Z |
| institution | BVB |
| isbn | 9780198044116 0198044119 1281342246 9781281342249 9786611342241 6611342249 |
| language | English |
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| spelling | Sitney, P. Adams. http://id.loc.gov/authorities/names/nr88001387 Eyes upside down : visionary filmmakers and the heritage of Emerson / P. Adams Sitney. Oxford ; New York : Oxford University Press, 2008. 1 online resource (xiv, 417 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. "Chronology of films": pages 401-408 Print version record. Contents; Introduction: Emersonian Poetics; 1 Marie Menken and the Somatic Camera; 2 Ian Hugo and Superimposition; 3 Stan Brakhage's Autobiography as a Cinematic Sequence; 4 Jonas Mekas and the Diary Film; 5 Hollis Frampton and the Specter of Narrative; 6 Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe; 7 Beavers's Second Cycle: The Past in the Present--the Present in the Past; 8 Andrew Noren and the Open-Ended Cinematic Sequence; 9 Ernie Gehr and the Axis of Primary Thought; 10 Warren Sonbert's Movements in a Concerto; 11 Brakhage and the Tales of the Tribes. Introduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe. 7. Beavers's Second Cycle: The Past in the Present - The Present in the Past. 8. Andrew Noren and the Open-Ended Cinematic Sequence. 9. Ernie Gehr and the Axis of Primary Thought. 10. Warren Sonbert's Movements in a Concerto. 11. Brakhage and the Tales of the Tribes. 12. English. Emerson, Ralph Waldo, 1803-1882 Influence. Emerson, Ralph Waldo, 1803-1882 fast https://id.oclc.org/worldcat/entity/E39PBJxMjrYHjd3YKgyf8FWYyd Experimental films United States History and criticism. PERFORMING ARTS Film & Video Reference. bisacsh Experimental films fast Influence (Literary, artistic, etc.) fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Criticism, interpretation, etc. fast has work: Eyes upside down (Text) https://id.oclc.org/worldcat/entity/E39PCH6KVYrmdb4QbcfKxrGXbb https://id.oclc.org/worldcat/ontology/hasWork Print version: Sitney, P. Adams. Eyes upside down. Oxford ; New York : Oxford University Press, 2008 9780195331141 0195331141 (DLC) 2007031171 (OCoLC)163603750 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=223862 Volltext |
| spellingShingle | Sitney, P. Adams Eyes upside down : visionary filmmakers and the heritage of Emerson / Contents; Introduction: Emersonian Poetics; 1 Marie Menken and the Somatic Camera; 2 Ian Hugo and Superimposition; 3 Stan Brakhage's Autobiography as a Cinematic Sequence; 4 Jonas Mekas and the Diary Film; 5 Hollis Frampton and the Specter of Narrative; 6 Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe; 7 Beavers's Second Cycle: The Past in the Present--the Present in the Past; 8 Andrew Noren and the Open-Ended Cinematic Sequence; 9 Ernie Gehr and the Axis of Primary Thought; 10 Warren Sonbert's Movements in a Concerto; 11 Brakhage and the Tales of the Tribes. Emerson, Ralph Waldo, 1803-1882 Influence. Emerson, Ralph Waldo, 1803-1882 fast https://id.oclc.org/worldcat/entity/E39PBJxMjrYHjd3YKgyf8FWYyd Experimental films United States History and criticism. PERFORMING ARTS Film & Video Reference. bisacsh Experimental films fast Influence (Literary, artistic, etc.) fast |
| title | Eyes upside down : visionary filmmakers and the heritage of Emerson / |
| title_auth | Eyes upside down : visionary filmmakers and the heritage of Emerson / |
| title_exact_search | Eyes upside down : visionary filmmakers and the heritage of Emerson / |
| title_full | Eyes upside down : visionary filmmakers and the heritage of Emerson / P. Adams Sitney. |
| title_fullStr | Eyes upside down : visionary filmmakers and the heritage of Emerson / P. Adams Sitney. |
| title_full_unstemmed | Eyes upside down : visionary filmmakers and the heritage of Emerson / P. Adams Sitney. |
| title_short | Eyes upside down : |
| title_sort | eyes upside down visionary filmmakers and the heritage of emerson |
| title_sub | visionary filmmakers and the heritage of Emerson / |
| topic | Emerson, Ralph Waldo, 1803-1882 Influence. Emerson, Ralph Waldo, 1803-1882 fast https://id.oclc.org/worldcat/entity/E39PBJxMjrYHjd3YKgyf8FWYyd Experimental films United States History and criticism. PERFORMING ARTS Film & Video Reference. bisacsh Experimental films fast Influence (Literary, artistic, etc.) fast |
| topic_facet | Emerson, Ralph Waldo, 1803-1882 Influence. Emerson, Ralph Waldo, 1803-1882 Experimental films United States History and criticism. PERFORMING ARTS Film & Video Reference. Experimental films Influence (Literary, artistic, etc.) United States Criticism, interpretation, etc. |
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| work_keys_str_mv | AT sitneypadams eyesupsidedownvisionaryfilmmakersandtheheritageofemerson |