What to listen for in rock :: a stylistic analysis /
In this analysis of rock music, music theorist Ken Stephenson explores the features that make this internationally popular music distinct from earlier music styles. The author offers a guided tour of rock music from the 1950s to the present, emphasizing the theoretical underpinnings of the style and...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New Haven :
Yale University Press,
©2002.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | In this analysis of rock music, music theorist Ken Stephenson explores the features that make this internationally popular music distinct from earlier music styles. The author offers a guided tour of rock music from the 1950s to the present, emphasizing the theoretical underpinnings of the style and systematically focusing not on rock music's history or sociology, but on the structural aspects of the music itself. What structures normally happen in rock music? What theoretical systems or models might best explain them? The text addresses these questions and more in chapters devoted to phrase rhythm, scales, key determination, cadences, harmonic palette and succession, and form. Each chapter provides detailed analyses of individual rock pieces from groups including Chicago; the Beatles; Emerson, Lake, and Palmer; Kansas; and others. Stephenson shows how rock music is stylistically unique, and he demonstrates how the features that make it distinct have tended to remain constant throughout the second half of the 20th century and within most substyles. |
Beschreibung: | 1 online resource (xvii, 253 pages) : illustrations |
Bibliographie: | Includes discography (pages 195-196), bibliographical references (p. 197-217) , and index. |
ISBN: | 9780300128239 0300128231 |
Internformat
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245 | 1 | 0 | |a What to listen for in rock : |b a stylistic analysis / |c Ken Stephenson. |
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520 | |a In this analysis of rock music, music theorist Ken Stephenson explores the features that make this internationally popular music distinct from earlier music styles. The author offers a guided tour of rock music from the 1950s to the present, emphasizing the theoretical underpinnings of the style and systematically focusing not on rock music's history or sociology, but on the structural aspects of the music itself. What structures normally happen in rock music? What theoretical systems or models might best explain them? The text addresses these questions and more in chapters devoted to phrase rhythm, scales, key determination, cadences, harmonic palette and succession, and form. Each chapter provides detailed analyses of individual rock pieces from groups including Chicago; the Beatles; Emerson, Lake, and Palmer; Kansas; and others. Stephenson shows how rock music is stylistically unique, and he demonstrates how the features that make it distinct have tended to remain constant throughout the second half of the 20th century and within most substyles. | ||
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author | Stephenson, Ken, 1959- |
author_GND | http://id.loc.gov/authorities/names/n2001082524 |
author_facet | Stephenson, Ken, 1959- |
author_role | |
author_sort | Stephenson, Ken, 1959- |
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collection | ZDB-4-EBA |
contents | Phrase rhythm -- Key and mode -- Cadences -- Chord type and harmonic palette -- Harmonic succession -- Form -- Analyzing a hit. |
ctrlnum | (OCoLC)191935905 |
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indexdate | 2024-11-27T13:16:16Z |
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publisher | Yale University Press, |
record_format | marc |
spelling | Stephenson, Ken, 1959- https://id.oclc.org/worldcat/entity/E39PCjtK9HGKGJTk4CKCPg3prq http://id.loc.gov/authorities/names/n2001082524 What to listen for in rock : a stylistic analysis / Ken Stephenson. New Haven : Yale University Press, ©2002. 1 online resource (xvii, 253 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Discography Includes discography (pages 195-196), bibliographical references (p. 197-217) , and index. Phrase rhythm -- Key and mode -- Cadences -- Chord type and harmonic palette -- Harmonic succession -- Form -- Analyzing a hit. Print version record. In this analysis of rock music, music theorist Ken Stephenson explores the features that make this internationally popular music distinct from earlier music styles. The author offers a guided tour of rock music from the 1950s to the present, emphasizing the theoretical underpinnings of the style and systematically focusing not on rock music's history or sociology, but on the structural aspects of the music itself. What structures normally happen in rock music? What theoretical systems or models might best explain them? The text addresses these questions and more in chapters devoted to phrase rhythm, scales, key determination, cadences, harmonic palette and succession, and form. Each chapter provides detailed analyses of individual rock pieces from groups including Chicago; the Beatles; Emerson, Lake, and Palmer; Kansas; and others. Stephenson shows how rock music is stylistically unique, and he demonstrates how the features that make it distinct have tended to remain constant throughout the second half of the 20th century and within most substyles. Rock music Analysis, appreciation. Rock (Musique) Analyse et appréciation. MUSIC Genres & Styles Punk. bisacsh MUSIC Genres & Styles Heavy Metal. bisacsh MUSIC Genres & Styles Rock. bisacsh Rock music Analysis, appreciation fast has work: What to listen for in rock (Text) https://id.oclc.org/worldcat/entity/E39PCH3DVKVWFJqv63HdMYvqBd https://id.oclc.org/worldcat/ontology/hasWork Print version: Stephenson, Ken, 1959- What to listen for in rock. New Haven : Yale University Press, ©2002 0300092393 9780300092394 (DLC) 2001006564 (OCoLC)48241291 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=187796 Volltext |
spellingShingle | Stephenson, Ken, 1959- What to listen for in rock : a stylistic analysis / Phrase rhythm -- Key and mode -- Cadences -- Chord type and harmonic palette -- Harmonic succession -- Form -- Analyzing a hit. Rock music Analysis, appreciation. Rock (Musique) Analyse et appréciation. MUSIC Genres & Styles Punk. bisacsh MUSIC Genres & Styles Heavy Metal. bisacsh MUSIC Genres & Styles Rock. bisacsh Rock music Analysis, appreciation fast |
title | What to listen for in rock : a stylistic analysis / |
title_auth | What to listen for in rock : a stylistic analysis / |
title_exact_search | What to listen for in rock : a stylistic analysis / |
title_full | What to listen for in rock : a stylistic analysis / Ken Stephenson. |
title_fullStr | What to listen for in rock : a stylistic analysis / Ken Stephenson. |
title_full_unstemmed | What to listen for in rock : a stylistic analysis / Ken Stephenson. |
title_short | What to listen for in rock : |
title_sort | what to listen for in rock a stylistic analysis |
title_sub | a stylistic analysis / |
topic | Rock music Analysis, appreciation. Rock (Musique) Analyse et appréciation. MUSIC Genres & Styles Punk. bisacsh MUSIC Genres & Styles Heavy Metal. bisacsh MUSIC Genres & Styles Rock. bisacsh Rock music Analysis, appreciation fast |
topic_facet | Rock music Analysis, appreciation. Rock (Musique) Analyse et appréciation. MUSIC Genres & Styles Punk. MUSIC Genres & Styles Heavy Metal. MUSIC Genres & Styles Rock. Rock music Analysis, appreciation |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=187796 |
work_keys_str_mv | AT stephensonken whattolistenforinrockastylisticanalysis |