Verfügbarkeit: The visual mind II /

The visual mind II /:

Mathematical forms rendered visually can give aesthetic pleasure; certain works of art - Max Bill's Moebius band sculpture, for example - can seem to be mathematics made visible. This collection of essays by artists and mathematicians continues the discussion of the connections between art and...

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Bibliographische Detailangaben
Weitere Verfasser:	Emmer, Michele
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Cambridge, Mass. : MIT Press, [2005]
Schriftenreihe:	Leonardo (Series) (Cambridge, Mass.)
Schlagworte:	Art > Mathematics. Geometry. Aesthetics. Art > Mathématiques. Géométrie. Esthétique. geometry. ART > General. Aesthetics Art > Mathematics Geometry Mathematik Schönheit Komposition Kunst Ästhetik Beeldende kunsten. Wiskunde. Computergraphics. Visualisatie.
Online-Zugang:	Volltext
Zusammenfassung:	Mathematical forms rendered visually can give aesthetic pleasure; certain works of art - Max Bill's Moebius band sculpture, for example - can seem to be mathematics made visible. This collection of essays by artists and mathematicians continues the discussion of the connections between art and mathematics begun in the widely read first volume of The Visual Mind in 1993. Mathematicians throughout history have created shapes, forms, and relationships, and some of these can be expressed visually. Computer technology allows us to visualize mathematical forms and relationships in new detail using, among other techniques, 3D modeling and animation. The Visual Mind proposes to compare the visual ideas of artists and mathematicians - not to collect abstract thoughts on a general theme, but to allow one point of view to encounter another. The contributors, who include art historian Linda Dalrymple Henderson and filmmaker Peter Greenaway, examine mathematics and aesthetics; geometry and art; mathematics and art; geometry, computer graphics, and art; and visualization and cinema. They discuss such topics as aesthetics for computers, the Guggenheim Museum in Bilbao, cubism and relativity in twentieth-century art, the aesthetic value of optimal geometry, and mathematics and cinema.
Beschreibung:	1 online resource (xvi, 699 pages) : illustrations (some color)
Bibliographie:	Includes bibliographical references and indexes.
ISBN:	9780262272346 0262272342 9780262311458 0262311453 9781282097575 1282097571 9786612097577 6612097574 9781429413015 1429413018

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520	8		\|a Mathematical forms rendered visually can give aesthetic pleasure; certain works of art - Max Bill's Moebius band sculpture, for example - can seem to be mathematics made visible. This collection of essays by artists and mathematicians continues the discussion of the connections between art and mathematics begun in the widely read first volume of The Visual Mind in 1993. Mathematicians throughout history have created shapes, forms, and relationships, and some of these can be expressed visually. Computer technology allows us to visualize mathematical forms and relationships in new detail using, among other techniques, 3D modeling and animation. The Visual Mind proposes to compare the visual ideas of artists and mathematicians - not to collect abstract thoughts on a general theme, but to allow one point of view to encounter another. The contributors, who include art historian Linda Dalrymple Henderson and filmmaker Peter Greenaway, examine mathematics and aesthetics; geometry and art; mathematics and art; geometry, computer graphics, and art; and visualization and cinema. They discuss such topics as aesthetics for computers, the Guggenheim Museum in Bilbao, cubism and relativity in twentieth-century art, the aesthetic value of optimal geometry, and mathematics and cinema.
504			\|a Includes bibliographical references and indexes.
505	0		\|a Mathematics and aesthetics -- Geometry and art -- Mathematics and art -- Geometry, computer graphics, and art -- Mathematics, visualization, and cinema.
546			\|a English.
588	0		\|a Print version record
650		0	\|a Art \|x Mathematics.
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650		6	\|a Art \|x Mathématiques.
650		6	\|a Géométrie.
650		6	\|a Esthétique.
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650		7	\|a Aesthetics \|2 fast
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650	1	7	\|a Computergraphics. \|2 gtt
650	1	7	\|a Visualisatie. \|2 gtt
700	1		\|a Emmer, Michele.
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id	ZDB-4-EBA-ocn191930890
illustrated	Illustrated
indexdate	2024-11-27T13:16:16Z
institution	BVB
isbn	9780262272346 0262272342 9780262311458 0262311453 9781282097575 1282097571 9786612097577 6612097574 9781429413015 1429413018
language	English
oclc_num	191930890
open_access_boolean
owner	MAIN DE-863 DE-BY-FWS
owner_facet	MAIN DE-863 DE-BY-FWS
physical	1 online resource (xvi, 699 pages) : illustrations (some color)
psigel	ZDB-4-EBA
publishDate	2005
publishDateSearch	2005
publishDateSort	2005
publisher	MIT Press,
record_format	marc
series	Leonardo (Series) (Cambridge, Mass.)
series2	Leonardo
spelling	The visual mind II / edited by Michele Emmer. Visual mind 2 Visual mind two Cambridge, Mass. : MIT Press, [2005] ©2005 1 online resource (xvi, 699 pages) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Leonardo Mathematical forms rendered visually can give aesthetic pleasure; certain works of art - Max Bill's Moebius band sculpture, for example - can seem to be mathematics made visible. This collection of essays by artists and mathematicians continues the discussion of the connections between art and mathematics begun in the widely read first volume of The Visual Mind in 1993. Mathematicians throughout history have created shapes, forms, and relationships, and some of these can be expressed visually. Computer technology allows us to visualize mathematical forms and relationships in new detail using, among other techniques, 3D modeling and animation. The Visual Mind proposes to compare the visual ideas of artists and mathematicians - not to collect abstract thoughts on a general theme, but to allow one point of view to encounter another. The contributors, who include art historian Linda Dalrymple Henderson and filmmaker Peter Greenaway, examine mathematics and aesthetics; geometry and art; mathematics and art; geometry, computer graphics, and art; and visualization and cinema. They discuss such topics as aesthetics for computers, the Guggenheim Museum in Bilbao, cubism and relativity in twentieth-century art, the aesthetic value of optimal geometry, and mathematics and cinema. Includes bibliographical references and indexes. Mathematics and aesthetics -- Geometry and art -- Mathematics and art -- Geometry, computer graphics, and art -- Mathematics, visualization, and cinema. English. Print version record Art Mathematics. Geometry. http://id.loc.gov/authorities/subjects/sh85054133 Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Art Mathématiques. Géométrie. Esthétique. geometry. aat ART General. bisacsh Aesthetics fast Art Mathematics fast Geometry fast Mathematik gnd http://d-nb.info/gnd/4037944-9 Schönheit gnd http://d-nb.info/gnd/4053125-9 Komposition gnd Kunst gnd Ästhetik gnd http://d-nb.info/gnd/4000626-8 Beeldende kunsten. gtt Wiskunde. gtt Computergraphics. gtt Visualisatie. gtt Emmer, Michele. has work: The visual mind II (Text) https://id.oclc.org/worldcat/entity/E39PCXQcwFbThMQTQMqgy4QJcP https://id.oclc.org/worldcat/ontology/hasWork Print version: Visual mind II. Cambridge, Mass. : MIT Press, ©2005 (DLC) 2004057850 Leonardo (Series) (Cambridge, Mass.) http://id.loc.gov/authorities/names/n99013621 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=175138 Volltext
spellingShingle	The visual mind II / Leonardo (Series) (Cambridge, Mass.) Mathematics and aesthetics -- Geometry and art -- Mathematics and art -- Geometry, computer graphics, and art -- Mathematics, visualization, and cinema. Art Mathematics. Geometry. http://id.loc.gov/authorities/subjects/sh85054133 Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Art Mathématiques. Géométrie. Esthétique. geometry. aat ART General. bisacsh Aesthetics fast Art Mathematics fast Geometry fast Mathematik gnd http://d-nb.info/gnd/4037944-9 Schönheit gnd http://d-nb.info/gnd/4053125-9 Komposition gnd Kunst gnd Ästhetik gnd http://d-nb.info/gnd/4000626-8 Beeldende kunsten. gtt Wiskunde. gtt Computergraphics. gtt Visualisatie. gtt
subject_GND	http://id.loc.gov/authorities/subjects/sh85054133 http://id.loc.gov/authorities/subjects/sh85001441 http://d-nb.info/gnd/4037944-9 http://d-nb.info/gnd/4053125-9 http://d-nb.info/gnd/4000626-8
title	The visual mind II /
title_alt	Visual mind 2 Visual mind two
title_auth	The visual mind II /
title_exact_search	The visual mind II /
title_full	The visual mind II / edited by Michele Emmer.
title_fullStr	The visual mind II / edited by Michele Emmer.
title_full_unstemmed	The visual mind II / edited by Michele Emmer.
title_short	The visual mind II /
title_sort	visual mind ii
topic	Art Mathematics. Geometry. http://id.loc.gov/authorities/subjects/sh85054133 Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Art Mathématiques. Géométrie. Esthétique. geometry. aat ART General. bisacsh Aesthetics fast Art Mathematics fast Geometry fast Mathematik gnd http://d-nb.info/gnd/4037944-9 Schönheit gnd http://d-nb.info/gnd/4053125-9 Komposition gnd Kunst gnd Ästhetik gnd http://d-nb.info/gnd/4000626-8 Beeldende kunsten. gtt Wiskunde. gtt Computergraphics. gtt Visualisatie. gtt
topic_facet	Art Mathematics. Geometry. Aesthetics. Art Mathématiques. Géométrie. Esthétique. geometry. ART General. Aesthetics Art Mathematics Geometry Mathematik Schönheit Komposition Kunst Ästhetik Beeldende kunsten. Wiskunde. Computergraphics. Visualisatie.
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=175138
work_keys_str_mv	AT emmermichele thevisualmindii AT emmermichele visualmind2 AT emmermichele visualmindtwo AT emmermichele visualmindii

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