Writing through music :: essay on music, culture, and politics /
List of Illustrations. List of Musical Examples. Introduction. I. Time, Narrative, and Memory. 1. Narrative and Narrativity in Music. 2. Postmodernism, Narrativity, and the Art of Memory. 3. Resituating the Spectral Revolution: French Antecedents. II. Self-Fashioning. 4. Deconstructing d'Indy,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; New York :
Oxford University Press,
2008.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | List of Illustrations. List of Musical Examples. Introduction. I. Time, Narrative, and Memory. 1. Narrative and Narrativity in Music. 2. Postmodernism, Narrativity, and the Art of Memory. 3. Resituating the Spectral Revolution: French Antecedents. II. Self-Fashioning. 4. Deconstructing d'Indy, or the Problem of a Composer's Reputation. 5. New Music as Confrontation: the Musical Sources of Cocteau's Identity. 6. Inventing a tradition: John Cage's Composition in Retrospect. III. Identity and Nation. 7. Pelleas and Power: Forces behind the Reception of Debussy's Opera. 8. The Ironies of Gender, o. |
| Beschreibung: | 1 online resource (xiv, 513 pages :) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780198043553 0198043554 9780195324891 0195324897 1281165379 9781281165374 9786611165376 6611165371 |
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| 100 | 1 | |a Pasler, Jann. |0 http://id.loc.gov/authorities/names/n85018925 | |
| 245 | 1 | 0 | |a Writing through music : |b essay on music, culture, and politics / |c Jann Pasler ; with a foreword by George Lewis. |
| 260 | |a Oxford ; |a New York : |b Oxford University Press, |c 2008. | ||
| 300 | |a 1 online resource (xiv, 513 pages :) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Time, narrative, and memory. Narrative and narrativity in music ; Postmodernism, narrativity, and the art of memory ; Resituating the spectral revolution : French antecedents -- Self-fashioning. Deconstructing d'Indy, or the problem of a composer's reputation ; New music as confrontation : the musical sources of Cocteau's identity ; Inventing a tradition : John Cage's "Composition in retrospect" -- Identity and nation. Pelléas and power : forces behind the reception of Debussy's opera ; The ironies of gender, or virility and politics in the music of Augusta Holmès ; Race, orientalism, and distinction in the wake of the "Yellow peril" -- Patrons and patronage. Countess Greffulhe as entrepreneur : negotiating class, gender, and nation ; The political economy of composition in the American university, 1965-1985 -- The everyday life of the past. Concert programs and their narratives as emblems of ideology ; Material culture and postmodern positivism : rethinking the "popular" in late nineteenth-century French music. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a List of Illustrations. List of Musical Examples. Introduction. I. Time, Narrative, and Memory. 1. Narrative and Narrativity in Music. 2. Postmodernism, Narrativity, and the Art of Memory. 3. Resituating the Spectral Revolution: French Antecedents. II. Self-Fashioning. 4. Deconstructing d'Indy, or the Problem of a Composer's Reputation. 5. New Music as Confrontation: the Musical Sources of Cocteau's Identity. 6. Inventing a tradition: John Cage's Composition in Retrospect. III. Identity and Nation. 7. Pelleas and Power: Forces behind the Reception of Debussy's Opera. 8. The Ironies of Gender, o. | ||
| 600 | 1 | 7 | |a Debussy, Claude |d 1862-1918 |t Pelléas et Mélisande |2 gnd |0 http://d-nb.info/gnd/300042248 |
| 600 | 1 | 7 | |a Debussy, Claude. |2 swd |
| 650 | 0 | |a Music |x Social aspects. |0 http://id.loc.gov/authorities/subjects/sh85088891 | |
| 650 | 0 | |a Music |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh85088794 | |
| 650 | 6 | |a Musique |x Aspect social. | |
| 650 | 6 | |a Musique |x Histoire et critique. | |
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| 650 | 7 | |a Music |x Social aspects |2 fast | |
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| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Writing through music (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGtYPRpt4C6jqHM99GWBCP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Pasler, Jann. |t Writing through music. |d Oxford ; New York : Oxford University Press, 2008 |z 9780195324891 |z 0195324897 |w (DLC) 2006037220 |w (OCoLC)76064728 |
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Datensatz im Suchindex
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| _version_ | 1826941581630898177 |
| adam_text | |
| any_adam_object | |
| author | Pasler, Jann |
| author_GND | http://id.loc.gov/authorities/names/n85018925 |
| author_facet | Pasler, Jann |
| author_role | |
| author_sort | Pasler, Jann |
| author_variant | j p jp |
| building | Verbundindex |
| bvnumber | localFWS |
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| callnumber-subject | ML - Literature on Music |
| classification_rvk | LP 16100 |
| collection | ZDB-4-EBA |
| contents | Time, narrative, and memory. Narrative and narrativity in music ; Postmodernism, narrativity, and the art of memory ; Resituating the spectral revolution : French antecedents -- Self-fashioning. Deconstructing d'Indy, or the problem of a composer's reputation ; New music as confrontation : the musical sources of Cocteau's identity ; Inventing a tradition : John Cage's "Composition in retrospect" -- Identity and nation. Pelléas and power : forces behind the reception of Debussy's opera ; The ironies of gender, or virility and politics in the music of Augusta Holmès ; Race, orientalism, and distinction in the wake of the "Yellow peril" -- Patrons and patronage. Countess Greffulhe as entrepreneur : negotiating class, gender, and nation ; The political economy of composition in the American university, 1965-1985 -- The everyday life of the past. Concert programs and their narratives as emblems of ideology ; Material culture and postmodern positivism : rethinking the "popular" in late nineteenth-century French music. |
| ctrlnum | (OCoLC)191027909 |
| dewey-full | 780.9 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9 |
| dewey-search | 780.9 |
| dewey-sort | 3780.9 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn191027909 |
| illustrated | Illustrated |
| indexdate | 2025-03-18T14:14:23Z |
| institution | BVB |
| isbn | 9780198043553 0198043554 9780195324891 0195324897 1281165379 9781281165374 9786611165376 6611165371 |
| language | English |
| oclc_num | 191027909 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (xiv, 513 pages :) |
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| publishDate | 2008 |
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| publisher | Oxford University Press, |
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| spelling | Pasler, Jann. http://id.loc.gov/authorities/names/n85018925 Writing through music : essay on music, culture, and politics / Jann Pasler ; with a foreword by George Lewis. Oxford ; New York : Oxford University Press, 2008. 1 online resource (xiv, 513 pages :) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Time, narrative, and memory. Narrative and narrativity in music ; Postmodernism, narrativity, and the art of memory ; Resituating the spectral revolution : French antecedents -- Self-fashioning. Deconstructing d'Indy, or the problem of a composer's reputation ; New music as confrontation : the musical sources of Cocteau's identity ; Inventing a tradition : John Cage's "Composition in retrospect" -- Identity and nation. Pelléas and power : forces behind the reception of Debussy's opera ; The ironies of gender, or virility and politics in the music of Augusta Holmès ; Race, orientalism, and distinction in the wake of the "Yellow peril" -- Patrons and patronage. Countess Greffulhe as entrepreneur : negotiating class, gender, and nation ; The political economy of composition in the American university, 1965-1985 -- The everyday life of the past. Concert programs and their narratives as emblems of ideology ; Material culture and postmodern positivism : rethinking the "popular" in late nineteenth-century French music. Print version record. List of Illustrations. List of Musical Examples. Introduction. I. Time, Narrative, and Memory. 1. Narrative and Narrativity in Music. 2. Postmodernism, Narrativity, and the Art of Memory. 3. Resituating the Spectral Revolution: French Antecedents. II. Self-Fashioning. 4. Deconstructing d'Indy, or the Problem of a Composer's Reputation. 5. New Music as Confrontation: the Musical Sources of Cocteau's Identity. 6. Inventing a tradition: John Cage's Composition in Retrospect. III. Identity and Nation. 7. Pelleas and Power: Forces behind the Reception of Debussy's Opera. 8. The Ironies of Gender, o. Debussy, Claude 1862-1918 Pelléas et Mélisande gnd http://d-nb.info/gnd/300042248 Debussy, Claude. swd Music Social aspects. http://id.loc.gov/authorities/subjects/sh85088891 Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Musique Aspect social. Musique Histoire et critique. MUSIC History & Criticism. bisacsh Music fast Music Social aspects fast Musik gnd Musiksoziologie gnd Musik. idsbb Musik. idszbz Musiksoziologie. idszbz Electronic books. Criticism, interpretation, etc. fast has work: Writing through music (Text) https://id.oclc.org/worldcat/entity/E39PCGtYPRpt4C6jqHM99GWBCP https://id.oclc.org/worldcat/ontology/hasWork Print version: Pasler, Jann. Writing through music. Oxford ; New York : Oxford University Press, 2008 9780195324891 0195324897 (DLC) 2006037220 (OCoLC)76064728 |
| spellingShingle | Pasler, Jann Writing through music : essay on music, culture, and politics / Time, narrative, and memory. Narrative and narrativity in music ; Postmodernism, narrativity, and the art of memory ; Resituating the spectral revolution : French antecedents -- Self-fashioning. Deconstructing d'Indy, or the problem of a composer's reputation ; New music as confrontation : the musical sources of Cocteau's identity ; Inventing a tradition : John Cage's "Composition in retrospect" -- Identity and nation. Pelléas and power : forces behind the reception of Debussy's opera ; The ironies of gender, or virility and politics in the music of Augusta Holmès ; Race, orientalism, and distinction in the wake of the "Yellow peril" -- Patrons and patronage. Countess Greffulhe as entrepreneur : negotiating class, gender, and nation ; The political economy of composition in the American university, 1965-1985 -- The everyday life of the past. Concert programs and their narratives as emblems of ideology ; Material culture and postmodern positivism : rethinking the "popular" in late nineteenth-century French music. Debussy, Claude 1862-1918 Pelléas et Mélisande gnd http://d-nb.info/gnd/300042248 Debussy, Claude. swd Music Social aspects. http://id.loc.gov/authorities/subjects/sh85088891 Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Musique Aspect social. Musique Histoire et critique. MUSIC History & Criticism. bisacsh Music fast Music Social aspects fast Musik gnd Musiksoziologie gnd Musik. idsbb Musik. idszbz Musiksoziologie. idszbz |
| subject_GND | http://d-nb.info/gnd/300042248 http://id.loc.gov/authorities/subjects/sh85088891 http://id.loc.gov/authorities/subjects/sh85088794 |
| title | Writing through music : essay on music, culture, and politics / |
| title_auth | Writing through music : essay on music, culture, and politics / |
| title_exact_search | Writing through music : essay on music, culture, and politics / |
| title_full | Writing through music : essay on music, culture, and politics / Jann Pasler ; with a foreword by George Lewis. |
| title_fullStr | Writing through music : essay on music, culture, and politics / Jann Pasler ; with a foreword by George Lewis. |
| title_full_unstemmed | Writing through music : essay on music, culture, and politics / Jann Pasler ; with a foreword by George Lewis. |
| title_short | Writing through music : |
| title_sort | writing through music essay on music culture and politics |
| title_sub | essay on music, culture, and politics / |
| topic | Debussy, Claude 1862-1918 Pelléas et Mélisande gnd http://d-nb.info/gnd/300042248 Debussy, Claude. swd Music Social aspects. http://id.loc.gov/authorities/subjects/sh85088891 Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Musique Aspect social. Musique Histoire et critique. MUSIC History & Criticism. bisacsh Music fast Music Social aspects fast Musik gnd Musiksoziologie gnd Musik. idsbb Musik. idszbz Musiksoziologie. idszbz |
| topic_facet | Debussy, Claude 1862-1918 Pelléas et Mélisande Debussy, Claude. Music Social aspects. Music History and criticism. Musique Aspect social. Musique Histoire et critique. MUSIC History & Criticism. Music Music Social aspects Musik Musiksoziologie Musik. Musiksoziologie. Electronic books. Criticism, interpretation, etc. |
| work_keys_str_mv | AT paslerjann writingthroughmusicessayonmusiccultureandpolitics |