Nightmare Japan :: contemporary Japanese horror cinema /
Over the last two decades, Japanese filmmakers have produced some of the most important and innovative works of cinematic horror. At once visually arresting, philosophically complex, and politically charged, films by directors like Tsukamoto Shinya (Tetsuo: The Iron Man [1988] and Tetsuo II: Body Ha...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam ; New York, NY :
Rodopi,
2008.
|
Schriftenreihe: | Contemporary cinema ;
4. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Over the last two decades, Japanese filmmakers have produced some of the most important and innovative works of cinematic horror. At once visually arresting, philosophically complex, and politically charged, films by directors like Tsukamoto Shinya (Tetsuo: The Iron Man [1988] and Tetsuo II: Body Hammer [1992]), Sato Hisayasu (Muscle [1988] and Naked Blood [1995]) Kurosawa Kiyoshi (Cure [1997], Séance [2000], and Ka©ro [2001]), Nakata Hideo (Ringu [1998], Ringu II [1999], and Dark Water [2002]), and Miike Takashi (Audition [1999] and Ichi the Killer [2001]) continually revisit and redefin. |
Beschreibung: | 1 online resource (x, 219 pages) |
Bibliographie: | Includes bibliographical references (pages 199-215) and index. |
ISBN: | 9781435613485 1435613481 9042023317 9789042023314 9789401205320 9401205329 |
ISSN: | 1572-3070 ; |
Internformat
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245 | 1 | 0 | |a Nightmare Japan : |b contemporary Japanese horror cinema / |c Jay McRoy. |
260 | |a Amsterdam ; |a New York, NY : |b Rodopi, |c 2008. | ||
300 | |a 1 online resource (x, 219 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
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338 | |a online resource |b cr |2 rdacarrier | ||
380 | |a Bibliography | ||
490 | 1 | |a Contemporary cinema, |x 1572-3070 ; |v 4 | |
504 | |a Includes bibliographical references (pages 199-215) and index. | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a Nightmare Japan; Contents; List of Illustrations; Acknowledgments; Introduction: 'New Waves', Old Terrors and Emerging Fears; Chapter One: Guinea Pigs and Entrails: Cultural Transformations and Body Horror in Japanese Torture Film; Chapter Two: Cultural Transformation, Corporeal Prohibitions and Body Horror in Sato Hisayasu's Naked Blood and Muscle; Chapter Three: Ghosts of the Present, Spectres of the Past: the kaidan and the Haunted Family in the Cinema of Nakata Hideo and Shimizu Takashi. | |
505 | 8 | |a Chapter Four: A Murder of Doves: Youth Violence and the Rites of Passing in Contemporaray Japanese Horror CinemaChapter Five: Spiraling into Apocalypse: Sono Shion's Suicide Circle, Higuchinsky's Uzumaki, and Kurosawa Kiyoshi's Pulse; Chapter Six: New Terrors, Emerging Trends and the Future of Japanese Horror; Works Cited and Consulted; Index. | |
520 | |a Over the last two decades, Japanese filmmakers have produced some of the most important and innovative works of cinematic horror. At once visually arresting, philosophically complex, and politically charged, films by directors like Tsukamoto Shinya (Tetsuo: The Iron Man [1988] and Tetsuo II: Body Hammer [1992]), Sato Hisayasu (Muscle [1988] and Naked Blood [1995]) Kurosawa Kiyoshi (Cure [1997], Séance [2000], and Ka©ro [2001]), Nakata Hideo (Ringu [1998], Ringu II [1999], and Dark Water [2002]), and Miike Takashi (Audition [1999] and Ichi the Killer [2001]) continually revisit and redefin. | ||
546 | |a English. | ||
650 | 0 | |a Horror films |z Japan |x History and criticism. | |
650 | 6 | |a Films d'horreur |z Japon |x Histoire et critique. | |
650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
650 | 7 | |a Horror films |2 fast | |
651 | 7 | |a Japan |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
758 | |i has work: |a Nightmare Japan (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFYcB9GDMj7p3KQRcj3KMP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a McRoy, Jay. |t Nightmare Japan. |d Amsterdam ; New York, NY : Rodopi, 2008 |z 9789042023314 |
830 | 0 | |a Contemporary cinema ; |v 4. |x 1572-3070 |0 http://id.loc.gov/authorities/names/no2005098457 | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn183310245 |
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adam_text | |
any_adam_object | |
author | McRoy, Jay |
author_GND | http://id.loc.gov/authorities/names/no2005058520 |
author_facet | McRoy, Jay |
author_role | |
author_sort | McRoy, Jay |
author_variant | j m jm |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9.H6 M37 2008eb |
callnumber-search | PN1995.9.H6 M37 2008eb |
callnumber-sort | PN 41995.9 H6 M37 42008EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Nightmare Japan; Contents; List of Illustrations; Acknowledgments; Introduction: 'New Waves', Old Terrors and Emerging Fears; Chapter One: Guinea Pigs and Entrails: Cultural Transformations and Body Horror in Japanese Torture Film; Chapter Two: Cultural Transformation, Corporeal Prohibitions and Body Horror in Sato Hisayasu's Naked Blood and Muscle; Chapter Three: Ghosts of the Present, Spectres of the Past: the kaidan and the Haunted Family in the Cinema of Nakata Hideo and Shimizu Takashi. Chapter Four: A Murder of Doves: Youth Violence and the Rites of Passing in Contemporaray Japanese Horror CinemaChapter Five: Spiraling into Apocalypse: Sono Shion's Suicide Circle, Higuchinsky's Uzumaki, and Kurosawa Kiyoshi's Pulse; Chapter Six: New Terrors, Emerging Trends and the Future of Japanese Horror; Works Cited and Consulted; Index. |
ctrlnum | (OCoLC)183310245 |
dewey-full | 791.43/6164 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/6164 |
dewey-search | 791.43/6164 |
dewey-sort | 3791.43 46164 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
geographic | Japan fast https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq |
geographic_facet | Japan |
id | ZDB-4-EBA-ocn183310245 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:16:13Z |
institution | BVB |
isbn | 9781435613485 1435613481 9042023317 9789042023314 9789401205320 9401205329 |
issn | 1572-3070 ; |
language | English |
oclc_num | 183310245 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (x, 219 pages) |
psigel | ZDB-4-EBA |
publishDate | 2008 |
publishDateSearch | 2008 |
publishDateSort | 2008 |
publisher | Rodopi, |
record_format | marc |
series | Contemporary cinema ; |
series2 | Contemporary cinema, |
spelling | McRoy, Jay. http://id.loc.gov/authorities/names/no2005058520 Nightmare Japan : contemporary Japanese horror cinema / Jay McRoy. Amsterdam ; New York, NY : Rodopi, 2008. 1 online resource (x, 219 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Bibliography Contemporary cinema, 1572-3070 ; 4 Includes bibliographical references (pages 199-215) and index. Print version record. Nightmare Japan; Contents; List of Illustrations; Acknowledgments; Introduction: 'New Waves', Old Terrors and Emerging Fears; Chapter One: Guinea Pigs and Entrails: Cultural Transformations and Body Horror in Japanese Torture Film; Chapter Two: Cultural Transformation, Corporeal Prohibitions and Body Horror in Sato Hisayasu's Naked Blood and Muscle; Chapter Three: Ghosts of the Present, Spectres of the Past: the kaidan and the Haunted Family in the Cinema of Nakata Hideo and Shimizu Takashi. Chapter Four: A Murder of Doves: Youth Violence and the Rites of Passing in Contemporaray Japanese Horror CinemaChapter Five: Spiraling into Apocalypse: Sono Shion's Suicide Circle, Higuchinsky's Uzumaki, and Kurosawa Kiyoshi's Pulse; Chapter Six: New Terrors, Emerging Trends and the Future of Japanese Horror; Works Cited and Consulted; Index. Over the last two decades, Japanese filmmakers have produced some of the most important and innovative works of cinematic horror. At once visually arresting, philosophically complex, and politically charged, films by directors like Tsukamoto Shinya (Tetsuo: The Iron Man [1988] and Tetsuo II: Body Hammer [1992]), Sato Hisayasu (Muscle [1988] and Naked Blood [1995]) Kurosawa Kiyoshi (Cure [1997], Séance [2000], and Ka©ro [2001]), Nakata Hideo (Ringu [1998], Ringu II [1999], and Dark Water [2002]), and Miike Takashi (Audition [1999] and Ichi the Killer [2001]) continually revisit and redefin. English. Horror films Japan History and criticism. Films d'horreur Japon Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh Horror films fast Japan fast https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq Criticism, interpretation, etc. fast has work: Nightmare Japan (Text) https://id.oclc.org/worldcat/entity/E39PCFYcB9GDMj7p3KQRcj3KMP https://id.oclc.org/worldcat/ontology/hasWork Print version: McRoy, Jay. Nightmare Japan. Amsterdam ; New York, NY : Rodopi, 2008 9789042023314 Contemporary cinema ; 4. 1572-3070 http://id.loc.gov/authorities/names/no2005098457 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=213810 Volltext |
spellingShingle | McRoy, Jay Nightmare Japan : contemporary Japanese horror cinema / Contemporary cinema ; Nightmare Japan; Contents; List of Illustrations; Acknowledgments; Introduction: 'New Waves', Old Terrors and Emerging Fears; Chapter One: Guinea Pigs and Entrails: Cultural Transformations and Body Horror in Japanese Torture Film; Chapter Two: Cultural Transformation, Corporeal Prohibitions and Body Horror in Sato Hisayasu's Naked Blood and Muscle; Chapter Three: Ghosts of the Present, Spectres of the Past: the kaidan and the Haunted Family in the Cinema of Nakata Hideo and Shimizu Takashi. Chapter Four: A Murder of Doves: Youth Violence and the Rites of Passing in Contemporaray Japanese Horror CinemaChapter Five: Spiraling into Apocalypse: Sono Shion's Suicide Circle, Higuchinsky's Uzumaki, and Kurosawa Kiyoshi's Pulse; Chapter Six: New Terrors, Emerging Trends and the Future of Japanese Horror; Works Cited and Consulted; Index. Horror films Japan History and criticism. Films d'horreur Japon Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh Horror films fast |
title | Nightmare Japan : contemporary Japanese horror cinema / |
title_auth | Nightmare Japan : contemporary Japanese horror cinema / |
title_exact_search | Nightmare Japan : contemporary Japanese horror cinema / |
title_full | Nightmare Japan : contemporary Japanese horror cinema / Jay McRoy. |
title_fullStr | Nightmare Japan : contemporary Japanese horror cinema / Jay McRoy. |
title_full_unstemmed | Nightmare Japan : contemporary Japanese horror cinema / Jay McRoy. |
title_short | Nightmare Japan : |
title_sort | nightmare japan contemporary japanese horror cinema |
title_sub | contemporary Japanese horror cinema / |
topic | Horror films Japan History and criticism. Films d'horreur Japon Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh Horror films fast |
topic_facet | Horror films Japan History and criticism. Films d'horreur Japon Histoire et critique. PERFORMING ARTS Film & Video Reference. Horror films Japan Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=213810 |
work_keys_str_mv | AT mcroyjay nightmarejapancontemporaryjapanesehorrorcinema |