Body shots :: early cinema's incarnations /
Argues that it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, the author begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display. It also considers twentie...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley :
University of California Press,
©2007.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Argues that it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, the author begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display. It also considers twentieth-century American incarnation of cinema itself. |
| Beschreibung: | 1 online resource (xii, 200 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 179-193) and index. |
| ISBN: | 9780520941199 0520941195 9781435611450 1435611454 1282772279 9781282772274 9786612772276 6612772271 |
Internformat
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| 082 | 7 | |a 791.43/656109041 |2 22 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Auerbach, Jonathan, |d 1954- |1 https://id.oclc.org/worldcat/entity/E39PBJt8hbyd99HbDXV8gftBT3 |0 http://id.loc.gov/authorities/names/n87887254 | |
| 245 | 1 | 0 | |a Body shots : |b early cinema's incarnations / |c Jonathan Auerbach. |
| 260 | |a Berkeley : |b University of California Press, |c ©2007. | ||
| 300 | |a 1 online resource (xii, 200 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references (pages 179-193) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Body, movement, space -- Looking in: McKinley at home -- Looking out: visualizing self-consciousness ; Interlude: the vocal gesture: sounding the origins of cinema -- Chasing film narrative -- Windows 1900; or, Life of an American fireman -- The stilled body. | |
| 520 | |a Argues that it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, the author begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display. It also considers twentieth-century American incarnation of cinema itself. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Human body in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh98003868 | |
| 650 | 0 | |a Silent films |x History and criticism. | |
| 650 | 6 | |a Corps humain au cinéma. | |
| 650 | 6 | |a Films muets |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Human body in motion pictures |2 fast | |
| 650 | 7 | |a Silent films |2 fast | |
| 653 | |a 19th century american film history. | ||
| 653 | |a 20th century american film history. | ||
| 653 | |a american film. | ||
| 653 | |a american fireman. | ||
| 653 | |a bodies in public. | ||
| 653 | |a bodies in space. | ||
| 653 | |a cinema of attractions. | ||
| 653 | |a cinema production. | ||
| 653 | |a cinema. | ||
| 653 | |a corporeal movement. | ||
| 653 | |a early cinema. | ||
| 653 | |a film history. | ||
| 653 | |a film narrative. | ||
| 653 | |a film studies. | ||
| 653 | |a film. | ||
| 653 | |a human form in motion. | ||
| 653 | |a movie history. | ||
| 653 | |a movie studies. | ||
| 653 | |a movies. | ||
| 653 | |a persons on public display. | ||
| 653 | |a presidential candidate. | ||
| 653 | |a self consciousness. | ||
| 653 | |a visual art. | ||
| 653 | |a visual spectacle. | ||
| 653 | |a william mckinley. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Body shots (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFJ6D9PGGPXXFwPHfXkhVy |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Auerbach, Jonathan, 1954- |t Body shots. |d Berkeley : University of California Press, ©2007 |z 9780520252592 |z 0520252594 |w (DLC) 2007008837 |w (OCoLC)85814052 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=212115 |3 Volltext |
| 938 | |a ACLS Humanities E-Book |b ACLS |n HEB08028 | ||
| 938 | |a De Gruyter |b DEGR |n 9780520941199 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL837306 | ||
| 938 | |a ebrary |b EBRY |n ebr11047627 | ||
| 938 | |a EBSCOhost |b EBSC |n 212115 | ||
| 938 | |a Project MUSE |b MUSE |n muse30379 | ||
| 938 | |a YBP Library Services |b YANK |n 2738209 | ||
| 938 | |a YBP Library Services |b YANK |n 3876008 | ||
| 938 | |a YBP Library Services |b YANK |n 2740134 | ||
| 994 | |a 92 |b GEBAY | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn182574262 |
|---|---|
| _version_ | 1816881657933725696 |
| adam_text | |
| any_adam_object | |
| author | Auerbach, Jonathan, 1954- |
| author_GND | http://id.loc.gov/authorities/names/n87887254 |
| author_facet | Auerbach, Jonathan, 1954- |
| author_role | |
| author_sort | Auerbach, Jonathan, 1954- |
| author_variant | j a ja |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.B62 A84 2007eb |
| callnumber-search | PN1995.9.B62 A84 2007eb |
| callnumber-sort | PN 41995.9 B62 A84 42007EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Body, movement, space -- Looking in: McKinley at home -- Looking out: visualizing self-consciousness ; Interlude: the vocal gesture: sounding the origins of cinema -- Chasing film narrative -- Windows 1900; or, Life of an American fireman -- The stilled body. |
| ctrlnum | (OCoLC)182574262 |
| dewey-full | 791.43/656109041 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/656109041 |
| dewey-search | 791.43/656109041 |
| dewey-sort | 3791.43 9656109041 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn182574262 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:16:13Z |
| institution | BVB |
| isbn | 9780520941199 0520941195 9781435611450 1435611454 1282772279 9781282772274 9786612772276 6612772271 |
| language | English |
| oclc_num | 182574262 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 200 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | University of California Press, |
| record_format | marc |
| spelling | Auerbach, Jonathan, 1954- https://id.oclc.org/worldcat/entity/E39PBJt8hbyd99HbDXV8gftBT3 http://id.loc.gov/authorities/names/n87887254 Body shots : early cinema's incarnations / Jonathan Auerbach. Berkeley : University of California Press, ©2007. 1 online resource (xii, 200 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references (pages 179-193) and index. Print version record. Body, movement, space -- Looking in: McKinley at home -- Looking out: visualizing self-consciousness ; Interlude: the vocal gesture: sounding the origins of cinema -- Chasing film narrative -- Windows 1900; or, Life of an American fireman -- The stilled body. Argues that it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, the author begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display. It also considers twentieth-century American incarnation of cinema itself. English. Human body in motion pictures. http://id.loc.gov/authorities/subjects/sh98003868 Silent films History and criticism. Corps humain au cinéma. Films muets Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Human body in motion pictures fast Silent films fast 19th century american film history. 20th century american film history. american film. american fireman. bodies in public. bodies in space. cinema of attractions. cinema production. cinema. corporeal movement. early cinema. film history. film narrative. film studies. film. human form in motion. movie history. movie studies. movies. persons on public display. presidential candidate. self consciousness. visual art. visual spectacle. william mckinley. Criticism, interpretation, etc. fast has work: Body shots (Text) https://id.oclc.org/worldcat/entity/E39PCFJ6D9PGGPXXFwPHfXkhVy https://id.oclc.org/worldcat/ontology/hasWork Print version: Auerbach, Jonathan, 1954- Body shots. Berkeley : University of California Press, ©2007 9780520252592 0520252594 (DLC) 2007008837 (OCoLC)85814052 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=212115 Volltext |
| spellingShingle | Auerbach, Jonathan, 1954- Body shots : early cinema's incarnations / Body, movement, space -- Looking in: McKinley at home -- Looking out: visualizing self-consciousness ; Interlude: the vocal gesture: sounding the origins of cinema -- Chasing film narrative -- Windows 1900; or, Life of an American fireman -- The stilled body. Human body in motion pictures. http://id.loc.gov/authorities/subjects/sh98003868 Silent films History and criticism. Corps humain au cinéma. Films muets Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Human body in motion pictures fast Silent films fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh98003868 |
| title | Body shots : early cinema's incarnations / |
| title_auth | Body shots : early cinema's incarnations / |
| title_exact_search | Body shots : early cinema's incarnations / |
| title_full | Body shots : early cinema's incarnations / Jonathan Auerbach. |
| title_fullStr | Body shots : early cinema's incarnations / Jonathan Auerbach. |
| title_full_unstemmed | Body shots : early cinema's incarnations / Jonathan Auerbach. |
| title_short | Body shots : |
| title_sort | body shots early cinema s incarnations |
| title_sub | early cinema's incarnations / |
| topic | Human body in motion pictures. http://id.loc.gov/authorities/subjects/sh98003868 Silent films History and criticism. Corps humain au cinéma. Films muets Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Human body in motion pictures fast Silent films fast |
| topic_facet | Human body in motion pictures. Silent films History and criticism. Corps humain au cinéma. Films muets Histoire et critique. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Film & Video General. Human body in motion pictures Silent films Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=212115 |
| work_keys_str_mv | AT auerbachjonathan bodyshotsearlycinemasincarnations |