The philosophy of TV noir /:
The influence of classic film noir on the style and substance of television in the 1950s and 1960s has persisted to the present day. Its pervasiveness suggests the vitality of the noir depiction of human experience and the importance of TV for transmitting the legacy of film noir and producing new f...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lexington, Ky. :
University Press of Kentucky,
©2008.
|
| Schriftenreihe: | Philosophy of popular culture.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The influence of classic film noir on the style and substance of television in the 1950s and 1960s has persisted to the present day. Its pervasiveness suggests the vitality of the noir depiction of human experience and the importance of TV for transmitting the legacy of film noir and producing new forms of noir. Noir television is also noteworthy for its capacity to raise philosophical questions about the nature of the human condition. Drawing from the fields of philosophy, media studies, and literature, the contributors to The Philosophy of TV Noir illuminate the best of noir television, inc. |
| Beschreibung: | 1 online resource (viii, 272 pages) |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780813172620 0813172624 9780813156781 0813156785 |
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| 300 | |a 1 online resource (viii, 272 pages) | ||
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| 490 | 1 | |a The philosophy of popular culture | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a An introduction to the philosophy of TV noir / Steven M. Sanders -- Dragnet, film noir, and postwar realism / R. Barton Palmer -- Naked City: the relativist turn in TV noir / Robert E. Fitzgibbons -- John Drake in Greeneland : noir themes in Secret Agent / Sander Lee -- Action and integrity in The Fugitive / Aeon J. Skoble -- Noir et blanc in color : existentialism and Miami Vice / Steven M. Sanders -- 24 and the existential man of revolt / Jennifer L. McMahon -- Carnivàle knowledge : give me that old-time noir religion / Eric Bronson -- The Sopranos, film noir, and nihilism / Kevin L. Stoehr -- CSI and the art of forensic detection / Deborah Knight, George McKnight -- Detection and the logic of abduction in The X-Files / Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness : autonomy and conspiracy in The X-Files and Millennium / Michael Valdez Moses -- The Prisoner and self-imprisonment / Shai Biderman, William J. Devlin -- Twin Peaks, noir, and open interpretation / Jason Holt. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 520 | |a The influence of classic film noir on the style and substance of television in the 1950s and 1960s has persisted to the present day. Its pervasiveness suggests the vitality of the noir depiction of human experience and the importance of TV for transmitting the legacy of film noir and producing new forms of noir. Noir television is also noteworthy for its capacity to raise philosophical questions about the nature of the human condition. Drawing from the fields of philosophy, media studies, and literature, the contributors to The Philosophy of TV Noir illuminate the best of noir television, inc. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Detective and mystery television programs |z United States |x History and criticism. | |
| 650 | 0 | |a Fantasy television programs |z United States |x History and criticism. | |
| 650 | 0 | |a Film noir |z United States |x History and criticism. | |
| 650 | 6 | |a Émissions de détective télévisées |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Émissions fantastiques télévisées |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Films noirs |z États-Unis |x Histoire et critique. | |
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| 650 | 7 | |a Film noir |2 fast | |
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Datensatz im Suchindex
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| _version_ | 1816881657715621889 |
| adam_text | |
| any_adam_object | |
| author2 | Sanders, Steven, 1945- Skoble, Aeon J. |
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| author_GND | http://id.loc.gov/authorities/names/n79113370 http://id.loc.gov/authorities/names/n98014112 |
| author_facet | Sanders, Steven, 1945- Skoble, Aeon J. |
| author_sort | Sanders, Steven, 1945- |
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| callnumber-search | PN1992.8.D48 P45 2008eb |
| callnumber-sort | PN 41992.8 D48 P45 42008EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | An introduction to the philosophy of TV noir / Steven M. Sanders -- Dragnet, film noir, and postwar realism / R. Barton Palmer -- Naked City: the relativist turn in TV noir / Robert E. Fitzgibbons -- John Drake in Greeneland : noir themes in Secret Agent / Sander Lee -- Action and integrity in The Fugitive / Aeon J. Skoble -- Noir et blanc in color : existentialism and Miami Vice / Steven M. Sanders -- 24 and the existential man of revolt / Jennifer L. McMahon -- Carnivàle knowledge : give me that old-time noir religion / Eric Bronson -- The Sopranos, film noir, and nihilism / Kevin L. Stoehr -- CSI and the art of forensic detection / Deborah Knight, George McKnight -- Detection and the logic of abduction in The X-Files / Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness : autonomy and conspiracy in The X-Files and Millennium / Michael Valdez Moses -- The Prisoner and self-imprisonment / Shai Biderman, William J. Devlin -- Twin Peaks, noir, and open interpretation / Jason Holt. |
| ctrlnum | (OCoLC)182522016 |
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| dewey-ones | 791 - Public performances |
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| dewey-search | 791.45/61 |
| dewey-sort | 3791.45 261 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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Sanders -- Dragnet, film noir, and postwar realism / R. Barton Palmer -- Naked City: the relativist turn in TV noir / Robert E. Fitzgibbons -- John Drake in Greeneland : noir themes in Secret Agent / Sander Lee -- Action and integrity in The Fugitive / Aeon J. Skoble -- Noir et blanc in color : existentialism and Miami Vice / Steven M. Sanders -- 24 and the existential man of revolt / Jennifer L. McMahon -- Carnivàle knowledge : give me that old-time noir religion / Eric Bronson -- The Sopranos, film noir, and nihilism / Kevin L. Stoehr -- CSI and the art of forensic detection / Deborah Knight, George McKnight -- Detection and the logic of abduction in The X-Files / Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness : autonomy and conspiracy in The X-Files and Millennium / Michael Valdez Moses -- The Prisoner and self-imprisonment / Shai Biderman, William J. 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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq USA gnd http://d-nb.info/gnd/4078704-7 USA. idszbz |
| geographic_facet | United States USA USA. |
| id | ZDB-4-EBA-ocn182522016 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:16:12Z |
| institution | BVB |
| isbn | 9780813172620 0813172624 9780813156781 0813156785 |
| language | English |
| oclc_num | 182522016 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (viii, 272 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | University Press of Kentucky, |
| record_format | marc |
| series | Philosophy of popular culture. |
| series2 | The philosophy of popular culture |
| spelling | The philosophy of TV noir / edited by Steven M. Sanders and Aeon J. Skoble. Lexington, Ky. : University Press of Kentucky, ©2008. 1 online resource (viii, 272 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier The philosophy of popular culture Includes bibliographical references and index. An introduction to the philosophy of TV noir / Steven M. Sanders -- Dragnet, film noir, and postwar realism / R. Barton Palmer -- Naked City: the relativist turn in TV noir / Robert E. Fitzgibbons -- John Drake in Greeneland : noir themes in Secret Agent / Sander Lee -- Action and integrity in The Fugitive / Aeon J. Skoble -- Noir et blanc in color : existentialism and Miami Vice / Steven M. Sanders -- 24 and the existential man of revolt / Jennifer L. McMahon -- Carnivàle knowledge : give me that old-time noir religion / Eric Bronson -- The Sopranos, film noir, and nihilism / Kevin L. Stoehr -- CSI and the art of forensic detection / Deborah Knight, George McKnight -- Detection and the logic of abduction in The X-Files / Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness : autonomy and conspiracy in The X-Files and Millennium / Michael Valdez Moses -- The Prisoner and self-imprisonment / Shai Biderman, William J. Devlin -- Twin Peaks, noir, and open interpretation / Jason Holt. Print version record. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL The influence of classic film noir on the style and substance of television in the 1950s and 1960s has persisted to the present day. Its pervasiveness suggests the vitality of the noir depiction of human experience and the importance of TV for transmitting the legacy of film noir and producing new forms of noir. Noir television is also noteworthy for its capacity to raise philosophical questions about the nature of the human condition. Drawing from the fields of philosophy, media studies, and literature, the contributors to The Philosophy of TV Noir illuminate the best of noir television, inc. English. Detective and mystery television programs United States History and criticism. Fantasy television programs United States History and criticism. Film noir United States History and criticism. Émissions de détective télévisées États-Unis Histoire et critique. Émissions fantastiques télévisées États-Unis Histoire et critique. Films noirs États-Unis Histoire et critique. PERFORMING ARTS Television Reference. bisacsh Detective and mystery television programs fast Fantasy television programs fast Film noir fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Fernsehsendung gnd Kriminalfilm gnd http://d-nb.info/gnd/4033175-1 USA gnd http://d-nb.info/gnd/4078704-7 Kriminalfilm Fernsehen Geschichte 20. Jh. idsbb Fernsehen Kriminalfilm Geschichte 20. Jh. idsbb Kriminalfilm. idszbz Polizeifilm. idszbz Schwarzer Film. idszbz Fernsehserie. idszbz Fernsehprogramm. idszbz USA. idszbz Criticism, interpretation, etc. fast Sanders, Steven, 1945- https://id.oclc.org/worldcat/entity/E39PCjtK8TDWwpC9fPxwfx4xym http://id.loc.gov/authorities/names/n79113370 Skoble, Aeon J. http://id.loc.gov/authorities/names/n98014112 has work: The philosophy of TV noir (Text) https://id.oclc.org/worldcat/entity/E39PCGmXGFpyy9XWTBxYmPb9Qq https://id.oclc.org/worldcat/ontology/hasWork Print version: Philosophy of TV noir. Lexington, Ky. : University Press of Kentucky, ©2008 9780813124490 0813124492 (DLC) 2007029906 (OCoLC)154692324 Philosophy of popular culture. http://id.loc.gov/authorities/names/no2006132997 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=209748 Volltext |
| spellingShingle | The philosophy of TV noir / Philosophy of popular culture. An introduction to the philosophy of TV noir / Steven M. Sanders -- Dragnet, film noir, and postwar realism / R. Barton Palmer -- Naked City: the relativist turn in TV noir / Robert E. Fitzgibbons -- John Drake in Greeneland : noir themes in Secret Agent / Sander Lee -- Action and integrity in The Fugitive / Aeon J. Skoble -- Noir et blanc in color : existentialism and Miami Vice / Steven M. Sanders -- 24 and the existential man of revolt / Jennifer L. McMahon -- Carnivàle knowledge : give me that old-time noir religion / Eric Bronson -- The Sopranos, film noir, and nihilism / Kevin L. Stoehr -- CSI and the art of forensic detection / Deborah Knight, George McKnight -- Detection and the logic of abduction in The X-Files / Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness : autonomy and conspiracy in The X-Files and Millennium / Michael Valdez Moses -- The Prisoner and self-imprisonment / Shai Biderman, William J. Devlin -- Twin Peaks, noir, and open interpretation / Jason Holt. Detective and mystery television programs United States History and criticism. Fantasy television programs United States History and criticism. Film noir United States History and criticism. Émissions de détective télévisées États-Unis Histoire et critique. Émissions fantastiques télévisées États-Unis Histoire et critique. Films noirs États-Unis Histoire et critique. PERFORMING ARTS Television Reference. bisacsh Detective and mystery television programs fast Fantasy television programs fast Film noir fast Fernsehsendung gnd Kriminalfilm gnd http://d-nb.info/gnd/4033175-1 Kriminalfilm Fernsehen Geschichte 20. Jh. idsbb Fernsehen Kriminalfilm Geschichte 20. Jh. idsbb Kriminalfilm. idszbz Polizeifilm. idszbz Schwarzer Film. idszbz Fernsehserie. idszbz Fernsehprogramm. idszbz |
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| title | The philosophy of TV noir / |
| title_auth | The philosophy of TV noir / |
| title_exact_search | The philosophy of TV noir / |
| title_full | The philosophy of TV noir / edited by Steven M. Sanders and Aeon J. Skoble. |
| title_fullStr | The philosophy of TV noir / edited by Steven M. Sanders and Aeon J. Skoble. |
| title_full_unstemmed | The philosophy of TV noir / edited by Steven M. Sanders and Aeon J. Skoble. |
| title_short | The philosophy of TV noir / |
| title_sort | philosophy of tv noir |
| topic | Detective and mystery television programs United States History and criticism. Fantasy television programs United States History and criticism. Film noir United States History and criticism. Émissions de détective télévisées États-Unis Histoire et critique. Émissions fantastiques télévisées États-Unis Histoire et critique. Films noirs États-Unis Histoire et critique. PERFORMING ARTS Television Reference. bisacsh Detective and mystery television programs fast Fantasy television programs fast Film noir fast Fernsehsendung gnd Kriminalfilm gnd http://d-nb.info/gnd/4033175-1 Kriminalfilm Fernsehen Geschichte 20. Jh. idsbb Fernsehen Kriminalfilm Geschichte 20. Jh. idsbb Kriminalfilm. idszbz Polizeifilm. idszbz Schwarzer Film. idszbz Fernsehserie. idszbz Fernsehprogramm. idszbz |
| topic_facet | Detective and mystery television programs United States History and criticism. Fantasy television programs United States History and criticism. Film noir United States History and criticism. Émissions de détective télévisées États-Unis Histoire et critique. Émissions fantastiques télévisées États-Unis Histoire et critique. Films noirs États-Unis Histoire et critique. PERFORMING ARTS Television Reference. Detective and mystery television programs Fantasy television programs Film noir United States Fernsehsendung Kriminalfilm USA Kriminalfilm Fernsehen Geschichte 20. Jh. Fernsehen Kriminalfilm Geschichte 20. Jh. Kriminalfilm. Polizeifilm. Schwarzer Film. Fernsehserie. Fernsehprogramm. USA. Criticism, interpretation, etc. |
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