Medieval arts doctrines on ambiguity and their place in Langland's poetics /:
"Using an interdisciplinary approach, John Chamberlin brings together an examination of Langland's poetic practices, a discussion of the historical development of the arts of discourse doctrines they derive from, and some broad considerations of the implications of these doctrines for lang...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Montreal, Que. :
McGill-Queen's University Press,
©2000.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Using an interdisciplinary approach, John Chamberlin brings together an examination of Langland's poetic practices, a discussion of the historical development of the arts of discourse doctrines they derive from, and some broad considerations of the implications of these doctrines for language theory. Focusing on the concept of ambiguity, Chamberlin claims that the excess of meaning ambiguity gives language is at least as important as allegory to the understanding of Piers Plowman and other medieval texts. He deals with lexical ambiguity and the ambiguity of words-as-words - in which words themselves are taken as objects - offering linguistic, philosophical, and historical perspectives."--Jacket |
| Beschreibung: | 1 online resource (185 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780773568587 0773568581 |
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| 100 | 1 | |a Chamberlin, John, |d 1942-1999. | |
| 245 | 1 | 0 | |a Medieval arts doctrines on ambiguity and their place in Langland's poetics / |c John Chamberlin. |
| 260 | |a Montreal, Que. : |b McGill-Queen's University Press, |c ©2000. | ||
| 300 | |a 1 online resource (185 pages) | ||
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| 520 | 1 | |a "Using an interdisciplinary approach, John Chamberlin brings together an examination of Langland's poetic practices, a discussion of the historical development of the arts of discourse doctrines they derive from, and some broad considerations of the implications of these doctrines for language theory. Focusing on the concept of ambiguity, Chamberlin claims that the excess of meaning ambiguity gives language is at least as important as allegory to the understanding of Piers Plowman and other medieval texts. He deals with lexical ambiguity and the ambiguity of words-as-words - in which words themselves are taken as objects - offering linguistic, philosophical, and historical perspectives."--Jacket | |
| 505 | 0 | |a Contents -- Preface -- Acknowledgments -- Introduction -- Lexical Ambiguity: Context, Ground, and Overview -- Augustine on Ambiguity -- The Twelfth Century and Arts of Discourse -- Piers Plowman: The Resources of Ambiguity in the SamaritanÃŒs Sermon -- Transition -- Words-as-Words: Context, Ground, and Overview -- Augustine on Words- as- Words -- The Twelfth Century and Words- as- Words -- Piers Plowman and the Ambiguity of Words- as- Words -- Conclusion -- Works Cited -- Index | |
| 600 | 1 | 0 | |a Langland, William, |d 1330?-1400? |t Piers Plowman. |0 http://id.loc.gov/authorities/names/n82041291 |
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| 650 | 0 | |a Ambiguity in literature. |0 http://id.loc.gov/authorities/subjects/sh93008352 | |
| 650 | 0 | |a Poetics |x History |y To 1500. | |
| 650 | 6 | |a Ambiguïté dans la littérature. | |
| 650 | 6 | |a Poétique |x Histoire |y Jusqu'à 1500. | |
| 650 | 7 | |a POETRY |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Drama. |2 bisacsh | |
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| 650 | 7 | |a Poetics |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Chamberlin, John, 1942- |t Medieval arts doctrines on ambiguity and their place in Langland's poetics. |d Montreal ; Ithaca, [N.Y.] : McGill-Queen's University Press, ©2000 |z 0773520732 |w (DLC) 2001277102 |w (OCoLC)43282448 |
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| author | Chamberlin, John, 1942-1999 |
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| contents | Contents -- Preface -- Acknowledgments -- Introduction -- Lexical Ambiguity: Context, Ground, and Overview -- Augustine on Ambiguity -- The Twelfth Century and Arts of Discourse -- Piers Plowman: The Resources of Ambiguity in the SamaritanÃŒs Sermon -- Transition -- Words-as-Words: Context, Ground, and Overview -- Augustine on Words- as- Words -- The Twelfth Century and Words- as- Words -- Piers Plowman and the Ambiguity of Words- as- Words -- Conclusion -- Works Cited -- Index |
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| era | To 1500 fast |
| era_facet | To 1500 |
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| indexdate | 2024-11-27T13:16:11Z |
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| spelling | Chamberlin, John, 1942-1999. Medieval arts doctrines on ambiguity and their place in Langland's poetics / John Chamberlin. Montreal, Que. : McGill-Queen's University Press, ©2000. 1 online resource (185 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. "Using an interdisciplinary approach, John Chamberlin brings together an examination of Langland's poetic practices, a discussion of the historical development of the arts of discourse doctrines they derive from, and some broad considerations of the implications of these doctrines for language theory. Focusing on the concept of ambiguity, Chamberlin claims that the excess of meaning ambiguity gives language is at least as important as allegory to the understanding of Piers Plowman and other medieval texts. He deals with lexical ambiguity and the ambiguity of words-as-words - in which words themselves are taken as objects - offering linguistic, philosophical, and historical perspectives."--Jacket Contents -- Preface -- Acknowledgments -- Introduction -- Lexical Ambiguity: Context, Ground, and Overview -- Augustine on Ambiguity -- The Twelfth Century and Arts of Discourse -- Piers Plowman: The Resources of Ambiguity in the SamaritanÃŒs Sermon -- Transition -- Words-as-Words: Context, Ground, and Overview -- Augustine on Words- as- Words -- The Twelfth Century and Words- as- Words -- Piers Plowman and the Ambiguity of Words- as- Words -- Conclusion -- Works Cited -- Index Langland, William, 1330?-1400? Piers Plowman. http://id.loc.gov/authorities/names/n82041291 Piers Plowman (Langland, William) fast Ambiguity in literature. http://id.loc.gov/authorities/subjects/sh93008352 Poetics History To 1500. Ambiguïté dans la littérature. Poétique Histoire Jusqu'à 1500. POETRY English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM Drama. bisacsh Ambiguity in literature fast Poetics fast To 1500 fast Electronic books. History fast Print version: Chamberlin, John, 1942- Medieval arts doctrines on ambiguity and their place in Langland's poetics. Montreal ; Ithaca, [N.Y.] : McGill-Queen's University Press, ©2000 0773520732 (DLC) 2001277102 (OCoLC)43282448 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=404573 Volltext |
| spellingShingle | Chamberlin, John, 1942-1999 Medieval arts doctrines on ambiguity and their place in Langland's poetics / Contents -- Preface -- Acknowledgments -- Introduction -- Lexical Ambiguity: Context, Ground, and Overview -- Augustine on Ambiguity -- The Twelfth Century and Arts of Discourse -- Piers Plowman: The Resources of Ambiguity in the SamaritanÃŒs Sermon -- Transition -- Words-as-Words: Context, Ground, and Overview -- Augustine on Words- as- Words -- The Twelfth Century and Words- as- Words -- Piers Plowman and the Ambiguity of Words- as- Words -- Conclusion -- Works Cited -- Index Langland, William, 1330?-1400? Piers Plowman. http://id.loc.gov/authorities/names/n82041291 Piers Plowman (Langland, William) fast Ambiguity in literature. http://id.loc.gov/authorities/subjects/sh93008352 Poetics History To 1500. Ambiguïté dans la littérature. Poétique Histoire Jusqu'à 1500. POETRY English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM Drama. bisacsh Ambiguity in literature fast Poetics fast |
| subject_GND | http://id.loc.gov/authorities/names/n82041291 http://id.loc.gov/authorities/subjects/sh93008352 |
| title | Medieval arts doctrines on ambiguity and their place in Langland's poetics / |
| title_auth | Medieval arts doctrines on ambiguity and their place in Langland's poetics / |
| title_exact_search | Medieval arts doctrines on ambiguity and their place in Langland's poetics / |
| title_full | Medieval arts doctrines on ambiguity and their place in Langland's poetics / John Chamberlin. |
| title_fullStr | Medieval arts doctrines on ambiguity and their place in Langland's poetics / John Chamberlin. |
| title_full_unstemmed | Medieval arts doctrines on ambiguity and their place in Langland's poetics / John Chamberlin. |
| title_short | Medieval arts doctrines on ambiguity and their place in Langland's poetics / |
| title_sort | medieval arts doctrines on ambiguity and their place in langland s poetics |
| topic | Langland, William, 1330?-1400? Piers Plowman. http://id.loc.gov/authorities/names/n82041291 Piers Plowman (Langland, William) fast Ambiguity in literature. http://id.loc.gov/authorities/subjects/sh93008352 Poetics History To 1500. Ambiguïté dans la littérature. Poétique Histoire Jusqu'à 1500. POETRY English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM Drama. bisacsh Ambiguity in literature fast Poetics fast |
| topic_facet | Langland, William, 1330?-1400? Piers Plowman. Piers Plowman (Langland, William) Ambiguity in literature. Poetics History To 1500. Ambiguïté dans la littérature. Poétique Histoire Jusqu'à 1500. POETRY English, Irish, Scottish, Welsh. LITERARY CRITICISM Drama. Ambiguity in literature Poetics Electronic books. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=404573 |
| work_keys_str_mv | AT chamberlinjohn medievalartsdoctrinesonambiguityandtheirplaceinlanglandspoetics |