Verfügbarkeit: Estrada?! : :: THWS Bibkatalog

Estrada?! :: grand narratives and the philosophy of the Russian popular song since Perestroika /

"In Estrada?!, the second volume of a three-part series on Russian popular song, David MacFadyen extends his overview of Russian culture and society into the post-Soviet period. Having dispelled several myths surrounding Soviet popular entertainment - known as "estrada" or the "s...

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Bibliographische Detailangaben
1. Verfasser:	MacFadyen, David, 1964-
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Montreal ; Ithaca : McGill-Queen's University Press, ©2002.
Schlagworte:	1981-2000 Popular music > Soviet Union > 1981-1990 > History and criticism. Popular music > Russia (Federation) > 1991-2000 > History and criticism. Musique populaire > Russie > 1991-2000 > Histoire et critique. Musique populaire > URSS > 1981-1990 > Histoire et critique. MUSIC > Printed Music > General. MUSIC > Genres & Styles > Pop Vocal. Popular music Russia (Federation) Soviet Union Electronic books. Criticism, interpretation, etc.
Online-Zugang:	Volltext
Zusammenfassung:	"In Estrada?!, the second volume of a three-part series on Russian popular song, David MacFadyen extends his overview of Russian culture and society into the post-Soviet period. Having dispelled several myths surrounding Soviet popular entertainment - known as "estrada" or the "small stage"--In Red Stars, MacFadyen shifts his attention to a newer musical tradition that has emerged from the simultaneous disappearance of Soviet ideology and the loud influx of Western music." "The author shows how performance, popularity, and politics have all changed rapidly in Russia following the fall of communism. He highlights the troubled state of Soviet music journalism in the eighties, the deteriorating standards of staging, and the problems of developing a "proper" post-Soviet repertoire given the weakened relevance of songs as propaganda and the tenuous value of an old-style "sentimental education" that performers hoped to offer audiences. MacFadyen shows that for Russia's most famous performers today singing is still a responsibility of both private and public relevance. Even in post-Soviet Europe, song remains the most profoundly consequential of art forms."--Jacket
Beschreibung:	1 online resource (254 pages) : illustrations
Bibliographie:	Includes audio-visual sources (pages 202-209), bibliographical references, and index.
ISBN:	9780773570245 0773570241 1282860496 9781282860490 9786612860492 6612860499

Internformat

MARC


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100	1		\|a MacFadyen, David, \|d 1964- \|1 https://id.oclc.org/worldcat/entity/E39PBJhxjq7XrqC4GVfprvXWXd \|0 http://id.loc.gov/authorities/names/no2005077372
245	1	0	\|a Estrada?! : \|b grand narratives and the philosophy of the Russian popular song since Perestroika / \|c David MacFadyen.
260			\|a Montreal ; \|a Ithaca : \|b McGill-Queen's University Press, \|c ©2002.
300			\|a 1 online resource (254 pages) : \|b illustrations
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347			\|a data file
380			\|a Dictionary
504			\|a Includes audio-visual sources (pages 202-209), bibliographical references, and index.
588	0		\|a Print version record.
520			\|a "In Estrada?!, the second volume of a three-part series on Russian popular song, David MacFadyen extends his overview of Russian culture and society into the post-Soviet period. Having dispelled several myths surrounding Soviet popular entertainment - known as "estrada" or the "small stage"--In Red Stars, MacFadyen shifts his attention to a newer musical tradition that has emerged from the simultaneous disappearance of Soviet ideology and the loud influx of Western music." "The author shows how performance, popularity, and politics have all changed rapidly in Russia following the fall of communism. He highlights the troubled state of Soviet music journalism in the eighties, the deteriorating standards of staging, and the problems of developing a "proper" post-Soviet repertoire given the weakened relevance of songs as propaganda and the tenuous value of an old-style "sentimental education" that performers hoped to offer audiences. MacFadyen shows that for Russia's most famous performers today singing is still a responsibility of both private and public relevance. Even in post-Soviet Europe, song remains the most profoundly consequential of art forms."--Jacket
505	0		\|a CONTENTS -- ACKNOWLEDGMENTS -- ESTRADA?! -- INTRODUCTION: WHAT IS THIS BOOK ABOUT? -- FOUR PREDICAMENTS -- THE DECLINE OF A SOVIET REPERTOIRE -- THE ABSENCE OF IDEOLOGY -- PERFORMERSâ€? UNTUTORED UPBRINGING -- DIRECTORIAL WORK ON THE STAGE AND ON THE ROAD -- EVIDENCE OF TWO SOLUTIONS -- AUDIO: THE SOUND OF MUSIC AND MUTATION -- VIDEO: ESTRADA ON FILM SINCE PERESTROIKA -- RUSSIAN POPULAR CULTURE AFTER 1982: THE BIG PICTURE -- â€WHY AM I SINGING?â€? GRAND NARRATIVES AND THEIR HARD- WORKING SURVIVORS NOW
505	8		\|a Conclusion: only the sentimental and industrious can endureappendices -- biographies -- audio-visual sources -- notes -- index
546			\|a English.
650		0	\|a Popular music \|z Soviet Union \|y 1981-1990 \|x History and criticism.
650		0	\|a Popular music \|z Russia (Federation) \|y 1991-2000 \|x History and criticism.
650		6	\|a Musique populaire \|z Russie \|y 1991-2000 \|x Histoire et critique.
650		6	\|a Musique populaire \|z URSS \|y 1981-1990 \|x Histoire et critique.
650		7	\|a MUSIC \|x Printed Music \|x General. \|2 bisacsh
650		7	\|a MUSIC \|x Genres & Styles \|x Pop Vocal. \|2 bisacsh
650		7	\|a Popular music \|2 fast
651		7	\|a Russia (Federation) \|2 fast \|1 https://id.oclc.org/worldcat/entity/E39PBJhhmCp3jtcMQbx3WgpXVC
651		7	\|a Soviet Union \|2 fast
648		7	\|a 1981-2000 \|2 fast
655		0	\|a Electronic books.
655		7	\|a Criticism, interpretation, etc. \|2 fast
776	0	8	\|i Print version: \|a MacFadyen, David, 1964- \|t Estrada?!. \|d Montreal ; Ithaca : McGill-Queen's University Press, ©2002 \|w (DLC) 2003446311
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Datensatz im Suchindex

DE-BY-FWS_katkey	ZDB-4-EBA-ocn123470240
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any_adam_object
author	MacFadyen, David, 1964-
author_GND	http://id.loc.gov/authorities/names/no2005077372
author_facet	MacFadyen, David, 1964-
author_role
author_sort	MacFadyen, David, 1964-
author_variant	d m dm
building	Verbundindex
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callnumber-first	M - Music
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callnumber-subject	ML - Literature on Music
collection	ZDB-4-EBA
contents	CONTENTS -- ACKNOWLEDGMENTS -- ESTRADA?! -- INTRODUCTION: WHAT IS THIS BOOK ABOUT? -- FOUR PREDICAMENTS -- THE DECLINE OF A SOVIET REPERTOIRE -- THE ABSENCE OF IDEOLOGY -- PERFORMERSâ€? UNTUTORED UPBRINGING -- DIRECTORIAL WORK ON THE STAGE AND ON THE ROAD -- EVIDENCE OF TWO SOLUTIONS -- AUDIO: THE SOUND OF MUSIC AND MUTATION -- VIDEO: ESTRADA ON FILM SINCE PERESTROIKA -- RUSSIAN POPULAR CULTURE AFTER 1982: THE BIG PICTURE -- â€WHY AM I SINGING?â€? GRAND NARRATIVES AND THEIR HARD- WORKING SURVIVORS NOW Conclusion: only the sentimental and industrious can endureappendices -- biographies -- audio-visual sources -- notes -- index
ctrlnum	(OCoLC)123470240
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dewey-hundreds	700 - The arts
dewey-ones	782 - Vocal music
dewey-raw	782.42164/0947/0904
dewey-search	782.42164/0947/0904
dewey-sort	3782.42164 3947 3904
dewey-tens	780 - Music
discipline	Musikwissenschaft
era	1981-2000 fast
era_facet	1981-2000
format	Electronic eBook
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spelling	MacFadyen, David, 1964- https://id.oclc.org/worldcat/entity/E39PBJhxjq7XrqC4GVfprvXWXd http://id.loc.gov/authorities/names/no2005077372 Estrada?! : grand narratives and the philosophy of the Russian popular song since Perestroika / David MacFadyen. Montreal ; Ithaca : McGill-Queen's University Press, ©2002. 1 online resource (254 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Dictionary Includes audio-visual sources (pages 202-209), bibliographical references, and index. Print version record. "In Estrada?!, the second volume of a three-part series on Russian popular song, David MacFadyen extends his overview of Russian culture and society into the post-Soviet period. Having dispelled several myths surrounding Soviet popular entertainment - known as "estrada" or the "small stage"--In Red Stars, MacFadyen shifts his attention to a newer musical tradition that has emerged from the simultaneous disappearance of Soviet ideology and the loud influx of Western music." "The author shows how performance, popularity, and politics have all changed rapidly in Russia following the fall of communism. He highlights the troubled state of Soviet music journalism in the eighties, the deteriorating standards of staging, and the problems of developing a "proper" post-Soviet repertoire given the weakened relevance of songs as propaganda and the tenuous value of an old-style "sentimental education" that performers hoped to offer audiences. MacFadyen shows that for Russia's most famous performers today singing is still a responsibility of both private and public relevance. Even in post-Soviet Europe, song remains the most profoundly consequential of art forms."--Jacket CONTENTS -- ACKNOWLEDGMENTS -- ESTRADA?! -- INTRODUCTION: WHAT IS THIS BOOK ABOUT? -- FOUR PREDICAMENTS -- THE DECLINE OF A SOVIET REPERTOIRE -- THE ABSENCE OF IDEOLOGY -- PERFORMERSâ€? UNTUTORED UPBRINGING -- DIRECTORIAL WORK ON THE STAGE AND ON THE ROAD -- EVIDENCE OF TWO SOLUTIONS -- AUDIO: THE SOUND OF MUSIC AND MUTATION -- VIDEO: ESTRADA ON FILM SINCE PERESTROIKA -- RUSSIAN POPULAR CULTURE AFTER 1982: THE BIG PICTURE -- â€WHY AM I SINGING?â€? GRAND NARRATIVES AND THEIR HARD- WORKING SURVIVORS NOW Conclusion: only the sentimental and industrious can endureappendices -- biographies -- audio-visual sources -- notes -- index English. Popular music Soviet Union 1981-1990 History and criticism. Popular music Russia (Federation) 1991-2000 History and criticism. Musique populaire Russie 1991-2000 Histoire et critique. Musique populaire URSS 1981-1990 Histoire et critique. MUSIC Printed Music General. bisacsh MUSIC Genres & Styles Pop Vocal. bisacsh Popular music fast Russia (Federation) fast https://id.oclc.org/worldcat/entity/E39PBJhhmCp3jtcMQbx3WgpXVC Soviet Union fast 1981-2000 fast Electronic books. Criticism, interpretation, etc. fast Print version: MacFadyen, David, 1964- Estrada?!. Montreal ; Ithaca : McGill-Queen's University Press, ©2002 (DLC) 2003446311 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=404118 Volltext
spellingShingle	MacFadyen, David, 1964- Estrada?! : grand narratives and the philosophy of the Russian popular song since Perestroika / CONTENTS -- ACKNOWLEDGMENTS -- ESTRADA?! -- INTRODUCTION: WHAT IS THIS BOOK ABOUT? -- FOUR PREDICAMENTS -- THE DECLINE OF A SOVIET REPERTOIRE -- THE ABSENCE OF IDEOLOGY -- PERFORMERSâ€? UNTUTORED UPBRINGING -- DIRECTORIAL WORK ON THE STAGE AND ON THE ROAD -- EVIDENCE OF TWO SOLUTIONS -- AUDIO: THE SOUND OF MUSIC AND MUTATION -- VIDEO: ESTRADA ON FILM SINCE PERESTROIKA -- RUSSIAN POPULAR CULTURE AFTER 1982: THE BIG PICTURE -- â€WHY AM I SINGING?â€? GRAND NARRATIVES AND THEIR HARD- WORKING SURVIVORS NOW Conclusion: only the sentimental and industrious can endureappendices -- biographies -- audio-visual sources -- notes -- index Popular music Soviet Union 1981-1990 History and criticism. Popular music Russia (Federation) 1991-2000 History and criticism. Musique populaire Russie 1991-2000 Histoire et critique. Musique populaire URSS 1981-1990 Histoire et critique. MUSIC Printed Music General. bisacsh MUSIC Genres & Styles Pop Vocal. bisacsh Popular music fast
title	Estrada?! : grand narratives and the philosophy of the Russian popular song since Perestroika /
title_auth	Estrada?! : grand narratives and the philosophy of the Russian popular song since Perestroika /
title_exact_search	Estrada?! : grand narratives and the philosophy of the Russian popular song since Perestroika /
title_full	Estrada?! : grand narratives and the philosophy of the Russian popular song since Perestroika / David MacFadyen.
title_fullStr	Estrada?! : grand narratives and the philosophy of the Russian popular song since Perestroika / David MacFadyen.
title_full_unstemmed	Estrada?! : grand narratives and the philosophy of the Russian popular song since Perestroika / David MacFadyen.
title_short	Estrada?! :
title_sort	estrada grand narratives and the philosophy of the russian popular song since perestroika
title_sub	grand narratives and the philosophy of the Russian popular song since Perestroika /
topic	Popular music Soviet Union 1981-1990 History and criticism. Popular music Russia (Federation) 1991-2000 History and criticism. Musique populaire Russie 1991-2000 Histoire et critique. Musique populaire URSS 1981-1990 Histoire et critique. MUSIC Printed Music General. bisacsh MUSIC Genres & Styles Pop Vocal. bisacsh Popular music fast
topic_facet	Popular music Soviet Union 1981-1990 History and criticism. Popular music Russia (Federation) 1991-2000 History and criticism. Musique populaire Russie 1991-2000 Histoire et critique. Musique populaire URSS 1981-1990 Histoire et critique. MUSIC Printed Music General. MUSIC Genres & Styles Pop Vocal. Popular music Russia (Federation) Soviet Union Electronic books. Criticism, interpretation, etc.
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=404118
work_keys_str_mv	AT macfadyendavid estradagrandnarrativesandthephilosophyoftherussianpopularsongsinceperestroika

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