The rise of gospel blues :: the music of Thomas Andrew Dorsey in the urban church /
Thomas A. Dorsey, also known as 'Georgia Tom', had considerable success in the 1920's as a pianist, composer, and arranger for prominent blues singers including Ma Rainey. In the late 1930s, Dorsey became involved in African-American old-line Protestant churches, where his background...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford :
Oxford University Press,
1994, ©1992.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Thomas A. Dorsey, also known as 'Georgia Tom', had considerable success in the 1920's as a pianist, composer, and arranger for prominent blues singers including Ma Rainey. In the late 1930s, Dorsey became involved in African-American old-line Protestant churches, where his background in the blues greatly influenced his composing and singing. At first these 'respectable' Chicago churches rejected this new form, partially because of the unseemly reputation blues performance had, but more because of the excitement that gospel blues produced in the church congregation. A controversy developed between two conflicting visions; one segment idealized an institution that nurtured a distinct African-American religion and culture, the other saw the church as a means by which African Americans would assimilate into American Christianity and the dominant Anglo-American culture. However, by the end of the 1930s the former group prevailed by the power of the music. From that time on, gospel blues became a major force in African-American churches and religion. |
| Beschreibung: | 1 online resource (xxiii, 324 pages :) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 142940597X 9781429405973 1280527544 9781280527548 |
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| 520 | |a Thomas A. Dorsey, also known as 'Georgia Tom', had considerable success in the 1920's as a pianist, composer, and arranger for prominent blues singers including Ma Rainey. In the late 1930s, Dorsey became involved in African-American old-line Protestant churches, where his background in the blues greatly influenced his composing and singing. At first these 'respectable' Chicago churches rejected this new form, partially because of the unseemly reputation blues performance had, but more because of the excitement that gospel blues produced in the church congregation. A controversy developed between two conflicting visions; one segment idealized an institution that nurtured a distinct African-American religion and culture, the other saw the church as a means by which African Americans would assimilate into American Christianity and the dominant Anglo-American culture. However, by the end of the 1930s the former group prevailed by the power of the music. From that time on, gospel blues became a major force in African-American churches and religion. | ||
| 600 | 1 | 0 | |a Dorsey, Thomas Andrew. |
| 600 | 1 | 7 | |a Dorsey, Thomas Andrew |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJhCKXxwGgwcWKPcVMFqcP |
| 650 | 0 | |a Gospel music |x History and criticism. | |
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| genre | Criticism, interpretation, etc. fast |
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| id | ZDB-4-EBA-ocm72679407 |
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| indexdate | 2024-10-25T16:16:25Z |
| institution | BVB |
| isbn | 142940597X 9781429405973 1280527544 9781280527548 |
| language | English |
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| publisher | Oxford University Press, |
| record_format | marc |
| spelling | Harris, Michael W. The rise of gospel blues : the music of Thomas Andrew Dorsey in the urban church / Michael W. Harris. New York ; Oxford : Oxford University Press, 1994, ©1992. 1 online resource (xxiii, 324 pages :) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Thomas A. Dorsey, also known as 'Georgia Tom', had considerable success in the 1920's as a pianist, composer, and arranger for prominent blues singers including Ma Rainey. In the late 1930s, Dorsey became involved in African-American old-line Protestant churches, where his background in the blues greatly influenced his composing and singing. At first these 'respectable' Chicago churches rejected this new form, partially because of the unseemly reputation blues performance had, but more because of the excitement that gospel blues produced in the church congregation. A controversy developed between two conflicting visions; one segment idealized an institution that nurtured a distinct African-American religion and culture, the other saw the church as a means by which African Americans would assimilate into American Christianity and the dominant Anglo-American culture. However, by the end of the 1930s the former group prevailed by the power of the music. From that time on, gospel blues became a major force in African-American churches and religion. Dorsey, Thomas Andrew. Dorsey, Thomas Andrew fast https://id.oclc.org/worldcat/entity/E39PBJhCKXxwGgwcWKPcVMFqcP Gospel music History and criticism. Gospel Histoire et critique. MUSIC Instruction & Study Voice. bisacsh MUSIC Printed Music Piano-Vocal-Guitar. bisacsh BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. bisacsh Gospel music fast Gospel music Criticism, interpretation, etc. fast has work: The rise of gospel blues (Text) https://id.oclc.org/worldcat/entity/E39PCGcgqFVThbfW7kPt9Tvgyq https://id.oclc.org/worldcat/ontology/hasWork Print version: Harris, Michael W. Rise of gospel blues. New York ; Oxford : Oxford University Press, 1994, ©1992 0195090578 (DLC) 91008987 (OCoLC)30914242 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=169747 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=169747 Volltext |
| spellingShingle | Harris, Michael W. The rise of gospel blues : the music of Thomas Andrew Dorsey in the urban church / Dorsey, Thomas Andrew. Dorsey, Thomas Andrew fast https://id.oclc.org/worldcat/entity/E39PBJhCKXxwGgwcWKPcVMFqcP Gospel music History and criticism. Gospel Histoire et critique. MUSIC Instruction & Study Voice. bisacsh MUSIC Printed Music Piano-Vocal-Guitar. bisacsh BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. bisacsh Gospel music fast |
| title | The rise of gospel blues : the music of Thomas Andrew Dorsey in the urban church / |
| title_auth | The rise of gospel blues : the music of Thomas Andrew Dorsey in the urban church / |
| title_exact_search | The rise of gospel blues : the music of Thomas Andrew Dorsey in the urban church / |
| title_full | The rise of gospel blues : the music of Thomas Andrew Dorsey in the urban church / Michael W. Harris. |
| title_fullStr | The rise of gospel blues : the music of Thomas Andrew Dorsey in the urban church / Michael W. Harris. |
| title_full_unstemmed | The rise of gospel blues : the music of Thomas Andrew Dorsey in the urban church / Michael W. Harris. |
| title_short | The rise of gospel blues : |
| title_sort | rise of gospel blues the music of thomas andrew dorsey in the urban church |
| title_sub | the music of Thomas Andrew Dorsey in the urban church / |
| topic | Dorsey, Thomas Andrew. Dorsey, Thomas Andrew fast https://id.oclc.org/worldcat/entity/E39PBJhCKXxwGgwcWKPcVMFqcP Gospel music History and criticism. Gospel Histoire et critique. MUSIC Instruction & Study Voice. bisacsh MUSIC Printed Music Piano-Vocal-Guitar. bisacsh BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. bisacsh Gospel music fast |
| topic_facet | Dorsey, Thomas Andrew. Dorsey, Thomas Andrew Gospel music History and criticism. Gospel Histoire et critique. MUSIC Instruction & Study Voice. MUSIC Printed Music Piano-Vocal-Guitar. BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. Gospel music Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=169747 |
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