Language, vision, and music :: selected papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, Ireland, 1999 /
Language, vision and music: what common cognitive patterns underlie our competence in these disparate modes of thought? Language (natural & formal), vision and music seem to share at least the following attributes: a hierarchical organisation of constituents, recursivity, metaphor, the possibili...
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Weitere Verfasser: | , , |
Format: | Elektronisch Tagungsbericht E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam ; Philadelphia :
John Benjamins Pub.,
©2002.
|
Schriftenreihe: | Advances in consciousness research ;
v. 35. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Language, vision and music: what common cognitive patterns underlie our competence in these disparate modes of thought? Language (natural & formal), vision and music seem to share at least the following attributes: a hierarchical organisation of constituents, recursivity, metaphor, the possibility of self-reference, ambiguity, and systematicity. Can we propose the existence of a general symbol system with instantiations in these three modes or is the only commonality to be found at the level of such entities as cerebral columnar automata? Answers are to be found in this international collection of work which recognises that one of the basic features of consciousness is its MultiModality, that there are possibilities to model this with contemporary technology, and that cross-cultural commonalities in the experience of, and creativity within, the various modalities are significant. With the advent of Intelligent MultiMedia this aspect of consciousness implementation in mind/brain acquires new significance. (Series B). |
Beschreibung: | 1 online resource (xii, 433 pages) : illustrations |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9789027297099 9027297096 9789027251558 902725155X 9781588111098 1588111091 1282161652 9781282161658 9786612161650 6612161655 |
ISSN: | 1381-589X ; |
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111 | 2 | |a International Workshop on the Cognitive Science of Natural Language Processing |n (8th : |d 1999 : |c Galway, Ireland) | |
245 | 1 | 0 | |a Language, vision, and music : |b selected papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, Ireland, 1999 / |c edited by Paul Mc Kevitt, Seán Ó Nualláin, and Conn Mulvihill. |
260 | |a Amsterdam ; |a Philadelphia : |b John Benjamins Pub., |c ©2002. | ||
300 | |a 1 online resource (xii, 433 pages) : |b illustrations | ||
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490 | 1 | |a Advances in consciousness research, |x 1381-589X ; |v v. 35 | |
504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a Language, Vision, and Music -- editorial page -- Title page -- LCC data -- Dedication -- Contents -- About the Editors -- Introduction -- Part I: Language & -- vision -- Multimedia integration. A system-theoretic perspective -- Visualising lexical prosodic representations for speech applications -- A simulated language understanding agent using virtual perception -- The Hitchhiker's Guide to the Galaxy -- Affective multimodal interaction with a 3D agent -- CHAMELEON. A general platform for performing intellimedia -- Machine perception of real-time multimodal natural dialogue -- Communicative rhythm in gesture and speech -- Signals and meanings of gaze in animated faces -- Speech, vision and aphasic communication -- Synaesthesia and knowing -- What synaesthesia is (and is not) -- Synaesthesia is not a psychic anomaly, but a form of non-verbal thinking -- Part II: Language & -- music -- Music and language. Metaphor and causation -- Expression, content and meaning in language and music. An integrated semiotic analysis -- Auditory structuring in explaining dyslexia -- A comparative review of priming effects in language and music -- The respective roles of consciousand subconscious processes for interpreting language and music -- Aesthetic forms of expression as information delivery units -- The lexicon of the Conductor's face -- How do interactive virtual operas shift relationships between music, text and image? -- Let's Improvise Together. A testbed for a formalism in language, vision and sounds integration -- On tonality in Irish traditional music -- The relationship between the imitation and recognition of non-verbal rhythms and language comprehension -- Rising-falling contours in speech. A metaphor of tension-resolution schemes in European musical traditions? Evidence from regional varieties of Italian -- Part III: Creativity. | |
505 | 8 | |a Plenary panel session: What is creativity? -- The analogical foundations of creativity in language, culture & -- the arts: "The Upper Paleolithic to 2100CE" -- Creativity in humans, computers, and the rest of God's creatures. A meditation from within the economic world -- The origins of Mexican metaphor in Tarahumara Indian religion -- Is creativity algorithmic? -- Subject Index -- Name Index -- ADVANCES IN CONSCIOUSNESS RESEARCH. | |
520 | |a Language, vision and music: what common cognitive patterns underlie our competence in these disparate modes of thought? Language (natural & formal), vision and music seem to share at least the following attributes: a hierarchical organisation of constituents, recursivity, metaphor, the possibility of self-reference, ambiguity, and systematicity. Can we propose the existence of a general symbol system with instantiations in these three modes or is the only commonality to be found at the level of such entities as cerebral columnar automata? Answers are to be found in this international collection of work which recognises that one of the basic features of consciousness is its MultiModality, that there are possibilities to model this with contemporary technology, and that cross-cultural commonalities in the experience of, and creativity within, the various modalities are significant. With the advent of Intelligent MultiMedia this aspect of consciousness implementation in mind/brain acquires new significance. (Series B). | ||
650 | 0 | |a Computational linguistics |v Congresses. | |
650 | 0 | |a Visual communication |v Congresses. | |
650 | 0 | |a Music and language |v Congresses. | |
650 | 0 | |a Natural language processing (Computer science) |0 http://id.loc.gov/authorities/subjects/sh88002425 | |
650 | 0 | |a Language and languages. |0 http://id.loc.gov/authorities/subjects/sh85074518 | |
650 | 0 | |a Music. |0 http://id.loc.gov/authorities/subjects/sh85088762 | |
650 | 0 | |a Nonverbal communication. |0 http://id.loc.gov/authorities/subjects/sh85092368 | |
650 | 0 | |a Vision. |0 http://id.loc.gov/authorities/subjects/sh85143872 | |
650 | 1 | 2 | |a Natural Language Processing |
650 | 2 | 2 | |a Language |
650 | 2 | 2 | |a Music |
650 | 2 | 2 | |a Nonverbal Communication |
650 | 2 | 2 | |a Vision, Ocular |
650 | 6 | |a Linguistique informatique |v Congrès. | |
650 | 6 | |a Communication visuelle |v Congrès. | |
650 | 6 | |a Musique et langage |v Congrès. | |
650 | 6 | |a Traitement automatique des langues naturelles. | |
650 | 6 | |a Langage et langues. | |
650 | 6 | |a Musique. | |
650 | 6 | |a Communication non verbale. | |
650 | 6 | |a Vision. | |
650 | 7 | |a sight (sense) |2 aat | |
650 | 7 | |a language (general communication) |2 aat | |
650 | 7 | |a languages (study discipline) |2 aat | |
650 | 7 | |a music (discipline) |2 aat | |
650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Linguistics |x Historical & Comparative. |2 bisacsh | |
650 | 7 | |a Vision |2 fast | |
650 | 7 | |a Nonverbal communication |2 fast | |
650 | 7 | |a Natural language processing (Computer science) |2 fast | |
650 | 7 | |a Music |2 fast | |
650 | 7 | |a Language and languages |2 fast | |
650 | 7 | |a Computational linguistics |2 fast | |
650 | 7 | |a Music and language |2 fast | |
650 | 7 | |a Visual communication |2 fast | |
650 | 1 | 7 | |a Natuurlijke-taalverwerking. |2 gtt |
650 | 1 | 7 | |a Kunstmatige intelligentie. |2 gtt |
650 | 1 | 7 | |a Beeldverwerking. |2 gtt |
650 | 1 | 7 | |a Muziekpsychologie. |2 gtt |
650 | 1 | 7 | |a Creativiteit. |2 gtt |
653 | |a Sprog |a Sprogvidenskab og alment. | ||
655 | 2 | |a Congress | |
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655 | 7 | |a Actes de congrès. |2 rvmgf | |
700 | 1 | |a Mc Kevitt, Paul. |0 http://id.loc.gov/authorities/names/n95000336 | |
700 | 1 | |a Ó Nualláin, Seán. |0 http://id.loc.gov/authorities/names/n83232176 | |
700 | 1 | |a Mulvihill, Conn. |0 http://id.loc.gov/authorities/names/n2001045264 | |
776 | 0 | 8 | |i Print version: |a International Workshop on the Cognitive Science of Natural Language Processing (8th : 1999: Galway, Ireland). |t Language, vision, and music. |d Amsterdam ; Philadelphia : John Benjamins Pub., ©2002 |w (DLC) 2001056597 |
830 | 0 | |a Advances in consciousness research ; |v v. 35. |x 1381-589X |0 http://id.loc.gov/authorities/names/n94112768 | |
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contents | Language, Vision, and Music -- editorial page -- Title page -- LCC data -- Dedication -- Contents -- About the Editors -- Introduction -- Part I: Language & -- vision -- Multimedia integration. A system-theoretic perspective -- Visualising lexical prosodic representations for speech applications -- A simulated language understanding agent using virtual perception -- The Hitchhiker's Guide to the Galaxy -- Affective multimodal interaction with a 3D agent -- CHAMELEON. A general platform for performing intellimedia -- Machine perception of real-time multimodal natural dialogue -- Communicative rhythm in gesture and speech -- Signals and meanings of gaze in animated faces -- Speech, vision and aphasic communication -- Synaesthesia and knowing -- What synaesthesia is (and is not) -- Synaesthesia is not a psychic anomaly, but a form of non-verbal thinking -- Part II: Language & -- music -- Music and language. Metaphor and causation -- Expression, content and meaning in language and music. An integrated semiotic analysis -- Auditory structuring in explaining dyslexia -- A comparative review of priming effects in language and music -- The respective roles of consciousand subconscious processes for interpreting language and music -- Aesthetic forms of expression as information delivery units -- The lexicon of the Conductor's face -- How do interactive virtual operas shift relationships between music, text and image? -- Let's Improvise Together. A testbed for a formalism in language, vision and sounds integration -- On tonality in Irish traditional music -- The relationship between the imitation and recognition of non-verbal rhythms and language comprehension -- Rising-falling contours in speech. A metaphor of tension-resolution schemes in European musical traditions? Evidence from regional varieties of Italian -- Part III: Creativity. Plenary panel session: What is creativity? -- The analogical foundations of creativity in language, culture & -- the arts: "The Upper Paleolithic to 2100CE" -- Creativity in humans, computers, and the rest of God's creatures. A meditation from within the economic world -- The origins of Mexican metaphor in Tarahumara Indian religion -- Is creativity algorithmic? -- Subject Index -- Name Index -- ADVANCES IN CONSCIOUSNESS RESEARCH. |
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dewey-search | 410/.285 |
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dewey-tens | 410 - Linguistics |
discipline | Sprachwissenschaft |
format | Electronic Conference Proceeding eBook |
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genre_facet | Congress proceedings (reports) Conference papers and proceedings Conference papers and proceedings. Actes de congrès. |
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illustrated | Illustrated |
indexdate | 2024-11-27T13:15:55Z |
institution | BVB |
isbn | 9789027297099 9027297096 9789027251558 902725155X 9781588111098 1588111091 1282161652 9781282161658 9786612161650 6612161655 |
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spelling | International Workshop on the Cognitive Science of Natural Language Processing (8th : 1999 : Galway, Ireland) Language, vision, and music : selected papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, Ireland, 1999 / edited by Paul Mc Kevitt, Seán Ó Nualláin, and Conn Mulvihill. Amsterdam ; Philadelphia : John Benjamins Pub., ©2002. 1 online resource (xii, 433 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Advances in consciousness research, 1381-589X ; v. 35 Includes bibliographical references and index. Print version record. Language, Vision, and Music -- editorial page -- Title page -- LCC data -- Dedication -- Contents -- About the Editors -- Introduction -- Part I: Language & -- vision -- Multimedia integration. A system-theoretic perspective -- Visualising lexical prosodic representations for speech applications -- A simulated language understanding agent using virtual perception -- The Hitchhiker's Guide to the Galaxy -- Affective multimodal interaction with a 3D agent -- CHAMELEON. A general platform for performing intellimedia -- Machine perception of real-time multimodal natural dialogue -- Communicative rhythm in gesture and speech -- Signals and meanings of gaze in animated faces -- Speech, vision and aphasic communication -- Synaesthesia and knowing -- What synaesthesia is (and is not) -- Synaesthesia is not a psychic anomaly, but a form of non-verbal thinking -- Part II: Language & -- music -- Music and language. Metaphor and causation -- Expression, content and meaning in language and music. An integrated semiotic analysis -- Auditory structuring in explaining dyslexia -- A comparative review of priming effects in language and music -- The respective roles of consciousand subconscious processes for interpreting language and music -- Aesthetic forms of expression as information delivery units -- The lexicon of the Conductor's face -- How do interactive virtual operas shift relationships between music, text and image? -- Let's Improvise Together. A testbed for a formalism in language, vision and sounds integration -- On tonality in Irish traditional music -- The relationship between the imitation and recognition of non-verbal rhythms and language comprehension -- Rising-falling contours in speech. A metaphor of tension-resolution schemes in European musical traditions? Evidence from regional varieties of Italian -- Part III: Creativity. Plenary panel session: What is creativity? -- The analogical foundations of creativity in language, culture & -- the arts: "The Upper Paleolithic to 2100CE" -- Creativity in humans, computers, and the rest of God's creatures. A meditation from within the economic world -- The origins of Mexican metaphor in Tarahumara Indian religion -- Is creativity algorithmic? -- Subject Index -- Name Index -- ADVANCES IN CONSCIOUSNESS RESEARCH. Language, vision and music: what common cognitive patterns underlie our competence in these disparate modes of thought? Language (natural & formal), vision and music seem to share at least the following attributes: a hierarchical organisation of constituents, recursivity, metaphor, the possibility of self-reference, ambiguity, and systematicity. Can we propose the existence of a general symbol system with instantiations in these three modes or is the only commonality to be found at the level of such entities as cerebral columnar automata? Answers are to be found in this international collection of work which recognises that one of the basic features of consciousness is its MultiModality, that there are possibilities to model this with contemporary technology, and that cross-cultural commonalities in the experience of, and creativity within, the various modalities are significant. With the advent of Intelligent MultiMedia this aspect of consciousness implementation in mind/brain acquires new significance. (Series B). Computational linguistics Congresses. Visual communication Congresses. Music and language Congresses. Natural language processing (Computer science) http://id.loc.gov/authorities/subjects/sh88002425 Language and languages. http://id.loc.gov/authorities/subjects/sh85074518 Music. http://id.loc.gov/authorities/subjects/sh85088762 Nonverbal communication. http://id.loc.gov/authorities/subjects/sh85092368 Vision. http://id.loc.gov/authorities/subjects/sh85143872 Natural Language Processing Language Music Nonverbal Communication Vision, Ocular Linguistique informatique Congrès. Communication visuelle Congrès. Musique et langage Congrès. Traitement automatique des langues naturelles. Langage et langues. Musique. Communication non verbale. Vision. sight (sense) aat language (general communication) aat languages (study discipline) aat music (discipline) aat LANGUAGE ARTS & DISCIPLINES Linguistics Historical & Comparative. bisacsh Vision fast Nonverbal communication fast Natural language processing (Computer science) fast Music fast Language and languages fast Computational linguistics fast Music and language fast Visual communication fast Natuurlijke-taalverwerking. gtt Kunstmatige intelligentie. gtt Beeldverwerking. gtt Muziekpsychologie. gtt Creativiteit. gtt Sprog Sprogvidenskab og alment. Congress proceedings (reports) aat Conference papers and proceedings fast Conference papers and proceedings. lcgft http://id.loc.gov/authorities/genreForms/gf2014026068 Actes de congrès. rvmgf Mc Kevitt, Paul. http://id.loc.gov/authorities/names/n95000336 Ó Nualláin, Seán. http://id.loc.gov/authorities/names/n83232176 Mulvihill, Conn. http://id.loc.gov/authorities/names/n2001045264 Print version: International Workshop on the Cognitive Science of Natural Language Processing (8th : 1999: Galway, Ireland). Language, vision, and music. Amsterdam ; Philadelphia : John Benjamins Pub., ©2002 (DLC) 2001056597 Advances in consciousness research ; v. 35. 1381-589X http://id.loc.gov/authorities/names/n94112768 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=253255 Volltext |
spellingShingle | Language, vision, and music : selected papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, Ireland, 1999 / Advances in consciousness research ; Language, Vision, and Music -- editorial page -- Title page -- LCC data -- Dedication -- Contents -- About the Editors -- Introduction -- Part I: Language & -- vision -- Multimedia integration. A system-theoretic perspective -- Visualising lexical prosodic representations for speech applications -- A simulated language understanding agent using virtual perception -- The Hitchhiker's Guide to the Galaxy -- Affective multimodal interaction with a 3D agent -- CHAMELEON. A general platform for performing intellimedia -- Machine perception of real-time multimodal natural dialogue -- Communicative rhythm in gesture and speech -- Signals and meanings of gaze in animated faces -- Speech, vision and aphasic communication -- Synaesthesia and knowing -- What synaesthesia is (and is not) -- Synaesthesia is not a psychic anomaly, but a form of non-verbal thinking -- Part II: Language & -- music -- Music and language. Metaphor and causation -- Expression, content and meaning in language and music. An integrated semiotic analysis -- Auditory structuring in explaining dyslexia -- A comparative review of priming effects in language and music -- The respective roles of consciousand subconscious processes for interpreting language and music -- Aesthetic forms of expression as information delivery units -- The lexicon of the Conductor's face -- How do interactive virtual operas shift relationships between music, text and image? -- Let's Improvise Together. A testbed for a formalism in language, vision and sounds integration -- On tonality in Irish traditional music -- The relationship between the imitation and recognition of non-verbal rhythms and language comprehension -- Rising-falling contours in speech. A metaphor of tension-resolution schemes in European musical traditions? Evidence from regional varieties of Italian -- Part III: Creativity. Plenary panel session: What is creativity? -- The analogical foundations of creativity in language, culture & -- the arts: "The Upper Paleolithic to 2100CE" -- Creativity in humans, computers, and the rest of God's creatures. A meditation from within the economic world -- The origins of Mexican metaphor in Tarahumara Indian religion -- Is creativity algorithmic? -- Subject Index -- Name Index -- ADVANCES IN CONSCIOUSNESS RESEARCH. Computational linguistics Congresses. Visual communication Congresses. Music and language Congresses. Natural language processing (Computer science) http://id.loc.gov/authorities/subjects/sh88002425 Language and languages. http://id.loc.gov/authorities/subjects/sh85074518 Music. http://id.loc.gov/authorities/subjects/sh85088762 Nonverbal communication. http://id.loc.gov/authorities/subjects/sh85092368 Vision. http://id.loc.gov/authorities/subjects/sh85143872 Natural Language Processing Language Music Nonverbal Communication Vision, Ocular Linguistique informatique Congrès. Communication visuelle Congrès. Musique et langage Congrès. Traitement automatique des langues naturelles. Langage et langues. Musique. Communication non verbale. Vision. sight (sense) aat language (general communication) aat languages (study discipline) aat music (discipline) aat LANGUAGE ARTS & DISCIPLINES Linguistics Historical & Comparative. bisacsh Vision fast Nonverbal communication fast Natural language processing (Computer science) fast Music fast Language and languages fast Computational linguistics fast Music and language fast Visual communication fast Natuurlijke-taalverwerking. gtt Kunstmatige intelligentie. gtt Beeldverwerking. gtt Muziekpsychologie. gtt Creativiteit. gtt |
subject_GND | http://id.loc.gov/authorities/subjects/sh88002425 http://id.loc.gov/authorities/subjects/sh85074518 http://id.loc.gov/authorities/subjects/sh85088762 http://id.loc.gov/authorities/subjects/sh85092368 http://id.loc.gov/authorities/subjects/sh85143872 http://id.loc.gov/authorities/genreForms/gf2014026068 |
title | Language, vision, and music : selected papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, Ireland, 1999 / |
title_auth | Language, vision, and music : selected papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, Ireland, 1999 / |
title_exact_search | Language, vision, and music : selected papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, Ireland, 1999 / |
title_full | Language, vision, and music : selected papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, Ireland, 1999 / edited by Paul Mc Kevitt, Seán Ó Nualláin, and Conn Mulvihill. |
title_fullStr | Language, vision, and music : selected papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, Ireland, 1999 / edited by Paul Mc Kevitt, Seán Ó Nualláin, and Conn Mulvihill. |
title_full_unstemmed | Language, vision, and music : selected papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, Ireland, 1999 / edited by Paul Mc Kevitt, Seán Ó Nualláin, and Conn Mulvihill. |
title_short | Language, vision, and music : |
title_sort | language vision and music selected papers from the 8th international workshop on the cognitive science of natural language processing galway ireland 1999 |
title_sub | selected papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, Ireland, 1999 / |
topic | Computational linguistics Congresses. Visual communication Congresses. Music and language Congresses. Natural language processing (Computer science) http://id.loc.gov/authorities/subjects/sh88002425 Language and languages. http://id.loc.gov/authorities/subjects/sh85074518 Music. http://id.loc.gov/authorities/subjects/sh85088762 Nonverbal communication. http://id.loc.gov/authorities/subjects/sh85092368 Vision. http://id.loc.gov/authorities/subjects/sh85143872 Natural Language Processing Language Music Nonverbal Communication Vision, Ocular Linguistique informatique Congrès. Communication visuelle Congrès. Musique et langage Congrès. Traitement automatique des langues naturelles. Langage et langues. Musique. Communication non verbale. Vision. sight (sense) aat language (general communication) aat languages (study discipline) aat music (discipline) aat LANGUAGE ARTS & DISCIPLINES Linguistics Historical & Comparative. bisacsh Vision fast Nonverbal communication fast Natural language processing (Computer science) fast Music fast Language and languages fast Computational linguistics fast Music and language fast Visual communication fast Natuurlijke-taalverwerking. gtt Kunstmatige intelligentie. gtt Beeldverwerking. gtt Muziekpsychologie. gtt Creativiteit. gtt |
topic_facet | Computational linguistics Congresses. Visual communication Congresses. Music and language Congresses. Natural language processing (Computer science) Language and languages. Music. Nonverbal communication. Vision. Natural Language Processing Language Music Nonverbal Communication Vision, Ocular Linguistique informatique Congrès. Communication visuelle Congrès. Musique et langage Congrès. Traitement automatique des langues naturelles. Langage et langues. Musique. Communication non verbale. sight (sense) language (general communication) languages (study discipline) music (discipline) LANGUAGE ARTS & DISCIPLINES Linguistics Historical & Comparative. Vision Nonverbal communication Language and languages Computational linguistics Music and language Visual communication Natuurlijke-taalverwerking. Kunstmatige intelligentie. Beeldverwerking. Muziekpsychologie. Creativiteit. Congress proceedings (reports) Conference papers and proceedings Conference papers and proceedings. Actes de congrès. |
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work_keys_str_mv | AT internationalworkshoponthecognitivescienceofnaturallanguageprocessinggalwayireland languagevisionandmusicselectedpapersfromthe8thinternationalworkshoponthecognitivescienceofnaturallanguageprocessinggalwayireland1999 AT mckevittpaul languagevisionandmusicselectedpapersfromthe8thinternationalworkshoponthecognitivescienceofnaturallanguageprocessinggalwayireland1999 AT onuallainsean languagevisionandmusicselectedpapersfromthe8thinternationalworkshoponthecognitivescienceofnaturallanguageprocessinggalwayireland1999 AT mulvihillconn languagevisionandmusicselectedpapersfromthe8thinternationalworkshoponthecognitivescienceofnaturallanguageprocessinggalwayireland1999 |