The Eve/Hagar paradigm in the fiction of Quince Duncan /:
"In this first book-length study in English devoted to Duncan's work, Martin-Ogunsola explores the issues of race, class, and gender in five of Duncan's major works published during the 1970s. Focusing primarily on the roles of women, Martin-Ogunsola uses the figures of Eve and the Eg...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Columbia :
University of Missouri Press,
©2004.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In this first book-length study in English devoted to Duncan's work, Martin-Ogunsola explores the issues of race, class, and gender in five of Duncan's major works published during the 1970s. Focusing primarily on the roles of women, Martin-Ogunsola uses the figures of Eve and the Egyptian slave Hagar to provide, through metaphor, an in-depth analysis of the female characters portrayed in Duncan's prose. Specifically, the Eve/Hagar paradigm is employed to examine how the essential characteristics of femininity play out in the context of ethnicity and caste. The book begins with Dawn Song (1970), the story of Antillean immigrants struggling with migration, oppression, and resistance while adapting to a new environment, and continues through Dead-End Street (1979), a novel exploring the ramifications of the myths, perpetuated through history, that defines Costa Rica in terms of Euro-Hispanic culture." "Martin-Ogunsola illustrates Duncan's use of a female presence that challenges the traditional treatment of women in literature. Spanning the period between the initial settlement of the Atlantic region of Costa Rica during the early years of the twentieth century to the 1948 Costa Rican Civil War, Martin-Ogunsola's book invites the reader to view the world through the eyes of Duncan's female characters." "The Eve/Hagar Paradigm in the Fiction of Quince Duncan examines some of the most compiling issues of contemporary Latin American literature and illustrates how a prominent Costa Rican writer deconstructs the stereotype of woman as wife/lover/slave. In the process, Duncan finds his own voice. Exposing aspects of Costa Rican society that have historically been kept in the shadows, this volume makes a significant contribution to our knowledge of the Latin American literary canon."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. |
| Beschreibung: | 1 online resource (xiii, 192 pages) |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 173-182) and index. |
| ISBN: | 0826262422 9780826262424 0826215254 9780826215253 |
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| 245 | 1 | 4 | |a The Eve/Hagar paradigm in the fiction of Quince Duncan / |c Dellita Martin-Ogunsola. |
| 260 | |a Columbia : |b University of Missouri Press, |c ©2004. | ||
| 300 | |a 1 online resource (xiii, 192 pages) | ||
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| 504 | |a Includes bibliographical references (pages 173-182) and index. | ||
| 505 | 0 | |a Intimations of womanism in Dawn song -- Womanist footprints in The Pocomía rebellion -- A tale of two wives in The four mirrors -- The House of Moody in For the sake of peace -- A voice from down under in Dead-end street. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a "In this first book-length study in English devoted to Duncan's work, Martin-Ogunsola explores the issues of race, class, and gender in five of Duncan's major works published during the 1970s. Focusing primarily on the roles of women, Martin-Ogunsola uses the figures of Eve and the Egyptian slave Hagar to provide, through metaphor, an in-depth analysis of the female characters portrayed in Duncan's prose. Specifically, the Eve/Hagar paradigm is employed to examine how the essential characteristics of femininity play out in the context of ethnicity and caste. The book begins with Dawn Song (1970), the story of Antillean immigrants struggling with migration, oppression, and resistance while adapting to a new environment, and continues through Dead-End Street (1979), a novel exploring the ramifications of the myths, perpetuated through history, that defines Costa Rica in terms of Euro-Hispanic culture." "Martin-Ogunsola illustrates Duncan's use of a female presence that challenges the traditional treatment of women in literature. Spanning the period between the initial settlement of the Atlantic region of Costa Rica during the early years of the twentieth century to the 1948 Costa Rican Civil War, Martin-Ogunsola's book invites the reader to view the world through the eyes of Duncan's female characters." "The Eve/Hagar Paradigm in the Fiction of Quince Duncan examines some of the most compiling issues of contemporary Latin American literature and illustrates how a prominent Costa Rican writer deconstructs the stereotype of woman as wife/lover/slave. In the process, Duncan finds his own voice. Exposing aspects of Costa Rican society that have historically been kept in the shadows, this volume makes a significant contribution to our knowledge of the Latin American literary canon."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [S.l.] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
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| 600 | 1 | 0 | |a Duncan, Quince, |d 1940- |x Characters |x Women. |
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| 650 | 0 | |a Social status in literature. |0 http://id.loc.gov/authorities/subjects/sh94008642 | |
| 650 | 6 | |a Femmes dans la littérature. | |
| 650 | 6 | |a Personnes noires dans la littérature. | |
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| author | Martin-Ogunsola, Dellita, 1946- |
| author_GND | http://id.loc.gov/authorities/names/n96046663 |
| author_facet | Martin-Ogunsola, Dellita, 1946- |
| author_role | |
| author_sort | Martin-Ogunsola, Dellita, 1946- |
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| contents | Intimations of womanism in Dawn song -- Womanist footprints in The Pocomía rebellion -- A tale of two wives in The four mirrors -- The House of Moody in For the sake of peace -- A voice from down under in Dead-end street. |
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| discipline | Romanistik |
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"><subfield code="a">data file</subfield><subfield code="2">rda</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 173-182) and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Intimations of womanism in Dawn song -- Womanist footprints in The Pocomía rebellion -- A tale of two wives in The four mirrors -- The House of Moody in For the sake of peace -- A voice from down under in Dead-end street.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">"In this first book-length study in English devoted to Duncan's work, Martin-Ogunsola explores the issues of race, class, and gender in five of Duncan's major works published during the 1970s. Focusing primarily on the roles of women, Martin-Ogunsola uses the figures of Eve and the Egyptian slave Hagar to provide, through metaphor, an in-depth analysis of the female characters portrayed in Duncan's prose. Specifically, the Eve/Hagar paradigm is employed to examine how the essential characteristics of femininity play out in the context of ethnicity and caste. The book begins with Dawn Song (1970), the story of Antillean immigrants struggling with migration, oppression, and resistance while adapting to a new environment, and continues through Dead-End Street (1979), a novel exploring the ramifications of the myths, perpetuated through history, that defines Costa Rica in terms of Euro-Hispanic culture." "Martin-Ogunsola illustrates Duncan's use of a female presence that challenges the traditional treatment of women in literature. Spanning the period between the initial settlement of the Atlantic region of Costa Rica during the early years of the twentieth century to the 1948 Costa Rican Civil War, Martin-Ogunsola's book invites the reader to view the world through the eyes of Duncan's female characters." "The Eve/Hagar Paradigm in the Fiction of Quince Duncan examines some of the most compiling issues of contemporary Latin American literature and illustrates how a prominent Costa Rican writer deconstructs the stereotype of woman as wife/lover/slave. In the process, Duncan finds his own voice. Exposing aspects of Costa Rican society that have historically been kept in the shadows, this volume makes a significant contribution to our knowledge of the Latin American literary canon."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.</subfield></datafield><datafield tag="506" ind1=" " ind2=" "><subfield code="3">Use copy</subfield><subfield code="f">Restrictions unspecified</subfield><subfield code="2">star</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Electronic reproduction.</subfield><subfield code="b">[S.l.] :</subfield><subfield code="c">HathiTrust Digital Library,</subfield><subfield code="d">2010.</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. 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| genre | Electronic book. |
| genre_facet | Electronic book. |
| id | ZDB-4-EBA-ocm70742707 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:15:54Z |
| institution | BVB |
| isbn | 0826262422 9780826262424 0826215254 9780826215253 |
| language | English |
| oclc_num | 70742707 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiii, 192 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2004 |
| publishDateSearch | 2004 |
| publishDateSort | 2004 |
| publisher | University of Missouri Press, |
| record_format | marc |
| spelling | Martin-Ogunsola, Dellita, 1946- http://id.loc.gov/authorities/names/n96046663 The Eve/Hagar paradigm in the fiction of Quince Duncan / Dellita Martin-Ogunsola. Columbia : University of Missouri Press, ©2004. 1 online resource (xiii, 192 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Includes bibliographical references (pages 173-182) and index. Intimations of womanism in Dawn song -- Womanist footprints in The Pocomía rebellion -- A tale of two wives in The four mirrors -- The House of Moody in For the sake of peace -- A voice from down under in Dead-end street. Print version record. "In this first book-length study in English devoted to Duncan's work, Martin-Ogunsola explores the issues of race, class, and gender in five of Duncan's major works published during the 1970s. Focusing primarily on the roles of women, Martin-Ogunsola uses the figures of Eve and the Egyptian slave Hagar to provide, through metaphor, an in-depth analysis of the female characters portrayed in Duncan's prose. Specifically, the Eve/Hagar paradigm is employed to examine how the essential characteristics of femininity play out in the context of ethnicity and caste. The book begins with Dawn Song (1970), the story of Antillean immigrants struggling with migration, oppression, and resistance while adapting to a new environment, and continues through Dead-End Street (1979), a novel exploring the ramifications of the myths, perpetuated through history, that defines Costa Rica in terms of Euro-Hispanic culture." "Martin-Ogunsola illustrates Duncan's use of a female presence that challenges the traditional treatment of women in literature. Spanning the period between the initial settlement of the Atlantic region of Costa Rica during the early years of the twentieth century to the 1948 Costa Rican Civil War, Martin-Ogunsola's book invites the reader to view the world through the eyes of Duncan's female characters." "The Eve/Hagar Paradigm in the Fiction of Quince Duncan examines some of the most compiling issues of contemporary Latin American literature and illustrates how a prominent Costa Rican writer deconstructs the stereotype of woman as wife/lover/slave. In the process, Duncan finds his own voice. Exposing aspects of Costa Rican society that have historically been kept in the shadows, this volume makes a significant contribution to our knowledge of the Latin American literary canon."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL English. Duncan, Quince, 1940- Characters Women. Duncan, Quince, 1940- fast https://id.oclc.org/worldcat/entity/E39PBJpPyCMhYM9fXxGFMhPhHC Women in literature. http://id.loc.gov/authorities/subjects/sh85147587 Black people in literature. Social status in literature. http://id.loc.gov/authorities/subjects/sh94008642 Femmes dans la littérature. Personnes noires dans la littérature. Statut social dans la littérature. LITERARY CRITICISM European Spanish & Portuguese. bisacsh Black people in literature fast Social status in literature fast Women in literature fast Litteratur Romanske litteraturer. Electronic book. has work: The Eve/Hagar paradigm in the fiction of Quince Duncan (Text) https://id.oclc.org/worldcat/entity/E39PCFQTMwgXjgFr9xv4xrByr3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Martin-Ogunsola, Dellita, 1946- Eve/Hagar paradigm in the fiction of Quince Duncan. Columbia : University of Missouri Press, ©2004 (DLC) 2004004301 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=122129 Volltext |
| spellingShingle | Martin-Ogunsola, Dellita, 1946- The Eve/Hagar paradigm in the fiction of Quince Duncan / Intimations of womanism in Dawn song -- Womanist footprints in The Pocomía rebellion -- A tale of two wives in The four mirrors -- The House of Moody in For the sake of peace -- A voice from down under in Dead-end street. Duncan, Quince, 1940- Characters Women. Duncan, Quince, 1940- fast https://id.oclc.org/worldcat/entity/E39PBJpPyCMhYM9fXxGFMhPhHC Women in literature. http://id.loc.gov/authorities/subjects/sh85147587 Black people in literature. Social status in literature. http://id.loc.gov/authorities/subjects/sh94008642 Femmes dans la littérature. Personnes noires dans la littérature. Statut social dans la littérature. LITERARY CRITICISM European Spanish & Portuguese. bisacsh Black people in literature fast Social status in literature fast Women in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85147587 http://id.loc.gov/authorities/subjects/sh94008642 |
| title | The Eve/Hagar paradigm in the fiction of Quince Duncan / |
| title_auth | The Eve/Hagar paradigm in the fiction of Quince Duncan / |
| title_exact_search | The Eve/Hagar paradigm in the fiction of Quince Duncan / |
| title_full | The Eve/Hagar paradigm in the fiction of Quince Duncan / Dellita Martin-Ogunsola. |
| title_fullStr | The Eve/Hagar paradigm in the fiction of Quince Duncan / Dellita Martin-Ogunsola. |
| title_full_unstemmed | The Eve/Hagar paradigm in the fiction of Quince Duncan / Dellita Martin-Ogunsola. |
| title_short | The Eve/Hagar paradigm in the fiction of Quince Duncan / |
| title_sort | eve hagar paradigm in the fiction of quince duncan |
| topic | Duncan, Quince, 1940- Characters Women. Duncan, Quince, 1940- fast https://id.oclc.org/worldcat/entity/E39PBJpPyCMhYM9fXxGFMhPhHC Women in literature. http://id.loc.gov/authorities/subjects/sh85147587 Black people in literature. Social status in literature. http://id.loc.gov/authorities/subjects/sh94008642 Femmes dans la littérature. Personnes noires dans la littérature. Statut social dans la littérature. LITERARY CRITICISM European Spanish & Portuguese. bisacsh Black people in literature fast Social status in literature fast Women in literature fast |
| topic_facet | Duncan, Quince, 1940- Characters Women. Duncan, Quince, 1940- Women in literature. Black people in literature. Social status in literature. Femmes dans la littérature. Personnes noires dans la littérature. Statut social dans la littérature. LITERARY CRITICISM European Spanish & Portuguese. Black people in literature Social status in literature Women in literature Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=122129 |
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