Music for the people :: popular music and dance in interwar Britain /
This lively and readable study explores popular music between the wars, the era of Noel Coward and Ivor Novello, Gracie Fields and George Formby. James J. Nott tells the story from the days of the jazz mania of the 1920s to the outbreak of the Second World War. He examines the huge popularity of dan...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; New York :
Oxford University Press,
2002.
|
| Schriftenreihe: | Oxford historical monographs.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This lively and readable study explores popular music between the wars, the era of Noel Coward and Ivor Novello, Gracie Fields and George Formby. James J. Nott tells the story from the days of the jazz mania of the 1920s to the outbreak of the Second World War. He examines the huge popularity of dance halls such as the fabled Hammersmith Palais, and concludes with a fascinating checklist of the most popular songs. |
| Beschreibung: | 1 online resource (xi, 274 pages, 12 unnumbered pages of plates) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 245-253) and indexes. |
| ISBN: | 9780191554971 0191554979 9780199254071 0199254079 |
Internformat
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| 245 | 1 | 0 | |a Music for the people : |b popular music and dance in interwar Britain / |c James J. Nott. |
| 260 | |a Oxford ; |a New York : |b Oxford University Press, |c 2002. | ||
| 300 | |a 1 online resource (xi, 274 pages, 12 unnumbered pages of plates) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 245-253) and indexes. | ||
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| 505 | 0 | |a Intro; TITLE PAGE; ACKNOWLEDGEMENTS; CONTENTS; LIST OF ILLUSTRATIONS; LIST OF TABLES; ABBREVIATIONS; INTRODUCTION; Part I: The 'Mechanized' Popular Music Industry; 1: THE RISE OF THE GRAMOPHONE AND THE DEVELOPMENT OF THE BRITISH GRAMOPHONE INDUSTRY; Introduction; 1.1 Production patterns of the British gramophone industry, 1907-1939; 1.2 The development of the gramophone and record industries; Conclusion; 2: THE ROLE OF THE GRAMOPHONE IN DAILY LIFE IN INTERWAR BRITAIN AND ITS EFFECT ON MUSICAL CULTURE; Introduction; 2.1 The gramophone in daily life. | |
| 505 | 8 | |a 2.2 The music and marketing policies of the gramophone companies2.3 The cultural impact of the gramophone; Conclusion; 3: RADIO, CINEMA, AND POPULAR MUSIC IN INTERWAR BRITAIN; Introduction; 3.1 Popular music and the BBC; 3.2 Commercial radio; 3.3 The cinema; Conclusion; Part II: The 'Live' Popular Music Industry; 4: DEVELOPMENTS IN 'LIVE MUSIC' 1918 TO 1939: FROM 'PERFORMERS' TO 'LISTENERS'; Introduction; 4.1 Self-made 'live music': the public as performers; 4.2 Ready-made 'live music': the public as listeners; Conclusion; 5: 'LIVE MUSIC': DANCE BANDS, DANCE MUSIC, AND DANCE MUSICIANS. | |
| 505 | 8 | |a Introduction5.1 The size and scope of the dance music profession; 5.2 Dance band musicians; 5.3 Dance bands, employment, and employers; Conclusion; 6: THE EXPANSION AND DEVELOPMENT OF THE DANCE HALL INDUSTRY; Introduction; 6.1 The growth of dancing and the dance hall industry; 6.2 Mecca and the commercialization of dancing; Conclusion; 7: THE EXPERIENCE OF DANCING, DANCE HALLS, AND THE 'DANCE CULTURE', 1918-1939; Introduction; 7.1 'Going to the palais'; 7.2 Dancers, dance culture, and interwar society; 7.3 Dance halls and sex; Conclusion; Part III: Popular Music and Popular Music Artists. | |
| 505 | 8 | |a 8: TASTES IN POPULAR MUSIC, 1918-1939Introduction; 8.1 Popular genres and artists; 8.2 Popular song titles: origins and content; 8.3 The determination of popular tastes; Conclusion; CONCLUSION; APPENDIX: The Most Popular Songs, 1919-1939; SELECT BIBLIOGRAPHY; INDEX OF SONG TITLES; GENERAL INDEX. | |
| 520 | |a This lively and readable study explores popular music between the wars, the era of Noel Coward and Ivor Novello, Gracie Fields and George Formby. James J. Nott tells the story from the days of the jazz mania of the 1920s to the outbreak of the Second World War. He examines the huge popularity of dance halls such as the fabled Hammersmith Palais, and concludes with a fascinating checklist of the most popular songs. | ||
| 650 | 0 | |a Popular music |z Great Britain |y 1921-1930. | |
| 650 | 0 | |a Popular music |z Great Britain |y 1931-1940. | |
| 650 | 0 | |a Popular music |x Social aspects |z Great Britain. | |
| 650 | 6 | |a Musique populaire |z Grande-Bretagne |y 1921-1930. | |
| 650 | 6 | |a Musique populaire |z Grande-Bretagne |y 1931-1940. | |
| 650 | 6 | |a Musique populaire |x Aspect social |z Grande-Bretagne. | |
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| 776 | 0 | 8 | |i Print version: |a Nott, James J. |t Music for the people. |d Oxford ; New York : Oxford University Press, 2002 |z 0199254079 |w (DLC) 2002538873 |w (OCoLC)50101450 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm67766405 |
|---|---|
| _version_ | 1816881637025120256 |
| adam_text | |
| any_adam_object | |
| author | Nott, James J. |
| author_facet | Nott, James J. |
| author_role | |
| author_sort | Nott, James J. |
| author_variant | j j n jj jjn |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3650 |
| callnumber-raw | ML3650.5 .N68 2002eb |
| callnumber-search | ML3650.5 .N68 2002eb |
| callnumber-sort | ML 43650.5 N68 42002EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Intro; TITLE PAGE; ACKNOWLEDGEMENTS; CONTENTS; LIST OF ILLUSTRATIONS; LIST OF TABLES; ABBREVIATIONS; INTRODUCTION; Part I: The 'Mechanized' Popular Music Industry; 1: THE RISE OF THE GRAMOPHONE AND THE DEVELOPMENT OF THE BRITISH GRAMOPHONE INDUSTRY; Introduction; 1.1 Production patterns of the British gramophone industry, 1907-1939; 1.2 The development of the gramophone and record industries; Conclusion; 2: THE ROLE OF THE GRAMOPHONE IN DAILY LIFE IN INTERWAR BRITAIN AND ITS EFFECT ON MUSICAL CULTURE; Introduction; 2.1 The gramophone in daily life. 2.2 The music and marketing policies of the gramophone companies2.3 The cultural impact of the gramophone; Conclusion; 3: RADIO, CINEMA, AND POPULAR MUSIC IN INTERWAR BRITAIN; Introduction; 3.1 Popular music and the BBC; 3.2 Commercial radio; 3.3 The cinema; Conclusion; Part II: The 'Live' Popular Music Industry; 4: DEVELOPMENTS IN 'LIVE MUSIC' 1918 TO 1939: FROM 'PERFORMERS' TO 'LISTENERS'; Introduction; 4.1 Self-made 'live music': the public as performers; 4.2 Ready-made 'live music': the public as listeners; Conclusion; 5: 'LIVE MUSIC': DANCE BANDS, DANCE MUSIC, AND DANCE MUSICIANS. Introduction5.1 The size and scope of the dance music profession; 5.2 Dance band musicians; 5.3 Dance bands, employment, and employers; Conclusion; 6: THE EXPANSION AND DEVELOPMENT OF THE DANCE HALL INDUSTRY; Introduction; 6.1 The growth of dancing and the dance hall industry; 6.2 Mecca and the commercialization of dancing; Conclusion; 7: THE EXPERIENCE OF DANCING, DANCE HALLS, AND THE 'DANCE CULTURE', 1918-1939; Introduction; 7.1 'Going to the palais'; 7.2 Dancers, dance culture, and interwar society; 7.3 Dance halls and sex; Conclusion; Part III: Popular Music and Popular Music Artists. 8: TASTES IN POPULAR MUSIC, 1918-1939Introduction; 8.1 Popular genres and artists; 8.2 Popular song titles: origins and content; 8.3 The determination of popular tastes; Conclusion; CONCLUSION; APPENDIX: The Most Popular Songs, 1919-1939; SELECT BIBLIOGRAPHY; INDEX OF SONG TITLES; GENERAL INDEX. |
| ctrlnum | (OCoLC)67766405 |
| dewey-full | 781.64/0941/09042 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.64/0941/09042 |
| dewey-search | 781.64/0941/09042 |
| dewey-sort | 3781.64 3941 49042 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1921-1940 fast |
| era_facet | 1921-1940 |
| format | Electronic eBook |
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| geographic | Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP |
| geographic_facet | Great Britain |
| id | ZDB-4-EBA-ocm67766405 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:52Z |
| institution | BVB |
| isbn | 9780191554971 0191554979 9780199254071 0199254079 |
| language | English |
| oclc_num | 67766405 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xi, 274 pages, 12 unnumbered pages of plates) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2002 |
| publishDateSearch | 2002 |
| publishDateSort | 2002 |
| publisher | Oxford University Press, |
| record_format | marc |
| series | Oxford historical monographs. |
| series2 | Oxford historical monographs |
| spelling | Nott, James J. Music for the people : popular music and dance in interwar Britain / James J. Nott. Oxford ; New York : Oxford University Press, 2002. 1 online resource (xi, 274 pages, 12 unnumbered pages of plates) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rdamedia Oxford historical monographs Includes bibliographical references (pages 245-253) and indexes. Print version record. Intro; TITLE PAGE; ACKNOWLEDGEMENTS; CONTENTS; LIST OF ILLUSTRATIONS; LIST OF TABLES; ABBREVIATIONS; INTRODUCTION; Part I: The 'Mechanized' Popular Music Industry; 1: THE RISE OF THE GRAMOPHONE AND THE DEVELOPMENT OF THE BRITISH GRAMOPHONE INDUSTRY; Introduction; 1.1 Production patterns of the British gramophone industry, 1907-1939; 1.2 The development of the gramophone and record industries; Conclusion; 2: THE ROLE OF THE GRAMOPHONE IN DAILY LIFE IN INTERWAR BRITAIN AND ITS EFFECT ON MUSICAL CULTURE; Introduction; 2.1 The gramophone in daily life. 2.2 The music and marketing policies of the gramophone companies2.3 The cultural impact of the gramophone; Conclusion; 3: RADIO, CINEMA, AND POPULAR MUSIC IN INTERWAR BRITAIN; Introduction; 3.1 Popular music and the BBC; 3.2 Commercial radio; 3.3 The cinema; Conclusion; Part II: The 'Live' Popular Music Industry; 4: DEVELOPMENTS IN 'LIVE MUSIC' 1918 TO 1939: FROM 'PERFORMERS' TO 'LISTENERS'; Introduction; 4.1 Self-made 'live music': the public as performers; 4.2 Ready-made 'live music': the public as listeners; Conclusion; 5: 'LIVE MUSIC': DANCE BANDS, DANCE MUSIC, AND DANCE MUSICIANS. Introduction5.1 The size and scope of the dance music profession; 5.2 Dance band musicians; 5.3 Dance bands, employment, and employers; Conclusion; 6: THE EXPANSION AND DEVELOPMENT OF THE DANCE HALL INDUSTRY; Introduction; 6.1 The growth of dancing and the dance hall industry; 6.2 Mecca and the commercialization of dancing; Conclusion; 7: THE EXPERIENCE OF DANCING, DANCE HALLS, AND THE 'DANCE CULTURE', 1918-1939; Introduction; 7.1 'Going to the palais'; 7.2 Dancers, dance culture, and interwar society; 7.3 Dance halls and sex; Conclusion; Part III: Popular Music and Popular Music Artists. 8: TASTES IN POPULAR MUSIC, 1918-1939Introduction; 8.1 Popular genres and artists; 8.2 Popular song titles: origins and content; 8.3 The determination of popular tastes; Conclusion; CONCLUSION; APPENDIX: The Most Popular Songs, 1919-1939; SELECT BIBLIOGRAPHY; INDEX OF SONG TITLES; GENERAL INDEX. This lively and readable study explores popular music between the wars, the era of Noel Coward and Ivor Novello, Gracie Fields and George Formby. James J. Nott tells the story from the days of the jazz mania of the 1920s to the outbreak of the Second World War. He examines the huge popularity of dance halls such as the fabled Hammersmith Palais, and concludes with a fascinating checklist of the most popular songs. Popular music Great Britain 1921-1930. Popular music Great Britain 1931-1940. Popular music Social aspects Great Britain. Musique populaire Grande-Bretagne 1921-1930. Musique populaire Grande-Bretagne 1931-1940. Musique populaire Aspect social Grande-Bretagne. MUSIC Genres & Styles Pop Vocal. bisacsh Popular music fast Popular music Social aspects fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Populaire muziek. gtt Dansmuziek. gtt Sociale aspecten. gtt 1921-1940 fast has work: Music for the people (Text) https://id.oclc.org/worldcat/entity/E39PCYGcvfvKkTtqcrBDjXdQmd https://id.oclc.org/worldcat/ontology/hasWork Print version: Nott, James J. Music for the people. Oxford ; New York : Oxford University Press, 2002 0199254079 (DLC) 2002538873 (OCoLC)50101450 Oxford historical monographs. http://id.loc.gov/authorities/names/n42018403 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=150014 Volltext |
| spellingShingle | Nott, James J. Music for the people : popular music and dance in interwar Britain / Oxford historical monographs. Intro; TITLE PAGE; ACKNOWLEDGEMENTS; CONTENTS; LIST OF ILLUSTRATIONS; LIST OF TABLES; ABBREVIATIONS; INTRODUCTION; Part I: The 'Mechanized' Popular Music Industry; 1: THE RISE OF THE GRAMOPHONE AND THE DEVELOPMENT OF THE BRITISH GRAMOPHONE INDUSTRY; Introduction; 1.1 Production patterns of the British gramophone industry, 1907-1939; 1.2 The development of the gramophone and record industries; Conclusion; 2: THE ROLE OF THE GRAMOPHONE IN DAILY LIFE IN INTERWAR BRITAIN AND ITS EFFECT ON MUSICAL CULTURE; Introduction; 2.1 The gramophone in daily life. 2.2 The music and marketing policies of the gramophone companies2.3 The cultural impact of the gramophone; Conclusion; 3: RADIO, CINEMA, AND POPULAR MUSIC IN INTERWAR BRITAIN; Introduction; 3.1 Popular music and the BBC; 3.2 Commercial radio; 3.3 The cinema; Conclusion; Part II: The 'Live' Popular Music Industry; 4: DEVELOPMENTS IN 'LIVE MUSIC' 1918 TO 1939: FROM 'PERFORMERS' TO 'LISTENERS'; Introduction; 4.1 Self-made 'live music': the public as performers; 4.2 Ready-made 'live music': the public as listeners; Conclusion; 5: 'LIVE MUSIC': DANCE BANDS, DANCE MUSIC, AND DANCE MUSICIANS. Introduction5.1 The size and scope of the dance music profession; 5.2 Dance band musicians; 5.3 Dance bands, employment, and employers; Conclusion; 6: THE EXPANSION AND DEVELOPMENT OF THE DANCE HALL INDUSTRY; Introduction; 6.1 The growth of dancing and the dance hall industry; 6.2 Mecca and the commercialization of dancing; Conclusion; 7: THE EXPERIENCE OF DANCING, DANCE HALLS, AND THE 'DANCE CULTURE', 1918-1939; Introduction; 7.1 'Going to the palais'; 7.2 Dancers, dance culture, and interwar society; 7.3 Dance halls and sex; Conclusion; Part III: Popular Music and Popular Music Artists. 8: TASTES IN POPULAR MUSIC, 1918-1939Introduction; 8.1 Popular genres and artists; 8.2 Popular song titles: origins and content; 8.3 The determination of popular tastes; Conclusion; CONCLUSION; APPENDIX: The Most Popular Songs, 1919-1939; SELECT BIBLIOGRAPHY; INDEX OF SONG TITLES; GENERAL INDEX. Popular music Great Britain 1921-1930. Popular music Great Britain 1931-1940. Popular music Social aspects Great Britain. Musique populaire Grande-Bretagne 1921-1930. Musique populaire Grande-Bretagne 1931-1940. Musique populaire Aspect social Grande-Bretagne. MUSIC Genres & Styles Pop Vocal. bisacsh Popular music fast Popular music Social aspects fast Populaire muziek. gtt Dansmuziek. gtt Sociale aspecten. gtt |
| title | Music for the people : popular music and dance in interwar Britain / |
| title_auth | Music for the people : popular music and dance in interwar Britain / |
| title_exact_search | Music for the people : popular music and dance in interwar Britain / |
| title_full | Music for the people : popular music and dance in interwar Britain / James J. Nott. |
| title_fullStr | Music for the people : popular music and dance in interwar Britain / James J. Nott. |
| title_full_unstemmed | Music for the people : popular music and dance in interwar Britain / James J. Nott. |
| title_short | Music for the people : |
| title_sort | music for the people popular music and dance in interwar britain |
| title_sub | popular music and dance in interwar Britain / |
| topic | Popular music Great Britain 1921-1930. Popular music Great Britain 1931-1940. Popular music Social aspects Great Britain. Musique populaire Grande-Bretagne 1921-1930. Musique populaire Grande-Bretagne 1931-1940. Musique populaire Aspect social Grande-Bretagne. MUSIC Genres & Styles Pop Vocal. bisacsh Popular music fast Popular music Social aspects fast Populaire muziek. gtt Dansmuziek. gtt Sociale aspecten. gtt |
| topic_facet | Popular music Great Britain 1921-1930. Popular music Great Britain 1931-1940. Popular music Social aspects Great Britain. Musique populaire Grande-Bretagne 1921-1930. Musique populaire Grande-Bretagne 1931-1940. Musique populaire Aspect social Grande-Bretagne. MUSIC Genres & Styles Pop Vocal. Popular music Popular music Social aspects Great Britain Populaire muziek. Dansmuziek. Sociale aspecten. |
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