Shakespeare in the movies :: from the silent era to Shakespeare in love /
Shakespeare is now enjoying perhaps his most glorious - certainly his most popular - filmic incarnation. Indeed, the Bard has been splashed across the big screen to great effect in recent adaptations of Hamlet, Henry V, Othello, Twelfth Night, Romeo and Juliet, Much Ado About Nothing, Richard II, A...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Oxford ; New York :
Oxford University Press,
2000.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Shakespeare is now enjoying perhaps his most glorious - certainly his most popular - filmic incarnation. Indeed, the Bard has been splashed across the big screen to great effect in recent adaptations of Hamlet, Henry V, Othello, Twelfth Night, Romeo and Juliet, Much Ado About Nothing, Richard II, A Midsummer Night's Dream, and of course in the hugely successful Shakespeare in Love. Unlike previous studies of Shakespeare's cinematic history, Shakespeare in the Movies proceeds chronologically, in the order that plays were written, allowing the reader to trace the development of Shakespeare as an author-and an auteur-and to see how the changing cultural climate of the Elizabethans flowered into film centuries later. Prolific film writer Douglas Brode provides historical background, production details, contemporary critical reactions, and his own incisive analysis, covering everything from the acting of Marlon Brando, Laurence Olivier, Richard Burton, and Gwyneth Paltrow, to the direction of Orson Welles, Kenneth Branagh, and others.; Brode also considers the many films which, though not strict adaptations, contain significant Shakespearean content, such as West Side Story and Kurosawa's Ran and Throne of Blood. Nor does Brode ignore the ignoble treatment the master has sometimes received. We learn, for instance, that the 1929 version of The Taming of the Shrew (which featured the eyebrow-raising writing credit: "By William Shakespeare, with additional dialogue by Sam Taylor"), opens not so trippingly on the tongue-PETRUCHIO: "Howdy Kate." KATE: "Katherine to you, mug." For anyone wishing to cast a backward glance over the poet's film career and to better understand his current big-screen popularity, Shakespeare in the Movies is a delightful and definitive guide |
Beschreibung: | 1 online resource (ix, 257 pages) |
ISBN: | 9780199728022 019972802X 1423761200 9781423761204 1280481250 9781280481253 |
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505 | 0 | |a An auspicious opening : The taming of the shrew -- The winter of our discontent : King Richard III -- Star-crossed lovers : Romeo and Juliet -- A fairy tale for grown-ups : A midsummer night's dream -- The hollow crown : Richard II, Henry IV parts I and II, Henry V -- Sophisticated comedy : Much ado about nothing, As you like it, Twelfth night -- A tide in men's lives : Julius Caesar -- I know not seems : Hamlet -- The green-eyed monster : Othello, the Moor of Venice -- Fatal vision : Macbeth -- A woman of infinite variety : Antony and Cleopatra -- Sans everything : King Lear -- You can't go home again : The winter's tale and The tempest -- Playing Shakespeare -- As we go to press. | |
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520 | |a Shakespeare is now enjoying perhaps his most glorious - certainly his most popular - filmic incarnation. Indeed, the Bard has been splashed across the big screen to great effect in recent adaptations of Hamlet, Henry V, Othello, Twelfth Night, Romeo and Juliet, Much Ado About Nothing, Richard II, A Midsummer Night's Dream, and of course in the hugely successful Shakespeare in Love. Unlike previous studies of Shakespeare's cinematic history, Shakespeare in the Movies proceeds chronologically, in the order that plays were written, allowing the reader to trace the development of Shakespeare as an author-and an auteur-and to see how the changing cultural climate of the Elizabethans flowered into film centuries later. Prolific film writer Douglas Brode provides historical background, production details, contemporary critical reactions, and his own incisive analysis, covering everything from the acting of Marlon Brando, Laurence Olivier, Richard Burton, and Gwyneth Paltrow, to the direction of Orson Welles, Kenneth Branagh, and others.; Brode also considers the many films which, though not strict adaptations, contain significant Shakespearean content, such as West Side Story and Kurosawa's Ran and Throne of Blood. Nor does Brode ignore the ignoble treatment the master has sometimes received. We learn, for instance, that the 1929 version of The Taming of the Shrew (which featured the eyebrow-raising writing credit: "By William Shakespeare, with additional dialogue by Sam Taylor"), opens not so trippingly on the tongue-PETRUCHIO: "Howdy Kate." KATE: "Katherine to you, mug." For anyone wishing to cast a backward glance over the poet's film career and to better understand his current big-screen popularity, Shakespeare in the Movies is a delightful and definitive guide | ||
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adam_text | |
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author | Brode, Douglas, 1943- |
author_GND | http://id.loc.gov/authorities/names/n80023531 |
author_facet | Brode, Douglas, 1943- |
author_role | |
author_sort | Brode, Douglas, 1943- |
author_variant | d b db |
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bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PR3093 |
callnumber-raw | PR3093 .B76 2000eb |
callnumber-search | PR3093 .B76 2000eb |
callnumber-sort | PR 43093 B76 42000EB |
callnumber-subject | PR - English Literature |
collection | ZDB-4-EBA |
contents | An auspicious opening : The taming of the shrew -- The winter of our discontent : King Richard III -- Star-crossed lovers : Romeo and Juliet -- A fairy tale for grown-ups : A midsummer night's dream -- The hollow crown : Richard II, Henry IV parts I and II, Henry V -- Sophisticated comedy : Much ado about nothing, As you like it, Twelfth night -- A tide in men's lives : Julius Caesar -- I know not seems : Hamlet -- The green-eyed monster : Othello, the Moor of Venice -- Fatal vision : Macbeth -- A woman of infinite variety : Antony and Cleopatra -- Sans everything : King Lear -- You can't go home again : The winter's tale and The tempest -- Playing Shakespeare -- As we go to press. |
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dewey-raw | 791.43/6 |
dewey-search | 791.43/6 |
dewey-sort | 3791.43 16 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast Film adaptations fast |
genre_facet | Criticism, interpretation, etc. Film adaptations |
id | ZDB-4-EBA-ocm65192610 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:15:51Z |
institution | BVB |
isbn | 9780199728022 019972802X 1423761200 9781423761204 1280481250 9781280481253 |
language | English |
oclc_num | 65192610 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (ix, 257 pages) |
psigel | ZDB-4-EBA |
publishDate | 2000 |
publishDateSearch | 2000 |
publishDateSort | 2000 |
publisher | Oxford University Press, |
record_format | marc |
spelling | Brode, Douglas, 1943- https://id.oclc.org/worldcat/entity/E39PCjKTPqfBQhRghMxRcv78md http://id.loc.gov/authorities/names/n80023531 Shakespeare in the movies : from the silent era to Shakespeare in love / Douglas Brode. Oxford ; New York : Oxford University Press, 2000. 1 online resource (ix, 257 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier An auspicious opening : The taming of the shrew -- The winter of our discontent : King Richard III -- Star-crossed lovers : Romeo and Juliet -- A fairy tale for grown-ups : A midsummer night's dream -- The hollow crown : Richard II, Henry IV parts I and II, Henry V -- Sophisticated comedy : Much ado about nothing, As you like it, Twelfth night -- A tide in men's lives : Julius Caesar -- I know not seems : Hamlet -- The green-eyed monster : Othello, the Moor of Venice -- Fatal vision : Macbeth -- A woman of infinite variety : Antony and Cleopatra -- Sans everything : King Lear -- You can't go home again : The winter's tale and The tempest -- Playing Shakespeare -- As we go to press. Print version record. Shakespeare is now enjoying perhaps his most glorious - certainly his most popular - filmic incarnation. Indeed, the Bard has been splashed across the big screen to great effect in recent adaptations of Hamlet, Henry V, Othello, Twelfth Night, Romeo and Juliet, Much Ado About Nothing, Richard II, A Midsummer Night's Dream, and of course in the hugely successful Shakespeare in Love. Unlike previous studies of Shakespeare's cinematic history, Shakespeare in the Movies proceeds chronologically, in the order that plays were written, allowing the reader to trace the development of Shakespeare as an author-and an auteur-and to see how the changing cultural climate of the Elizabethans flowered into film centuries later. Prolific film writer Douglas Brode provides historical background, production details, contemporary critical reactions, and his own incisive analysis, covering everything from the acting of Marlon Brando, Laurence Olivier, Richard Burton, and Gwyneth Paltrow, to the direction of Orson Welles, Kenneth Branagh, and others.; Brode also considers the many films which, though not strict adaptations, contain significant Shakespearean content, such as West Side Story and Kurosawa's Ran and Throne of Blood. Nor does Brode ignore the ignoble treatment the master has sometimes received. We learn, for instance, that the 1929 version of The Taming of the Shrew (which featured the eyebrow-raising writing credit: "By William Shakespeare, with additional dialogue by Sam Taylor"), opens not so trippingly on the tongue-PETRUCHIO: "Howdy Kate." KATE: "Katherine to you, mug." For anyone wishing to cast a backward glance over the poet's film career and to better understand his current big-screen popularity, Shakespeare in the Movies is a delightful and definitive guide Shakespeare, William, 1564-1616 Film adaptations. http://id.loc.gov/authorities/subjects/sh2010002339 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd English drama Film adaptations. Film adaptations History and criticism. Théâtre anglais Adaptations cinématographiques. Adaptations cinématographiques Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh English drama fast Film adaptations fast Criticism, interpretation, etc. fast has work: Shakespeare in the movies (Text) https://id.oclc.org/worldcat/entity/E39PCGXh6QWG8v7WmtvKwHGCQq https://id.oclc.org/worldcat/ontology/hasWork Print version: Brode, Douglas, 1943- Shakespeare in the movies. Oxford ; New York : Oxford University Press, 2000 1559725141 0195139585 (DLC) 98056152 (OCoLC)40595338 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=151410 Volltext |
spellingShingle | Brode, Douglas, 1943- Shakespeare in the movies : from the silent era to Shakespeare in love / An auspicious opening : The taming of the shrew -- The winter of our discontent : King Richard III -- Star-crossed lovers : Romeo and Juliet -- A fairy tale for grown-ups : A midsummer night's dream -- The hollow crown : Richard II, Henry IV parts I and II, Henry V -- Sophisticated comedy : Much ado about nothing, As you like it, Twelfth night -- A tide in men's lives : Julius Caesar -- I know not seems : Hamlet -- The green-eyed monster : Othello, the Moor of Venice -- Fatal vision : Macbeth -- A woman of infinite variety : Antony and Cleopatra -- Sans everything : King Lear -- You can't go home again : The winter's tale and The tempest -- Playing Shakespeare -- As we go to press. Shakespeare, William, 1564-1616 Film adaptations. http://id.loc.gov/authorities/subjects/sh2010002339 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd English drama Film adaptations. Film adaptations History and criticism. Théâtre anglais Adaptations cinématographiques. Adaptations cinématographiques Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh English drama fast Film adaptations fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh2010002339 |
title | Shakespeare in the movies : from the silent era to Shakespeare in love / |
title_auth | Shakespeare in the movies : from the silent era to Shakespeare in love / |
title_exact_search | Shakespeare in the movies : from the silent era to Shakespeare in love / |
title_full | Shakespeare in the movies : from the silent era to Shakespeare in love / Douglas Brode. |
title_fullStr | Shakespeare in the movies : from the silent era to Shakespeare in love / Douglas Brode. |
title_full_unstemmed | Shakespeare in the movies : from the silent era to Shakespeare in love / Douglas Brode. |
title_short | Shakespeare in the movies : |
title_sort | shakespeare in the movies from the silent era to shakespeare in love |
title_sub | from the silent era to Shakespeare in love / |
topic | Shakespeare, William, 1564-1616 Film adaptations. http://id.loc.gov/authorities/subjects/sh2010002339 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd English drama Film adaptations. Film adaptations History and criticism. Théâtre anglais Adaptations cinématographiques. Adaptations cinématographiques Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh English drama fast Film adaptations fast |
topic_facet | Shakespeare, William, 1564-1616 Film adaptations. Shakespeare, William, 1564-1616 English drama Film adaptations. Film adaptations History and criticism. Théâtre anglais Adaptations cinématographiques. Adaptations cinématographiques Histoire et critique. PERFORMING ARTS Film & Video Reference. English drama Film adaptations Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=151410 |
work_keys_str_mv | AT brodedouglas shakespeareinthemoviesfromthesilenteratoshakespeareinlove |