Street with no name :: a history of the classic American film noir /
A Choice Outstanding Academic Title Flourishing in the United States during the 1940s and 50s, the bleak, violent genre of filmmaking known as film noir reflected the attitudes of writers and auteur directors influenced by the events of the turbulent mid-twentieth century. Films such as Force of Evi...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lexington :
University Press of Kentucky,
©2002.
|
| Schriftenreihe: | Book collections on Project MUSE.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | A Choice Outstanding Academic Title Flourishing in the United States during the 1940s and 50s, the bleak, violent genre of filmmaking known as film noir reflected the attitudes of writers and auteur directors influenced by the events of the turbulent mid-twentieth century. Films such as Force of Evil, Night and the City, Double Indemnity, Laura, The Big Heat, The Killers, Kiss Me Deadly and, more recently, Chinatown and The Grifters are indelibly American. Yet the sources of this genre were found in Germany and France and imported to Hollywood by emigré filmmakers, who developed them and. |
| Beschreibung: | 1 online resource (xvi, 307 pages) : illustrations |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 283-289) and index. |
| ISBN: | 0813170338 9780813170336 9780813137490 0813137497 1283327481 9781283327480 9786613327482 6613327484 |
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| 100 | 1 | |a Dickos, Andrew, |d 1952- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjxrk3w97hHJyPWq6xv4dP |0 http://id.loc.gov/authorities/names/n85012996 | |
| 245 | 1 | 0 | |a Street with no name : |b a history of the classic American film noir / |c Andrew Dickos. |
| 260 | |a Lexington : |b University Press of Kentucky, |c ©2002. | ||
| 300 | |a 1 online resource (xvi, 307 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 380 | |a Bibliography | ||
| 504 | |a Includes bibliographical references (pages 283-289) and index. | ||
| 505 | 0 | 0 | |t To name the thing : film noir as style, as genre -- |t German expressionism and the roots of the film noir -- |t Fritz Lang -- |t Robert Siodmak -- |t The inception of the film noir in the French cinema of the 1930s -- |t The film noir in France in the immediate postwar years -- |g 1. |t The noir in America -- |t The noir city -- |t Archetypes- protagonists -- |t Abraham Polonsky -- |t Jules Dassin -- |t Nicholas Ray -- |t Orson Welles -- |g 2. |t The hard-boiled fiction influence -- |t Cornell Woolrich -- |t The private detective -- |t Humphrey Bogart, Spade, Marlowe, and the film noir -- |t The gangster figure and the noir -- |t John Huston -- |t Violence in the noir -- |t Samuel Fuller -- |t Robert Aldrich -- |t Don Siegel -- |t Sexuality in the noir -- |t Families in the noir -- |t Joseph H. Lewis -- |g 3. |t Women as seen in the film noir -- |t Otto Preminger -- |g 4. |t Noir production -- |t Noir iconography -- |t The use of voice-over narration -- |t The flashback device -- |t Amnesia as a storytelling device -- |t The B noir production -- |t Documentary realism in the noir -- |t Critical and popular reception of the film noir -- |t HUAC and the blacklist -- |t Fight pictures -- |t Caper films -- |t Crime syndicate exposés -- |t The Kefauver Crime hearings -- |t Anthony Mann -- |t Phil Karlson -- |g 5. |t The noir influence on the French new wave -- |t Jean-Pierre Melville -- |g Epilogue : |t Comments on the classic film noir and the neo-noir. |
| 520 | |a A Choice Outstanding Academic Title Flourishing in the United States during the 1940s and 50s, the bleak, violent genre of filmmaking known as film noir reflected the attitudes of writers and auteur directors influenced by the events of the turbulent mid-twentieth century. Films such as Force of Evil, Night and the City, Double Indemnity, Laura, The Big Heat, The Killers, Kiss Me Deadly and, more recently, Chinatown and The Grifters are indelibly American. Yet the sources of this genre were found in Germany and France and imported to Hollywood by emigré filmmakers, who developed them and. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 650 | 0 | |a Film noir |z United States |x History and criticism. | |
| 650 | 0 | |a Electronic books. |0 http://id.loc.gov/authorities/subjects/sh93007047 | |
| 650 | 6 | |a Films noirs |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Livres numériques. | |
| 650 | 7 | |a e-books. |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Film noir |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 650 | 7 | |a Film noir |2 gnd |0 http://d-nb.info/gnd/4116435-0 | |
| 650 | 7 | |a Geschichte |2 gnd |0 http://d-nb.info/gnd/4020517-4 | |
| 651 | 7 | |a USA |2 gnd |0 http://d-nb.info/gnd/4078704-7 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Street with no name (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFRtyBHw7hYK7kVdTdvbVC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Dickos, Andrew, 1952- |t Street with no name. |d Lexington : University Press of Kentucky, ©2002 |z 0813122430 |w (DLC) 2001007224 |w (OCoLC)48468848 |
| 830 | 0 | |a Book collections on Project MUSE. | |
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Datensatz im Suchindex
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| _version_ | 1816881634938454016 |
| adam_text | |
| any_adam_object | |
| author | Dickos, Andrew, 1952- |
| author_GND | http://id.loc.gov/authorities/names/n85012996 |
| author_facet | Dickos, Andrew, 1952- |
| author_role | aut |
| author_sort | Dickos, Andrew, 1952- |
| author_variant | a d ad |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.F54 D53 2002eb |
| callnumber-search | PN1995.9.F54 D53 2002eb |
| callnumber-sort | PN 41995.9 F54 D53 42002EB |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 53600 |
| collection | ZDB-4-EBA |
| contents | To name the thing : film noir as style, as genre -- German expressionism and the roots of the film noir -- Fritz Lang -- Robert Siodmak -- The inception of the film noir in the French cinema of the 1930s -- The film noir in France in the immediate postwar years -- The noir in America -- The noir city -- Archetypes- protagonists -- Abraham Polonsky -- Jules Dassin -- Nicholas Ray -- Orson Welles -- The hard-boiled fiction influence -- Cornell Woolrich -- The private detective -- Humphrey Bogart, Spade, Marlowe, and the film noir -- The gangster figure and the noir -- John Huston -- Violence in the noir -- Samuel Fuller -- Robert Aldrich -- Don Siegel -- Sexuality in the noir -- Families in the noir -- Joseph H. Lewis -- Women as seen in the film noir -- Otto Preminger -- Noir production -- Noir iconography -- The use of voice-over narration -- The flashback device -- Amnesia as a storytelling device -- The B noir production -- Documentary realism in the noir -- Critical and popular reception of the film noir -- HUAC and the blacklist -- Fight pictures -- Caper films -- Crime syndicate exposés -- The Kefauver Crime hearings -- Anthony Mann -- Phil Karlson -- The noir influence on the French new wave -- Jean-Pierre Melville -- Comments on the classic film noir and the neo-noir. |
| ctrlnum | (OCoLC)65184408 |
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| dewey-search | 791.43/655 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:51Z |
| institution | BVB |
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| spelling | Dickos, Andrew, 1952- author. https://id.oclc.org/worldcat/entity/E39PCjxrk3w97hHJyPWq6xv4dP http://id.loc.gov/authorities/names/n85012996 Street with no name : a history of the classic American film noir / Andrew Dickos. Lexington : University Press of Kentucky, ©2002. 1 online resource (xvi, 307 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Bibliography Includes bibliographical references (pages 283-289) and index. To name the thing : film noir as style, as genre -- German expressionism and the roots of the film noir -- Fritz Lang -- Robert Siodmak -- The inception of the film noir in the French cinema of the 1930s -- The film noir in France in the immediate postwar years -- 1. The noir in America -- The noir city -- Archetypes- protagonists -- Abraham Polonsky -- Jules Dassin -- Nicholas Ray -- Orson Welles -- 2. The hard-boiled fiction influence -- Cornell Woolrich -- The private detective -- Humphrey Bogart, Spade, Marlowe, and the film noir -- The gangster figure and the noir -- John Huston -- Violence in the noir -- Samuel Fuller -- Robert Aldrich -- Don Siegel -- Sexuality in the noir -- Families in the noir -- Joseph H. Lewis -- 3. Women as seen in the film noir -- Otto Preminger -- 4. Noir production -- Noir iconography -- The use of voice-over narration -- The flashback device -- Amnesia as a storytelling device -- The B noir production -- Documentary realism in the noir -- Critical and popular reception of the film noir -- HUAC and the blacklist -- Fight pictures -- Caper films -- Crime syndicate exposés -- The Kefauver Crime hearings -- Anthony Mann -- Phil Karlson -- 5. The noir influence on the French new wave -- Jean-Pierre Melville -- Epilogue : Comments on the classic film noir and the neo-noir. A Choice Outstanding Academic Title Flourishing in the United States during the 1940s and 50s, the bleak, violent genre of filmmaking known as film noir reflected the attitudes of writers and auteur directors influenced by the events of the turbulent mid-twentieth century. Films such as Force of Evil, Night and the City, Double Indemnity, Laura, The Big Heat, The Killers, Kiss Me Deadly and, more recently, Chinatown and The Grifters are indelibly American. Yet the sources of this genre were found in Germany and France and imported to Hollywood by emigré filmmakers, who developed them and. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Print version record. English. Film noir United States History and criticism. Electronic books. http://id.loc.gov/authorities/subjects/sh93007047 Films noirs États-Unis Histoire et critique. Livres numériques. e-books. aat PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Film noir fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Film noir gnd http://d-nb.info/gnd/4116435-0 Geschichte gnd http://d-nb.info/gnd/4020517-4 USA gnd http://d-nb.info/gnd/4078704-7 Criticism, interpretation, etc. fast has work: Street with no name (Text) https://id.oclc.org/worldcat/entity/E39PCFRtyBHw7hYK7kVdTdvbVC https://id.oclc.org/worldcat/ontology/hasWork Print version: Dickos, Andrew, 1952- Street with no name. Lexington : University Press of Kentucky, ©2002 0813122430 (DLC) 2001007224 (OCoLC)48468848 Book collections on Project MUSE. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=149779 Volltext |
| spellingShingle | Dickos, Andrew, 1952- Street with no name : a history of the classic American film noir / Book collections on Project MUSE. To name the thing : film noir as style, as genre -- German expressionism and the roots of the film noir -- Fritz Lang -- Robert Siodmak -- The inception of the film noir in the French cinema of the 1930s -- The film noir in France in the immediate postwar years -- The noir in America -- The noir city -- Archetypes- protagonists -- Abraham Polonsky -- Jules Dassin -- Nicholas Ray -- Orson Welles -- The hard-boiled fiction influence -- Cornell Woolrich -- The private detective -- Humphrey Bogart, Spade, Marlowe, and the film noir -- The gangster figure and the noir -- John Huston -- Violence in the noir -- Samuel Fuller -- Robert Aldrich -- Don Siegel -- Sexuality in the noir -- Families in the noir -- Joseph H. Lewis -- Women as seen in the film noir -- Otto Preminger -- Noir production -- Noir iconography -- The use of voice-over narration -- The flashback device -- Amnesia as a storytelling device -- The B noir production -- Documentary realism in the noir -- Critical and popular reception of the film noir -- HUAC and the blacklist -- Fight pictures -- Caper films -- Crime syndicate exposés -- The Kefauver Crime hearings -- Anthony Mann -- Phil Karlson -- The noir influence on the French new wave -- Jean-Pierre Melville -- Comments on the classic film noir and the neo-noir. Film noir United States History and criticism. Electronic books. http://id.loc.gov/authorities/subjects/sh93007047 Films noirs États-Unis Histoire et critique. Livres numériques. e-books. aat PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Film noir fast Film noir gnd http://d-nb.info/gnd/4116435-0 Geschichte gnd http://d-nb.info/gnd/4020517-4 |
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| title | Street with no name : a history of the classic American film noir / |
| title_alt | To name the thing : film noir as style, as genre -- German expressionism and the roots of the film noir -- Fritz Lang -- Robert Siodmak -- The inception of the film noir in the French cinema of the 1930s -- The film noir in France in the immediate postwar years -- The noir in America -- The noir city -- Archetypes- protagonists -- Abraham Polonsky -- Jules Dassin -- Nicholas Ray -- Orson Welles -- The hard-boiled fiction influence -- Cornell Woolrich -- The private detective -- Humphrey Bogart, Spade, Marlowe, and the film noir -- The gangster figure and the noir -- John Huston -- Violence in the noir -- Samuel Fuller -- Robert Aldrich -- Don Siegel -- Sexuality in the noir -- Families in the noir -- Joseph H. Lewis -- Women as seen in the film noir -- Otto Preminger -- Noir production -- Noir iconography -- The use of voice-over narration -- The flashback device -- Amnesia as a storytelling device -- The B noir production -- Documentary realism in the noir -- Critical and popular reception of the film noir -- HUAC and the blacklist -- Fight pictures -- Caper films -- Crime syndicate exposés -- The Kefauver Crime hearings -- Anthony Mann -- Phil Karlson -- The noir influence on the French new wave -- Jean-Pierre Melville -- Comments on the classic film noir and the neo-noir. |
| title_auth | Street with no name : a history of the classic American film noir / |
| title_exact_search | Street with no name : a history of the classic American film noir / |
| title_full | Street with no name : a history of the classic American film noir / Andrew Dickos. |
| title_fullStr | Street with no name : a history of the classic American film noir / Andrew Dickos. |
| title_full_unstemmed | Street with no name : a history of the classic American film noir / Andrew Dickos. |
| title_short | Street with no name : |
| title_sort | street with no name a history of the classic american film noir |
| title_sub | a history of the classic American film noir / |
| topic | Film noir United States History and criticism. Electronic books. http://id.loc.gov/authorities/subjects/sh93007047 Films noirs États-Unis Histoire et critique. Livres numériques. e-books. aat PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Film noir fast Film noir gnd http://d-nb.info/gnd/4116435-0 Geschichte gnd http://d-nb.info/gnd/4020517-4 |
| topic_facet | Film noir United States History and criticism. Electronic books. Films noirs États-Unis Histoire et critique. Livres numériques. e-books. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Film & Video History & Criticism. Film noir United States Geschichte USA Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=149779 |
| work_keys_str_mv | AT dickosandrew streetwithnonameahistoryoftheclassicamericanfilmnoir |