European cinema :: face to face with Hollywood /
Annotation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
2005.
|
| Schriftenreihe: | Film culture in transition.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Annotation |
| Beschreibung: | 1 online resource (563 pages) : illustrations |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 1423746252 9781423746256 9048505178 9789048505173 1280958863 9781280958861 |
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| 100 | 1 | |a Elsaesser, Thomas, |d 1943-2019. |1 https://id.oclc.org/worldcat/entity/E39PBJfcHTGxWwvGMFq4qWF3Qq |0 http://id.loc.gov/authorities/names/n88122654 | |
| 245 | 1 | 0 | |a European cinema : |b face to face with Hollywood / |c Thomas Elsaesser. |
| 260 | |a Amsterdam : |b Amsterdam University Press, |c 2005. | ||
| 300 | |a 1 online resource (563 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Film culture in transition | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Introduction -- |t European Cinema: Conditions of Impossibility? [2005] -- |t National Cinema: Re-Definitions and New Directions -- |t European Culture, National Cinema, the Auteur and Hollywood [1994] -- |t ImpersoNations: National Cinema, Historical Imaginaries [2005] -- |t Film Festival Networks: the New Topographies of Cinema in Europe [2005] -- |t Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990s [2005] -- |t Auteurs and Art Cinemas: Modernism and Self-Reference -- |t Ingmar Berman -- |t Person and Persona: The Mountain of Modern Cinema on the Road to Morocco [1994] -- |t Late Losey: Time Lost and Time Found [1985] -- |t Around Painting and the "End of Cinema": A Propos Jacques Rivette's La Belle Noiseuse [1992] -- |t Spellbound by Peter Greenaway: In the Dark ... and Into the Light [1996] -- |t The Body as Perceptual Surface: The Films of Johan van der Keuken [2004] Television and the Author's Cinema: ZDF's Das Kleine Fernsehspiel [1992] -- |t Touching Base: Some German Women Directors in the 1980s [1987] -- |t Europe-Hollywood-Europe -- |t Two Decades in Another Country: Hollywood and the Cinephiles [1975] -- |t Raoul Ruiz's Hypothese du Tableau Vole [1984] -- |t Images for Sale: The "New" British Cinema [1984] -- |t "If You Want a Life": The Marathon Man [2003] -- |t British Television in the 1980s Through The Looking Glass [1990] -- |t German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror [2003] -- |t Central Europe Looking West -- |t Of Rats and Revolution: Dusan Makavejev's The Switchboard Operator [1968] -- |t Defining DEFA's Historical Imaginary: The Films of Konrad Wolf [2001] -- |t Under Western Eyes: Who Does Zizek Want? [1995] -- |t Our Balkanist Gaze: About Memory's No Man's Land [2003] -- |t Europe Haunted by History and Empire -- |t Is History an Old Movie? [1986] -- |t Edgar Reitz' Heimat: Memory, Home and Hollywood [1985] -- |t Discourse and History: One Man's War -- |t An Interview with Edgardo Cozarinsky [1984] -- |t Rendezvous with the French Revolution: Ettore Scola's That Night in Varennes [1989] -- |t Joseph Losey's The Go-Between [1972] -- |t Games of Love and Death: Peter Greenaway and Other Englishmen [1988] -- |t Border-Crossings: Filmmaking without a Passport -- |t Peter Wollen's Friendship's Death [1987] -- |t Andy Engel's Melancholia [1989] -- |t On the High Seas: Edgardo Cozarinsky's Dutch Adventure [1983] -- |t Third Cinema/World Cinema: An Interview with Ruy Guerra [1972] -- |t Ruy Guerra's Erendira [1986] -- |t Hyper-, Retro- or Counter-: European Cinema as Third Cinema Between Hollywood and Art Cinema [1992]. |
| 520 | 8 | |a Annotation |b Has European cinema, in the age of globalization, lost contact not only with the world at large, but with its own audiences? Between the thriving festival circuit and the obligatory late-night television slot, is there still a public or a public sphere for European films? Can the cinema be the appropriate medium for a multicultural Europe and its migrating multitudes? Is there a division of representational labor, with Hollywood providing stars and spectacle, the Asian countries exotic color and choreographed action, and Europe a sense of history, place and memory? This collection of essays by an acclaimed film scholar examines how independent filmmaking in Europe has been reinventing itself since the 1990s, faced by renewed competition from Hollywood and the challenges posed to national cinemas by the fall of the Wall in 1989. Elsaesser reassesses the debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of "world nbsp;cinema" and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, and the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
| 650 | 0 | |a Motion picture industry |z Europe. | |
| 650 | 0 | |a Motion pictures |z Europe. |0 http://id.loc.gov/authorities/subjects/sh2022007832 | |
| 650 | 6 | |a Cinéma |x Industrie |z Europe. | |
| 650 | 6 | |a Cinéma |z Europe. | |
| 650 | 7 | |a Society and social sciences. |2 bicssc | |
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| 650 | 7 | |a The arts. |2 bicssc | |
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| 650 | 1 | 7 | |a Filmkunst. |2 gtt |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm62868623 |
|---|---|
| _version_ | 1816881633101348864 |
| adam_text | |
| any_adam_object | |
| author | Elsaesser, Thomas, 1943-2019 |
| author_GND | http://id.loc.gov/authorities/names/n88122654 |
| author_facet | Elsaesser, Thomas, 1943-2019 |
| author_role | |
| author_sort | Elsaesser, Thomas, 1943-2019 |
| author_variant | t e te |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.E8 E525 2005eb |
| callnumber-search | PN1993.5.E8 E525 2005eb |
| callnumber-sort | PN 41993.5 E8 E525 42005EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction -- European Cinema: Conditions of Impossibility? [2005] -- National Cinema: Re-Definitions and New Directions -- European Culture, National Cinema, the Auteur and Hollywood [1994] -- ImpersoNations: National Cinema, Historical Imaginaries [2005] -- Film Festival Networks: the New Topographies of Cinema in Europe [2005] -- Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990s [2005] -- Auteurs and Art Cinemas: Modernism and Self-Reference -- Ingmar Berman -- Person and Persona: The Mountain of Modern Cinema on the Road to Morocco [1994] -- Late Losey: Time Lost and Time Found [1985] -- Around Painting and the "End of Cinema": A Propos Jacques Rivette's La Belle Noiseuse [1992] -- Spellbound by Peter Greenaway: In the Dark ... and Into the Light [1996] -- The Body as Perceptual Surface: The Films of Johan van der Keuken [2004] Television and the Author's Cinema: ZDF's Das Kleine Fernsehspiel [1992] -- Touching Base: Some German Women Directors in the 1980s [1987] -- Europe-Hollywood-Europe -- Two Decades in Another Country: Hollywood and the Cinephiles [1975] -- Raoul Ruiz's Hypothese du Tableau Vole [1984] -- Images for Sale: The "New" British Cinema [1984] -- "If You Want a Life": The Marathon Man [2003] -- British Television in the 1980s Through The Looking Glass [1990] -- German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror [2003] -- Central Europe Looking West -- Of Rats and Revolution: Dusan Makavejev's The Switchboard Operator [1968] -- Defining DEFA's Historical Imaginary: The Films of Konrad Wolf [2001] -- Under Western Eyes: Who Does Zizek Want? [1995] -- Our Balkanist Gaze: About Memory's No Man's Land [2003] -- Europe Haunted by History and Empire -- Is History an Old Movie? [1986] -- Edgar Reitz' Heimat: Memory, Home and Hollywood [1985] -- Discourse and History: One Man's War -- An Interview with Edgardo Cozarinsky [1984] -- Rendezvous with the French Revolution: Ettore Scola's That Night in Varennes [1989] -- Joseph Losey's The Go-Between [1972] -- Games of Love and Death: Peter Greenaway and Other Englishmen [1988] -- Border-Crossings: Filmmaking without a Passport -- Peter Wollen's Friendship's Death [1987] -- Andy Engel's Melancholia [1989] -- On the High Seas: Edgardo Cozarinsky's Dutch Adventure [1983] -- Third Cinema/World Cinema: An Interview with Ruy Guerra [1972] -- Ruy Guerra's Erendira [1986] -- Hyper-, Retro- or Counter-: European Cinema as Third Cinema Between Hollywood and Art Cinema [1992]. |
| ctrlnum | (OCoLC)62868623 |
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| dewey-ones | 384 - Communications |
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| discipline | Wirtschaftswissenschaften |
| format | Electronic eBook |
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/</subfield><subfield code="c">Thomas Elsaesser.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Amsterdam :</subfield><subfield code="b">Amsterdam University Press,</subfield><subfield code="c">2005.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (563 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Film culture in transition</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Introduction --</subfield><subfield code="t">European Cinema: Conditions of Impossibility? [2005] --</subfield><subfield code="t">National Cinema: Re-Definitions and New Directions --</subfield><subfield code="t">European Culture, National Cinema, the Auteur and Hollywood [1994] --</subfield><subfield code="t">ImpersoNations: National Cinema, Historical Imaginaries [2005] --</subfield><subfield code="t">Film Festival Networks: the New Topographies of Cinema in Europe [2005] --</subfield><subfield code="t">Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990s [2005] --</subfield><subfield code="t">Auteurs and Art Cinemas: Modernism and Self-Reference --</subfield><subfield code="t">Ingmar Berman --</subfield><subfield code="t">Person and Persona: The Mountain of Modern Cinema on the Road to Morocco [1994] --</subfield><subfield code="t">Late Losey: Time Lost and Time Found [1985] --</subfield><subfield code="t">Around Painting and the "End of Cinema": A Propos Jacques Rivette's La Belle Noiseuse [1992] --</subfield><subfield code="t">Spellbound by Peter Greenaway: In the Dark ... and Into the Light [1996] --</subfield><subfield code="t">The Body as Perceptual Surface: The Films of Johan van der Keuken [2004] Television and the Author's Cinema: ZDF's Das Kleine Fernsehspiel [1992] --</subfield><subfield code="t">Touching Base: Some German Women Directors in the 1980s [1987] --</subfield><subfield code="t">Europe-Hollywood-Europe --</subfield><subfield code="t">Two Decades in Another Country: Hollywood and the Cinephiles [1975] --</subfield><subfield code="t">Raoul Ruiz's Hypothese du Tableau Vole [1984] --</subfield><subfield code="t">Images for Sale: The "New" British Cinema [1984] --</subfield><subfield code="t">"If You Want a Life": The Marathon Man [2003] --</subfield><subfield code="t">British Television in the 1980s Through The Looking Glass [1990] --</subfield><subfield code="t">German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror [2003] --</subfield><subfield code="t">Central Europe Looking West --</subfield><subfield code="t">Of Rats and Revolution: Dusan Makavejev's The Switchboard Operator [1968] --</subfield><subfield code="t">Defining DEFA's Historical Imaginary: The Films of Konrad Wolf [2001] --</subfield><subfield code="t">Under Western Eyes: Who Does Zizek Want? [1995] --</subfield><subfield code="t">Our Balkanist Gaze: About Memory's No Man's Land [2003] --</subfield><subfield code="t">Europe Haunted by History and Empire --</subfield><subfield code="t">Is History an Old Movie? [1986] --</subfield><subfield code="t">Edgar Reitz' Heimat: Memory, Home and Hollywood [1985] --</subfield><subfield code="t">Discourse and History: One Man's War --</subfield><subfield code="t">An Interview with Edgardo Cozarinsky [1984] --</subfield><subfield code="t">Rendezvous with the French Revolution: Ettore Scola's That Night in Varennes [1989] --</subfield><subfield code="t">Joseph Losey's The Go-Between [1972] --</subfield><subfield code="t">Games of Love and Death: Peter Greenaway and Other Englishmen [1988] --</subfield><subfield code="t">Border-Crossings: Filmmaking without a Passport --</subfield><subfield code="t">Peter Wollen's Friendship's Death [1987] --</subfield><subfield code="t">Andy Engel's Melancholia [1989] --</subfield><subfield code="t">On the High Seas: Edgardo Cozarinsky's Dutch Adventure [1983] --</subfield><subfield code="t">Third Cinema/World Cinema: An Interview with Ruy Guerra [1972] --</subfield><subfield code="t">Ruy Guerra's Erendira [1986] --</subfield><subfield code="t">Hyper-, Retro- or Counter-: European Cinema as Third Cinema Between Hollywood and Art Cinema [1992].</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">Annotation</subfield><subfield code="b">Has European cinema, in the age of globalization, lost contact not only with the world at large, but with its own audiences? Between the thriving festival circuit and the obligatory late-night television slot, is there still a public or a public sphere for European films? Can the cinema be the appropriate medium for a multicultural Europe and its migrating multitudes? Is there a division of representational labor, with Hollywood providing stars and spectacle, the Asian countries exotic color and choreographed action, and Europe a sense of history, place and memory? This collection of essays by an acclaimed film scholar examines how independent filmmaking in Europe has been reinventing itself since the 1990s, faced by renewed competition from Hollywood and the challenges posed to national cinemas by the fall of the Wall in 1989. Elsaesser reassesses the debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of "world nbsp;cinema" and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, and the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="506" ind1=" " ind2=" "><subfield code="3">Use copy</subfield><subfield code="f">Restrictions unspecified</subfield><subfield code="2">star</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Electronic reproduction.</subfield><subfield code="b">[Place of publication not identified] :</subfield><subfield code="c">HathiTrust Digital Library,</subfield><subfield code="d">2010.</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Master and use copy. 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| genre_facet | Electronic books. |
| geographic | Europe fast https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq Europa gnd http://d-nb.info/gnd/4015701-5 |
| geographic_facet | Europe Europa |
| id | ZDB-4-EBA-ocm62868623 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:49Z |
| institution | BVB |
| isbn | 1423746252 9781423746256 9048505178 9789048505173 1280958863 9781280958861 |
| language | English |
| oclc_num | 62868623 |
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| physical | 1 online resource (563 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | Amsterdam University Press, |
| record_format | marc |
| series | Film culture in transition. |
| series2 | Film culture in transition |
| spelling | Elsaesser, Thomas, 1943-2019. https://id.oclc.org/worldcat/entity/E39PBJfcHTGxWwvGMFq4qWF3Qq http://id.loc.gov/authorities/names/n88122654 European cinema : face to face with Hollywood / Thomas Elsaesser. Amsterdam : Amsterdam University Press, 2005. 1 online resource (563 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Film culture in transition Includes bibliographical references and index. Introduction -- European Cinema: Conditions of Impossibility? [2005] -- National Cinema: Re-Definitions and New Directions -- European Culture, National Cinema, the Auteur and Hollywood [1994] -- ImpersoNations: National Cinema, Historical Imaginaries [2005] -- Film Festival Networks: the New Topographies of Cinema in Europe [2005] -- Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990s [2005] -- Auteurs and Art Cinemas: Modernism and Self-Reference -- Ingmar Berman -- Person and Persona: The Mountain of Modern Cinema on the Road to Morocco [1994] -- Late Losey: Time Lost and Time Found [1985] -- Around Painting and the "End of Cinema": A Propos Jacques Rivette's La Belle Noiseuse [1992] -- Spellbound by Peter Greenaway: In the Dark ... and Into the Light [1996] -- The Body as Perceptual Surface: The Films of Johan van der Keuken [2004] Television and the Author's Cinema: ZDF's Das Kleine Fernsehspiel [1992] -- Touching Base: Some German Women Directors in the 1980s [1987] -- Europe-Hollywood-Europe -- Two Decades in Another Country: Hollywood and the Cinephiles [1975] -- Raoul Ruiz's Hypothese du Tableau Vole [1984] -- Images for Sale: The "New" British Cinema [1984] -- "If You Want a Life": The Marathon Man [2003] -- British Television in the 1980s Through The Looking Glass [1990] -- German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror [2003] -- Central Europe Looking West -- Of Rats and Revolution: Dusan Makavejev's The Switchboard Operator [1968] -- Defining DEFA's Historical Imaginary: The Films of Konrad Wolf [2001] -- Under Western Eyes: Who Does Zizek Want? [1995] -- Our Balkanist Gaze: About Memory's No Man's Land [2003] -- Europe Haunted by History and Empire -- Is History an Old Movie? [1986] -- Edgar Reitz' Heimat: Memory, Home and Hollywood [1985] -- Discourse and History: One Man's War -- An Interview with Edgardo Cozarinsky [1984] -- Rendezvous with the French Revolution: Ettore Scola's That Night in Varennes [1989] -- Joseph Losey's The Go-Between [1972] -- Games of Love and Death: Peter Greenaway and Other Englishmen [1988] -- Border-Crossings: Filmmaking without a Passport -- Peter Wollen's Friendship's Death [1987] -- Andy Engel's Melancholia [1989] -- On the High Seas: Edgardo Cozarinsky's Dutch Adventure [1983] -- Third Cinema/World Cinema: An Interview with Ruy Guerra [1972] -- Ruy Guerra's Erendira [1986] -- Hyper-, Retro- or Counter-: European Cinema as Third Cinema Between Hollywood and Art Cinema [1992]. Annotation Has European cinema, in the age of globalization, lost contact not only with the world at large, but with its own audiences? Between the thriving festival circuit and the obligatory late-night television slot, is there still a public or a public sphere for European films? Can the cinema be the appropriate medium for a multicultural Europe and its migrating multitudes? Is there a division of representational labor, with Hollywood providing stars and spectacle, the Asian countries exotic color and choreographed action, and Europe a sense of history, place and memory? This collection of essays by an acclaimed film scholar examines how independent filmmaking in Europe has been reinventing itself since the 1990s, faced by renewed competition from Hollywood and the challenges posed to national cinemas by the fall of the Wall in 1989. Elsaesser reassesses the debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of "world nbsp;cinema" and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, and the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition Print version record. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL English. Motion picture industry Europe. Motion pictures Europe. http://id.loc.gov/authorities/subjects/sh2022007832 Cinéma Industrie Europe. Cinéma Europe. Society and social sciences. bicssc Society and culture: general. bicssc The arts. bicssc Film, TV and radio. bicssc Humanities. bicssc History. bicssc BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh HISTORY General. bisacsh Motion picture industry fast Motion pictures fast Europe fast https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq Europa gnd http://d-nb.info/gnd/4015701-5 Film gnd http://d-nb.info/gnd/4017102-4 Filmkunst. gtt Filmindustrie. gtt Multi-User. Electronic books. has work: European cinema (Text) https://id.oclc.org/worldcat/entity/E39PCGjJBKc8CTWFV9ghHThpMX https://id.oclc.org/worldcat/ontology/hasWork Print version: Elsaesser, Thomas, 1943- European cinema. Amsterdam : Amsterdam University Press, 2005 9053565949 9053566023 (DLC) 2005458897 (OCoLC)61132718 Film culture in transition. http://id.loc.gov/authorities/names/n94045741 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=141879 Volltext |
| spellingShingle | Elsaesser, Thomas, 1943-2019 European cinema : face to face with Hollywood / Film culture in transition. Introduction -- European Cinema: Conditions of Impossibility? [2005] -- National Cinema: Re-Definitions and New Directions -- European Culture, National Cinema, the Auteur and Hollywood [1994] -- ImpersoNations: National Cinema, Historical Imaginaries [2005] -- Film Festival Networks: the New Topographies of Cinema in Europe [2005] -- Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990s [2005] -- Auteurs and Art Cinemas: Modernism and Self-Reference -- Ingmar Berman -- Person and Persona: The Mountain of Modern Cinema on the Road to Morocco [1994] -- Late Losey: Time Lost and Time Found [1985] -- Around Painting and the "End of Cinema": A Propos Jacques Rivette's La Belle Noiseuse [1992] -- Spellbound by Peter Greenaway: In the Dark ... and Into the Light [1996] -- The Body as Perceptual Surface: The Films of Johan van der Keuken [2004] Television and the Author's Cinema: ZDF's Das Kleine Fernsehspiel [1992] -- Touching Base: Some German Women Directors in the 1980s [1987] -- Europe-Hollywood-Europe -- Two Decades in Another Country: Hollywood and the Cinephiles [1975] -- Raoul Ruiz's Hypothese du Tableau Vole [1984] -- Images for Sale: The "New" British Cinema [1984] -- "If You Want a Life": The Marathon Man [2003] -- British Television in the 1980s Through The Looking Glass [1990] -- German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror [2003] -- Central Europe Looking West -- Of Rats and Revolution: Dusan Makavejev's The Switchboard Operator [1968] -- Defining DEFA's Historical Imaginary: The Films of Konrad Wolf [2001] -- Under Western Eyes: Who Does Zizek Want? [1995] -- Our Balkanist Gaze: About Memory's No Man's Land [2003] -- Europe Haunted by History and Empire -- Is History an Old Movie? [1986] -- Edgar Reitz' Heimat: Memory, Home and Hollywood [1985] -- Discourse and History: One Man's War -- An Interview with Edgardo Cozarinsky [1984] -- Rendezvous with the French Revolution: Ettore Scola's That Night in Varennes [1989] -- Joseph Losey's The Go-Between [1972] -- Games of Love and Death: Peter Greenaway and Other Englishmen [1988] -- Border-Crossings: Filmmaking without a Passport -- Peter Wollen's Friendship's Death [1987] -- Andy Engel's Melancholia [1989] -- On the High Seas: Edgardo Cozarinsky's Dutch Adventure [1983] -- Third Cinema/World Cinema: An Interview with Ruy Guerra [1972] -- Ruy Guerra's Erendira [1986] -- Hyper-, Retro- or Counter-: European Cinema as Third Cinema Between Hollywood and Art Cinema [1992]. Motion picture industry Europe. Motion pictures Europe. http://id.loc.gov/authorities/subjects/sh2022007832 Cinéma Industrie Europe. Cinéma Europe. Society and social sciences. bicssc Society and culture: general. bicssc The arts. bicssc Film, TV and radio. bicssc Humanities. bicssc History. bicssc BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh HISTORY General. bisacsh Motion picture industry fast Motion pictures fast Film gnd http://d-nb.info/gnd/4017102-4 Filmkunst. gtt Filmindustrie. gtt |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2022007832 http://d-nb.info/gnd/4015701-5 http://d-nb.info/gnd/4017102-4 |
| title | European cinema : face to face with Hollywood / |
| title_alt | Introduction -- European Cinema: Conditions of Impossibility? [2005] -- National Cinema: Re-Definitions and New Directions -- European Culture, National Cinema, the Auteur and Hollywood [1994] -- ImpersoNations: National Cinema, Historical Imaginaries [2005] -- Film Festival Networks: the New Topographies of Cinema in Europe [2005] -- Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990s [2005] -- Auteurs and Art Cinemas: Modernism and Self-Reference -- Ingmar Berman -- Person and Persona: The Mountain of Modern Cinema on the Road to Morocco [1994] -- Late Losey: Time Lost and Time Found [1985] -- Around Painting and the "End of Cinema": A Propos Jacques Rivette's La Belle Noiseuse [1992] -- Spellbound by Peter Greenaway: In the Dark ... and Into the Light [1996] -- The Body as Perceptual Surface: The Films of Johan van der Keuken [2004] Television and the Author's Cinema: ZDF's Das Kleine Fernsehspiel [1992] -- Touching Base: Some German Women Directors in the 1980s [1987] -- Europe-Hollywood-Europe -- Two Decades in Another Country: Hollywood and the Cinephiles [1975] -- Raoul Ruiz's Hypothese du Tableau Vole [1984] -- Images for Sale: The "New" British Cinema [1984] -- "If You Want a Life": The Marathon Man [2003] -- British Television in the 1980s Through The Looking Glass [1990] -- German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror [2003] -- Central Europe Looking West -- Of Rats and Revolution: Dusan Makavejev's The Switchboard Operator [1968] -- Defining DEFA's Historical Imaginary: The Films of Konrad Wolf [2001] -- Under Western Eyes: Who Does Zizek Want? [1995] -- Our Balkanist Gaze: About Memory's No Man's Land [2003] -- Europe Haunted by History and Empire -- Is History an Old Movie? [1986] -- Edgar Reitz' Heimat: Memory, Home and Hollywood [1985] -- Discourse and History: One Man's War -- An Interview with Edgardo Cozarinsky [1984] -- Rendezvous with the French Revolution: Ettore Scola's That Night in Varennes [1989] -- Joseph Losey's The Go-Between [1972] -- Games of Love and Death: Peter Greenaway and Other Englishmen [1988] -- Border-Crossings: Filmmaking without a Passport -- Peter Wollen's Friendship's Death [1987] -- Andy Engel's Melancholia [1989] -- On the High Seas: Edgardo Cozarinsky's Dutch Adventure [1983] -- Third Cinema/World Cinema: An Interview with Ruy Guerra [1972] -- Ruy Guerra's Erendira [1986] -- Hyper-, Retro- or Counter-: European Cinema as Third Cinema Between Hollywood and Art Cinema [1992]. |
| title_auth | European cinema : face to face with Hollywood / |
| title_exact_search | European cinema : face to face with Hollywood / |
| title_full | European cinema : face to face with Hollywood / Thomas Elsaesser. |
| title_fullStr | European cinema : face to face with Hollywood / Thomas Elsaesser. |
| title_full_unstemmed | European cinema : face to face with Hollywood / Thomas Elsaesser. |
| title_short | European cinema : |
| title_sort | european cinema face to face with hollywood |
| title_sub | face to face with Hollywood / |
| topic | Motion picture industry Europe. Motion pictures Europe. http://id.loc.gov/authorities/subjects/sh2022007832 Cinéma Industrie Europe. Cinéma Europe. Society and social sciences. bicssc Society and culture: general. bicssc The arts. bicssc Film, TV and radio. bicssc Humanities. bicssc History. bicssc BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh HISTORY General. bisacsh Motion picture industry fast Motion pictures fast Film gnd http://d-nb.info/gnd/4017102-4 Filmkunst. gtt Filmindustrie. gtt |
| topic_facet | Motion picture industry Europe. Motion pictures Europe. Cinéma Industrie Europe. Cinéma Europe. Society and social sciences. Society and culture: general. The arts. Film, TV and radio. Humanities. History. BUSINESS & ECONOMICS Industries Media & Communications. TECHNOLOGY & ENGINEERING Telecommunications. HISTORY General. Motion picture industry Motion pictures Europe Europa Film Filmkunst. Filmindustrie. Electronic books. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=141879 |
| work_keys_str_mv | AT elsaesserthomas europeancinemafacetofacewithhollywood |