Shattered vessels :: memory, identity, and creation in the work of David Shahar /
David Shahar (1926-1997), author of the seven-novel sequence The Palace of Shattered Vessels, occupies an ambiguous position in the Israeli literary canon. Often compared to Proust, Shahar produced a body of work that offers a fascinating poetic and ideological alternative to the dominant models of...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Albany, N.Y. :
State University of New York Press,
©2004.
|
Schriftenreihe: | SUNY series in modern Jewish literature and culture.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | David Shahar (1926-1997), author of the seven-novel sequence The Palace of Shattered Vessels, occupies an ambiguous position in the Israeli literary canon. Often compared to Proust, Shahar produced a body of work that offers a fascinating poetic and ideological alternative to the dominant models of Amos Oz and A. B. Yehoshua. This book, the first full-length study of this fascinating author, takes a fresh look at the uniqueness of his literary achievement in both poetic and ideological terms. In addition to situating Shahar within the European literary tradition, the book reads Shahar's representation of Jerusalem in his multi-volume novel as a "heterotopia"--an actual space where society's unconscious (what does not fit on its ideological map) is materially present--and argues for the relevance of Shahar's work to the critical discussion of the Arab question in Israeli culture. |
Beschreibung: | 1 online resource (xiv, 189 pages) : maps |
Bibliographie: | Includes bibliographical references (pages 175-183) and index. |
ISBN: | 1423739280 9781423739289 9780791459195 0791459195 9780791459201 0791459209 |
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520 | |a David Shahar (1926-1997), author of the seven-novel sequence The Palace of Shattered Vessels, occupies an ambiguous position in the Israeli literary canon. Often compared to Proust, Shahar produced a body of work that offers a fascinating poetic and ideological alternative to the dominant models of Amos Oz and A. B. Yehoshua. This book, the first full-length study of this fascinating author, takes a fresh look at the uniqueness of his literary achievement in both poetic and ideological terms. In addition to situating Shahar within the European literary tradition, the book reads Shahar's representation of Jerusalem in his multi-volume novel as a "heterotopia"--an actual space where society's unconscious (what does not fit on its ideological map) is materially present--and argues for the relevance of Shahar's work to the critical discussion of the Arab question in Israeli culture. | ||
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adam_text | |
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author | Ginsburg, Michal Peled, 1947- |
author2 | Ron, Moshe |
author2_role | |
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author_GND | http://id.loc.gov/authorities/names/n85139069 |
author_facet | Ginsburg, Michal Peled, 1947- Ron, Moshe |
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callnumber-search | PJ5054.S33 Z67 2004eb |
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callnumber-subject | PJ - Oriental |
collection | ZDB-4-EBA |
contents | Flirting with the uncanny -- The eyes of a woman in (and out of) love: creation, painting, and betrayal in Shahar's fiction -- Shahar's Jerusalem -- Otherness, identity, and place -- Remembering proust. |
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dewey-full | 892.4/36 |
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discipline | Außereuropäische Sprachen und Literaturen |
format | Electronic eBook |
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id | ZDB-4-EBA-ocm62364735 |
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indexdate | 2024-11-27T13:15:48Z |
institution | BVB |
isbn | 1423739280 9781423739289 9780791459195 0791459195 9780791459201 0791459209 |
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spelling | Ginsburg, Michal Peled, 1947- http://id.loc.gov/authorities/names/n85139069 Shattered vessels : memory, identity, and creation in the work of David Shahar / Michal Peled Ginsburg and Moshe Ron. Albany, N.Y. : State University of New York Press, ©2004. 1 online resource (xiv, 189 pages) : maps text txt rdacontent computer c rdamedia online resource cr rdacarrier SUNY series in modern Jewish literature and culture Includes bibliographical references (pages 175-183) and index. Flirting with the uncanny -- The eyes of a woman in (and out of) love: creation, painting, and betrayal in Shahar's fiction -- Shahar's Jerusalem -- Otherness, identity, and place -- Remembering proust. Print version record. David Shahar (1926-1997), author of the seven-novel sequence The Palace of Shattered Vessels, occupies an ambiguous position in the Israeli literary canon. Often compared to Proust, Shahar produced a body of work that offers a fascinating poetic and ideological alternative to the dominant models of Amos Oz and A. B. Yehoshua. This book, the first full-length study of this fascinating author, takes a fresh look at the uniqueness of his literary achievement in both poetic and ideological terms. In addition to situating Shahar within the European literary tradition, the book reads Shahar's representation of Jerusalem in his multi-volume novel as a "heterotopia"--an actual space where society's unconscious (what does not fit on its ideological map) is materially present--and argues for the relevance of Shahar's work to the critical discussion of the Arab question in Israeli culture. Shahar, David, 1926-1997 Criticism and interpretation. Shahar, David, 1926-1997 fast https://id.oclc.org/worldcat/entity/E39PBJkXvMjKHpjdQkQWtj97HC LITERARY CRITICISM Jewish. bisacsh Criticism, interpretation, etc. fast Ron, Moshe. Print version: Ginsburg, Michal Peled, 1947- Shattered vessels. Albany, N.Y. : State University of New York Press, ©2004 0791459195 0791459209 (DLC) 2003069328 (OCoLC)53919008 SUNY series in modern Jewish literature and culture. http://id.loc.gov/authorities/names/n42024160 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=143122 Volltext |
spellingShingle | Ginsburg, Michal Peled, 1947- Shattered vessels : memory, identity, and creation in the work of David Shahar / SUNY series in modern Jewish literature and culture. Flirting with the uncanny -- The eyes of a woman in (and out of) love: creation, painting, and betrayal in Shahar's fiction -- Shahar's Jerusalem -- Otherness, identity, and place -- Remembering proust. Shahar, David, 1926-1997 Criticism and interpretation. Shahar, David, 1926-1997 fast https://id.oclc.org/worldcat/entity/E39PBJkXvMjKHpjdQkQWtj97HC LITERARY CRITICISM Jewish. bisacsh |
title | Shattered vessels : memory, identity, and creation in the work of David Shahar / |
title_auth | Shattered vessels : memory, identity, and creation in the work of David Shahar / |
title_exact_search | Shattered vessels : memory, identity, and creation in the work of David Shahar / |
title_full | Shattered vessels : memory, identity, and creation in the work of David Shahar / Michal Peled Ginsburg and Moshe Ron. |
title_fullStr | Shattered vessels : memory, identity, and creation in the work of David Shahar / Michal Peled Ginsburg and Moshe Ron. |
title_full_unstemmed | Shattered vessels : memory, identity, and creation in the work of David Shahar / Michal Peled Ginsburg and Moshe Ron. |
title_short | Shattered vessels : |
title_sort | shattered vessels memory identity and creation in the work of david shahar |
title_sub | memory, identity, and creation in the work of David Shahar / |
topic | Shahar, David, 1926-1997 Criticism and interpretation. Shahar, David, 1926-1997 fast https://id.oclc.org/worldcat/entity/E39PBJkXvMjKHpjdQkQWtj97HC LITERARY CRITICISM Jewish. bisacsh |
topic_facet | Shahar, David, 1926-1997 Criticism and interpretation. Shahar, David, 1926-1997 LITERARY CRITICISM Jewish. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=143122 |
work_keys_str_mv | AT ginsburgmichalpeled shatteredvesselsmemoryidentityandcreationintheworkofdavidshahar AT ronmoshe shatteredvesselsmemoryidentityandcreationintheworkofdavidshahar |