Medieval music and the art of memory /:
Asking such fundamental questions as how singers managed to memorise such an enormous amount of music and how music composed in the mind rather than in writing has affected musical style, this text explores the impact of the art of memory on the composition and transmission of medieval music.
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Berkeley :
University of California Press,
©2005.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Asking such fundamental questions as how singers managed to memorise such an enormous amount of music and how music composed in the mind rather than in writing has affected musical style, this text explores the impact of the art of memory on the composition and transmission of medieval music. |
Beschreibung: | 1 online resource (xvi, 288 pages) : illustrations |
Bibliographie: | Includes bibliographical references (pages 255-279) and index. |
ISBN: | 9780520930643 0520930649 1423731344 9781423731344 9780520240285 0520240286 1598758039 9781598758030 |
Internformat
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100 | 1 | |a Berger, Anna Maria Busse. | |
245 | 1 | 0 | |a Medieval music and the art of memory / |c Anna Maria Busse Berger. |
260 | |a Berkeley : |b University of California Press, |c ©2005. | ||
300 | |a 1 online resource (xvi, 288 pages) : |b illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
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504 | |a Includes bibliographical references (pages 255-279) and index. | ||
505 | 0 | |a Prologue : the first great dead white male composer -- The construction of the memorial archive -- Tonaries : a tool for memorizing chant -- Basic theory treatises -- The memorization of organum, discant, and counterpoint treatises -- Compositional process in polyphonic music -- Compositional process and transmission of Notre Dame polyphony -- Visualization and the composition of polyphonic music. | |
588 | 0 | |a Print version record. | |
520 | 8 | |a Asking such fundamental questions as how singers managed to memorise such an enormous amount of music and how music composed in the mind rather than in writing has affected musical style, this text explores the impact of the art of memory on the composition and transmission of medieval music. | |
650 | 0 | |a Music |y 500-1400 |x History and criticism. | |
650 | 0 | |a Music |y 15th century |x History and criticism. | |
650 | 0 | |a Composition (Music) |x History. | |
650 | 0 | |a Memory. |0 http://id.loc.gov/authorities/subjects/sh85083497 | |
650 | 6 | |a Musique |y 500-1400 |x Histoire et critique. | |
650 | 6 | |a Musique |y 15e siècle |x Histoire et critique. | |
650 | 6 | |a Composition (Musique) |x Histoire. | |
650 | 6 | |a Mémoire. | |
650 | 7 | |a memory (psychological concept) |2 aat | |
650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
650 | 7 | |a Composition (Music) |2 fast | |
650 | 7 | |a Memory |2 fast | |
650 | 7 | |a Music |2 fast | |
650 | 7 | |a Mittelalter |2 gnd |0 http://d-nb.info/gnd/4129108-6 | |
650 | 7 | |a Musik |2 gnd | |
650 | 7 | |a Gedächtnis |2 gnd |0 http://d-nb.info/gnd/4019614-8 | |
650 | 7 | |a Komposition |g Musik |2 gnd |0 http://d-nb.info/gnd/4133320-2 | |
650 | 1 | 7 | |a Muziek. |2 gtt |
650 | 1 | 7 | |a Muziekwerken. |2 gtt |
650 | 1 | 7 | |a Herinnering. |2 gtt |
648 | 7 | |a 500-1499 |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
655 | 7 | |a History |2 fast | |
776 | 0 | 8 | |i Print version: |a Berger, Anna Maria Busse. |t Medieval music and the art of memory. |d Berkeley : University of California Press, ©2005 |z 0520240286 |w (DLC) 2004016542 |w (OCoLC)55981645 |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocm62196185 |
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adam_text | |
any_adam_object | |
author | Berger, Anna Maria Busse |
author_facet | Berger, Anna Maria Busse |
author_role | |
author_sort | Berger, Anna Maria Busse |
author_variant | a m b b amb ambb |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML172 |
callnumber-raw | ML172 .B43 2005eb |
callnumber-search | ML172 .B43 2005eb |
callnumber-sort | ML 3172 B43 42005EB |
callnumber-subject | ML - Literature on Music |
classification_rvk | LP 19502 LR 55622 |
collection | ZDB-4-EBA |
contents | Prologue : the first great dead white male composer -- The construction of the memorial archive -- Tonaries : a tool for memorizing chant -- Basic theory treatises -- The memorization of organum, discant, and counterpoint treatises -- Compositional process in polyphonic music -- Compositional process and transmission of Notre Dame polyphony -- Visualization and the composition of polyphonic music. |
ctrlnum | (OCoLC)62196185 |
dewey-full | 780/.9/02 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780/.9/02 |
dewey-search | 780/.9/02 |
dewey-sort | 3780 19 12 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | 500-1499 fast |
era_facet | 500-1499 |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast History fast |
genre_facet | Criticism, interpretation, etc. History |
id | ZDB-4-EBA-ocm62196185 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:15:47Z |
institution | BVB |
isbn | 9780520930643 0520930649 1423731344 9781423731344 9780520240285 0520240286 1598758039 9781598758030 |
language | English |
oclc_num | 62196185 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (xvi, 288 pages) : illustrations |
psigel | ZDB-4-EBA |
publishDate | 2005 |
publishDateSearch | 2005 |
publishDateSort | 2005 |
publisher | University of California Press, |
record_format | marc |
spelling | Berger, Anna Maria Busse. Medieval music and the art of memory / Anna Maria Busse Berger. Berkeley : University of California Press, ©2005. 1 online resource (xvi, 288 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references (pages 255-279) and index. Prologue : the first great dead white male composer -- The construction of the memorial archive -- Tonaries : a tool for memorizing chant -- Basic theory treatises -- The memorization of organum, discant, and counterpoint treatises -- Compositional process in polyphonic music -- Compositional process and transmission of Notre Dame polyphony -- Visualization and the composition of polyphonic music. Print version record. Asking such fundamental questions as how singers managed to memorise such an enormous amount of music and how music composed in the mind rather than in writing has affected musical style, this text explores the impact of the art of memory on the composition and transmission of medieval music. Music 500-1400 History and criticism. Music 15th century History and criticism. Composition (Music) History. Memory. http://id.loc.gov/authorities/subjects/sh85083497 Musique 500-1400 Histoire et critique. Musique 15e siècle Histoire et critique. Composition (Musique) Histoire. Mémoire. memory (psychological concept) aat MUSIC History & Criticism. bisacsh MUSIC Genres & Styles Classical. bisacsh Composition (Music) fast Memory fast Music fast Mittelalter gnd http://d-nb.info/gnd/4129108-6 Musik gnd Gedächtnis gnd http://d-nb.info/gnd/4019614-8 Komposition Musik gnd http://d-nb.info/gnd/4133320-2 Muziek. gtt Muziekwerken. gtt Herinnering. gtt 500-1499 fast Criticism, interpretation, etc. fast History fast Print version: Berger, Anna Maria Busse. Medieval music and the art of memory. Berkeley : University of California Press, ©2005 0520240286 (DLC) 2004016542 (OCoLC)55981645 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=142611 Volltext |
spellingShingle | Berger, Anna Maria Busse Medieval music and the art of memory / Prologue : the first great dead white male composer -- The construction of the memorial archive -- Tonaries : a tool for memorizing chant -- Basic theory treatises -- The memorization of organum, discant, and counterpoint treatises -- Compositional process in polyphonic music -- Compositional process and transmission of Notre Dame polyphony -- Visualization and the composition of polyphonic music. Music 500-1400 History and criticism. Music 15th century History and criticism. Composition (Music) History. Memory. http://id.loc.gov/authorities/subjects/sh85083497 Musique 500-1400 Histoire et critique. Musique 15e siècle Histoire et critique. Composition (Musique) Histoire. Mémoire. memory (psychological concept) aat MUSIC History & Criticism. bisacsh MUSIC Genres & Styles Classical. bisacsh Composition (Music) fast Memory fast Music fast Mittelalter gnd http://d-nb.info/gnd/4129108-6 Musik gnd Gedächtnis gnd http://d-nb.info/gnd/4019614-8 Komposition Musik gnd http://d-nb.info/gnd/4133320-2 Muziek. gtt Muziekwerken. gtt Herinnering. gtt |
subject_GND | http://id.loc.gov/authorities/subjects/sh85083497 http://d-nb.info/gnd/4129108-6 http://d-nb.info/gnd/4019614-8 http://d-nb.info/gnd/4133320-2 |
title | Medieval music and the art of memory / |
title_auth | Medieval music and the art of memory / |
title_exact_search | Medieval music and the art of memory / |
title_full | Medieval music and the art of memory / Anna Maria Busse Berger. |
title_fullStr | Medieval music and the art of memory / Anna Maria Busse Berger. |
title_full_unstemmed | Medieval music and the art of memory / Anna Maria Busse Berger. |
title_short | Medieval music and the art of memory / |
title_sort | medieval music and the art of memory |
topic | Music 500-1400 History and criticism. Music 15th century History and criticism. Composition (Music) History. Memory. http://id.loc.gov/authorities/subjects/sh85083497 Musique 500-1400 Histoire et critique. Musique 15e siècle Histoire et critique. Composition (Musique) Histoire. Mémoire. memory (psychological concept) aat MUSIC History & Criticism. bisacsh MUSIC Genres & Styles Classical. bisacsh Composition (Music) fast Memory fast Music fast Mittelalter gnd http://d-nb.info/gnd/4129108-6 Musik gnd Gedächtnis gnd http://d-nb.info/gnd/4019614-8 Komposition Musik gnd http://d-nb.info/gnd/4133320-2 Muziek. gtt Muziekwerken. gtt Herinnering. gtt |
topic_facet | Music 500-1400 History and criticism. Music 15th century History and criticism. Composition (Music) History. Memory. Musique 500-1400 Histoire et critique. Musique 15e siècle Histoire et critique. Composition (Musique) Histoire. Mémoire. memory (psychological concept) MUSIC History & Criticism. MUSIC Genres & Styles Classical. Composition (Music) Memory Music Mittelalter Musik Gedächtnis Komposition Musik Muziek. Muziekwerken. Herinnering. Criticism, interpretation, etc. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=142611 |
work_keys_str_mv | AT bergerannamariabusse medievalmusicandtheartofmemory |