Metafiction :: the theory and practice of self-conscious fiction /
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York :
Methuen,
1984.
|
| Schriftenreihe: | New accents (Methuen & Co.)
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | 1 online resource (viii, 176 pages) |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 155-171) and index. |
| ISBN: | 0203131401 9780203131404 9781134970681 1134970684 9781134970728 1134970722 9781134970735 1134970730 |
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| 100 | 1 | |a Waugh, Patricia. | |
| 245 | 1 | 0 | |a Metafiction : |b the theory and practice of self-conscious fiction / |c Patricia Waugh. |
| 260 | |a London ; |a New York : |b Methuen, |c 1984. | ||
| 300 | |a 1 online resource (viii, 176 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a New accents | |
| 504 | |a Includes bibliographical references (pages 155-171) and index. | ||
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 505 | 0 | |a Chapter 1 What is metafiction and why are they saying such awful things about it? -- chapter 2 Literary self-consciousness: developments Modernism and post-modernism: the redefinition -- chapter 3 Literary evolution: the place of parody -- chapter 4 Are novelists liars? The ontological status of literary-fictional discourse -- chapter 5 Fictionality and context: from role-playing to language games -- chapter in the manner of Hitchcock, across a corridor at Watermouth University in The History Man. John Barth corresponds with his characters in Letters. He explains as J.B. his role along with the computer WESAC in producing the novel Giles Goat-Boy (1966) in the first few p. of the novel. B.S. Johnson foregrounds autobiographical facts, reminding the reader in Trawl (1966): I. always with I. one starts from. one and I share the same character (p. 9). Or, in See the Old Lady Decently, he breaks off a description in the story and informs the reader: I have just broken off to pacify my daughter. my father thinks she is the image of my mother, my daughter (p. 27). Steve Katz worries in The Exaggerations of Peter Prince (1968) among many other things about the fact that he is writing the novel under fluorescent light, and wonders how even this aspect of the contemporary technological world will affect its literary products. Alternatively, novelists may introduce friends or fellow writers into their work. Thus, irreverently, in Ronald Sukenick's 98.6 (1975) the hero decides to seduce a girl and her roommate: Besides the roommate is a girl who claims to be the lover of Richard Brautigan maybe she knows something. I mean here is a girl saturated with Richard Brautigan's sperm (p. 26). Federman, Sukenick, Katz and Doctorow make appearances in each others novels. Steve Katz, in fact, appeared in Ronald Sukenick's novel Up (1968) before his own first novel, The Exaggerations of Peter Prince, had been published (in which Sukenick, of course, in turn appears). Vladimir Nabokov playfully introduces himself into his novels very often through anagrams of variations on his name: Vivian Badlock, Vivian Bloodmark, Vivian Darkbloom, Adam von Librikov (VVN is a pun on the author's initials). Occasionally authors may wish to remind the reader of their powers of invention for fear that readers may assume fictional information to be disguised autobiography. Raymond Federman writes: -- chapter I have a feeling that if I go on giving specific details like these eventually -- chapter Notes -- chapter Bibliography -- chapter Further Reading -- chapter Index -- chapter 174 Metafiction -- chapter Index 175 -- chapter 176 Metafiction. | |
| 650 | 0 | |a Fiction |x Technique. |0 http://id.loc.gov/authorities/subjects/sh85048065 | |
| 650 | 0 | |a Fiction |x History and criticism |x Theory, etc. | |
| 650 | 0 | |a Experimental fiction |x History and criticism. | |
| 650 | 0 | |a Self-consciousness (Awareness) in literature. |0 http://id.loc.gov/authorities/subjects/sh94009234 | |
| 650 | 0 | |a Fiction. |0 http://id.loc.gov/authorities/subjects/sh85048050 | |
| 650 | 6 | |a Roman. | |
| 650 | 6 | |a Roman |x Histoire et critique |x Théorie, etc. | |
| 650 | 6 | |a Conscience de soi dans la littérature. | |
| 650 | 7 | |a fiction (general genre) |2 aat | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Rhetoric. |2 bisacsh | |
| 650 | 7 | |a REFERENCE |x Writing Skills. |2 bisacsh | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Composition & Creative Writing. |2 bisacsh | |
| 650 | 7 | |a Fiction |2 fast | |
| 650 | 7 | |a Experimental fiction |2 fast | |
| 650 | 7 | |a Fiction |x Technique |2 fast | |
| 650 | 7 | |a Self-consciousness (Awareness) in literature |2 fast | |
| 650 | 1 | 7 | |a Verteltheorie. |2 gtt |
| 650 | 1 | 7 | |a Metafictie. |2 gtt |
| 650 | 7 | |a Romance (Literatura) |2 larpcal | |
| 653 | |a Fiction |a Forms: Novels |a Rhetoric | ||
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Metafiction (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG98Vc6mk48XR9jvxgP8Fq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| 938 | |a Internet Archive |b INAR |n metafictiontheor0000waug | ||
| 938 | |a Taylor & Francis |b TAFR |n 9780203131404 | ||
| 938 | |a YBP Library Services |b YANK |n 2280069 | ||
| 994 | |a 92 |b GEBAY | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm62140925 |
|---|---|
| _version_ | 1816881631072354304 |
| adam_text | |
| any_adam_object | |
| author | Waugh, Patricia |
| author_facet | Waugh, Patricia |
| author_role | |
| author_sort | Waugh, Patricia |
| author_variant | p w pw |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN3335 |
| callnumber-raw | PN3335 .W38 1984eb |
| callnumber-search | PN3335 .W38 1984eb |
| callnumber-sort | PN 43335 W38 41984EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Chapter 1 What is metafiction and why are they saying such awful things about it? -- chapter 2 Literary self-consciousness: developments Modernism and post-modernism: the redefinition -- chapter 3 Literary evolution: the place of parody -- chapter 4 Are novelists liars? The ontological status of literary-fictional discourse -- chapter 5 Fictionality and context: from role-playing to language games -- chapter in the manner of Hitchcock, across a corridor at Watermouth University in The History Man. John Barth corresponds with his characters in Letters. He explains as J.B. his role along with the computer WESAC in producing the novel Giles Goat-Boy (1966) in the first few p. of the novel. B.S. Johnson foregrounds autobiographical facts, reminding the reader in Trawl (1966): I. always with I. one starts from. one and I share the same character (p. 9). Or, in See the Old Lady Decently, he breaks off a description in the story and informs the reader: I have just broken off to pacify my daughter. my father thinks she is the image of my mother, my daughter (p. 27). Steve Katz worries in The Exaggerations of Peter Prince (1968) among many other things about the fact that he is writing the novel under fluorescent light, and wonders how even this aspect of the contemporary technological world will affect its literary products. Alternatively, novelists may introduce friends or fellow writers into their work. Thus, irreverently, in Ronald Sukenick's 98.6 (1975) the hero decides to seduce a girl and her roommate: Besides the roommate is a girl who claims to be the lover of Richard Brautigan maybe she knows something. I mean here is a girl saturated with Richard Brautigan's sperm (p. 26). Federman, Sukenick, Katz and Doctorow make appearances in each others novels. Steve Katz, in fact, appeared in Ronald Sukenick's novel Up (1968) before his own first novel, The Exaggerations of Peter Prince, had been published (in which Sukenick, of course, in turn appears). Vladimir Nabokov playfully introduces himself into his novels very often through anagrams of variations on his name: Vivian Badlock, Vivian Bloodmark, Vivian Darkbloom, Adam von Librikov (VVN is a pun on the author's initials). Occasionally authors may wish to remind the reader of their powers of invention for fear that readers may assume fictional information to be disguised autobiography. Raymond Federman writes: -- chapter I have a feeling that if I go on giving specific details like these eventually -- chapter Notes -- chapter Bibliography -- chapter Further Reading -- chapter Index -- chapter 174 Metafiction -- chapter Index 175 -- chapter 176 Metafiction. |
| ctrlnum | (OCoLC)62140925 |
| dewey-full | 808.3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808.3 |
| dewey-search | 808.3 |
| dewey-sort | 3808.3 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.</subfield><subfield code="u">http://purl.oclc.org/DLF/benchrepro0212</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="583" ind1="1" ind2=" "><subfield code="a">digitized</subfield><subfield code="c">2010</subfield><subfield code="h">HathiTrust Digital Library</subfield><subfield code="l">committed to preserve</subfield><subfield code="2">pda</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Chapter 1 What is metafiction and why are they saying such awful things about it? -- chapter 2 Literary self-consciousness: developments Modernism and post-modernism: the redefinition -- chapter 3 Literary evolution: the place of parody -- chapter 4 Are novelists liars? The ontological status of literary-fictional discourse -- chapter 5 Fictionality and context: from role-playing to language games -- chapter in the manner of Hitchcock, across a corridor at Watermouth University in The History Man. John Barth corresponds with his characters in Letters. He explains as J.B. his role along with the computer WESAC in producing the novel Giles Goat-Boy (1966) in the first few p. of the novel. B.S. Johnson foregrounds autobiographical facts, reminding the reader in Trawl (1966): I. always with I. one starts from. one and I share the same character (p. 9). Or, in See the Old Lady Decently, he breaks off a description in the story and informs the reader: I have just broken off to pacify my daughter. my father thinks she is the image of my mother, my daughter (p. 27). Steve Katz worries in The Exaggerations of Peter Prince (1968) among many other things about the fact that he is writing the novel under fluorescent light, and wonders how even this aspect of the contemporary technological world will affect its literary products. Alternatively, novelists may introduce friends or fellow writers into their work. Thus, irreverently, in Ronald Sukenick's 98.6 (1975) the hero decides to seduce a girl and her roommate: Besides the roommate is a girl who claims to be the lover of Richard Brautigan maybe she knows something. I mean here is a girl saturated with Richard Brautigan's sperm (p. 26). Federman, Sukenick, Katz and Doctorow make appearances in each others novels. Steve Katz, in fact, appeared in Ronald Sukenick's novel Up (1968) before his own first novel, The Exaggerations of Peter Prince, had been published (in which Sukenick, of course, in turn appears). Vladimir Nabokov playfully introduces himself into his novels very often through anagrams of variations on his name: Vivian Badlock, Vivian Bloodmark, Vivian Darkbloom, Adam von Librikov (VVN is a pun on the author's initials). Occasionally authors may wish to remind the reader of their powers of invention for fear that readers may assume fictional information to be disguised autobiography. 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| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocm62140925 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:15:47Z |
| institution | BVB |
| isbn | 0203131401 9780203131404 9781134970681 1134970684 9781134970728 1134970722 9781134970735 1134970730 |
| language | English |
| lccn | 84009078 |
| oclc_num | 62140925 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (viii, 176 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 1984 |
| publishDateSearch | 1984 |
| publishDateSort | 1984 |
| publisher | Methuen, |
| record_format | marc |
| series | New accents (Methuen & Co.) |
| series2 | New accents |
| spelling | Waugh, Patricia. Metafiction : the theory and practice of self-conscious fiction / Patricia Waugh. London ; New York : Methuen, 1984. 1 online resource (viii, 176 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier New accents Includes bibliographical references (pages 155-171) and index. Print version record. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Chapter 1 What is metafiction and why are they saying such awful things about it? -- chapter 2 Literary self-consciousness: developments Modernism and post-modernism: the redefinition -- chapter 3 Literary evolution: the place of parody -- chapter 4 Are novelists liars? The ontological status of literary-fictional discourse -- chapter 5 Fictionality and context: from role-playing to language games -- chapter in the manner of Hitchcock, across a corridor at Watermouth University in The History Man. John Barth corresponds with his characters in Letters. He explains as J.B. his role along with the computer WESAC in producing the novel Giles Goat-Boy (1966) in the first few p. of the novel. B.S. Johnson foregrounds autobiographical facts, reminding the reader in Trawl (1966): I. always with I. one starts from. one and I share the same character (p. 9). Or, in See the Old Lady Decently, he breaks off a description in the story and informs the reader: I have just broken off to pacify my daughter. my father thinks she is the image of my mother, my daughter (p. 27). Steve Katz worries in The Exaggerations of Peter Prince (1968) among many other things about the fact that he is writing the novel under fluorescent light, and wonders how even this aspect of the contemporary technological world will affect its literary products. Alternatively, novelists may introduce friends or fellow writers into their work. Thus, irreverently, in Ronald Sukenick's 98.6 (1975) the hero decides to seduce a girl and her roommate: Besides the roommate is a girl who claims to be the lover of Richard Brautigan maybe she knows something. I mean here is a girl saturated with Richard Brautigan's sperm (p. 26). Federman, Sukenick, Katz and Doctorow make appearances in each others novels. Steve Katz, in fact, appeared in Ronald Sukenick's novel Up (1968) before his own first novel, The Exaggerations of Peter Prince, had been published (in which Sukenick, of course, in turn appears). Vladimir Nabokov playfully introduces himself into his novels very often through anagrams of variations on his name: Vivian Badlock, Vivian Bloodmark, Vivian Darkbloom, Adam von Librikov (VVN is a pun on the author's initials). Occasionally authors may wish to remind the reader of their powers of invention for fear that readers may assume fictional information to be disguised autobiography. Raymond Federman writes: -- chapter I have a feeling that if I go on giving specific details like these eventually -- chapter Notes -- chapter Bibliography -- chapter Further Reading -- chapter Index -- chapter 174 Metafiction -- chapter Index 175 -- chapter 176 Metafiction. Fiction Technique. http://id.loc.gov/authorities/subjects/sh85048065 Fiction History and criticism Theory, etc. Experimental fiction History and criticism. Self-consciousness (Awareness) in literature. http://id.loc.gov/authorities/subjects/sh94009234 Fiction. http://id.loc.gov/authorities/subjects/sh85048050 Roman. Roman Histoire et critique Théorie, etc. Conscience de soi dans la littérature. fiction (general genre) aat LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh Fiction fast Experimental fiction fast Fiction Technique fast Self-consciousness (Awareness) in literature fast Verteltheorie. gtt Metafictie. gtt Romance (Literatura) larpcal Fiction Forms: Novels Rhetoric Electronic books. Criticism, interpretation, etc. fast has work: Metafiction (Text) https://id.oclc.org/worldcat/entity/E39PCG98Vc6mk48XR9jvxgP8Fq https://id.oclc.org/worldcat/ontology/hasWork Print version: Waugh, Patricia. Metafiction. London ; New York : Methuen, 1984 0416326307 0416326404 (DLC) 84009078 (OCoLC)10754355 New accents (Methuen & Co.) http://id.loc.gov/authorities/names/n42032011 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=76320 Volltext |
| spellingShingle | Waugh, Patricia Metafiction : the theory and practice of self-conscious fiction / New accents (Methuen & Co.) Chapter 1 What is metafiction and why are they saying such awful things about it? -- chapter 2 Literary self-consciousness: developments Modernism and post-modernism: the redefinition -- chapter 3 Literary evolution: the place of parody -- chapter 4 Are novelists liars? The ontological status of literary-fictional discourse -- chapter 5 Fictionality and context: from role-playing to language games -- chapter in the manner of Hitchcock, across a corridor at Watermouth University in The History Man. John Barth corresponds with his characters in Letters. He explains as J.B. his role along with the computer WESAC in producing the novel Giles Goat-Boy (1966) in the first few p. of the novel. B.S. Johnson foregrounds autobiographical facts, reminding the reader in Trawl (1966): I. always with I. one starts from. one and I share the same character (p. 9). Or, in See the Old Lady Decently, he breaks off a description in the story and informs the reader: I have just broken off to pacify my daughter. my father thinks she is the image of my mother, my daughter (p. 27). Steve Katz worries in The Exaggerations of Peter Prince (1968) among many other things about the fact that he is writing the novel under fluorescent light, and wonders how even this aspect of the contemporary technological world will affect its literary products. Alternatively, novelists may introduce friends or fellow writers into their work. Thus, irreverently, in Ronald Sukenick's 98.6 (1975) the hero decides to seduce a girl and her roommate: Besides the roommate is a girl who claims to be the lover of Richard Brautigan maybe she knows something. I mean here is a girl saturated with Richard Brautigan's sperm (p. 26). Federman, Sukenick, Katz and Doctorow make appearances in each others novels. Steve Katz, in fact, appeared in Ronald Sukenick's novel Up (1968) before his own first novel, The Exaggerations of Peter Prince, had been published (in which Sukenick, of course, in turn appears). Vladimir Nabokov playfully introduces himself into his novels very often through anagrams of variations on his name: Vivian Badlock, Vivian Bloodmark, Vivian Darkbloom, Adam von Librikov (VVN is a pun on the author's initials). Occasionally authors may wish to remind the reader of their powers of invention for fear that readers may assume fictional information to be disguised autobiography. Raymond Federman writes: -- chapter I have a feeling that if I go on giving specific details like these eventually -- chapter Notes -- chapter Bibliography -- chapter Further Reading -- chapter Index -- chapter 174 Metafiction -- chapter Index 175 -- chapter 176 Metafiction. Fiction Technique. http://id.loc.gov/authorities/subjects/sh85048065 Fiction History and criticism Theory, etc. Experimental fiction History and criticism. Self-consciousness (Awareness) in literature. http://id.loc.gov/authorities/subjects/sh94009234 Fiction. http://id.loc.gov/authorities/subjects/sh85048050 Roman. Roman Histoire et critique Théorie, etc. Conscience de soi dans la littérature. fiction (general genre) aat LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh Fiction fast Experimental fiction fast Fiction Technique fast Self-consciousness (Awareness) in literature fast Verteltheorie. gtt Metafictie. gtt Romance (Literatura) larpcal |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85048065 http://id.loc.gov/authorities/subjects/sh94009234 http://id.loc.gov/authorities/subjects/sh85048050 |
| title | Metafiction : the theory and practice of self-conscious fiction / |
| title_auth | Metafiction : the theory and practice of self-conscious fiction / |
| title_exact_search | Metafiction : the theory and practice of self-conscious fiction / |
| title_full | Metafiction : the theory and practice of self-conscious fiction / Patricia Waugh. |
| title_fullStr | Metafiction : the theory and practice of self-conscious fiction / Patricia Waugh. |
| title_full_unstemmed | Metafiction : the theory and practice of self-conscious fiction / Patricia Waugh. |
| title_short | Metafiction : |
| title_sort | metafiction the theory and practice of self conscious fiction |
| title_sub | the theory and practice of self-conscious fiction / |
| topic | Fiction Technique. http://id.loc.gov/authorities/subjects/sh85048065 Fiction History and criticism Theory, etc. Experimental fiction History and criticism. Self-consciousness (Awareness) in literature. http://id.loc.gov/authorities/subjects/sh94009234 Fiction. http://id.loc.gov/authorities/subjects/sh85048050 Roman. Roman Histoire et critique Théorie, etc. Conscience de soi dans la littérature. fiction (general genre) aat LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh Fiction fast Experimental fiction fast Fiction Technique fast Self-consciousness (Awareness) in literature fast Verteltheorie. gtt Metafictie. gtt Romance (Literatura) larpcal |
| topic_facet | Fiction Technique. Fiction History and criticism Theory, etc. Experimental fiction History and criticism. Self-consciousness (Awareness) in literature. Fiction. Roman. Roman Histoire et critique Théorie, etc. Conscience de soi dans la littérature. fiction (general genre) LANGUAGE ARTS & DISCIPLINES Rhetoric. REFERENCE Writing Skills. LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. Fiction Experimental fiction Fiction Technique Self-consciousness (Awareness) in literature Verteltheorie. Metafictie. Romance (Literatura) Electronic books. Criticism, interpretation, etc. |
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