Virtual music :: computer synthesis of musical style /
Virtual Music is about artificial creativity. Focusing on the author's Experiments in Musical Intelligence computer music composing program, the author and a distinguished group of experts discuss many of the issues surrounding the program, including artificial intelligence, music cognition, an...
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| Format: | Elektronisch CD E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Mass. :
MIT Press,
[2001]
©2001 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Virtual Music is about artificial creativity. Focusing on the author's Experiments in Musical Intelligence computer music composing program, the author and a distinguished group of experts discuss many of the issues surrounding the program, including artificial intelligence, music cognition, and aesthetics. The book is divided into four parts. The first part provides a historical background to Experiments in Musical Intelligence, including examples of historical antecedents, followed by an overview of the program by Douglas Hofstadter. The second part follows the composition of an Experiments in Musical Intelligence work, from the creation of a database to the completion of a new work in the style of Mozart. It includes, in sophisticated lay terms, relatively detailed explanations of how each step in the process contributes to the final composition. The third part consists of perspectives and analyses by Jonathan Berger, Daniel Dennett, Bernard Greenberg, Douglas R. Hofstadter, Steve Larson, and Eleanor Selfridge-Field. The fourth part presents the author's responses to these commentaries, as well as his thoughts on the implications of artificial creativity. The book (and corresponding Web site) includes an appendix providing extended musical examples referred to and discussed in the book, including composers such as Scarlatti, Bach, Mozart, Beethoven, Schubert, Chopin, Puccini, Rachmaninoff, Prokofiev, Debussy, Bartok, and others. It is also accompanied by a CD containing performances of the music in the text. |
| Beschreibung: | 1 online resource (xiii, 565 pages) : illustrations, music |
| Bibliographie: | Includes bibliographical references (pages 346-351) and index. |
| ISBN: | 9780262255943 0262255944 9780262532617 0262532611 1423728645 9781423728641 |
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| 245 | 1 | 0 | |a Virtual music : |b computer synthesis of musical style / |c David Cope ; with commentary by Douglas Hofstadter ; and with perspectives and analysis by Eleanor Selfridge-Field [and others]. |
| 260 | |a Cambridge, Mass. : |b MIT Press, |c [2001] | ||
| 264 | 4 | |c ©2001 | |
| 300 | |a 1 online resource (xiii, 565 pages) : |b illustrations, music | ||
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| 504 | |a Includes bibliographical references (pages 346-351) and index. | ||
| 505 | 0 | 0 | |g 1. |t Virtual music -- |g 2. |t Staring Emmy straight in the eye -- and doing my best not to flinch / |r by Douglas Hofstadter -- |g 3. |t Response to Hofstadter -- |g 4. |t Composing style-specific music -- |g 5. |t The importance of patterns -- |g 6. |t Structure -- |g 7. |t Databases -- |g 8. |t Analysis -- |g 9. |t Themes and variations -- |g 10. |t Interface -- |g 11. |t Composition, combinatorics, and simulation: a historical and philosophical enquiry / |r by Eleanor Selfridge-Field -- |g 12. |t Experiments in musical intelligence and Bach / |r by Bernard Greenberg -- |g 13. |t Dear Emmy: a counterpoint teacher's thought on the experiments in musical intelligence program's two-part invention / |r by Steve Larson -- |g 14. |t Who cares if it listens? an essay on creativity, expectations, and computational modeling of listening to music / |r by Jonathan Berger -- |g 15. |t Collision detection, muselot, and scribble: some reflections on creativity / |r by Daniel Dennett -- |g 16. |t A few standard questions and answers / |r by Douglas Hofstadter -- |g 17. |t Response to commentaries -- |g 18. |t Perspectives and the future. |
| 520 | |a Virtual Music is about artificial creativity. Focusing on the author's Experiments in Musical Intelligence computer music composing program, the author and a distinguished group of experts discuss many of the issues surrounding the program, including artificial intelligence, music cognition, and aesthetics. The book is divided into four parts. The first part provides a historical background to Experiments in Musical Intelligence, including examples of historical antecedents, followed by an overview of the program by Douglas Hofstadter. The second part follows the composition of an Experiments in Musical Intelligence work, from the creation of a database to the completion of a new work in the style of Mozart. It includes, in sophisticated lay terms, relatively detailed explanations of how each step in the process contributes to the final composition. The third part consists of perspectives and analyses by Jonathan Berger, Daniel Dennett, Bernard Greenberg, Douglas R. Hofstadter, Steve Larson, and Eleanor Selfridge-Field. The fourth part presents the author's responses to these commentaries, as well as his thoughts on the implications of artificial creativity. The book (and corresponding Web site) includes an appendix providing extended musical examples referred to and discussed in the book, including composers such as Scarlatti, Bach, Mozart, Beethoven, Schubert, Chopin, Puccini, Rachmaninoff, Prokofiev, Debussy, Bartok, and others. It is also accompanied by a CD containing performances of the music in the text. | ||
| 546 | |a English. | ||
| 588 | 0 | |a Print version record. | |
| 600 | 1 | 0 | |a Cope, David, |d 1941- |t EMI. |0 http://id.loc.gov/authorities/names/n95011006 |
| 600 | 1 | 6 | |a Cope, David. |t EMI. |
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| 650 | 0 | |a Composition (Music) |x Computer programs. | |
| 650 | 6 | |a Composition (Musique) |x Logiciels. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Composition. |2 bisacsh | |
| 650 | 7 | |a Composition (Music) |x Computer programs |2 fast | |
| 653 | |a COMPUTER SCIENCE/Computer Music | ||
| 653 | |a ARTS/Music & Sound Studies | ||
| 700 | 1 | |a Hofstadter, Douglas R., |d 1945- |1 https://id.oclc.org/worldcat/entity/E39PBJhmMpD9B7QXdbYT3RmWXd |0 http://id.loc.gov/authorities/names/n79001579 | |
| 776 | 0 | 8 | |i Print version: |a Cope, David. |t Virtual music. |d Cambridge, Mass. : MIT Press, ©2001 |z 026203283X |w (DLC) 00035506 |w (OCoLC)43684661 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm61850590 |
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| adam_text | |
| any_adam_object | |
| author | Cope, David, 1941- |
| author2 | Hofstadter, Douglas R., 1945- |
| author2_role | |
| author2_variant | d r h dr drh |
| author_GND | http://id.loc.gov/authorities/names/n50017993 http://id.loc.gov/authorities/names/n79001579 |
| author_additional | by Douglas Hofstadter -- by Eleanor Selfridge-Field -- by Bernard Greenberg -- by Steve Larson -- by Jonathan Berger -- by Daniel Dennett -- |
| author_facet | Cope, David, 1941- Hofstadter, Douglas R., 1945- |
| author_role | |
| author_sort | Cope, David, 1941- |
| author_variant | d c dc |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | MT56 |
| callnumber-raw | MT56 |
| callnumber-search | MT56 |
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| contents | Virtual music -- Staring Emmy straight in the eye -- and doing my best not to flinch / Response to Hofstadter -- Composing style-specific music -- The importance of patterns -- Structure -- Databases -- Analysis -- Themes and variations -- Interface -- Composition, combinatorics, and simulation: a historical and philosophical enquiry / Experiments in musical intelligence and Bach / Dear Emmy: a counterpoint teacher's thought on the experiments in musical intelligence program's two-part invention / Who cares if it listens? an essay on creativity, expectations, and computational modeling of listening to music / Collision detection, muselot, and scribble: some reflections on creativity / A few standard questions and answers / Response to commentaries -- Perspectives and the future. |
| ctrlnum | (OCoLC)61850590 |
| dewey-full | 781.3/4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.3/4 |
| dewey-search | 781.3/4 |
| dewey-sort | 3781.3 14 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic CD eBook |
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is about artificial creativity. Focusing on the author's Experiments in Musical Intelligence computer music composing program, the author and a distinguished group of experts discuss many of the issues surrounding the program, including artificial intelligence, music cognition, and aesthetics. The book is divided into four parts. The first part provides a historical background to Experiments in Musical Intelligence, including examples of historical antecedents, followed by an overview of the program by Douglas Hofstadter. The second part follows the composition of an Experiments in Musical Intelligence work, from the creation of a database to the completion of a new work in the style of Mozart. It includes, in sophisticated lay terms, relatively detailed explanations of how each step in the process contributes to the final composition. The third part consists of perspectives and analyses by Jonathan Berger, Daniel Dennett, Bernard Greenberg, Douglas R. Hofstadter, Steve Larson, and Eleanor Selfridge-Field. The fourth part presents the author's responses to these commentaries, as well as his thoughts on the implications of artificial creativity. The book (and corresponding Web site) includes an appendix providing extended musical examples referred to and discussed in the book, including composers such as Scarlatti, Bach, Mozart, Beethoven, Schubert, Chopin, Puccini, Rachmaninoff, Prokofiev, Debussy, Bartok, and others. 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| id | ZDB-4-EBA-ocm61850590 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:47Z |
| institution | BVB |
| isbn | 9780262255943 0262255944 9780262532617 0262532611 1423728645 9781423728641 |
| language | English |
| oclc_num | 61850590 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiii, 565 pages) : illustrations, music |
| psigel | ZDB-4-EBA |
| publishDate | 2001 |
| publishDateSearch | 2001 |
| publishDateSort | 2001 |
| publisher | MIT Press, |
| record_format | marc |
| spelling | Cope, David, 1941- https://id.oclc.org/worldcat/entity/E39PBJtRMTT68CC9WKkrFxRdwC http://id.loc.gov/authorities/names/n50017993 Virtual music : computer synthesis of musical style / David Cope ; with commentary by Douglas Hofstadter ; and with perspectives and analysis by Eleanor Selfridge-Field [and others]. Cambridge, Mass. : MIT Press, [2001] ©2001 1 online resource (xiii, 565 pages) : illustrations, music text txt rdacontent computer c rdamedia online resource cr rdacarrier text file rdaft Includes bibliographical references (pages 346-351) and index. 1. Virtual music -- 2. Staring Emmy straight in the eye -- and doing my best not to flinch / by Douglas Hofstadter -- 3. Response to Hofstadter -- 4. Composing style-specific music -- 5. The importance of patterns -- 6. Structure -- 7. Databases -- 8. Analysis -- 9. Themes and variations -- 10. Interface -- 11. Composition, combinatorics, and simulation: a historical and philosophical enquiry / by Eleanor Selfridge-Field -- 12. Experiments in musical intelligence and Bach / by Bernard Greenberg -- 13. Dear Emmy: a counterpoint teacher's thought on the experiments in musical intelligence program's two-part invention / by Steve Larson -- 14. Who cares if it listens? an essay on creativity, expectations, and computational modeling of listening to music / by Jonathan Berger -- 15. Collision detection, muselot, and scribble: some reflections on creativity / by Daniel Dennett -- 16. A few standard questions and answers / by Douglas Hofstadter -- 17. Response to commentaries -- 18. Perspectives and the future. Virtual Music is about artificial creativity. Focusing on the author's Experiments in Musical Intelligence computer music composing program, the author and a distinguished group of experts discuss many of the issues surrounding the program, including artificial intelligence, music cognition, and aesthetics. The book is divided into four parts. The first part provides a historical background to Experiments in Musical Intelligence, including examples of historical antecedents, followed by an overview of the program by Douglas Hofstadter. The second part follows the composition of an Experiments in Musical Intelligence work, from the creation of a database to the completion of a new work in the style of Mozart. It includes, in sophisticated lay terms, relatively detailed explanations of how each step in the process contributes to the final composition. The third part consists of perspectives and analyses by Jonathan Berger, Daniel Dennett, Bernard Greenberg, Douglas R. Hofstadter, Steve Larson, and Eleanor Selfridge-Field. The fourth part presents the author's responses to these commentaries, as well as his thoughts on the implications of artificial creativity. The book (and corresponding Web site) includes an appendix providing extended musical examples referred to and discussed in the book, including composers such as Scarlatti, Bach, Mozart, Beethoven, Schubert, Chopin, Puccini, Rachmaninoff, Prokofiev, Debussy, Bartok, and others. It is also accompanied by a CD containing performances of the music in the text. English. Print version record. Cope, David, 1941- EMI. http://id.loc.gov/authorities/names/n95011006 Cope, David. EMI. EMI (Cope, David) fast Composition (Music) Computer programs. Composition (Musique) Logiciels. MUSIC Instruction & Study Composition. bisacsh Composition (Music) Computer programs fast COMPUTER SCIENCE/Computer Music ARTS/Music & Sound Studies Hofstadter, Douglas R., 1945- https://id.oclc.org/worldcat/entity/E39PBJhmMpD9B7QXdbYT3RmWXd http://id.loc.gov/authorities/names/n79001579 Print version: Cope, David. Virtual music. Cambridge, Mass. : MIT Press, ©2001 026203283X (DLC) 00035506 (OCoLC)43684661 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=138696 Volltext |
| spellingShingle | Cope, David, 1941- Virtual music : computer synthesis of musical style / Virtual music -- Staring Emmy straight in the eye -- and doing my best not to flinch / Response to Hofstadter -- Composing style-specific music -- The importance of patterns -- Structure -- Databases -- Analysis -- Themes and variations -- Interface -- Composition, combinatorics, and simulation: a historical and philosophical enquiry / Experiments in musical intelligence and Bach / Dear Emmy: a counterpoint teacher's thought on the experiments in musical intelligence program's two-part invention / Who cares if it listens? an essay on creativity, expectations, and computational modeling of listening to music / Collision detection, muselot, and scribble: some reflections on creativity / A few standard questions and answers / Response to commentaries -- Perspectives and the future. Cope, David, 1941- EMI. http://id.loc.gov/authorities/names/n95011006 Cope, David. EMI. EMI (Cope, David) fast Composition (Music) Computer programs. Composition (Musique) Logiciels. MUSIC Instruction & Study Composition. bisacsh Composition (Music) Computer programs fast |
| subject_GND | http://id.loc.gov/authorities/names/n95011006 |
| title | Virtual music : computer synthesis of musical style / |
| title_alt | Virtual music -- Staring Emmy straight in the eye -- and doing my best not to flinch / Response to Hofstadter -- Composing style-specific music -- The importance of patterns -- Structure -- Databases -- Analysis -- Themes and variations -- Interface -- Composition, combinatorics, and simulation: a historical and philosophical enquiry / Experiments in musical intelligence and Bach / Dear Emmy: a counterpoint teacher's thought on the experiments in musical intelligence program's two-part invention / Who cares if it listens? an essay on creativity, expectations, and computational modeling of listening to music / Collision detection, muselot, and scribble: some reflections on creativity / A few standard questions and answers / Response to commentaries -- Perspectives and the future. |
| title_auth | Virtual music : computer synthesis of musical style / |
| title_exact_search | Virtual music : computer synthesis of musical style / |
| title_full | Virtual music : computer synthesis of musical style / David Cope ; with commentary by Douglas Hofstadter ; and with perspectives and analysis by Eleanor Selfridge-Field [and others]. |
| title_fullStr | Virtual music : computer synthesis of musical style / David Cope ; with commentary by Douglas Hofstadter ; and with perspectives and analysis by Eleanor Selfridge-Field [and others]. |
| title_full_unstemmed | Virtual music : computer synthesis of musical style / David Cope ; with commentary by Douglas Hofstadter ; and with perspectives and analysis by Eleanor Selfridge-Field [and others]. |
| title_short | Virtual music : |
| title_sort | virtual music computer synthesis of musical style |
| title_sub | computer synthesis of musical style / |
| topic | Cope, David, 1941- EMI. http://id.loc.gov/authorities/names/n95011006 Cope, David. EMI. EMI (Cope, David) fast Composition (Music) Computer programs. Composition (Musique) Logiciels. MUSIC Instruction & Study Composition. bisacsh Composition (Music) Computer programs fast |
| topic_facet | Cope, David, 1941- EMI. Cope, David. EMI. EMI (Cope, David) Composition (Music) Computer programs. Composition (Musique) Logiciels. MUSIC Instruction & Study Composition. Composition (Music) Computer programs |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=138696 |
| work_keys_str_mv | AT copedavid virtualmusiccomputersynthesisofmusicalstyle AT hofstadterdouglasr virtualmusiccomputersynthesisofmusicalstyle |