Audiotopia :: music, race, and America /
Ranging from Los Angeles to Havana to the Bronx to the U.S.-Mexico border and from klezmer to hip hop to Latin rock, this groundbreaking book injects popular music into contemporary debates over American identity. Josh Kun insists that America is not a single chorus of many voices folded into one, b...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley, Calif. :
University of California Press,
©2005.
|
| Schriftenreihe: | American crossroads ;
18. |
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | Ranging from Los Angeles to Havana to the Bronx to the U.S.-Mexico border and from klezmer to hip hop to Latin rock, this groundbreaking book injects popular music into contemporary debates over American identity. Josh Kun insists that America is not a single chorus of many voices folded into one, but rather various republics of sound that represent multiple stories of racial and ethnic difference. To this end he covers a range of music and listeners to evoke the ways that popular sounds have expanded our idea of American culture and American identity. Artists as diverse as The Weavers, Café Tacuba, Mickey Katz, Rahsaan Roland Kirk, Bessie Smith, and Ozomatli reveal that the song of America is endlessly hybrid, heterogeneous, and enriching - a source of comfort and strength for populations who have been taught that their lives do not matter. Kun melds studies of individual musicians with studies of painters such as Jean-Michel Basquiat and of writers such as Walt Whitman, James Baldwin, and Langston Hughes. There is no history of race in the Americas that is not a history of popular music, Kun claims. Inviting readers to listen closely and critically, Audiotopia forges a new understanding of sound that will stoke debates about music, race, identity, and culture for many years to come. |
| Beschreibung: | 1 online resource (1 volume)) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780520938649 052093864X 1423717295 9781423717294 159875582X 9781598755824 9780520225107 0520225104 9780520244245 0520244249 1282763210 9781282763210 9786612763212 6612763213 |
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| 100 | 1 | |a Kun, Josh. |0 http://id.loc.gov/authorities/names/no2004026447 | |
| 245 | 1 | 0 | |a Audiotopia : |b music, race, and America / |c Josh Kun. |
| 260 | |a Berkeley, Calif. : |b University of California Press, |c ©2005. | ||
| 300 | |a 1 online resource (1 volume)) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a American crossroads ; |v 18 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Against easy listening, or how to hear America sing -- The yiddish are coming -- Life according to the beat -- Basquiat's ear, Rahsaan's eye -- I, too, sing América -- Rock's reconquista. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Ranging from Los Angeles to Havana to the Bronx to the U.S.-Mexico border and from klezmer to hip hop to Latin rock, this groundbreaking book injects popular music into contemporary debates over American identity. Josh Kun insists that America is not a single chorus of many voices folded into one, but rather various republics of sound that represent multiple stories of racial and ethnic difference. To this end he covers a range of music and listeners to evoke the ways that popular sounds have expanded our idea of American culture and American identity. Artists as diverse as The Weavers, Café Tacuba, Mickey Katz, Rahsaan Roland Kirk, Bessie Smith, and Ozomatli reveal that the song of America is endlessly hybrid, heterogeneous, and enriching - a source of comfort and strength for populations who have been taught that their lives do not matter. Kun melds studies of individual musicians with studies of painters such as Jean-Michel Basquiat and of writers such as Walt Whitman, James Baldwin, and Langston Hughes. There is no history of race in the Americas that is not a history of popular music, Kun claims. Inviting readers to listen closely and critically, Audiotopia forges a new understanding of sound that will stoke debates about music, race, identity, and culture for many years to come. | |
| 546 | |a English. | ||
| 650 | 0 | |a Popular music |z United States |x History and criticism. | |
| 650 | 0 | |a Music |x Social aspects |z United States. | |
| 650 | 0 | |a Multiculturalism |z United States. | |
| 650 | 6 | |a Musique populaire |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Musique |x Aspect social |z États-Unis. | |
| 650 | 6 | |a Multiculturalisme |z États-Unis. | |
| 650 | 7 | |a MUSIC |x Printed Music |x General. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Pop Vocal. |2 bisacsh | |
| 650 | 7 | |a Multiculturalism |2 fast | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 653 | |a america. | ||
| 653 | |a american culture. | ||
| 653 | |a american identity. | ||
| 653 | |a american studies. | ||
| 653 | |a art and music. | ||
| 653 | |a artists. | ||
| 653 | |a bronx. | ||
| 653 | |a critical analysis. | ||
| 653 | |a cultural studies. | ||
| 653 | |a discussion books. | ||
| 653 | |a ethnic demographic studies. | ||
| 653 | |a ethnic differences. | ||
| 653 | |a ethnic minorities. | ||
| 653 | |a havana. | ||
| 653 | |a hip hop. | ||
| 653 | |a klezmer. | ||
| 653 | |a latin rock. | ||
| 653 | |a literary movements. | ||
| 653 | |a los angeles. | ||
| 653 | |a modern history. | ||
| 653 | |a music and culture. | ||
| 653 | |a music historians. | ||
| 653 | |a music history. | ||
| 653 | |a music lovers. | ||
| 653 | |a music studies. | ||
| 653 | |a music. | ||
| 653 | |a nonfiction. | ||
| 653 | |a popular music. | ||
| 653 | |a race issues. | ||
| 653 | |a racial history. | ||
| 653 | |a racial issues. | ||
| 653 | |a retrospective. | ||
| 653 | |a us borders. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Audiotopia (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFFVrrHCK3gRV8Yqbqd4YK |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Kun, Josh. |t Audiotopia. |d Berkeley, Calif. : University of California Press, ©2005 |z 0520225104 |z 0520244249 |w (DLC) 2004029240 |w (OCoLC)57208972 |
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| adam_text | |
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| author | Kun, Josh |
| author_GND | http://id.loc.gov/authorities/names/no2004026447 |
| author_facet | Kun, Josh |
| author_role | |
| author_sort | Kun, Josh |
| author_variant | j k jk |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3917 |
| callnumber-raw | ML3917.U6 K86 2005eb |
| callnumber-search | ML3917.U6 K86 2005eb |
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| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Against easy listening, or how to hear America sing -- The yiddish are coming -- Life according to the beat -- Basquiat's ear, Rahsaan's eye -- I, too, sing América -- Rock's reconquista. |
| ctrlnum | (OCoLC)61160241 |
| dewey-full | 782.42164/0973/0904 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.42164/0973/0904 |
| dewey-search | 782.42164/0973/0904 |
| dewey-sort | 3782.42164 3973 3904 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocm61160241 |
| illustrated | Not Illustrated |
| indexdate | 2025-03-18T14:14:03Z |
| institution | BVB |
| isbn | 9780520938649 052093864X 1423717295 9781423717294 159875582X 9781598755824 9780520225107 0520225104 9780520244245 0520244249 1282763210 9781282763210 9786612763212 6612763213 |
| language | English |
| oclc_num | 61160241 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (1 volume)) |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | University of California Press, |
| record_format | marc |
| series | American crossroads ; |
| series2 | American crossroads ; |
| spelling | Kun, Josh. http://id.loc.gov/authorities/names/no2004026447 Audiotopia : music, race, and America / Josh Kun. Berkeley, Calif. : University of California Press, ©2005. 1 online resource (1 volume)) text txt rdacontent computer c rdamedia online resource cr rdacarrier American crossroads ; 18 Includes bibliographical references and index. Against easy listening, or how to hear America sing -- The yiddish are coming -- Life according to the beat -- Basquiat's ear, Rahsaan's eye -- I, too, sing América -- Rock's reconquista. Print version record. Ranging from Los Angeles to Havana to the Bronx to the U.S.-Mexico border and from klezmer to hip hop to Latin rock, this groundbreaking book injects popular music into contemporary debates over American identity. Josh Kun insists that America is not a single chorus of many voices folded into one, but rather various republics of sound that represent multiple stories of racial and ethnic difference. To this end he covers a range of music and listeners to evoke the ways that popular sounds have expanded our idea of American culture and American identity. Artists as diverse as The Weavers, Café Tacuba, Mickey Katz, Rahsaan Roland Kirk, Bessie Smith, and Ozomatli reveal that the song of America is endlessly hybrid, heterogeneous, and enriching - a source of comfort and strength for populations who have been taught that their lives do not matter. Kun melds studies of individual musicians with studies of painters such as Jean-Michel Basquiat and of writers such as Walt Whitman, James Baldwin, and Langston Hughes. There is no history of race in the Americas that is not a history of popular music, Kun claims. Inviting readers to listen closely and critically, Audiotopia forges a new understanding of sound that will stoke debates about music, race, identity, and culture for many years to come. English. Popular music United States History and criticism. Music Social aspects United States. Multiculturalism United States. Musique populaire États-Unis Histoire et critique. Musique Aspect social États-Unis. Multiculturalisme États-Unis. MUSIC Printed Music General. bisacsh MUSIC Genres & Styles Pop Vocal. bisacsh Multiculturalism fast Music Social aspects fast Popular music fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq america. american culture. american identity. american studies. art and music. artists. bronx. critical analysis. cultural studies. discussion books. ethnic demographic studies. ethnic differences. ethnic minorities. havana. hip hop. klezmer. latin rock. literary movements. los angeles. modern history. music and culture. music historians. music history. music lovers. music studies. music. nonfiction. popular music. race issues. racial history. racial issues. retrospective. us borders. Criticism, interpretation, etc. fast has work: Audiotopia (Text) https://id.oclc.org/worldcat/entity/E39PCFFVrrHCK3gRV8Yqbqd4YK https://id.oclc.org/worldcat/ontology/hasWork Print version: Kun, Josh. Audiotopia. Berkeley, Calif. : University of California Press, ©2005 0520225104 0520244249 (DLC) 2004029240 (OCoLC)57208972 American crossroads ; 18. |
| spellingShingle | Kun, Josh Audiotopia : music, race, and America / American crossroads ; Against easy listening, or how to hear America sing -- The yiddish are coming -- Life according to the beat -- Basquiat's ear, Rahsaan's eye -- I, too, sing América -- Rock's reconquista. Popular music United States History and criticism. Music Social aspects United States. Multiculturalism United States. Musique populaire États-Unis Histoire et critique. Musique Aspect social États-Unis. Multiculturalisme États-Unis. MUSIC Printed Music General. bisacsh MUSIC Genres & Styles Pop Vocal. bisacsh Multiculturalism fast Music Social aspects fast Popular music fast |
| title | Audiotopia : music, race, and America / |
| title_auth | Audiotopia : music, race, and America / |
| title_exact_search | Audiotopia : music, race, and America / |
| title_full | Audiotopia : music, race, and America / Josh Kun. |
| title_fullStr | Audiotopia : music, race, and America / Josh Kun. |
| title_full_unstemmed | Audiotopia : music, race, and America / Josh Kun. |
| title_short | Audiotopia : |
| title_sort | audiotopia music race and america |
| title_sub | music, race, and America / |
| topic | Popular music United States History and criticism. Music Social aspects United States. Multiculturalism United States. Musique populaire États-Unis Histoire et critique. Musique Aspect social États-Unis. Multiculturalisme États-Unis. MUSIC Printed Music General. bisacsh MUSIC Genres & Styles Pop Vocal. bisacsh Multiculturalism fast Music Social aspects fast Popular music fast |
| topic_facet | Popular music United States History and criticism. Music Social aspects United States. Multiculturalism United States. Musique populaire États-Unis Histoire et critique. Musique Aspect social États-Unis. Multiculturalisme États-Unis. MUSIC Printed Music General. MUSIC Genres & Styles Pop Vocal. Multiculturalism Music Social aspects Popular music United States Criticism, interpretation, etc. |
| work_keys_str_mv | AT kunjosh audiotopiamusicraceandamerica |