Britten's musical language /:
"Blending insights from linguistic and social theories of speech, ritual, and narrative with music-analytic and historical criticism, Britten's Musical Language offers fresh perspectives on the composer's fusion of verbal and musical utterance in opera and song. It provides close inte...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge ; New York :
Cambridge University Press,
©2001.
|
Schriftenreihe: | Music in the twentieth century ;
17. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "Blending insights from linguistic and social theories of speech, ritual, and narrative with music-analytic and historical criticism, Britten's Musical Language offers fresh perspectives on the composer's fusion of verbal and musical utterance in opera and song. It provides close interpretative studies of the major scores (including Peter Grimes, Billy Budd, The Turn of the Screw, War Requiem, Curlew River, and Death in Venice) and explores Britten's ability to fashion complex and mysterious symbolic dramas from the interplay of texted song and a wordless discourse of motives and themes. Focusing on the performative and social basis of language, rather than on traditional notions of textual 'expression' in vocal music, Philip Rupprecht pursues topics such as the role of naming and hate speech in Peter Grimes; the disturbance of ritual certainty in the War Requiem; and the codes by which childish 'innocence' is enacted in The Turn of the Screw."--Publisher's description |
Beschreibung: | 1 online resource (ix, 358 pages) : illustrations |
Bibliographie: | Includes bibliographical references (pages 337-351) and index. |
ISBN: | 9780511482021 0511482027 0511066112 9780511066115 9780511068249 0511068247 9780521031035 0521031036 1107127971 9781107127975 1280417455 9781280417450 0511059809 9780511059803 |
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505 | 0 | 0 | |g 1. |t Introduction: Britten's musical language -- |g 2. |t Peter Grimes: the force of operatic utterance -- |g 3. |t Motive and narrative in Billy Budd -- |g 4. |t The Turn of the Screw: innocent performance -- |g 5. |t Rituals: the War Requiem and Curlew River -- |g 6. |t Subjectivity and perception in Death in Venice. |
520 | |a "Blending insights from linguistic and social theories of speech, ritual, and narrative with music-analytic and historical criticism, Britten's Musical Language offers fresh perspectives on the composer's fusion of verbal and musical utterance in opera and song. It provides close interpretative studies of the major scores (including Peter Grimes, Billy Budd, The Turn of the Screw, War Requiem, Curlew River, and Death in Venice) and explores Britten's ability to fashion complex and mysterious symbolic dramas from the interplay of texted song and a wordless discourse of motives and themes. Focusing on the performative and social basis of language, rather than on traditional notions of textual 'expression' in vocal music, Philip Rupprecht pursues topics such as the role of naming and hate speech in Peter Grimes; the disturbance of ritual certainty in the War Requiem; and the codes by which childish 'innocence' is enacted in The Turn of the Screw."--Publisher's description | ||
588 | 0 | |a Print version record. | |
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600 | 1 | 0 | |a Britten, Benjamin, |d 1913-1976 |x Criticism and interpretation. |
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DE-BY-FWS_katkey | ZDB-4-EBA-ocm57290962 |
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adam_text | |
any_adam_object | |
author | Rupprecht, Philip Ernst |
author_GND | http://id.loc.gov/authorities/names/nr93050294 |
author_facet | Rupprecht, Philip Ernst |
author_role | |
author_sort | Rupprecht, Philip Ernst |
author_variant | p e r pe per |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML410 |
callnumber-raw | ML410.B853 R8 2001 |
callnumber-search | ML410.B853 R8 2001 |
callnumber-sort | ML 3410 B853 R8 42001 |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | Introduction: Britten's musical language -- Peter Grimes: the force of operatic utterance -- Motive and narrative in Billy Budd -- The Turn of the Screw: innocent performance -- Rituals: the War Requiem and Curlew River -- Subjectivity and perception in Death in Venice. |
ctrlnum | (OCoLC)57290962 |
dewey-full | 780/.92 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780/.92 |
dewey-search | 780/.92 |
dewey-sort | 3780 292 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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genre | Electronic books. Criticism, interpretation, etc. fast |
genre_facet | Electronic books. Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocm57290962 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:15:39Z |
institution | BVB |
isbn | 9780511482021 0511482027 0511066112 9780511066115 9780511068249 0511068247 9780521031035 0521031036 1107127971 9781107127975 1280417455 9781280417450 0511059809 9780511059803 |
language | English |
oclc_num | 57290962 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (ix, 358 pages) : illustrations |
psigel | ZDB-4-EBA |
publishDate | 2001 |
publishDateSearch | 2001 |
publishDateSort | 2001 |
publisher | Cambridge University Press, |
record_format | marc |
series | Music in the twentieth century ; |
series2 | Music in the 20th century ; |
spelling | Rupprecht, Philip Ernst. http://id.loc.gov/authorities/names/nr93050294 Britten's musical language / Philip Rupprecht. Cambridge ; New York : Cambridge University Press, ©2001. 1 online resource (ix, 358 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Music in the 20th century ; [17] Includes bibliographical references (pages 337-351) and index. 1. Introduction: Britten's musical language -- 2. Peter Grimes: the force of operatic utterance -- 3. Motive and narrative in Billy Budd -- 4. The Turn of the Screw: innocent performance -- 5. Rituals: the War Requiem and Curlew River -- 6. Subjectivity and perception in Death in Venice. "Blending insights from linguistic and social theories of speech, ritual, and narrative with music-analytic and historical criticism, Britten's Musical Language offers fresh perspectives on the composer's fusion of verbal and musical utterance in opera and song. It provides close interpretative studies of the major scores (including Peter Grimes, Billy Budd, The Turn of the Screw, War Requiem, Curlew River, and Death in Venice) and explores Britten's ability to fashion complex and mysterious symbolic dramas from the interplay of texted song and a wordless discourse of motives and themes. Focusing on the performative and social basis of language, rather than on traditional notions of textual 'expression' in vocal music, Philip Rupprecht pursues topics such as the role of naming and hate speech in Peter Grimes; the disturbance of ritual certainty in the War Requiem; and the codes by which childish 'innocence' is enacted in The Turn of the Screw."--Publisher's description Print version record. English. Britten, Benjamin, 1913-1976 Criticism and interpretation. Britten, Benjamin, 1913-1976 fast https://id.oclc.org/worldcat/entity/E39PBJv8FjVyGtymD7gHYpctrq MUSIC Individual Composer & Musician. bisacsh Muziekwerken. gtt Electronic books. Criticism, interpretation, etc. fast Print version: Rupprecht, Philip Ernst. Britten's musical language. Cambridge ; New York : Cambridge University Press, 2001 0521631548 (DLC) 2001035577 (OCoLC)46918279 Music in the twentieth century ; 17. http://id.loc.gov/authorities/names/n86709337 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=120787 Volltext |
spellingShingle | Rupprecht, Philip Ernst Britten's musical language / Music in the twentieth century ; Introduction: Britten's musical language -- Peter Grimes: the force of operatic utterance -- Motive and narrative in Billy Budd -- The Turn of the Screw: innocent performance -- Rituals: the War Requiem and Curlew River -- Subjectivity and perception in Death in Venice. Britten, Benjamin, 1913-1976 Criticism and interpretation. Britten, Benjamin, 1913-1976 fast https://id.oclc.org/worldcat/entity/E39PBJv8FjVyGtymD7gHYpctrq MUSIC Individual Composer & Musician. bisacsh Muziekwerken. gtt |
title | Britten's musical language / |
title_alt | Introduction: Britten's musical language -- Peter Grimes: the force of operatic utterance -- Motive and narrative in Billy Budd -- The Turn of the Screw: innocent performance -- Rituals: the War Requiem and Curlew River -- Subjectivity and perception in Death in Venice. |
title_auth | Britten's musical language / |
title_exact_search | Britten's musical language / |
title_full | Britten's musical language / Philip Rupprecht. |
title_fullStr | Britten's musical language / Philip Rupprecht. |
title_full_unstemmed | Britten's musical language / Philip Rupprecht. |
title_short | Britten's musical language / |
title_sort | britten s musical language |
topic | Britten, Benjamin, 1913-1976 Criticism and interpretation. Britten, Benjamin, 1913-1976 fast https://id.oclc.org/worldcat/entity/E39PBJv8FjVyGtymD7gHYpctrq MUSIC Individual Composer & Musician. bisacsh Muziekwerken. gtt |
topic_facet | Britten, Benjamin, 1913-1976 Criticism and interpretation. Britten, Benjamin, 1913-1976 MUSIC Individual Composer & Musician. Muziekwerken. Electronic books. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=120787 |
work_keys_str_mv | AT rupprechtphilipernst brittensmusicallanguage |