Verfügbarkeit: Understanding cinema :

Understanding cinema :: a psychological theory of moving imagery /

Understanding Cinema analyzes the moving imagery of film and television from a psychological perspective. Per Persson argues that spectators interpret, feel, make use of knowledge, assumptions, expectations and prejudices when viewing and making sense of film. Drawing on psychology and anthropology,...

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Bibliographische Detailangaben
1. Verfasser:	Persson, Per, 1970-
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Cambridge ; New York : Cambridge University Press, 2003.
Schlagworte:	Motion pictures > Psychological aspects. Cinéma > Aspect psychologique. PERFORMING ARTS > Film & Video > History & Criticism. Motion pictures > Psychological aspects Psychologie Film Filmkunst. Vertelsituatie. Psychologische aspecten. Electronic books.
Online-Zugang:	DE-862 DE-863
Zusammenfassung:	Understanding Cinema analyzes the moving imagery of film and television from a psychological perspective. Per Persson argues that spectators interpret, feel, make use of knowledge, assumptions, expectations and prejudices when viewing and making sense of film. Drawing on psychology and anthropology, he explains how cinematic techniques work, and why they affect the spectator.
Beschreibung:	1 online resource (xi, 281 pages) : illustrations
Bibliographie:	Includes bibliographical references (pages 261-275) and index.
ISBN:	0511064748 9780511064746 0511073208 9780511073205 0511058411 9780511058417 9780511497735 0511497733 128041975X 9781280419751 9786610419753 6610419752 0511179669 9780511179662 0511203640 9780511203640 0511306601 9780511306600

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245	1	0	\|a Understanding cinema : \|b a psychological theory of moving imagery / \|c Per Persson.
260			\|a Cambridge ; \|a New York : \|b Cambridge University Press, \|c 2003.
300			\|a 1 online resource (xi, 281 pages) : \|b illustrations
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504			\|a Includes bibliographical references (pages 261-275) and index.
588	0		\|a Print version record.
505	0		\|a Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Preface and Acknowledgments; CHAPTER ONE Understanding and Dispositions; CHAPTER TWO Understanding Point-of-View Editing; CHAPTER THREE Variable Framing and Personal Space; CHAPTER FOUR Character Psychology and Mental Attribution; CHAPTER FIVE The Case for a Psychological Theory of Cinema; Notes; References; Index.
520			\|a Understanding Cinema analyzes the moving imagery of film and television from a psychological perspective. Per Persson argues that spectators interpret, feel, make use of knowledge, assumptions, expectations and prejudices when viewing and making sense of film. Drawing on psychology and anthropology, he explains how cinematic techniques work, and why they affect the spectator.
546			\|a English.
650		0	\|a Motion pictures \|x Psychological aspects.
650		6	\|a Cinéma \|x Aspect psychologique.
650		7	\|a PERFORMING ARTS \|x Film & Video \|x History & Criticism. \|2 bisacsh
650		7	\|a Motion pictures \|x Psychological aspects \|2 fast
650		7	\|a Psychologie \|2 gnd
650		7	\|a Film \|2 gnd \|0 http://d-nb.info/gnd/4017102-4
650	1	7	\|a Filmkunst. \|2 gtt
650	1	7	\|a Vertelsituatie. \|2 gtt
650	1	7	\|a Psychologische aspecten. \|2 gtt
655		0	\|a Electronic books.
655		4	\|a Electronic books.
758			\|i has work: \|a Understanding cinema (Text) \|1 https://id.oclc.org/worldcat/entity/E39PCGTxmGQqJfkydWg8d4x343 \|4 https://id.oclc.org/worldcat/ontology/hasWork
776	0	8	\|i Print version: \|a Persson, Per, 1970- \|t Understanding cinema. \|d Cambridge ; New York : Cambridge University Press, 2003 \|z 052181328X \|w (DLC) 2002034988 \|w (OCoLC)50694795
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author	Persson, Per, 1970-
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contents	Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Preface and Acknowledgments; CHAPTER ONE Understanding and Dispositions; CHAPTER TWO Understanding Point-of-View Editing; CHAPTER THREE Variable Framing and Personal Space; CHAPTER FOUR Character Psychology and Mental Attribution; CHAPTER FIVE The Case for a Psychological Theory of Cinema; Notes; References; Index.
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dewey-raw	791.43/01/9
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genre_facet	Electronic books.
id	ZDB-4-EBA-ocm57247377
illustrated	Illustrated
indexdate	2025-04-11T08:35:33Z
institution	BVB
isbn	0511064748 9780511064746 0511073208 9780511073205 0511058411 9780511058417 9780511497735 0511497733 128041975X 9781280419751 9786610419753 6610419752 0511179669 9780511179662 0511203640 9780511203640 0511306601 9780511306600
language	English
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open_access_boolean
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physical	1 online resource (xi, 281 pages) : illustrations
psigel	ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA
publishDate	2003
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publisher	Cambridge University Press,
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spelling	Persson, Per, 1970- https://id.oclc.org/worldcat/entity/E39PCjCRkvqjDJRqdrhD9CXKMK http://id.loc.gov/authorities/names/n2002041280 Understanding cinema : a psychological theory of moving imagery / Per Persson. Cambridge ; New York : Cambridge University Press, 2003. 1 online resource (xi, 281 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 261-275) and index. Print version record. Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Preface and Acknowledgments; CHAPTER ONE Understanding and Dispositions; CHAPTER TWO Understanding Point-of-View Editing; CHAPTER THREE Variable Framing and Personal Space; CHAPTER FOUR Character Psychology and Mental Attribution; CHAPTER FIVE The Case for a Psychological Theory of Cinema; Notes; References; Index. Understanding Cinema analyzes the moving imagery of film and television from a psychological perspective. Per Persson argues that spectators interpret, feel, make use of knowledge, assumptions, expectations and prejudices when viewing and making sense of film. Drawing on psychology and anthropology, he explains how cinematic techniques work, and why they affect the spectator. English. Motion pictures Psychological aspects. Cinéma Aspect psychologique. PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures Psychological aspects fast Psychologie gnd Film gnd http://d-nb.info/gnd/4017102-4 Filmkunst. gtt Vertelsituatie. gtt Psychologische aspecten. gtt Electronic books. has work: Understanding cinema (Text) https://id.oclc.org/worldcat/entity/E39PCGTxmGQqJfkydWg8d4x343 https://id.oclc.org/worldcat/ontology/hasWork Print version: Persson, Per, 1970- Understanding cinema. Cambridge ; New York : Cambridge University Press, 2003 052181328X (DLC) 2002034988 (OCoLC)50694795
spellingShingle	Persson, Per, 1970- Understanding cinema : a psychological theory of moving imagery / Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Preface and Acknowledgments; CHAPTER ONE Understanding and Dispositions; CHAPTER TWO Understanding Point-of-View Editing; CHAPTER THREE Variable Framing and Personal Space; CHAPTER FOUR Character Psychology and Mental Attribution; CHAPTER FIVE The Case for a Psychological Theory of Cinema; Notes; References; Index. Motion pictures Psychological aspects. Cinéma Aspect psychologique. PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures Psychological aspects fast Psychologie gnd Film gnd http://d-nb.info/gnd/4017102-4 Filmkunst. gtt Vertelsituatie. gtt Psychologische aspecten. gtt
subject_GND	http://d-nb.info/gnd/4017102-4
title	Understanding cinema : a psychological theory of moving imagery /
title_auth	Understanding cinema : a psychological theory of moving imagery /
title_exact_search	Understanding cinema : a psychological theory of moving imagery /
title_full	Understanding cinema : a psychological theory of moving imagery / Per Persson.
title_fullStr	Understanding cinema : a psychological theory of moving imagery / Per Persson.
title_full_unstemmed	Understanding cinema : a psychological theory of moving imagery / Per Persson.
title_short	Understanding cinema :
title_sort	understanding cinema a psychological theory of moving imagery
title_sub	a psychological theory of moving imagery /
topic	Motion pictures Psychological aspects. Cinéma Aspect psychologique. PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures Psychological aspects fast Psychologie gnd Film gnd http://d-nb.info/gnd/4017102-4 Filmkunst. gtt Vertelsituatie. gtt Psychologische aspecten. gtt
topic_facet	Motion pictures Psychological aspects. Cinéma Aspect psychologique. PERFORMING ARTS Film & Video History & Criticism. Motion pictures Psychological aspects Psychologie Film Filmkunst. Vertelsituatie. Psychologische aspecten. Electronic books.
work_keys_str_mv	AT perssonper understandingcinemaapsychologicaltheoryofmovingimagery

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