Neo-Baroque aesthetics and contemporary entertainment /:
Tracing the logic of media history, from the baroque to the neo-baroque, from magic lanterns and automata to film and computer games. The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imb...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Mass. :
MIT Press,
©2004.
|
| Schriftenreihe: | Media in transition.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Tracing the logic of media history, from the baroque to the neo-baroque, from magic lanterns and automata to film and computer games. The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque aesthetic that is similarly spectacular. In Neo-Baroque Aesthetics and Contemporary Entertainment, she situates today's film, computer games, comic books, and theme-park attractions within an aesthetic-historical context and uses the baroque as a framework to enrich our understanding of contemporary entertainment media. The neo-baroque aesthetics that Ndalianis analyzes are not, she argues, a case of art history repeating or imitating itself; these forms have emerged as a result of recent technological and economic transformations. The neo-baroque forms combine sight and sound and text in ways that parallel such seventeenth-century baroque forms as magic lanterns, automata, painting, sculpture, and theater but use new technology to express the concerns of the late twentieth and early twenty-first century. Moving smoothly from century to century, comparing ceiling paintings to the computer game Doom, a Spiderman theme park adventure to the baroque version of multimedia known as the Bel Composto, and a Medici wedding to Terminator 2:3D, the book demonstrates the logic of media histories. Ndalianis focuses on the complex interrelationships among entertainment media and presents a rigorous cross-genre, cross-historical analysis of media aesthetics. |
| Beschreibung: | 1 online resource (xiv, 323 pages :) |
| Bibliographie: | Includes bibliographical references (pages 297-312) and index. |
| ISBN: | 9780262280471 0262280477 141756069X 9781417560691 |
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| 245 | 1 | 0 | |a Neo-Baroque aesthetics and contemporary entertainment / |c Angela Ndalianis. |
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| 505 | 0 | |a Polycentrism and seriality : (Neo- )Baroque narrative formations -- Intertextuality, labyrinths, and the (Neo- )Baroque -- Hypertexts, mappings, and colonized spaces -- Virtuosity, special-effects spectacles, and architectures of the senses -- Special-effects magic and the spiritual presence of the technological. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Tracing the logic of media history, from the baroque to the neo-baroque, from magic lanterns and automata to film and computer games. The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque aesthetic that is similarly spectacular. In Neo-Baroque Aesthetics and Contemporary Entertainment, she situates today's film, computer games, comic books, and theme-park attractions within an aesthetic-historical context and uses the baroque as a framework to enrich our understanding of contemporary entertainment media. The neo-baroque aesthetics that Ndalianis analyzes are not, she argues, a case of art history repeating or imitating itself; these forms have emerged as a result of recent technological and economic transformations. The neo-baroque forms combine sight and sound and text in ways that parallel such seventeenth-century baroque forms as magic lanterns, automata, painting, sculpture, and theater but use new technology to express the concerns of the late twentieth and early twenty-first century. Moving smoothly from century to century, comparing ceiling paintings to the computer game Doom, a Spiderman theme park adventure to the baroque version of multimedia known as the Bel Composto, and a Medici wedding to Terminator 2:3D, the book demonstrates the logic of media histories. Ndalianis focuses on the complex interrelationships among entertainment media and presents a rigorous cross-genre, cross-historical analysis of media aesthetics. | ||
| 546 | |a English. | ||
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| 650 | 0 | |a Video games. |0 http://id.loc.gov/authorities/subjects/sh85143202 | |
| 650 | 2 | |a Video Games |0 https://id.nlm.nih.gov/mesh/D018910 | |
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| 830 | 0 | |a Media in transition. |0 http://id.loc.gov/authorities/names/n2002035903 | |
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Datensatz im Suchindex
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| adam_text | |
| any_adam_object | |
| author | Ndalianis, Angela, 1960- |
| author_facet | Ndalianis, Angela, 1960- |
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| contents | Polycentrism and seriality : (Neo- )Baroque narrative formations -- Intertextuality, labyrinths, and the (Neo- )Baroque -- Hypertexts, mappings, and colonized spaces -- Virtuosity, special-effects spectacles, and architectures of the senses -- Special-effects magic and the spiritual presence of the technological. |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43 |
| dewey-search | 791.43 |
| dewey-sort | 3791.43 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Motion pictures fast Motion pictures. lcgft Films. rvmgf |
| genre_facet | Motion pictures Motion pictures. Films. |
| id | ZDB-4-EBA-ocm57141792 |
| illustrated | Illustrated |
| indexdate | 2024-10-25T16:16:08Z |
| institution | BVB |
| isbn | 9780262280471 0262280477 141756069X 9781417560691 |
| language | English |
| lccn | 2003059383 |
| oclc_num | 57141792 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource (xiv, 323 pages :) |
| psigel | ZDB-4-EBA |
| publishDate | 2004 |
| publishDateSearch | 2004 |
| publishDateSort | 2004 |
| publisher | MIT Press, |
| record_format | marc |
| series | Media in transition. |
| series2 | Media in transition |
| spelling | Ndalianis, Angela, 1960- https://id.oclc.org/worldcat/entity/E39PCjFXfTxFj9HmKQxjt9bkrC Neo-Baroque aesthetics and contemporary entertainment / Angela Ndalianis. Cambridge, Mass. : MIT Press, ©2004. 1 online resource (xiv, 323 pages :) text txt rdacontent computer c rdamedia online resource cr rdacarrier Media in transition Includes bibliographical references (pages 297-312) and index. Polycentrism and seriality : (Neo- )Baroque narrative formations -- Intertextuality, labyrinths, and the (Neo- )Baroque -- Hypertexts, mappings, and colonized spaces -- Virtuosity, special-effects spectacles, and architectures of the senses -- Special-effects magic and the spiritual presence of the technological. Print version record. Tracing the logic of media history, from the baroque to the neo-baroque, from magic lanterns and automata to film and computer games. The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque aesthetic that is similarly spectacular. In Neo-Baroque Aesthetics and Contemporary Entertainment, she situates today's film, computer games, comic books, and theme-park attractions within an aesthetic-historical context and uses the baroque as a framework to enrich our understanding of contemporary entertainment media. The neo-baroque aesthetics that Ndalianis analyzes are not, she argues, a case of art history repeating or imitating itself; these forms have emerged as a result of recent technological and economic transformations. The neo-baroque forms combine sight and sound and text in ways that parallel such seventeenth-century baroque forms as magic lanterns, automata, painting, sculpture, and theater but use new technology to express the concerns of the late twentieth and early twenty-first century. Moving smoothly from century to century, comparing ceiling paintings to the computer game Doom, a Spiderman theme park adventure to the baroque version of multimedia known as the Bel Composto, and a Medici wedding to Terminator 2:3D, the book demonstrates the logic of media histories. Ndalianis focuses on the complex interrelationships among entertainment media and presents a rigorous cross-genre, cross-historical analysis of media aesthetics. English. Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Mass media. Mass media Technological innovations. Cinematography Special effects. http://id.loc.gov/authorities/subjects/sh85026023 Civilization, Baroque. http://id.loc.gov/authorities/subjects/sh85026446 Video games. http://id.loc.gov/authorities/subjects/sh85143202 Video Games https://id.nlm.nih.gov/mesh/D018910 Motion Pictures. Médias. Médias Innovations. Cinéma Effets spéciaux. Civilisation baroque. Jeux vidéo. Cinéma. mass media. aat video games. aat PERFORMING ARTS Film & Video Reference. bisacsh Cinematography Special effects fast Civilization, Baroque fast Mass media fast Mass media Technological innovations fast Motion pictures fast Video games fast Film. hilcc Music, Dance, Drama & Film. hilcc DIGITAL HUMANITIES & NEW MEDIA/New Media Art ARTS/Art History/General DIGITAL HUMANITIES & NEW MEDIA/New Media History Motion pictures. lcgft Films. rvmgf has work: Neo-Baroque aesthetics and contemporary entertainment (Text) https://id.oclc.org/worldcat/entity/E39PCFKd6dQTJDrCkPjfgc4br3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Ndalianis, Angela, 1960- Neo-Baroque aesthetics and contemporary entertainment. Cambridge, Mass. : MIT Press, ©2004 0262140845 (DLC) 2003059383 (OCoLC)52821143 Media in transition. http://id.loc.gov/authorities/names/n2002035903 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=122535 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=122535 Volltext |
| spellingShingle | Ndalianis, Angela, 1960- Neo-Baroque aesthetics and contemporary entertainment / Media in transition. Polycentrism and seriality : (Neo- )Baroque narrative formations -- Intertextuality, labyrinths, and the (Neo- )Baroque -- Hypertexts, mappings, and colonized spaces -- Virtuosity, special-effects spectacles, and architectures of the senses -- Special-effects magic and the spiritual presence of the technological. Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Mass media. Mass media Technological innovations. Cinematography Special effects. http://id.loc.gov/authorities/subjects/sh85026023 Civilization, Baroque. http://id.loc.gov/authorities/subjects/sh85026446 Video games. http://id.loc.gov/authorities/subjects/sh85143202 Video Games https://id.nlm.nih.gov/mesh/D018910 Motion Pictures. Médias. Médias Innovations. Cinéma Effets spéciaux. Civilisation baroque. Jeux vidéo. Cinéma. mass media. aat video games. aat PERFORMING ARTS Film & Video Reference. bisacsh Cinematography Special effects fast Civilization, Baroque fast Mass media fast Mass media Technological innovations fast Motion pictures fast Video games fast Film. hilcc Music, Dance, Drama & Film. hilcc |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088084 http://id.loc.gov/authorities/subjects/sh85026023 http://id.loc.gov/authorities/subjects/sh85026446 http://id.loc.gov/authorities/subjects/sh85143202 https://id.nlm.nih.gov/mesh/D018910 |
| title | Neo-Baroque aesthetics and contemporary entertainment / |
| title_auth | Neo-Baroque aesthetics and contemporary entertainment / |
| title_exact_search | Neo-Baroque aesthetics and contemporary entertainment / |
| title_full | Neo-Baroque aesthetics and contemporary entertainment / Angela Ndalianis. |
| title_fullStr | Neo-Baroque aesthetics and contemporary entertainment / Angela Ndalianis. |
| title_full_unstemmed | Neo-Baroque aesthetics and contemporary entertainment / Angela Ndalianis. |
| title_short | Neo-Baroque aesthetics and contemporary entertainment / |
| title_sort | neo baroque aesthetics and contemporary entertainment |
| topic | Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Mass media. Mass media Technological innovations. Cinematography Special effects. http://id.loc.gov/authorities/subjects/sh85026023 Civilization, Baroque. http://id.loc.gov/authorities/subjects/sh85026446 Video games. http://id.loc.gov/authorities/subjects/sh85143202 Video Games https://id.nlm.nih.gov/mesh/D018910 Motion Pictures. Médias. Médias Innovations. Cinéma Effets spéciaux. Civilisation baroque. Jeux vidéo. Cinéma. mass media. aat video games. aat PERFORMING ARTS Film & Video Reference. bisacsh Cinematography Special effects fast Civilization, Baroque fast Mass media fast Mass media Technological innovations fast Motion pictures fast Video games fast Film. hilcc Music, Dance, Drama & Film. hilcc |
| topic_facet | Motion pictures. Mass media. Mass media Technological innovations. Cinematography Special effects. Civilization, Baroque. Video games. Video Games Motion Pictures. Médias. Médias Innovations. Cinéma Effets spéciaux. Civilisation baroque. Jeux vidéo. Cinéma. mass media. video games. PERFORMING ARTS Film & Video Reference. Cinematography Special effects Civilization, Baroque Mass media Mass media Technological innovations Motion pictures Video games Film. Music, Dance, Drama & Film. Films. |
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| work_keys_str_mv | AT ndalianisangela neobaroqueaestheticsandcontemporaryentertainment |