Irony's edge :: the theory and politics of irony /
There is the growing sense that irony has emerged as a mode of expression that is strangely out of vogue. The popular press has veritably written it off as a means of critique. Politicians and pundits seldom use it. And when they do, it tends either to miss its intended mark or, for that matter, ind...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London ; New York :
Routledge,
©1995.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | There is the growing sense that irony has emerged as a mode of expression that is strangely out of vogue. The popular press has veritably written it off as a means of critique. Politicians and pundits seldom use it. And when they do, it tends either to miss its intended mark or, for that matter, induce widespread cognitive failure. Yet, irony is a complex rhetorical move. It depends on deep and shared levels of understanding, knowing namely, that one means what one doesn't mean and that that actually means something else completely. It produces a "scene." In Irony's edge, Linda Hutcheon examines the nature of this "scene." She explores what constitutes irony, how irony functions, in what ways it is political, and how it disrupts the space between expression and understanding. She examines irony not only as an intercommunicative act, but as a discursive practice that is, in many ways, a cultural event, which happens in discrete and often sophisticated ways. She analyzes irony's logic and the way in which it operates in relations to concepts of difference and identity, intentionality and interpretation, and the inappropriate and the appropriate. She examines these concerns vis-a-vis an array of references gathered from contemporary and modern culture. She looks at works such as the novels of Umberto Eco, the operas and symphonies of Richard Wagner, and the art of Anselm Kiefer. She focuses on popular cultural figures such as Madonna and the recent film of Shakespeare's Henry V. Her book is one of the first synthesized theoretical accounts of the cultural phenomenology of irony. In Irony's edge, Hutcheon elaborates upon her earlier work on parody (A theory of parody) and scrutinizes the mechanics of irony in fundamentally salient and critical ways |
Beschreibung: | 1 online resource (viii, 248 pages) : illustrations |
Bibliographie: | Includes bibliographical references (pages 210-238) and index. |
ISBN: | 0203359259 9780203359259 9786610055876 6610055874 |
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245 | 1 | 0 | |a Irony's edge : |b the theory and politics of irony / |c Linda Hutcheon. |
260 | |a London ; |a New York : |b Routledge, |c ©1995. | ||
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504 | |a Includes bibliographical references (pages 210-238) and index. | ||
520 | |a There is the growing sense that irony has emerged as a mode of expression that is strangely out of vogue. The popular press has veritably written it off as a means of critique. Politicians and pundits seldom use it. And when they do, it tends either to miss its intended mark or, for that matter, induce widespread cognitive failure. Yet, irony is a complex rhetorical move. It depends on deep and shared levels of understanding, knowing namely, that one means what one doesn't mean and that that actually means something else completely. It produces a "scene." In Irony's edge, Linda Hutcheon examines the nature of this "scene." She explores what constitutes irony, how irony functions, in what ways it is political, and how it disrupts the space between expression and understanding. She examines irony not only as an intercommunicative act, but as a discursive practice that is, in many ways, a cultural event, which happens in discrete and often sophisticated ways. She analyzes irony's logic and the way in which it operates in relations to concepts of difference and identity, intentionality and interpretation, and the inappropriate and the appropriate. She examines these concerns vis-a-vis an array of references gathered from contemporary and modern culture. She looks at works such as the novels of Umberto Eco, the operas and symphonies of Richard Wagner, and the art of Anselm Kiefer. She focuses on popular cultural figures such as Madonna and the recent film of Shakespeare's Henry V. Her book is one of the first synthesized theoretical accounts of the cultural phenomenology of irony. In Irony's edge, Hutcheon elaborates upon her earlier work on parody (A theory of parody) and scrutinizes the mechanics of irony in fundamentally salient and critical ways | ||
588 | 0 | |a Print version record. | |
505 | 0 | 0 | |t Introduction: The "Scene" of Irony -- |g 1. |t Risky Business: The "Transideological" Politics of Irony -- |g 2. |t Cutting Edge -- |g 3. |t Modeling Meaning: The Semantics of Irony -- |g 4. |t Discursive Communities: How Irony "Happens" -- |g 5. |t Intention and Interpretation: Irony and the Eye of the Beholder -- |g 6. |t Frame-Ups and Their Marks: The Recognition Or Attribution of Irony -- |g 7. |t End(s) of Irony: The Politics of Appropriateness. |
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650 | 6 | |a Ironie. | |
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author | Hutcheon, Linda, 1947- |
author_GND | http://id.loc.gov/authorities/names/n81086196 |
author_facet | Hutcheon, Linda, 1947- |
author_role | |
author_sort | Hutcheon, Linda, 1947- |
author_variant | l h lh |
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callnumber-first | P - Language and Literature |
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callnumber-search | PN56.I65 H88 1994eb |
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callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Introduction: The "Scene" of Irony -- Risky Business: The "Transideological" Politics of Irony -- Cutting Edge -- Modeling Meaning: The Semantics of Irony -- Discursive Communities: How Irony "Happens" -- Intention and Interpretation: Irony and the Eye of the Beholder -- Frame-Ups and Their Marks: The Recognition Or Attribution of Irony -- End(s) of Irony: The Politics of Appropriateness. |
ctrlnum | (OCoLC)56622285 |
dewey-full | 128/.4 |
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dewey-ones | 128 - Humankind |
dewey-raw | 128/.4 |
dewey-search | 128/.4 |
dewey-sort | 3128 14 |
dewey-tens | 120 - Epistemology, causation, humankind |
discipline | Philosophie |
format | Electronic eBook |
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indexdate | 2024-11-27T13:15:36Z |
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spelling | Hutcheon, Linda, 1947- https://id.oclc.org/worldcat/entity/E39PBJd8fWcYg6FvV8jQ4dwcT3 http://id.loc.gov/authorities/names/n81086196 Irony's edge : the theory and politics of irony / Linda Hutcheon. London ; New York : Routledge, ©1995. 1 online resource (viii, 248 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 210-238) and index. There is the growing sense that irony has emerged as a mode of expression that is strangely out of vogue. The popular press has veritably written it off as a means of critique. Politicians and pundits seldom use it. And when they do, it tends either to miss its intended mark or, for that matter, induce widespread cognitive failure. Yet, irony is a complex rhetorical move. It depends on deep and shared levels of understanding, knowing namely, that one means what one doesn't mean and that that actually means something else completely. It produces a "scene." In Irony's edge, Linda Hutcheon examines the nature of this "scene." She explores what constitutes irony, how irony functions, in what ways it is political, and how it disrupts the space between expression and understanding. She examines irony not only as an intercommunicative act, but as a discursive practice that is, in many ways, a cultural event, which happens in discrete and often sophisticated ways. She analyzes irony's logic and the way in which it operates in relations to concepts of difference and identity, intentionality and interpretation, and the inappropriate and the appropriate. She examines these concerns vis-a-vis an array of references gathered from contemporary and modern culture. She looks at works such as the novels of Umberto Eco, the operas and symphonies of Richard Wagner, and the art of Anselm Kiefer. She focuses on popular cultural figures such as Madonna and the recent film of Shakespeare's Henry V. Her book is one of the first synthesized theoretical accounts of the cultural phenomenology of irony. In Irony's edge, Hutcheon elaborates upon her earlier work on parody (A theory of parody) and scrutinizes the mechanics of irony in fundamentally salient and critical ways Print version record. Introduction: The "Scene" of Irony -- 1. Risky Business: The "Transideological" Politics of Irony -- 2. Cutting Edge -- 3. Modeling Meaning: The Semantics of Irony -- 4. Discursive Communities: How Irony "Happens" -- 5. Intention and Interpretation: Irony and the Eye of the Beholder -- 6. Frame-Ups and Their Marks: The Recognition Or Attribution of Irony -- 7. End(s) of Irony: The Politics of Appropriateness. Irony. http://id.loc.gov/authorities/subjects/sh85068254 Ironie. irony. aat PHILOSOPHY Movements Humanism. bisacsh Irony fast Literature has work: Irony's edge (Text) https://id.oclc.org/worldcat/entity/E39PCH94CmgJPt4RW7RjdQpcCP https://id.oclc.org/worldcat/ontology/hasWork Print version: Hutcheon, Linda, 1947- Irony's edge. London ; New York : Routledge, ©1995 0415054524 0415054532 (DLC) 94008604 (OCoLC)30035465 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=95700 Volltext |
spellingShingle | Hutcheon, Linda, 1947- Irony's edge : the theory and politics of irony / Introduction: The "Scene" of Irony -- Risky Business: The "Transideological" Politics of Irony -- Cutting Edge -- Modeling Meaning: The Semantics of Irony -- Discursive Communities: How Irony "Happens" -- Intention and Interpretation: Irony and the Eye of the Beholder -- Frame-Ups and Their Marks: The Recognition Or Attribution of Irony -- End(s) of Irony: The Politics of Appropriateness. Irony. http://id.loc.gov/authorities/subjects/sh85068254 Ironie. irony. aat PHILOSOPHY Movements Humanism. bisacsh Irony fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85068254 |
title | Irony's edge : the theory and politics of irony / |
title_alt | Introduction: The "Scene" of Irony -- Risky Business: The "Transideological" Politics of Irony -- Cutting Edge -- Modeling Meaning: The Semantics of Irony -- Discursive Communities: How Irony "Happens" -- Intention and Interpretation: Irony and the Eye of the Beholder -- Frame-Ups and Their Marks: The Recognition Or Attribution of Irony -- End(s) of Irony: The Politics of Appropriateness. |
title_auth | Irony's edge : the theory and politics of irony / |
title_exact_search | Irony's edge : the theory and politics of irony / |
title_full | Irony's edge : the theory and politics of irony / Linda Hutcheon. |
title_fullStr | Irony's edge : the theory and politics of irony / Linda Hutcheon. |
title_full_unstemmed | Irony's edge : the theory and politics of irony / Linda Hutcheon. |
title_short | Irony's edge : |
title_sort | irony s edge the theory and politics of irony |
title_sub | the theory and politics of irony / |
topic | Irony. http://id.loc.gov/authorities/subjects/sh85068254 Ironie. irony. aat PHILOSOPHY Movements Humanism. bisacsh Irony fast |
topic_facet | Irony. Ironie. irony. PHILOSOPHY Movements Humanism. Irony |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=95700 |
work_keys_str_mv | AT hutcheonlinda ironysedgethetheoryandpoliticsofirony |