Rethinking Third Cinema /:
This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issue...
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| Weitere Verfasser: | , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York :
Routledge,
2003.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from directors such as Ousmane Sembene, Satyajit Ray and Nelson Pereira dos Santos, are among the most culturally signficant, politically sophisticated and frequently studied films of the 1960s and 1970s. However, despite the contemporary popularity and critical attention enjoyed by films from Asia and Latin America in particular, Third Cinema and Third Cinema theory appears to have lost its momentum. Rethinking Third Cinema seeks to bring Third Cinema and Third Cinema theory back into the critical spotlight. The contributors address the most difficult and challenging questions Third Cinema poses, suggesting new methodologies and redirections of existing ones. Crucially, they also re-examine the entire phenomenon of film-making in a fast-vanishing 'Third World', with case studies of the cinemas of India, Iran and Hong Kong, among others. |
| Beschreibung: | 1 online resource (xii, 240 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 020363425X 9780203634257 0203637585 9780203637586 9780415213530 0415213533 9780415213547 0415213541 6610079633 9786610079636 |
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| 245 | 0 | 0 | |a Rethinking Third Cinema / |c edited by Anthony R. Guneratne, Wimal Dissanayake ; [contributors, Sumita S. Chakravarty and others]. |
| 260 | |a London ; |a New York : |b Routledge, |c 2003. | ||
| 300 | |a 1 online resource (xii, 240 pages) | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g Introduction: |t rethinking Third Cinema / |r Anthony R. Guneratne -- |g PART I. THIRD CINEMA THEORY AND BEYOND -- |t Beyond Third Cinema: the aesthetics of hybridity / |r Robert Stam -- |g PART II. CHALLENGING THIRD WORLD LEGACIES: ISSUES OF GENDER, CULTURE, AND REPRESENTATION -- |t Post-third worldist culture: gender, nation, and the cinema / |r Ella Shohat -- |t The erotics of history: gender and trangression in the new Asian cinemas / |r Sumita S. Chakravarty -- |g PART III. ALTERNATIVE CINEMA IN THE AGE OF GLOBALIZATION -- |t Authorship, globalization, and the new identity of Latin American cinema: from the Mexican "ranchera" to Argentinian "exile" / |r Marvin D'Lugo -- |t Video booms and the manifestations of "first" cinema in anglophone Africa / |r N. Frank Ukadike -- |g PART IV. THE RELOCATION OF CULTURE: SOCIAL SPECIFICITY AND THE "THIRD" QUESTION -- |t What's "oppositional" in Indonesian cinema? / |r Krishna Sen -- |t The seductions of homecoming: place, authenticity, and Chen Kaige's Temptress moon / |r Rey Chow -- |g PART V. RECEIVING/RETRIEVING THIRD (WORLD) CINEMA: ALTERNATIVE APPROACHES TO SPECTATOR STUDIES AND CRITICAL HISTORY -- |t Theorizing "Third World" film spectatorship: the case of Iran and Iranian cinema / |r Hamid Naficy -- |t Rethinking Indian popular cinema: towards newer frames of understanding / |r Wimal Dissanayake. |
| 588 | 0 | |a Print version record. | |
| 520 | |a This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from directors such as Ousmane Sembene, Satyajit Ray and Nelson Pereira dos Santos, are among the most culturally signficant, politically sophisticated and frequently studied films of the 1960s and 1970s. However, despite the contemporary popularity and critical attention enjoyed by films from Asia and Latin America in particular, Third Cinema and Third Cinema theory appears to have lost its momentum. Rethinking Third Cinema seeks to bring Third Cinema and Third Cinema theory back into the critical spotlight. The contributors address the most difficult and challenging questions Third Cinema poses, suggesting new methodologies and redirections of existing ones. Crucially, they also re-examine the entire phenomenon of film-making in a fast-vanishing 'Third World', with case studies of the cinemas of India, Iran and Hong Kong, among others. | ||
| 650 | 0 | |a Motion pictures |z Developing countries. | |
| 650 | 0 | |a Intercultural communication in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh91005434 | |
| 650 | 6 | |a Communication interculturelle au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a Intercultural communication in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Developing countries |2 fast | |
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| 700 | 1 | |a Guneratne, Anthony R. | |
| 700 | 1 | |a Dissanayake, Wimal. | |
| 700 | 1 | |a Chakravarty, Sumita S. | |
| 776 | 0 | 8 | |i Print version: |t Rethinking Third Cinema. |d London ; New York : Routledge, 2003 |z 0415213533 |z 0415213541 |w (OCoLC)51871526 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm56573362 |
|---|---|
| _version_ | 1816881619635535872 |
| adam_text | |
| any_adam_object | |
| author2 | Guneratne, Anthony R. Dissanayake, Wimal Chakravarty, Sumita S. |
| author2_role | |
| author2_variant | a r g ar arg w d wd s s c ss ssc |
| author_additional | Anthony R. Guneratne -- Robert Stam -- Ella Shohat -- Sumita S. Chakravarty -- Marvin D'Lugo -- N. Frank Ukadike -- Krishna Sen -- Rey Chow -- Hamid Naficy -- Wimal Dissanayake. |
| author_facet | Guneratne, Anthony R. Dissanayake, Wimal Chakravarty, Sumita S. |
| author_sort | Guneratne, Anthony R. |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.D44 R48 2003eb |
| callnumber-search | PN1993.5.D44 R48 2003eb |
| callnumber-sort | PN 41993.5 D44 R48 42003EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | rethinking Third Cinema / Beyond Third Cinema: the aesthetics of hybridity / Post-third worldist culture: gender, nation, and the cinema / The erotics of history: gender and trangression in the new Asian cinemas / Authorship, globalization, and the new identity of Latin American cinema: from the Mexican "ranchera" to Argentinian "exile" / Video booms and the manifestations of "first" cinema in anglophone Africa / What's "oppositional" in Indonesian cinema? / The seductions of homecoming: place, authenticity, and Chen Kaige's Temptress moon / Theorizing "Third World" film spectatorship: the case of Iran and Iranian cinema / Rethinking Indian popular cinema: towards newer frames of understanding / |
| ctrlnum | (OCoLC)56573362 |
| dewey-full | 791.43091724 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43091724 |
| dewey-search | 791.43091724 |
| dewey-sort | 3791.43091724 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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Guneratne, Wimal Dissanayake ; [contributors, Sumita S. 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Guneratne --</subfield><subfield code="g">PART I. THIRD CINEMA THEORY AND BEYOND --</subfield><subfield code="t">Beyond Third Cinema: the aesthetics of hybridity /</subfield><subfield code="r">Robert Stam --</subfield><subfield code="g">PART II. CHALLENGING THIRD WORLD LEGACIES: ISSUES OF GENDER, CULTURE, AND REPRESENTATION --</subfield><subfield code="t">Post-third worldist culture: gender, nation, and the cinema /</subfield><subfield code="r">Ella Shohat --</subfield><subfield code="t">The erotics of history: gender and trangression in the new Asian cinemas /</subfield><subfield code="r">Sumita S. Chakravarty --</subfield><subfield code="g">PART III. ALTERNATIVE CINEMA IN THE AGE OF GLOBALIZATION --</subfield><subfield code="t">Authorship, globalization, and the new identity of Latin American cinema: from the Mexican "ranchera" to Argentinian "exile" /</subfield><subfield code="r">Marvin D'Lugo --</subfield><subfield code="t">Video booms and the manifestations of "first" cinema in anglophone Africa /</subfield><subfield code="r">N. Frank Ukadike --</subfield><subfield code="g">PART IV. THE RELOCATION OF CULTURE: SOCIAL SPECIFICITY AND THE "THIRD" QUESTION --</subfield><subfield code="t">What's "oppositional" in Indonesian cinema? /</subfield><subfield code="r">Krishna Sen --</subfield><subfield code="t">The seductions of homecoming: place, authenticity, and Chen Kaige's Temptress moon /</subfield><subfield code="r">Rey Chow --</subfield><subfield code="g">PART V. RECEIVING/RETRIEVING THIRD (WORLD) CINEMA: ALTERNATIVE APPROACHES TO SPECTATOR STUDIES AND CRITICAL HISTORY --</subfield><subfield code="t">Theorizing "Third World" film spectatorship: the case of Iran and Iranian cinema /</subfield><subfield code="r">Hamid Naficy --</subfield><subfield code="t">Rethinking Indian popular cinema: towards newer frames of understanding /</subfield><subfield code="r">Wimal Dissanayake.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. 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| geographic | Developing countries fast |
| geographic_facet | Developing countries |
| id | ZDB-4-EBA-ocm56573362 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:15:36Z |
| institution | BVB |
| isbn | 020363425X 9780203634257 0203637585 9780203637586 9780415213530 0415213533 9780415213547 0415213541 6610079633 9786610079636 |
| language | English |
| oclc_num | 56573362 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 240 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2003 |
| publishDateSearch | 2003 |
| publishDateSort | 2003 |
| publisher | Routledge, |
| record_format | marc |
| spelling | Rethinking Third Cinema / edited by Anthony R. Guneratne, Wimal Dissanayake ; [contributors, Sumita S. Chakravarty and others]. London ; New York : Routledge, 2003. 1 online resource (xii, 240 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Introduction: rethinking Third Cinema / Anthony R. Guneratne -- PART I. THIRD CINEMA THEORY AND BEYOND -- Beyond Third Cinema: the aesthetics of hybridity / Robert Stam -- PART II. CHALLENGING THIRD WORLD LEGACIES: ISSUES OF GENDER, CULTURE, AND REPRESENTATION -- Post-third worldist culture: gender, nation, and the cinema / Ella Shohat -- The erotics of history: gender and trangression in the new Asian cinemas / Sumita S. Chakravarty -- PART III. ALTERNATIVE CINEMA IN THE AGE OF GLOBALIZATION -- Authorship, globalization, and the new identity of Latin American cinema: from the Mexican "ranchera" to Argentinian "exile" / Marvin D'Lugo -- Video booms and the manifestations of "first" cinema in anglophone Africa / N. Frank Ukadike -- PART IV. THE RELOCATION OF CULTURE: SOCIAL SPECIFICITY AND THE "THIRD" QUESTION -- What's "oppositional" in Indonesian cinema? / Krishna Sen -- The seductions of homecoming: place, authenticity, and Chen Kaige's Temptress moon / Rey Chow -- PART V. RECEIVING/RETRIEVING THIRD (WORLD) CINEMA: ALTERNATIVE APPROACHES TO SPECTATOR STUDIES AND CRITICAL HISTORY -- Theorizing "Third World" film spectatorship: the case of Iran and Iranian cinema / Hamid Naficy -- Rethinking Indian popular cinema: towards newer frames of understanding / Wimal Dissanayake. Print version record. This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from directors such as Ousmane Sembene, Satyajit Ray and Nelson Pereira dos Santos, are among the most culturally signficant, politically sophisticated and frequently studied films of the 1960s and 1970s. However, despite the contemporary popularity and critical attention enjoyed by films from Asia and Latin America in particular, Third Cinema and Third Cinema theory appears to have lost its momentum. Rethinking Third Cinema seeks to bring Third Cinema and Third Cinema theory back into the critical spotlight. The contributors address the most difficult and challenging questions Third Cinema poses, suggesting new methodologies and redirections of existing ones. Crucially, they also re-examine the entire phenomenon of film-making in a fast-vanishing 'Third World', with case studies of the cinemas of India, Iran and Hong Kong, among others. Motion pictures Developing countries. Intercultural communication in motion pictures. http://id.loc.gov/authorities/subjects/sh91005434 Communication interculturelle au cinéma. PERFORMING ARTS Film & Video Reference. bisacsh Intercultural communication in motion pictures fast Motion pictures fast Developing countries fast Filmkunst. gtt Films. gtt Ontwikkelingslanden. gtt Guneratne, Anthony R. Dissanayake, Wimal. Chakravarty, Sumita S. Print version: Rethinking Third Cinema. London ; New York : Routledge, 2003 0415213533 0415213541 (OCoLC)51871526 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=111318 Volltext |
| spellingShingle | Rethinking Third Cinema / rethinking Third Cinema / Beyond Third Cinema: the aesthetics of hybridity / Post-third worldist culture: gender, nation, and the cinema / The erotics of history: gender and trangression in the new Asian cinemas / Authorship, globalization, and the new identity of Latin American cinema: from the Mexican "ranchera" to Argentinian "exile" / Video booms and the manifestations of "first" cinema in anglophone Africa / What's "oppositional" in Indonesian cinema? / The seductions of homecoming: place, authenticity, and Chen Kaige's Temptress moon / Theorizing "Third World" film spectatorship: the case of Iran and Iranian cinema / Rethinking Indian popular cinema: towards newer frames of understanding / Motion pictures Developing countries. Intercultural communication in motion pictures. http://id.loc.gov/authorities/subjects/sh91005434 Communication interculturelle au cinéma. PERFORMING ARTS Film & Video Reference. bisacsh Intercultural communication in motion pictures fast Motion pictures fast Filmkunst. gtt Films. gtt Ontwikkelingslanden. gtt |
| subject_GND | http://id.loc.gov/authorities/subjects/sh91005434 |
| title | Rethinking Third Cinema / |
| title_alt | rethinking Third Cinema / Beyond Third Cinema: the aesthetics of hybridity / Post-third worldist culture: gender, nation, and the cinema / The erotics of history: gender and trangression in the new Asian cinemas / Authorship, globalization, and the new identity of Latin American cinema: from the Mexican "ranchera" to Argentinian "exile" / Video booms and the manifestations of "first" cinema in anglophone Africa / What's "oppositional" in Indonesian cinema? / The seductions of homecoming: place, authenticity, and Chen Kaige's Temptress moon / Theorizing "Third World" film spectatorship: the case of Iran and Iranian cinema / Rethinking Indian popular cinema: towards newer frames of understanding / |
| title_auth | Rethinking Third Cinema / |
| title_exact_search | Rethinking Third Cinema / |
| title_full | Rethinking Third Cinema / edited by Anthony R. Guneratne, Wimal Dissanayake ; [contributors, Sumita S. Chakravarty and others]. |
| title_fullStr | Rethinking Third Cinema / edited by Anthony R. Guneratne, Wimal Dissanayake ; [contributors, Sumita S. Chakravarty and others]. |
| title_full_unstemmed | Rethinking Third Cinema / edited by Anthony R. Guneratne, Wimal Dissanayake ; [contributors, Sumita S. Chakravarty and others]. |
| title_short | Rethinking Third Cinema / |
| title_sort | rethinking third cinema |
| topic | Motion pictures Developing countries. Intercultural communication in motion pictures. http://id.loc.gov/authorities/subjects/sh91005434 Communication interculturelle au cinéma. PERFORMING ARTS Film & Video Reference. bisacsh Intercultural communication in motion pictures fast Motion pictures fast Filmkunst. gtt Films. gtt Ontwikkelingslanden. gtt |
| topic_facet | Motion pictures Developing countries. Intercultural communication in motion pictures. Communication interculturelle au cinéma. PERFORMING ARTS Film & Video Reference. Intercultural communication in motion pictures Motion pictures Developing countries Filmkunst. Films. Ontwikkelingslanden. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=111318 |
| work_keys_str_mv | AT guneratneanthonyr rethinkingthirdcinema AT dissanayakewimal rethinkingthirdcinema AT chakravartysumitas rethinkingthirdcinema |