The Soledades, Góngora's masque of the imagination /:
Prince of Darkness or Angel of Light? The pastoral masterpiece the Soledades garnered both titles for its author, Luis de Góngora, one of Spain's premier poets. In The Soledades, Góngora's Masque of the Imagination, Marsha S. Collins focuses on the brilliant seventeenth-century Spanish p...
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Format: | Elektronisch E-Book |
Sprache: | English |
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University of Missouri Press,
©2002.
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Online-Zugang: | Volltext |
Zusammenfassung: | Prince of Darkness or Angel of Light? The pastoral masterpiece the Soledades garnered both titles for its author, Luis de Góngora, one of Spain's premier poets. In The Soledades, Góngora's Masque of the Imagination, Marsha S. Collins focuses on the brilliant seventeenth-century Spanish poet's contentious work of art. The Soledades have sparked controversy since they were first circulated at court in 1612-1614 and continue to do so even now, as Góngora has become for some critics the poster child of postmodernism. These perplexing 2,000-plus line pastoral poems garnered endless debates over the value and meaning of the author's enigmatic, challenging poetry and gave rise to his reputation, causing his very name to become an English term for obscurity. Collins views these controversial poems in a different light, as a literary work that is a product of European court culture. She shows that the Soledades are in essence a court masque, an elaborate theatrical genre that combines a variety of cultural forms and that unfolds in the mind of the reader. Collins maintains that far from serving as an example of "art for art's sake," the Soledades represent Góngora's bid to transform poetic language into a new kind of visionary discourse that allows readers to access secret truths invisible to the average member of the reading public. Each of Collins's four chapters analyzes a different facet of the Soledades, offering readers varied means of approaching Góngora's great work and helping the audience read the poems with greater understanding and appreciation. The Soledades, Góngora's Masque of the Imagination demystifies the daunting, hermetic language of the Soledades to make this masterpiece of imperial Spain accessible to a new, and wider, circle of modern readers. Collins's book transports readers to the court of Habsburg Spain, offering a window to court culture - art, music, alchemy, emblems, garden architecture - and revealing the remarkable beauty of one of Spain's greatest literary masterpieces. Interdisciplinary and cross-cultural in approach, this book will appeal to all Hispanists, including those interested in the current "New Baroque" vogue in Hispanic scholarship, as well as specialists in Renaissance and Baroque English and European literature |
Beschreibung: | 1 online resource (xiii, 270 pages) |
Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
Bibliographie: | Includes bibliographical references (pages 249-265) and index. |
ISBN: | 0826262856 9780826262851 0826213634 9780826213631 1417528222 9781417528226 |
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245 | 1 | 4 | |a The Soledades, Góngora's masque of the imagination / |c Marsha S. Collins. |
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520 | 8 | |a Prince of Darkness or Angel of Light? The pastoral masterpiece the Soledades garnered both titles for its author, Luis de Góngora, one of Spain's premier poets. In The Soledades, Góngora's Masque of the Imagination, Marsha S. Collins focuses on the brilliant seventeenth-century Spanish poet's contentious work of art. The Soledades have sparked controversy since they were first circulated at court in 1612-1614 and continue to do so even now, as Góngora has become for some critics the poster child of postmodernism. These perplexing 2,000-plus line pastoral poems garnered endless debates over the value and meaning of the author's enigmatic, challenging poetry and gave rise to his reputation, causing his very name to become an English term for obscurity. Collins views these controversial poems in a different light, as a literary work that is a product of European court culture. She shows that the Soledades are in essence a court masque, an elaborate theatrical genre that combines a variety of cultural forms and that unfolds in the mind of the reader. Collins maintains that far from serving as an example of "art for art's sake," the Soledades represent Góngora's bid to transform poetic language into a new kind of visionary discourse that allows readers to access secret truths invisible to the average member of the reading public. Each of Collins's four chapters analyzes a different facet of the Soledades, offering readers varied means of approaching Góngora's great work and helping the audience read the poems with greater understanding and appreciation. The Soledades, Góngora's Masque of the Imagination demystifies the daunting, hermetic language of the Soledades to make this masterpiece of imperial Spain accessible to a new, and wider, circle of modern readers. Collins's book transports readers to the court of Habsburg Spain, offering a window to court culture - art, music, alchemy, emblems, garden architecture - and revealing the remarkable beauty of one of Spain's greatest literary masterpieces. Interdisciplinary and cross-cultural in approach, this book will appeal to all Hispanists, including those interested in the current "New Baroque" vogue in Hispanic scholarship, as well as specialists in Renaissance and Baroque English and European literature | |
533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
505 | 0 | |a Preface -- Acknowledgments -- Conclusion -- Notes -- Bibliography -- Index. | |
546 | |a English. | ||
600 | 1 | 0 | |a Góngora y Argote, Luis de, |d 1561-1627. |t Soledades. |0 http://id.loc.gov/authorities/names/no2022106549 |
600 | 1 | 0 | |a Góngora y Argote, Luis de, |d 1561-1627 |x Literary style. |
600 | 1 | 7 | |a Góngora y Argote, Luis de, |d 1561-1627 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJjt9yVxDJHF4TvKkYYHG3 |
630 | 0 | 7 | |a Soledades (Góngora y Argote, Luis de) |2 fast |
650 | 7 | |a POETRY |x Continental European. |2 bisacsh | |
650 | 7 | |a Literary style |2 fast | |
650 | 1 | 7 | |a Las soledades (Góngora) |2 gtt |
655 | 4 | |a Electronic book. | |
776 | 0 | 8 | |i Print version: |a Collins, Marsha Suzan. |t Soledades, Góngora's masque of the imagination. |d Columbia : University of Missouri Press, ©2002 |z 0826213634 |w (DLC) 2001052470 |w (OCoLC)48144437 |
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adam_text | |
any_adam_object | |
author | Collins, Marsha Suzan |
author_facet | Collins, Marsha Suzan |
author_role | |
author_sort | Collins, Marsha Suzan |
author_variant | m s c ms msc |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PQ6394 |
callnumber-raw | PQ6394.S6 C65 2002eb |
callnumber-search | PQ6394.S6 C65 2002eb |
callnumber-sort | PQ 46394 S6 C65 42002EB |
callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
collection | ZDB-4-EBA |
contents | Preface -- Acknowledgments -- Conclusion -- Notes -- Bibliography -- Index. |
ctrlnum | (OCoLC)56424918 |
dewey-full | 861/.3 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 861 - Spanish poetry |
dewey-raw | 861/.3 |
dewey-search | 861/.3 |
dewey-sort | 3861 13 |
dewey-tens | 860 - Spanish & Portuguese literatures |
discipline | Romanistik |
format | Electronic eBook |
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The pastoral masterpiece the Soledades garnered both titles for its author, Luis de Góngora, one of Spain's premier poets. In The Soledades, Góngora's Masque of the Imagination, Marsha S. Collins focuses on the brilliant seventeenth-century Spanish poet's contentious work of art. The Soledades have sparked controversy since they were first circulated at court in 1612-1614 and continue to do so even now, as Góngora has become for some critics the poster child of postmodernism. These perplexing 2,000-plus line pastoral poems garnered endless debates over the value and meaning of the author's enigmatic, challenging poetry and gave rise to his reputation, causing his very name to become an English term for obscurity. Collins views these controversial poems in a different light, as a literary work that is a product of European court culture. She shows that the Soledades are in essence a court masque, an elaborate theatrical genre that combines a variety of cultural forms and that unfolds in the mind of the reader. Collins maintains that far from serving as an example of "art for art's sake," the Soledades represent Góngora's bid to transform poetic language into a new kind of visionary discourse that allows readers to access secret truths invisible to the average member of the reading public. Each of Collins's four chapters analyzes a different facet of the Soledades, offering readers varied means of approaching Góngora's great work and helping the audience read the poems with greater understanding and appreciation. The Soledades, Góngora's Masque of the Imagination demystifies the daunting, hermetic language of the Soledades to make this masterpiece of imperial Spain accessible to a new, and wider, circle of modern readers. Collins's book transports readers to the court of Habsburg Spain, offering a window to court culture - art, music, alchemy, emblems, garden architecture - and revealing the remarkable beauty of one of Spain's greatest literary masterpieces. Interdisciplinary and cross-cultural in approach, this book will appeal to all Hispanists, including those interested in the current "New Baroque" vogue in Hispanic scholarship, as well as specialists in Renaissance and Baroque English and European literature</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Electronic reproduction.</subfield><subfield code="b">[Place of publication not identified] :</subfield><subfield code="c">HathiTrust Digital Library,</subfield><subfield code="d">2010.</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Master and use copy. 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genre | Electronic book. |
genre_facet | Electronic book. |
id | ZDB-4-EBA-ocm56424918 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:15:35Z |
institution | BVB |
isbn | 0826262856 9780826262851 0826213634 9780826213631 1417528222 9781417528226 |
language | English |
oclc_num | 56424918 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (xiii, 270 pages) |
psigel | ZDB-4-EBA |
publishDate | 2002 |
publishDateSearch | 2002 |
publishDateSort | 2002 |
publisher | University of Missouri Press, |
record_format | marc |
spelling | Collins, Marsha Suzan. The Soledades, Góngora's masque of the imagination / Marsha S. Collins. Columbia : University of Missouri Press, ©2002. 1 online resource (xiii, 270 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references (pages 249-265) and index. Print version record. Use copy Restrictions unspecified star MiAaHDL Prince of Darkness or Angel of Light? The pastoral masterpiece the Soledades garnered both titles for its author, Luis de Góngora, one of Spain's premier poets. In The Soledades, Góngora's Masque of the Imagination, Marsha S. Collins focuses on the brilliant seventeenth-century Spanish poet's contentious work of art. The Soledades have sparked controversy since they were first circulated at court in 1612-1614 and continue to do so even now, as Góngora has become for some critics the poster child of postmodernism. These perplexing 2,000-plus line pastoral poems garnered endless debates over the value and meaning of the author's enigmatic, challenging poetry and gave rise to his reputation, causing his very name to become an English term for obscurity. Collins views these controversial poems in a different light, as a literary work that is a product of European court culture. She shows that the Soledades are in essence a court masque, an elaborate theatrical genre that combines a variety of cultural forms and that unfolds in the mind of the reader. Collins maintains that far from serving as an example of "art for art's sake," the Soledades represent Góngora's bid to transform poetic language into a new kind of visionary discourse that allows readers to access secret truths invisible to the average member of the reading public. Each of Collins's four chapters analyzes a different facet of the Soledades, offering readers varied means of approaching Góngora's great work and helping the audience read the poems with greater understanding and appreciation. The Soledades, Góngora's Masque of the Imagination demystifies the daunting, hermetic language of the Soledades to make this masterpiece of imperial Spain accessible to a new, and wider, circle of modern readers. Collins's book transports readers to the court of Habsburg Spain, offering a window to court culture - art, music, alchemy, emblems, garden architecture - and revealing the remarkable beauty of one of Spain's greatest literary masterpieces. Interdisciplinary and cross-cultural in approach, this book will appeal to all Hispanists, including those interested in the current "New Baroque" vogue in Hispanic scholarship, as well as specialists in Renaissance and Baroque English and European literature Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Preface -- Acknowledgments -- Conclusion -- Notes -- Bibliography -- Index. English. Góngora y Argote, Luis de, 1561-1627. Soledades. http://id.loc.gov/authorities/names/no2022106549 Góngora y Argote, Luis de, 1561-1627 Literary style. Góngora y Argote, Luis de, 1561-1627 fast https://id.oclc.org/worldcat/entity/E39PBJjt9yVxDJHF4TvKkYYHG3 Soledades (Góngora y Argote, Luis de) fast POETRY Continental European. bisacsh Literary style fast Las soledades (Góngora) gtt Electronic book. Print version: Collins, Marsha Suzan. Soledades, Góngora's masque of the imagination. Columbia : University of Missouri Press, ©2002 0826213634 (DLC) 2001052470 (OCoLC)48144437 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=113950 Volltext |
spellingShingle | Collins, Marsha Suzan The Soledades, Góngora's masque of the imagination / Preface -- Acknowledgments -- Conclusion -- Notes -- Bibliography -- Index. Góngora y Argote, Luis de, 1561-1627. Soledades. http://id.loc.gov/authorities/names/no2022106549 Góngora y Argote, Luis de, 1561-1627 Literary style. Góngora y Argote, Luis de, 1561-1627 fast https://id.oclc.org/worldcat/entity/E39PBJjt9yVxDJHF4TvKkYYHG3 Soledades (Góngora y Argote, Luis de) fast POETRY Continental European. bisacsh Literary style fast Las soledades (Góngora) gtt |
subject_GND | http://id.loc.gov/authorities/names/no2022106549 |
title | The Soledades, Góngora's masque of the imagination / |
title_auth | The Soledades, Góngora's masque of the imagination / |
title_exact_search | The Soledades, Góngora's masque of the imagination / |
title_full | The Soledades, Góngora's masque of the imagination / Marsha S. Collins. |
title_fullStr | The Soledades, Góngora's masque of the imagination / Marsha S. Collins. |
title_full_unstemmed | The Soledades, Góngora's masque of the imagination / Marsha S. Collins. |
title_short | The Soledades, Góngora's masque of the imagination / |
title_sort | soledades gongora s masque of the imagination |
topic | Góngora y Argote, Luis de, 1561-1627. Soledades. http://id.loc.gov/authorities/names/no2022106549 Góngora y Argote, Luis de, 1561-1627 Literary style. Góngora y Argote, Luis de, 1561-1627 fast https://id.oclc.org/worldcat/entity/E39PBJjt9yVxDJHF4TvKkYYHG3 Soledades (Góngora y Argote, Luis de) fast POETRY Continental European. bisacsh Literary style fast Las soledades (Góngora) gtt |
topic_facet | Góngora y Argote, Luis de, 1561-1627. Soledades. Góngora y Argote, Luis de, 1561-1627 Literary style. Góngora y Argote, Luis de, 1561-1627 Soledades (Góngora y Argote, Luis de) POETRY Continental European. Literary style Las soledades (Góngora) Electronic book. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=113950 |
work_keys_str_mv | AT collinsmarshasuzan thesoledadesgongorasmasqueoftheimagination AT collinsmarshasuzan soledadesgongorasmasqueoftheimagination |