How the world became a stage :: presence, theatricality, and the question of modernity /
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Albany, NY :
State University of New York Press,
©2003.
|
| Schriftenreihe: | Book collections on Project MUSE.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | 1 online resource (viii, 208 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 1417535997 9781417535996 0791455459 9780791455456 0791455467 9780791455463 9780791487716 0791487717 |
Internformat
MARC
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| 100 | 1 | |a Egginton, William, |d 1969- |1 https://id.oclc.org/worldcat/entity/E39PBJmXGW9mKy6pHXDgrCBgKd |0 http://id.loc.gov/authorities/names/n2002031094 | |
| 245 | 1 | 0 | |a How the world became a stage : |b presence, theatricality, and the question of modernity / |c William Egginton. |
| 260 | |a Albany, NY : |b State University of New York Press, |c ©2003. | ||
| 300 | |a 1 online resource (viii, 208 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g Machine generated contents note: |t Introduction: The Legend of Saint Genesius -- |g 1. |t Actors, Agents, and Avatars -- |g 2. |t Real Presence, Sympathetic Magic, and the Power of Gesture -- |g 3. |t Saint Genesius on the Stage of the World -- |g 4. |t Tale of Two Cities: The Evolution of Renaissance Stage Practices in Madrid and Paris -- |g 5. |t Theatricality versus Subjectivity. |
| 650 | 0 | |a Theater |z Europe |x History |y 16th century. | |
| 650 | 0 | |a Theater |z Europe |x History |y 17th century. | |
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| 650 | 0 | |a Theater and society |z Europe |x History |y 17th century. | |
| 650 | 6 | |a Théâtre |z Europe |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Théâtre |z Europe |x Histoire |y 17e siècle. | |
| 650 | 6 | |a Théâtre et société |z Europe |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Théâtre et société |z Europe |x Histoire |y 17e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
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| 650 | 7 | |a Theater and society |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Egginton, William, 1969- |t How the world became a stage. |d Albany, NY : State University of New York Press, ©2003 |z 0791455459 |z 0791455467 |w (DLC) 2002070717 |w (OCoLC)49925582 |
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Datensatz im Suchindex
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|---|---|
| _version_ | 1816881618377244672 |
| adam_text | |
| any_adam_object | |
| author | Egginton, William, 1969- |
| author_GND | http://id.loc.gov/authorities/names/n2002031094 |
| author_facet | Egginton, William, 1969- |
| author_role | |
| author_sort | Egginton, William, 1969- |
| author_variant | w e we |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN2171 |
| callnumber-raw | PN2171 .E37 2003eb |
| callnumber-search | PN2171 .E37 2003eb |
| callnumber-sort | PN 42171 E37 42003EB |
| callnumber-subject | PN - General Literature |
| classification_rvk | CB 5170 |
| collection | ZDB-4-EBA |
| contents | Introduction: The Legend of Saint Genesius -- Actors, Agents, and Avatars -- Real Presence, Sympathetic Magic, and the Power of Gesture -- Saint Genesius on the Stage of the World -- Tale of Two Cities: The Evolution of Renaissance Stage Practices in Madrid and Paris -- Theatricality versus Subjectivity. |
| ctrlnum | (OCoLC)56406332 |
| dewey-full | 792/.094/09031 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792/.094/09031 |
| dewey-search | 792/.094/09031 |
| dewey-sort | 3792 294 49031 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Philosophie |
| era | 1500-1699 fast |
| era_facet | 1500-1699 |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocm56406332 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:15:35Z |
| institution | BVB |
| isbn | 1417535997 9781417535996 0791455459 9780791455456 0791455467 9780791455463 9780791487716 0791487717 |
| language | English |
| oclc_num | 56406332 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (viii, 208 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2003 |
| publishDateSearch | 2003 |
| publishDateSort | 2003 |
| publisher | State University of New York Press, |
| record_format | marc |
| series | Book collections on Project MUSE. |
| spelling | Egginton, William, 1969- https://id.oclc.org/worldcat/entity/E39PBJmXGW9mKy6pHXDgrCBgKd http://id.loc.gov/authorities/names/n2002031094 How the world became a stage : presence, theatricality, and the question of modernity / William Egginton. Albany, NY : State University of New York Press, ©2003. 1 online resource (viii, 208 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Machine generated contents note: Introduction: The Legend of Saint Genesius -- 1. Actors, Agents, and Avatars -- 2. Real Presence, Sympathetic Magic, and the Power of Gesture -- 3. Saint Genesius on the Stage of the World -- 4. Tale of Two Cities: The Evolution of Renaissance Stage Practices in Madrid and Paris -- 5. Theatricality versus Subjectivity. Theater Europe History 16th century. Theater Europe History 17th century. Theater and society Europe History 16th century. Theater and society Europe History 17th century. Théâtre Europe Histoire 16e siècle. Théâtre Europe Histoire 17e siècle. Théâtre et société Europe Histoire 16e siècle. Théâtre et société Europe Histoire 17e siècle. PERFORMING ARTS Theater History & Criticism. bisacsh Theater fast Theater and society fast Europe fast https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq Theater gnd http://d-nb.info/gnd/4059702-7 Europa gnd http://d-nb.info/gnd/4015701-5 Toneel. gtt Geschichte 1500-1700. swd 1500-1699 fast History fast has work: How the world became a stage (Text) https://id.oclc.org/worldcat/entity/E39PCGwgXJpcYJgdcXDPwjkTDy https://id.oclc.org/worldcat/ontology/hasWork Print version: Egginton, William, 1969- How the world became a stage. Albany, NY : State University of New York Press, ©2003 0791455459 0791455467 (DLC) 2002070717 (OCoLC)49925582 Book collections on Project MUSE. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=114620 Volltext |
| spellingShingle | Egginton, William, 1969- How the world became a stage : presence, theatricality, and the question of modernity / Book collections on Project MUSE. Introduction: The Legend of Saint Genesius -- Actors, Agents, and Avatars -- Real Presence, Sympathetic Magic, and the Power of Gesture -- Saint Genesius on the Stage of the World -- Tale of Two Cities: The Evolution of Renaissance Stage Practices in Madrid and Paris -- Theatricality versus Subjectivity. Theater Europe History 16th century. Theater Europe History 17th century. Theater and society Europe History 16th century. Theater and society Europe History 17th century. Théâtre Europe Histoire 16e siècle. Théâtre Europe Histoire 17e siècle. Théâtre et société Europe Histoire 16e siècle. Théâtre et société Europe Histoire 17e siècle. PERFORMING ARTS Theater History & Criticism. bisacsh Theater fast Theater and society fast Theater gnd http://d-nb.info/gnd/4059702-7 Toneel. gtt Geschichte 1500-1700. swd |
| subject_GND | http://d-nb.info/gnd/4059702-7 http://d-nb.info/gnd/4015701-5 |
| title | How the world became a stage : presence, theatricality, and the question of modernity / |
| title_alt | Introduction: The Legend of Saint Genesius -- Actors, Agents, and Avatars -- Real Presence, Sympathetic Magic, and the Power of Gesture -- Saint Genesius on the Stage of the World -- Tale of Two Cities: The Evolution of Renaissance Stage Practices in Madrid and Paris -- Theatricality versus Subjectivity. |
| title_auth | How the world became a stage : presence, theatricality, and the question of modernity / |
| title_exact_search | How the world became a stage : presence, theatricality, and the question of modernity / |
| title_full | How the world became a stage : presence, theatricality, and the question of modernity / William Egginton. |
| title_fullStr | How the world became a stage : presence, theatricality, and the question of modernity / William Egginton. |
| title_full_unstemmed | How the world became a stage : presence, theatricality, and the question of modernity / William Egginton. |
| title_short | How the world became a stage : |
| title_sort | how the world became a stage presence theatricality and the question of modernity |
| title_sub | presence, theatricality, and the question of modernity / |
| topic | Theater Europe History 16th century. Theater Europe History 17th century. Theater and society Europe History 16th century. Theater and society Europe History 17th century. Théâtre Europe Histoire 16e siècle. Théâtre Europe Histoire 17e siècle. Théâtre et société Europe Histoire 16e siècle. Théâtre et société Europe Histoire 17e siècle. PERFORMING ARTS Theater History & Criticism. bisacsh Theater fast Theater and society fast Theater gnd http://d-nb.info/gnd/4059702-7 Toneel. gtt Geschichte 1500-1700. swd |
| topic_facet | Theater Europe History 16th century. Theater Europe History 17th century. Theater and society Europe History 16th century. Theater and society Europe History 17th century. Théâtre Europe Histoire 16e siècle. Théâtre Europe Histoire 17e siècle. Théâtre et société Europe Histoire 16e siècle. Théâtre et société Europe Histoire 17e siècle. PERFORMING ARTS Theater History & Criticism. Theater Theater and society Europe Europa Toneel. Geschichte 1500-1700. History |
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| work_keys_str_mv | AT eggintonwilliam howtheworldbecameastagepresencetheatricalityandthequestionofmodernity |