Painting gender, constructing theory :: the Alfred Stieglitz Circle and American formalist aesthetics /
How critical conceptions of gender and sexuality helped to advance the artistic careers of the Alfred Stieglitz Circle and influenced American formalist aesthetics. After the closing of his first art gallery in 1917, photographer Alfred Stieglitz reemerged in the New York art world in the 1920s. He...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Cambridge, Mass. :
MIT Press,
©2001.
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| Online-Zugang: | Volltext |
| Zusammenfassung: | How critical conceptions of gender and sexuality helped to advance the artistic careers of the Alfred Stieglitz Circle and influenced American formalist aesthetics. After the closing of his first art gallery in 1917, photographer Alfred Stieglitz reemerged in the New York art world in the 1920s. He achieved his comeback in large part through the innovative means he used to promote himself and the artists of his inner circle. Stieglitz and a number of well-established critics drew on period conceptions of sexuality, gender, and cultural identity to characterize the artists he championed as the fulfillment of a shared vision of a vital, nonrepressed American art. In Painting Gender, Constructing Theory, Marcia Brennan examines how Stieglitz and the critics drew on early-twentieth-century discourses on sex and the psyche, particularly the theories of Sigmund Freud and Havelock Ellis, to characterize the artworks of the Stieglitz circle. Critics routinely described the often highly abstracted paintings of Georgia O'Keeffe, Arthur Dove, John Marin, Marsden Hartley, and Charles Demuth as transparent displays of the most intimate aspects of the self, taking both subject matter and painterly form to be guided by the artist's own gendered and psychic energies. Focusing on the key historical criticism and artworks, Brennan shows how the identities of all five Stieglitz circle artists were presented in terms of the masculinity and femininity, and the heterosexuality and homosexuality, thought to be embedded in their work. Brennan also discusses Stieglitz's relation to competing artistic and critical movements, including Thomas Hart Benton's regionalist art and Clement Greenberg's reformulation of formalism. Arguing that American formalist criticism consisted of a complex and paradoxical mixture of corporeality and disembodied transcendence, Brennan provides insight not only into the works of the Stieglitz circle but into the development of formalist criticism itself. |
| Beschreibung: | 1 online resource (xi, 377 pages) : illustrations (some color) |
| Bibliographie: | Includes bibliographical references (pages 272-369) and index. |
| ISBN: | 9780262269254 0262269252 0585446598 9780585446592 9780262024884 0262024888 |
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| 504 | |a Includes bibliographical references (pages 272-369) and index. | ||
| 505 | 0 | |a Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929 -- Faith, love and the broken camera: Alfred Stieglitz and New York Dada -- Alfred Stieglitz and his critics: an aesthetics of intimacy -- Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion -- John Marin: framed landscapes and embodied visions -- Marsden Hartley and Charles Demuth: the edges of the circle -- Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton -- The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a How critical conceptions of gender and sexuality helped to advance the artistic careers of the Alfred Stieglitz Circle and influenced American formalist aesthetics. After the closing of his first art gallery in 1917, photographer Alfred Stieglitz reemerged in the New York art world in the 1920s. He achieved his comeback in large part through the innovative means he used to promote himself and the artists of his inner circle. Stieglitz and a number of well-established critics drew on period conceptions of sexuality, gender, and cultural identity to characterize the artists he championed as the fulfillment of a shared vision of a vital, nonrepressed American art. In Painting Gender, Constructing Theory, Marcia Brennan examines how Stieglitz and the critics drew on early-twentieth-century discourses on sex and the psyche, particularly the theories of Sigmund Freud and Havelock Ellis, to characterize the artworks of the Stieglitz circle. Critics routinely described the often highly abstracted paintings of Georgia O'Keeffe, Arthur Dove, John Marin, Marsden Hartley, and Charles Demuth as transparent displays of the most intimate aspects of the self, taking both subject matter and painterly form to be guided by the artist's own gendered and psychic energies. Focusing on the key historical criticism and artworks, Brennan shows how the identities of all five Stieglitz circle artists were presented in terms of the masculinity and femininity, and the heterosexuality and homosexuality, thought to be embedded in their work. Brennan also discusses Stieglitz's relation to competing artistic and critical movements, including Thomas Hart Benton's regionalist art and Clement Greenberg's reformulation of formalism. Arguing that American formalist criticism consisted of a complex and paradoxical mixture of corporeality and disembodied transcendence, Brennan provides insight not only into the works of the Stieglitz circle but into the development of formalist criticism itself. | ||
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| contents | Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929 -- Faith, love and the broken camera: Alfred Stieglitz and New York Dada -- Alfred Stieglitz and his critics: an aesthetics of intimacy -- Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion -- John Marin: framed landscapes and embodied visions -- Marsden Hartley and Charles Demuth: the edges of the circle -- Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton -- The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg. |
| ctrlnum | (OCoLC)52291799 |
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| dewey-search | 709/.73/09042 |
| dewey-sort | 3709 273 49042 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| genre | Electronic books. Geschiedenis (vorm) (NL-LeOCL)088143147 gtt |
| genre_facet | Electronic books. Geschiedenis (vorm) |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocm52291799 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:24Z |
| institution | BVB |
| isbn | 9780262269254 0262269252 0585446598 9780585446592 9780262024884 0262024888 |
| language | English |
| oclc_num | 52291799 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xi, 377 pages) : illustrations (some color) |
| psigel | ZDB-4-EBA |
| publishDate | 2001 |
| publishDateSearch | 2001 |
| publishDateSort | 2001 |
| publisher | MIT Press, |
| record_format | marc |
| spelling | Brennan, Marcia. Painting gender, constructing theory : the Alfred Stieglitz Circle and American formalist aesthetics / Marcia Brennan. Cambridge, Mass. : MIT Press, ©2001. 1 online resource (xi, 377 pages) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 272-369) and index. Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929 -- Faith, love and the broken camera: Alfred Stieglitz and New York Dada -- Alfred Stieglitz and his critics: an aesthetics of intimacy -- Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion -- John Marin: framed landscapes and embodied visions -- Marsden Hartley and Charles Demuth: the edges of the circle -- Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton -- The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg. Print version record. How critical conceptions of gender and sexuality helped to advance the artistic careers of the Alfred Stieglitz Circle and influenced American formalist aesthetics. After the closing of his first art gallery in 1917, photographer Alfred Stieglitz reemerged in the New York art world in the 1920s. He achieved his comeback in large part through the innovative means he used to promote himself and the artists of his inner circle. Stieglitz and a number of well-established critics drew on period conceptions of sexuality, gender, and cultural identity to characterize the artists he championed as the fulfillment of a shared vision of a vital, nonrepressed American art. In Painting Gender, Constructing Theory, Marcia Brennan examines how Stieglitz and the critics drew on early-twentieth-century discourses on sex and the psyche, particularly the theories of Sigmund Freud and Havelock Ellis, to characterize the artworks of the Stieglitz circle. Critics routinely described the often highly abstracted paintings of Georgia O'Keeffe, Arthur Dove, John Marin, Marsden Hartley, and Charles Demuth as transparent displays of the most intimate aspects of the self, taking both subject matter and painterly form to be guided by the artist's own gendered and psychic energies. Focusing on the key historical criticism and artworks, Brennan shows how the identities of all five Stieglitz circle artists were presented in terms of the masculinity and femininity, and the heterosexuality and homosexuality, thought to be embedded in their work. Brennan also discusses Stieglitz's relation to competing artistic and critical movements, including Thomas Hart Benton's regionalist art and Clement Greenberg's reformulation of formalism. Arguing that American formalist criticism consisted of a complex and paradoxical mixture of corporeality and disembodied transcendence, Brennan provides insight not only into the works of the Stieglitz circle but into the development of formalist criticism itself. English. Stieglitz, Alfred, 1864-1946 Aesthetics. Stieglitz, Alfred, 1864-1946 fast https://id.oclc.org/worldcat/entity/E39PBJxGXYjwWxmhwVPxX8hJXd Stieglitz Circle (Group of artists) http://id.loc.gov/authorities/subjects/sh99011614 Modernism (Art) United States. Gender identity in art. http://id.loc.gov/authorities/subjects/sh97000999 Cercle de Stieglitz (Groupe d'artistes) Modernisme (Art) États-Unis. Identité de genre dans l'art. ART American General. bisacsh Aesthetics fast Gender identity in art fast Modernism (Art) fast Stieglitz Circle (Group of artists) fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Sekseverschillen. gtt Kunst. gtt ARTS/General Electronic books. Geschiedenis (vorm) (NL-LeOCL)088143147 gtt has work: Painting gender, constructing theory (Text) https://id.oclc.org/worldcat/entity/E39PCFTgg7rqCFVdmbcDRw3gfC https://id.oclc.org/worldcat/ontology/hasWork Print version: Brennan, Marcia. Painting gender, constructing theory. Cambridge, Mass. : MIT Press, ©2001 0262024888 (DLC) 00046060 (OCoLC)45002145 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=78210 Volltext |
| spellingShingle | Brennan, Marcia Painting gender, constructing theory : the Alfred Stieglitz Circle and American formalist aesthetics / Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929 -- Faith, love and the broken camera: Alfred Stieglitz and New York Dada -- Alfred Stieglitz and his critics: an aesthetics of intimacy -- Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion -- John Marin: framed landscapes and embodied visions -- Marsden Hartley and Charles Demuth: the edges of the circle -- Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton -- The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg. Stieglitz, Alfred, 1864-1946 Aesthetics. Stieglitz, Alfred, 1864-1946 fast https://id.oclc.org/worldcat/entity/E39PBJxGXYjwWxmhwVPxX8hJXd Stieglitz Circle (Group of artists) http://id.loc.gov/authorities/subjects/sh99011614 Modernism (Art) United States. Gender identity in art. http://id.loc.gov/authorities/subjects/sh97000999 Cercle de Stieglitz (Groupe d'artistes) Modernisme (Art) États-Unis. Identité de genre dans l'art. ART American General. bisacsh Aesthetics fast Gender identity in art fast Modernism (Art) fast Stieglitz Circle (Group of artists) fast Sekseverschillen. gtt Kunst. gtt |
| subject_GND | http://id.loc.gov/authorities/subjects/sh99011614 http://id.loc.gov/authorities/subjects/sh97000999 (NL-LeOCL)088143147 |
| title | Painting gender, constructing theory : the Alfred Stieglitz Circle and American formalist aesthetics / |
| title_auth | Painting gender, constructing theory : the Alfred Stieglitz Circle and American formalist aesthetics / |
| title_exact_search | Painting gender, constructing theory : the Alfred Stieglitz Circle and American formalist aesthetics / |
| title_full | Painting gender, constructing theory : the Alfred Stieglitz Circle and American formalist aesthetics / Marcia Brennan. |
| title_fullStr | Painting gender, constructing theory : the Alfred Stieglitz Circle and American formalist aesthetics / Marcia Brennan. |
| title_full_unstemmed | Painting gender, constructing theory : the Alfred Stieglitz Circle and American formalist aesthetics / Marcia Brennan. |
| title_short | Painting gender, constructing theory : |
| title_sort | painting gender constructing theory the alfred stieglitz circle and american formalist aesthetics |
| title_sub | the Alfred Stieglitz Circle and American formalist aesthetics / |
| topic | Stieglitz, Alfred, 1864-1946 Aesthetics. Stieglitz, Alfred, 1864-1946 fast https://id.oclc.org/worldcat/entity/E39PBJxGXYjwWxmhwVPxX8hJXd Stieglitz Circle (Group of artists) http://id.loc.gov/authorities/subjects/sh99011614 Modernism (Art) United States. Gender identity in art. http://id.loc.gov/authorities/subjects/sh97000999 Cercle de Stieglitz (Groupe d'artistes) Modernisme (Art) États-Unis. Identité de genre dans l'art. ART American General. bisacsh Aesthetics fast Gender identity in art fast Modernism (Art) fast Stieglitz Circle (Group of artists) fast Sekseverschillen. gtt Kunst. gtt |
| topic_facet | Stieglitz, Alfred, 1864-1946 Aesthetics. Stieglitz, Alfred, 1864-1946 Stieglitz Circle (Group of artists) Modernism (Art) United States. Gender identity in art. Cercle de Stieglitz (Groupe d'artistes) Modernisme (Art) États-Unis. Identité de genre dans l'art. ART American General. Aesthetics Gender identity in art Modernism (Art) United States Sekseverschillen. Kunst. Electronic books. Geschiedenis (vorm) |
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| work_keys_str_mv | AT brennanmarcia paintinggenderconstructingtheorythealfredstieglitzcircleandamericanformalistaesthetics |