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Special effects :: still in search of wonder /

Designed to trick the eye and stimulate the imagination, special effects have changed the way we look at films and the worlds created in them. Computer-generated imagery (CGI), as seen in Hollywood blockbusters like Star Wars, Terminator 2, Jurassic Park, Independence Day, Men in Black, and The Matr...

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Bibliographische Detailangaben
1. Verfasser:	Pierson, Michele
Format:	Regierungsdokument Elektronisch E-Book
Sprache:	English
Veröffentlicht:	New York : Columbia University Press, ©2002.
Schriftenreihe:	Film and culture.
Schlagworte:	Science fiction films > History and criticism. Science fiction. Cinematography > Special effects. Films de science-fiction > Histoire et critique. Cinéma > Effets spéciaux. PERFORMING ARTS > Film & Video > Reference. PERFORMING ARTS > Film & Video > History & Criticism. Cinematography > Special effects Science fiction Science fiction films Criticism, interpretation, etc.
Online-Zugang:	Volltext
Zusammenfassung:	Designed to trick the eye and stimulate the imagination, special effects have changed the way we look at films and the worlds created in them. Computer-generated imagery (CGI), as seen in Hollywood blockbusters like Star Wars, Terminator 2, Jurassic Park, Independence Day, Men in Black, and The Matrix, is just the latest advance in the evolution of special effects. Even as special effects have been marveled at by millions, this is the first investigation of their broader cultural reception. Moving from an exploration of nineteenth-century popular science and magic to the Hollywood science fiction cinema of our time, Special Effects examines the history, advancements, and connoisseurship of special effects, asking what makes certain types of cinematic effects special, why this matters, and for whom. Michele Pierson shows how popular science magazines, genre filmzines, and computer lifestyle magazines have articulated an aesthetic criticism of this emerging art form and have helped shape how these hugely popular on-screen technological wonders have been viewed by moviegoers.
Beschreibung:	1 online resource (231 pages) : illustrations
Bibliographie:	Includes bibliographical references (pages 201-225) and index.
ISBN:	0231500807 9780231500807

Internformat

MARC


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505	0		\|a Introduction: Special effects and the popular media -- Magic, science, art : before cinema -- From cult-classicism to technofuturism : converging on Wired magazine -- The wonder years and beyond : 1989-1995 -- Crafting a future for CGI -- Conclusion: The transnational matrix of SF.
520			\|a Designed to trick the eye and stimulate the imagination, special effects have changed the way we look at films and the worlds created in them. Computer-generated imagery (CGI), as seen in Hollywood blockbusters like Star Wars, Terminator 2, Jurassic Park, Independence Day, Men in Black, and The Matrix, is just the latest advance in the evolution of special effects. Even as special effects have been marveled at by millions, this is the first investigation of their broader cultural reception. Moving from an exploration of nineteenth-century popular science and magic to the Hollywood science fiction cinema of our time, Special Effects examines the history, advancements, and connoisseurship of special effects, asking what makes certain types of cinematic effects special, why this matters, and for whom. Michele Pierson shows how popular science magazines, genre filmzines, and computer lifestyle magazines have articulated an aesthetic criticism of this emerging art form and have helped shape how these hugely popular on-screen technological wonders have been viewed by moviegoers.
546			\|a English.
650		0	\|a Science fiction films \|x History and criticism.
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650		6	\|a Films de science-fiction \|x Histoire et critique.
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Datensatz im Suchindex

DE-BY-FWS_katkey	ZDB-4-EBA-ocm51628606
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author	Pierson, Michele
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author_role
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contents	Introduction: Special effects and the popular media -- Magic, science, art : before cinema -- From cult-classicism to technofuturism : converging on Wired magazine -- The wonder years and beyond : 1989-1995 -- Crafting a future for CGI -- Conclusion: The transnational matrix of SF.
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dewey-ones	791 - Public performances
dewey-raw	791.43/615
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discipline	Allgemeines
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genre	Criticism, interpretation, etc. fast
genre_facet	Criticism, interpretation, etc.
id	ZDB-4-EBA-ocm51628606
illustrated	Illustrated
indexdate	2024-11-27T13:15:22Z
institution	BVB
isbn	0231500807 9780231500807
language	English
oclc_num	51628606
open_access_boolean
owner	MAIN DE-863 DE-BY-FWS
owner_facet	MAIN DE-863 DE-BY-FWS
physical	1 online resource (231 pages) : illustrations
psigel	ZDB-4-EBA
publishDate	2002
publishDateSearch	2002
publishDateSort	2002
publisher	Columbia University Press,
record_format	marc
series	Film and culture.
series2	Film and culture
spelling	Pierson, Michele. Special effects : still in search of wonder / Michele Pierson. New York : Columbia University Press, ©2002. 1 online resource (231 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF Film and culture Includes bibliographical references (pages 201-225) and index. Print version record. Introduction: Special effects and the popular media -- Magic, science, art : before cinema -- From cult-classicism to technofuturism : converging on Wired magazine -- The wonder years and beyond : 1989-1995 -- Crafting a future for CGI -- Conclusion: The transnational matrix of SF. Designed to trick the eye and stimulate the imagination, special effects have changed the way we look at films and the worlds created in them. Computer-generated imagery (CGI), as seen in Hollywood blockbusters like Star Wars, Terminator 2, Jurassic Park, Independence Day, Men in Black, and The Matrix, is just the latest advance in the evolution of special effects. Even as special effects have been marveled at by millions, this is the first investigation of their broader cultural reception. Moving from an exploration of nineteenth-century popular science and magic to the Hollywood science fiction cinema of our time, Special Effects examines the history, advancements, and connoisseurship of special effects, asking what makes certain types of cinematic effects special, why this matters, and for whom. Michele Pierson shows how popular science magazines, genre filmzines, and computer lifestyle magazines have articulated an aesthetic criticism of this emerging art form and have helped shape how these hugely popular on-screen technological wonders have been viewed by moviegoers. English. Science fiction films History and criticism. Science fiction. http://id.loc.gov/authorities/subjects/sh85118629 Cinematography Special effects. http://id.loc.gov/authorities/subjects/sh85026023 Films de science-fiction Histoire et critique. Cinéma Effets spéciaux. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Cinematography Special effects fast Science fiction fast Science fiction films fast Criticism, interpretation, etc. fast has work: Special effects (Text) https://id.oclc.org/worldcat/entity/E39PCGW6B8vH4q6tdVJbdbXqV3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Pierson, Michele. Special effects. New York : Columbia University Press, ©2002 0231125623 (DLC) 2001055263 (OCoLC)48397478 Film and culture. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=75574 Volltext
spellingShingle	Pierson, Michele Special effects : still in search of wonder / Film and culture. Introduction: Special effects and the popular media -- Magic, science, art : before cinema -- From cult-classicism to technofuturism : converging on Wired magazine -- The wonder years and beyond : 1989-1995 -- Crafting a future for CGI -- Conclusion: The transnational matrix of SF. Science fiction films History and criticism. Science fiction. http://id.loc.gov/authorities/subjects/sh85118629 Cinematography Special effects. http://id.loc.gov/authorities/subjects/sh85026023 Films de science-fiction Histoire et critique. Cinéma Effets spéciaux. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Cinematography Special effects fast Science fiction fast Science fiction films fast
subject_GND	http://id.loc.gov/authorities/subjects/sh85118629 http://id.loc.gov/authorities/subjects/sh85026023
title	Special effects : still in search of wonder /
title_auth	Special effects : still in search of wonder /
title_exact_search	Special effects : still in search of wonder /
title_full	Special effects : still in search of wonder / Michele Pierson.
title_fullStr	Special effects : still in search of wonder / Michele Pierson.
title_full_unstemmed	Special effects : still in search of wonder / Michele Pierson.
title_short	Special effects :
title_sort	special effects still in search of wonder
title_sub	still in search of wonder /
topic	Science fiction films History and criticism. Science fiction. http://id.loc.gov/authorities/subjects/sh85118629 Cinematography Special effects. http://id.loc.gov/authorities/subjects/sh85026023 Films de science-fiction Histoire et critique. Cinéma Effets spéciaux. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Cinematography Special effects fast Science fiction fast Science fiction films fast
topic_facet	Science fiction films History and criticism. Science fiction. Cinematography Special effects. Films de science-fiction Histoire et critique. Cinéma Effets spéciaux. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Film & Video History & Criticism. Cinematography Special effects Science fiction Science fiction films Criticism, interpretation, etc.
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=75574
work_keys_str_mv	AT piersonmichele specialeffectsstillinsearchofwonder

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