The culture of opera buffa in Mozart's Vienna :: a poetics of entertainment /
Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this book, Mary Hunter offers a sweeping, synthetic view of oper...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, N.J. :
Princeton University Press,
©1999.
|
| Schriftenreihe: | Princeton studies in opera.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph II was striving for a German national theater. Hunter attributes opera buffa's success to the "sheer" pleasure it can provide, and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions |
| Beschreibung: | 1 online resource (xiii, 331 pages) : music |
| Bibliographie: | Includes bibliographical references (pages 313-322) and index. |
| ISBN: | 1400812151 9781400812158 1282753576 9781282753570 9786612753572 6612753579 1400822750 9781400822751 9781400803897 1400803896 9781400803910 1400803918 9781400803934 1400803934 9781400816569 1400816564 |
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| 100 | 1 | |a Hunter, Mary Kathleen, |d 1951- |1 https://id.oclc.org/worldcat/entity/E39PCjBFXb3pfwjfb9BpWd4KBP |0 http://id.loc.gov/authorities/names/n89647364 | |
| 245 | 1 | 4 | |a The culture of opera buffa in Mozart's Vienna : |b a poetics of entertainment / |c Mary Hunter. |
| 260 | |a Princeton, N.J. : |b Princeton University Press, |c ©1999. | ||
| 300 | |a 1 online resource (xiii, 331 pages) : |b music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 347 | |a data file | ||
| 490 | 1 | |a Princeton studies in opera | |
| 504 | |a Includes bibliographical references (pages 313-322) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g pt. 1. |t Opera Buffa as Entertainment. |g Ch. 1. |t Opera Buffa as Sheer Pleasure. |g Ch. 2. |t Opera Buffa's Conservative Frameworks. |g Ch. 3. |t Opera Buffa's Social Reversals -- |g pt. 2. |t The Closed Musical Numbers of Opera Buffa and Their Social Implications. |g Ch. 4. |t Arias: Some Issues. |g Ch. 5. |t Class and Gender in Arias: Five Aria Types. |g Ch. 6. |t Ensembles. |g Ch. 7. |t Beginning and Ending Together: Introduzioni and Finales -- |g pt. 3. |t Cosi Fan Tutte le Opere? A Masterwork in Context. |g Ch. 8. |t Cosi fan tutte in Conversation. |g Ch. 9. |t Cosi fan tutte and Convention. |g App. 1. |t Operas Consulted -- |g App. 2. |t Musical Forms in Opera Buffa Arias -- |g App. 3. |t Plot Summaries for I finti eredi, Le gare generose, and L'incognita perseguitata. |
| 520 | |a Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph II was striving for a German national theater. Hunter attributes opera buffa's success to the "sheer" pleasure it can provide, and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions | ||
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |t Operas. |0 http://id.loc.gov/authorities/names/n99035941 |
| 600 | 1 | 1 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |t Operas. |
| 630 | 0 | 7 | |a Operas (Mozart, Wolfgang Amadeus) |2 fast |
| 650 | 0 | |a Opera |z Austria |z Vienna |y 18th century. | |
| 650 | 6 | |a Opera buffa |z Autriche |z Vienne |y 18e siècle. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Opera. |2 bisacsh | |
| 650 | 7 | |a Opera |2 fast | |
| 651 | 7 | |a Austria |z Vienna |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJx4pkFCgX7gBJ7hFTB773 | |
| 650 | 1 | 7 | |a Opera's. |2 gtt |
| 651 | 7 | |a Wenen (stad) |2 gtt | |
| 648 | 7 | |a 1700-1799 |2 fast | |
| 655 | 4 | |a Electronic book. | |
| 758 | |i has work: |a The culture of opera buffa in Mozart's Vienna (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGwdtXHtH4tcVRjGq7RkDq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 773 | 0 | |t Music Periodicals Database |d Proquest Info & Learning Co | |
| 776 | 0 | 8 | |i Print version: |a Hunter, Mary Kathleen, 1951- |t Culture of opera buffa in Mozart's Vienna. |d Princeton, N.J. : Princeton University Press, ©1999 |z 0691058121 |w (DLC) 98012583 |w (OCoLC)38304648 |
| 830 | 0 | |a Princeton studies in opera. |0 http://id.loc.gov/authorities/names/n91049171 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm51575474 |
|---|---|
| _version_ | 1816881605900238849 |
| adam_text | |
| any_adam_object | |
| author | Hunter, Mary Kathleen, 1951- |
| author_GND | http://id.loc.gov/authorities/names/n89647364 |
| author_facet | Hunter, Mary Kathleen, 1951- |
| author_role | |
| author_sort | Hunter, Mary Kathleen, 1951- |
| author_variant | m k h mk mkh |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
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| callnumber-raw | ML1723.8.V6 H86 1999eb |
| callnumber-search | ML1723.8.V6 H86 1999eb |
| callnumber-sort | ML 41723.8 V6 H86 41999EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Opera Buffa as Entertainment. Opera Buffa as Sheer Pleasure. Opera Buffa's Conservative Frameworks. Opera Buffa's Social Reversals -- The Closed Musical Numbers of Opera Buffa and Their Social Implications. Arias: Some Issues. Class and Gender in Arias: Five Aria Types. Ensembles. Beginning and Ending Together: Introduzioni and Finales -- Cosi Fan Tutte le Opere? A Masterwork in Context. Cosi fan tutte in Conversation. Cosi fan tutte and Convention. Operas Consulted -- Musical Forms in Opera Buffa Arias -- Plot Summaries for I finti eredi, Le gare generose, and L'incognita perseguitata. |
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| dewey-ones | 782 - Vocal music |
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| dewey-sort | 3782.1 49436 71309033 |
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| genre | Electronic book. |
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| geographic | Austria Vienna fast https://id.oclc.org/worldcat/entity/E39PBJx4pkFCgX7gBJ7hFTB773 Wenen (stad) gtt |
| geographic_facet | Austria Vienna Wenen (stad) |
| id | ZDB-4-EBA-ocm51575474 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:22Z |
| institution | BVB |
| isbn | 1400812151 9781400812158 1282753576 9781282753570 9786612753572 6612753579 1400822750 9781400822751 9781400803897 1400803896 9781400803910 1400803918 9781400803934 1400803934 9781400816569 1400816564 |
| language | English |
| oclc_num | 51575474 |
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| physical | 1 online resource (xiii, 331 pages) : music |
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| publishDate | 1999 |
| publishDateSearch | 1999 |
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| publisher | Princeton University Press, |
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| series | Princeton studies in opera. |
| series2 | Princeton studies in opera |
| spelling | Hunter, Mary Kathleen, 1951- https://id.oclc.org/worldcat/entity/E39PCjBFXb3pfwjfb9BpWd4KBP http://id.loc.gov/authorities/names/n89647364 The culture of opera buffa in Mozart's Vienna : a poetics of entertainment / Mary Hunter. Princeton, N.J. : Princeton University Press, ©1999. 1 online resource (xiii, 331 pages) : music text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Princeton studies in opera Includes bibliographical references (pages 313-322) and index. Print version record. pt. 1. Opera Buffa as Entertainment. Ch. 1. Opera Buffa as Sheer Pleasure. Ch. 2. Opera Buffa's Conservative Frameworks. Ch. 3. Opera Buffa's Social Reversals -- pt. 2. The Closed Musical Numbers of Opera Buffa and Their Social Implications. Ch. 4. Arias: Some Issues. Ch. 5. Class and Gender in Arias: Five Aria Types. Ch. 6. Ensembles. Ch. 7. Beginning and Ending Together: Introduzioni and Finales -- pt. 3. Cosi Fan Tutte le Opere? A Masterwork in Context. Ch. 8. Cosi fan tutte in Conversation. Ch. 9. Cosi fan tutte and Convention. App. 1. Operas Consulted -- App. 2. Musical Forms in Opera Buffa Arias -- App. 3. Plot Summaries for I finti eredi, Le gare generose, and L'incognita perseguitata. Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph II was striving for a German national theater. Hunter attributes opera buffa's success to the "sheer" pleasure it can provide, and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions English. Mozart, Wolfgang Amadeus, 1756-1791. Operas. http://id.loc.gov/authorities/names/n99035941 Mozart, Wolfgang Amadeus, 1756-1791. Operas. Operas (Mozart, Wolfgang Amadeus) fast Opera Austria Vienna 18th century. Opera buffa Autriche Vienne 18e siècle. MUSIC Genres & Styles Opera. bisacsh Opera fast Austria Vienna fast https://id.oclc.org/worldcat/entity/E39PBJx4pkFCgX7gBJ7hFTB773 Opera's. gtt Wenen (stad) gtt 1700-1799 fast Electronic book. has work: The culture of opera buffa in Mozart's Vienna (Text) https://id.oclc.org/worldcat/entity/E39PCGwdtXHtH4tcVRjGq7RkDq https://id.oclc.org/worldcat/ontology/hasWork Music Periodicals Database Proquest Info & Learning Co Print version: Hunter, Mary Kathleen, 1951- Culture of opera buffa in Mozart's Vienna. Princeton, N.J. : Princeton University Press, ©1999 0691058121 (DLC) 98012583 (OCoLC)38304648 Princeton studies in opera. http://id.loc.gov/authorities/names/n91049171 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=75668 Volltext |
| spellingShingle | Hunter, Mary Kathleen, 1951- The culture of opera buffa in Mozart's Vienna : a poetics of entertainment / Princeton studies in opera. Opera Buffa as Entertainment. Opera Buffa as Sheer Pleasure. Opera Buffa's Conservative Frameworks. Opera Buffa's Social Reversals -- The Closed Musical Numbers of Opera Buffa and Their Social Implications. Arias: Some Issues. Class and Gender in Arias: Five Aria Types. Ensembles. Beginning and Ending Together: Introduzioni and Finales -- Cosi Fan Tutte le Opere? A Masterwork in Context. Cosi fan tutte in Conversation. Cosi fan tutte and Convention. Operas Consulted -- Musical Forms in Opera Buffa Arias -- Plot Summaries for I finti eredi, Le gare generose, and L'incognita perseguitata. Mozart, Wolfgang Amadeus, 1756-1791. Operas. http://id.loc.gov/authorities/names/n99035941 Mozart, Wolfgang Amadeus, 1756-1791. Operas. Operas (Mozart, Wolfgang Amadeus) fast Opera Austria Vienna 18th century. Opera buffa Autriche Vienne 18e siècle. MUSIC Genres & Styles Opera. bisacsh Opera fast Opera's. gtt |
| subject_GND | http://id.loc.gov/authorities/names/n99035941 |
| title | The culture of opera buffa in Mozart's Vienna : a poetics of entertainment / |
| title_alt | Opera Buffa as Entertainment. Opera Buffa as Sheer Pleasure. Opera Buffa's Conservative Frameworks. Opera Buffa's Social Reversals -- The Closed Musical Numbers of Opera Buffa and Their Social Implications. Arias: Some Issues. Class and Gender in Arias: Five Aria Types. Ensembles. Beginning and Ending Together: Introduzioni and Finales -- Cosi Fan Tutte le Opere? A Masterwork in Context. Cosi fan tutte in Conversation. Cosi fan tutte and Convention. Operas Consulted -- Musical Forms in Opera Buffa Arias -- Plot Summaries for I finti eredi, Le gare generose, and L'incognita perseguitata. |
| title_auth | The culture of opera buffa in Mozart's Vienna : a poetics of entertainment / |
| title_exact_search | The culture of opera buffa in Mozart's Vienna : a poetics of entertainment / |
| title_full | The culture of opera buffa in Mozart's Vienna : a poetics of entertainment / Mary Hunter. |
| title_fullStr | The culture of opera buffa in Mozart's Vienna : a poetics of entertainment / Mary Hunter. |
| title_full_unstemmed | The culture of opera buffa in Mozart's Vienna : a poetics of entertainment / Mary Hunter. |
| title_short | The culture of opera buffa in Mozart's Vienna : |
| title_sort | culture of opera buffa in mozart s vienna a poetics of entertainment |
| title_sub | a poetics of entertainment / |
| topic | Mozart, Wolfgang Amadeus, 1756-1791. Operas. http://id.loc.gov/authorities/names/n99035941 Mozart, Wolfgang Amadeus, 1756-1791. Operas. Operas (Mozart, Wolfgang Amadeus) fast Opera Austria Vienna 18th century. Opera buffa Autriche Vienne 18e siècle. MUSIC Genres & Styles Opera. bisacsh Opera fast Opera's. gtt |
| topic_facet | Mozart, Wolfgang Amadeus, 1756-1791. Operas. Operas (Mozart, Wolfgang Amadeus) Opera Austria Vienna 18th century. Opera buffa Autriche Vienne 18e siècle. MUSIC Genres & Styles Opera. Opera Austria Vienna Opera's. Wenen (stad) Electronic book. |
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