The historical performance of music :: an introduction /
This volume offers an overview of historical performance, surveying current issues, and suggesting future developments. Its kernel comprises discussion of the performer's primary source-materials and their interpretation, aspects of style and technique that combine to make up a well-grounded, p...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, UK ; New York :
Cambridge University Press,
1999.
|
| Schriftenreihe: | Cambridge handbooks to the historical performance of music.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This volume offers an overview of historical performance, surveying current issues, and suggesting future developments. Its kernel comprises discussion of the performer's primary source-materials and their interpretation, aspects of style and technique that combine to make up a well-grounded, period interpretation, and a survey of performance conditions and practices. |
| Beschreibung: | 1 online resource (xiii, 219 pages) : music |
| Bibliographie: | Includes bibliographical references (pages 199-208) and index. |
| ISBN: | 9780511481710 0511481713 0511019149 9780511019142 0511152361 9780511152368 0511050461 9780511050466 9780521621939 0521621933 0521627389 9780521627382 9786610418817 6610418810 0511173318 9780511173318 0511324979 9780511324970 1280418818 9781280418815 |
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| 100 | 1 | |a Lawson, Colin |q (Colin James) |1 https://id.oclc.org/worldcat/entity/E39PBJmHH3xPGTHWhF9HWBVDMP |0 http://id.loc.gov/authorities/names/n81100426 | |
| 245 | 1 | 4 | |a The historical performance of music : |b an introduction / |c Colin Lawson and Robin Stowell. |
| 260 | |a Cambridge, UK ; |a New York : |b Cambridge University Press, |c 1999. | ||
| 300 | |a 1 online resource (xiii, 219 pages) : |b music | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 347 | |a data file | ||
| 490 | 1 | |a Cambridge handbooks to the historical performance of music | |
| 504 | |a Includes bibliographical references (pages 199-208) and index. | ||
| 505 | 0 | |a Music as history. Introduction ; The nature and development of historical awareness ; Influential reworkings of Bach and Handel ; Historical considerations ; The pioneers: individuals and institutions ; The role of musical expression ; Arguments pro and con ; Post-war philosophies ; Period Mozart and beyond ; The current scene -- The application of primary sources. Surviving instruments ; Iconographical sources ; Historical archives ; Literary sources ; Practical treatises : uses and limitations ; Practical treatises : a summary ; Theoretical treatises ; The importance of communication ; The role of editions ; Musical taste -- Changes in musical style. National idioms ; Articulation ; Melodic inflection ; Accentuation ; Tempo ; Rhythmic alteration ; Ornamentation ; Extempore embellishment ; Improvisation ; Continuo accompaniment -- Conditions and practices. Introduction ; Pitch ; Temperament ; Vocal practices ; Venues and programmes ; Orchestral constitution and placement ; Direction ; Nineteenth-century changes -- Case studies in ensemble music. J.S. Bach : St. Matthew Passion BWV 244 ; W.A. Mozart : Serenade for 13 instruments K361 ; Berlioz : Episode de la vie d'un Artiste, Symphonie Fantastique en cinq parties Op. 14 ; Brahms : Symphony No. 2 in D major Op. 73 -- The continuing debate ; Introduction ; The social position of historical music ; A snapshot from 1983 ; Authenticity and early music ; The 1990s ; The future? | |
| 520 | |a This volume offers an overview of historical performance, surveying current issues, and suggesting future developments. Its kernel comprises discussion of the performer's primary source-materials and their interpretation, aspects of style and technique that combine to make up a well-grounded, period interpretation, and a survey of performance conditions and practices. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 600 | 1 | 6 | |a Bach, Johann Sebastian, |d 1685-1750. |t Matthäuspassion. |
| 600 | 1 | 6 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |t Sérénades, |n K. 370a (361), |r si bémol majeur. |
| 600 | 1 | 6 | |a Berlioz, Hector, |d 1803-1869. |t Lélio. |
| 600 | 1 | 6 | |a Berlioz, Hector, |d 1803-1869 |t Symphonie fantastique. |
| 600 | 1 | 6 | |a Brahms, Johannes, |d 1833-1897. |t Symphonies, |n no 2, op. 73, |r ré majeur. |
| 650 | 0 | |a Performance practice (Music) |x History |y 18th century. |0 http://id.loc.gov/authorities/subjects/sh89003986 | |
| 650 | 0 | |a Performance practice (Music) |x History |y 19th century. |0 http://id.loc.gov/authorities/subjects/sh89003987 | |
| 650 | 6 | |a Pratique de l'exécution (Musique) |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Pratique de l'exécution (Musique) |x Histoire |y 19e siècle. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Techniques. |2 bisacsh | |
| 650 | 7 | |a Performance practice (Music) |2 fast | |
| 650 | 7 | |a Historische Musikpraxis |2 gnd | |
| 650 | 1 | 7 | |a Uitvoeringspraktijk. |2 gtt |
| 648 | 7 | |a 1700-1899 |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Stowell, Robin. | |
| 758 | |i has work: |a The historical performance of music (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGgPt3w7y8rQmgFbq8FTd3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Lawson, Colin (Colin James). |t Historical performance of music. |d Cambridge, UK ; New York : Cambridge University Press, 1999 |z 0521621933 |w (DLC) 98042731 |w (OCoLC)40268274 |
| 830 | 0 | |a Cambridge handbooks to the historical performance of music. |0 http://id.loc.gov/authorities/names/n99037471 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm51283852 |
|---|---|
| _version_ | 1816881604120805376 |
| adam_text | |
| any_adam_object | |
| author | Lawson, Colin (Colin James) |
| author2 | Stowell, Robin |
| author2_role | |
| author2_variant | r s rs |
| author_GND | http://id.loc.gov/authorities/names/n81100426 |
| author_facet | Lawson, Colin (Colin James) Stowell, Robin |
| author_role | |
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| callnumber-search | ML457 .L39 1999eb |
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| contents | Music as history. Introduction ; The nature and development of historical awareness ; Influential reworkings of Bach and Handel ; Historical considerations ; The pioneers: individuals and institutions ; The role of musical expression ; Arguments pro and con ; Post-war philosophies ; Period Mozart and beyond ; The current scene -- The application of primary sources. Surviving instruments ; Iconographical sources ; Historical archives ; Literary sources ; Practical treatises : uses and limitations ; Practical treatises : a summary ; Theoretical treatises ; The importance of communication ; The role of editions ; Musical taste -- Changes in musical style. National idioms ; Articulation ; Melodic inflection ; Accentuation ; Tempo ; Rhythmic alteration ; Ornamentation ; Extempore embellishment ; Improvisation ; Continuo accompaniment -- Conditions and practices. Introduction ; Pitch ; Temperament ; Vocal practices ; Venues and programmes ; Orchestral constitution and placement ; Direction ; Nineteenth-century changes -- Case studies in ensemble music. J.S. Bach : St. Matthew Passion BWV 244 ; W.A. Mozart : Serenade for 13 instruments K361 ; Berlioz : Episode de la vie d'un Artiste, Symphonie Fantastique en cinq parties Op. 14 ; Brahms : Symphony No. 2 in D major Op. 73 -- The continuing debate ; Introduction ; The social position of historical music ; A snapshot from 1983 ; Authenticity and early music ; The 1990s ; The future? |
| ctrlnum | (OCoLC)51283852 |
| dewey-full | 781.4/3/09 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.4/3/09 |
| dewey-search | 781.4/3/09 |
| dewey-sort | 3781.4 13 19 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
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| era_facet | 1700-1899 |
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| genre | Electronic books. History fast |
| genre_facet | Electronic books. History |
| id | ZDB-4-EBA-ocm51283852 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:21Z |
| institution | BVB |
| isbn | 9780511481710 0511481713 0511019149 9780511019142 0511152361 9780511152368 0511050461 9780511050466 9780521621939 0521621933 0521627389 9780521627382 9786610418817 6610418810 0511173318 9780511173318 0511324979 9780511324970 1280418818 9781280418815 |
| language | English |
| oclc_num | 51283852 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiii, 219 pages) : music |
| psigel | ZDB-4-EBA |
| publishDate | 1999 |
| publishDateSearch | 1999 |
| publishDateSort | 1999 |
| publisher | Cambridge University Press, |
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| series | Cambridge handbooks to the historical performance of music. |
| series2 | Cambridge handbooks to the historical performance of music |
| spelling | Lawson, Colin (Colin James) https://id.oclc.org/worldcat/entity/E39PBJmHH3xPGTHWhF9HWBVDMP http://id.loc.gov/authorities/names/n81100426 The historical performance of music : an introduction / Colin Lawson and Robin Stowell. Cambridge, UK ; New York : Cambridge University Press, 1999. 1 online resource (xiii, 219 pages) : music text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Cambridge handbooks to the historical performance of music Includes bibliographical references (pages 199-208) and index. Music as history. Introduction ; The nature and development of historical awareness ; Influential reworkings of Bach and Handel ; Historical considerations ; The pioneers: individuals and institutions ; The role of musical expression ; Arguments pro and con ; Post-war philosophies ; Period Mozart and beyond ; The current scene -- The application of primary sources. Surviving instruments ; Iconographical sources ; Historical archives ; Literary sources ; Practical treatises : uses and limitations ; Practical treatises : a summary ; Theoretical treatises ; The importance of communication ; The role of editions ; Musical taste -- Changes in musical style. National idioms ; Articulation ; Melodic inflection ; Accentuation ; Tempo ; Rhythmic alteration ; Ornamentation ; Extempore embellishment ; Improvisation ; Continuo accompaniment -- Conditions and practices. Introduction ; Pitch ; Temperament ; Vocal practices ; Venues and programmes ; Orchestral constitution and placement ; Direction ; Nineteenth-century changes -- Case studies in ensemble music. J.S. Bach : St. Matthew Passion BWV 244 ; W.A. Mozart : Serenade for 13 instruments K361 ; Berlioz : Episode de la vie d'un Artiste, Symphonie Fantastique en cinq parties Op. 14 ; Brahms : Symphony No. 2 in D major Op. 73 -- The continuing debate ; Introduction ; The social position of historical music ; A snapshot from 1983 ; Authenticity and early music ; The 1990s ; The future? This volume offers an overview of historical performance, surveying current issues, and suggesting future developments. Its kernel comprises discussion of the performer's primary source-materials and their interpretation, aspects of style and technique that combine to make up a well-grounded, period interpretation, and a survey of performance conditions and practices. Print version record. English. Bach, Johann Sebastian, 1685-1750. Matthäuspassion. Mozart, Wolfgang Amadeus, 1756-1791. Sérénades, K. 370a (361), si bémol majeur. Berlioz, Hector, 1803-1869. Lélio. Berlioz, Hector, 1803-1869 Symphonie fantastique. Brahms, Johannes, 1833-1897. Symphonies, no 2, op. 73, ré majeur. Performance practice (Music) History 18th century. http://id.loc.gov/authorities/subjects/sh89003986 Performance practice (Music) History 19th century. http://id.loc.gov/authorities/subjects/sh89003987 Pratique de l'exécution (Musique) Histoire 18e siècle. Pratique de l'exécution (Musique) Histoire 19e siècle. MUSIC Instruction & Study Techniques. bisacsh Performance practice (Music) fast Historische Musikpraxis gnd Uitvoeringspraktijk. gtt 1700-1899 fast Electronic books. History fast Stowell, Robin. has work: The historical performance of music (Text) https://id.oclc.org/worldcat/entity/E39PCGgPt3w7y8rQmgFbq8FTd3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Lawson, Colin (Colin James). Historical performance of music. Cambridge, UK ; New York : Cambridge University Press, 1999 0521621933 (DLC) 98042731 (OCoLC)40268274 Cambridge handbooks to the historical performance of music. http://id.loc.gov/authorities/names/n99037471 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=74332 Volltext |
| spellingShingle | Lawson, Colin (Colin James) The historical performance of music : an introduction / Cambridge handbooks to the historical performance of music. Music as history. Introduction ; The nature and development of historical awareness ; Influential reworkings of Bach and Handel ; Historical considerations ; The pioneers: individuals and institutions ; The role of musical expression ; Arguments pro and con ; Post-war philosophies ; Period Mozart and beyond ; The current scene -- The application of primary sources. Surviving instruments ; Iconographical sources ; Historical archives ; Literary sources ; Practical treatises : uses and limitations ; Practical treatises : a summary ; Theoretical treatises ; The importance of communication ; The role of editions ; Musical taste -- Changes in musical style. National idioms ; Articulation ; Melodic inflection ; Accentuation ; Tempo ; Rhythmic alteration ; Ornamentation ; Extempore embellishment ; Improvisation ; Continuo accompaniment -- Conditions and practices. Introduction ; Pitch ; Temperament ; Vocal practices ; Venues and programmes ; Orchestral constitution and placement ; Direction ; Nineteenth-century changes -- Case studies in ensemble music. J.S. Bach : St. Matthew Passion BWV 244 ; W.A. Mozart : Serenade for 13 instruments K361 ; Berlioz : Episode de la vie d'un Artiste, Symphonie Fantastique en cinq parties Op. 14 ; Brahms : Symphony No. 2 in D major Op. 73 -- The continuing debate ; Introduction ; The social position of historical music ; A snapshot from 1983 ; Authenticity and early music ; The 1990s ; The future? Bach, Johann Sebastian, 1685-1750. Matthäuspassion. Mozart, Wolfgang Amadeus, 1756-1791. Sérénades, K. 370a (361), si bémol majeur. Berlioz, Hector, 1803-1869. Lélio. Berlioz, Hector, 1803-1869 Symphonie fantastique. Brahms, Johannes, 1833-1897. Symphonies, no 2, op. 73, ré majeur. Performance practice (Music) History 18th century. http://id.loc.gov/authorities/subjects/sh89003986 Performance practice (Music) History 19th century. http://id.loc.gov/authorities/subjects/sh89003987 Pratique de l'exécution (Musique) Histoire 18e siècle. Pratique de l'exécution (Musique) Histoire 19e siècle. MUSIC Instruction & Study Techniques. bisacsh Performance practice (Music) fast Historische Musikpraxis gnd Uitvoeringspraktijk. gtt |
| subject_GND | http://id.loc.gov/authorities/subjects/sh89003986 http://id.loc.gov/authorities/subjects/sh89003987 |
| title | The historical performance of music : an introduction / |
| title_auth | The historical performance of music : an introduction / |
| title_exact_search | The historical performance of music : an introduction / |
| title_full | The historical performance of music : an introduction / Colin Lawson and Robin Stowell. |
| title_fullStr | The historical performance of music : an introduction / Colin Lawson and Robin Stowell. |
| title_full_unstemmed | The historical performance of music : an introduction / Colin Lawson and Robin Stowell. |
| title_short | The historical performance of music : |
| title_sort | historical performance of music an introduction |
| title_sub | an introduction / |
| topic | Bach, Johann Sebastian, 1685-1750. Matthäuspassion. Mozart, Wolfgang Amadeus, 1756-1791. Sérénades, K. 370a (361), si bémol majeur. Berlioz, Hector, 1803-1869. Lélio. Berlioz, Hector, 1803-1869 Symphonie fantastique. Brahms, Johannes, 1833-1897. Symphonies, no 2, op. 73, ré majeur. Performance practice (Music) History 18th century. http://id.loc.gov/authorities/subjects/sh89003986 Performance practice (Music) History 19th century. http://id.loc.gov/authorities/subjects/sh89003987 Pratique de l'exécution (Musique) Histoire 18e siècle. Pratique de l'exécution (Musique) Histoire 19e siècle. MUSIC Instruction & Study Techniques. bisacsh Performance practice (Music) fast Historische Musikpraxis gnd Uitvoeringspraktijk. gtt |
| topic_facet | Bach, Johann Sebastian, 1685-1750. Matthäuspassion. Mozart, Wolfgang Amadeus, 1756-1791. Sérénades, K. 370a (361), si bémol majeur. Berlioz, Hector, 1803-1869. Lélio. Berlioz, Hector, 1803-1869 Symphonie fantastique. Brahms, Johannes, 1833-1897. Symphonies, no 2, op. 73, ré majeur. Performance practice (Music) History 18th century. Performance practice (Music) History 19th century. Pratique de l'exécution (Musique) Histoire 18e siècle. Pratique de l'exécution (Musique) Histoire 19e siècle. MUSIC Instruction & Study Techniques. Performance practice (Music) Historische Musikpraxis Uitvoeringspraktijk. Electronic books. History |
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