Verfügbarkeit: The cognitive semiotics of film /

The cognitive semiotics of film /:

In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitiv...

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1. Verfasser:	Buckland, Warren
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Cambridge ; New York : Cambridge University Press, 2000.
Schlagworte:	Motion pictures > Semiotics. Semiotics and motion pictures. Sémiotique et cinéma. PERFORMING ARTS > Film & Video > History & Criticism. Semiotics and motion pictures Motion pictures > Semiotics Electronic books.
Online-Zugang:	Volltext
Zusammenfassung:	In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics, he investigates Michel Colin's cognitive semantic theory of film; Francesco Casetti and Christian Metz's theories of film enunciation; Roger Odin's cognitive-pragmatic film theory; and Michel Colin and Dominique Chateau's cognitive studies of film syntax, which are viewed within the framework of Noam Chomsky's transformational generative grammar. Presenting a survey of cognitive film semiotics, this study also reevaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward 'post-theory' in film studies.
Beschreibung:	1 online resource (xi, 174 pages)
Bibliographie:	Includes bibliographical references (pages 163-169) and index.
ISBN:	051101368X 9780511013683 0511034725 9780511034725 9780521780056 0521780055 1280429593 9781280429590 0511049978 9780511049972 9780511613142 0511613148 9780521037150 0521037158 1107119928 9781107119925 0511302495 9780511302497 0511155409 9780511155406 0511175213 9780511175213

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245	1	4	\|a The cognitive semiotics of film / \|c Warren Buckland.
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504			\|a Includes bibliographical references (pages 163-169) and index.
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505	0		\|a Cover; Title; Copyright; Dedication; CHAPTER ONE The Cognitive Turn in Film Theory; CHAPTER TWO The Body on Screen and in Frame; CHAPTER THREE Not What Is Seen through the Window but the Window Itself; CHAPTER FOUR The Institutional Context; CHAPTER FIVE All in the Mind?; Conclusion; Notes; Bibliography of Works Cited; Index.
520			\|a In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics, he investigates Michel Colin's cognitive semantic theory of film; Francesco Casetti and Christian Metz's theories of film enunciation; Roger Odin's cognitive-pragmatic film theory; and Michel Colin and Dominique Chateau's cognitive studies of film syntax, which are viewed within the framework of Noam Chomsky's transformational generative grammar. Presenting a survey of cognitive film semiotics, this study also reevaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward 'post-theory' in film studies.
546			\|a English.
650		0	\|a Motion pictures \|x Semiotics. \|0 http://id.loc.gov/authorities/subjects/sh86004200
650		0	\|a Semiotics and motion pictures. \|0 http://id.loc.gov/authorities/subjects/sh2009009230
650		6	\|a Sémiotique et cinéma.
650		7	\|a PERFORMING ARTS \|x Film & Video \|x History & Criticism. \|2 bisacsh
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contents	Cover; Title; Copyright; Dedication; CHAPTER ONE The Cognitive Turn in Film Theory; CHAPTER TWO The Body on Screen and in Frame; CHAPTER THREE Not What Is Seen through the Window but the Window Itself; CHAPTER FOUR The Institutional Context; CHAPTER FIVE All in the Mind?; Conclusion; Notes; Bibliography of Works Cited; Index.
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Conclusion; Notes; Bibliography of Works Cited; Index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics, he investigates Michel Colin's cognitive semantic theory of film; Francesco Casetti and Christian Metz's theories of film enunciation; Roger Odin's cognitive-pragmatic film theory; and Michel Colin and Dominique Chateau's cognitive studies of film syntax, which are viewed within the framework of Noam Chomsky's transformational generative grammar. 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genre	Electronic books.
genre_facet	Electronic books.
id	ZDB-4-EBA-ocm51168993
illustrated	Not Illustrated
indexdate	2024-11-27T13:15:21Z
institution	BVB
isbn	051101368X 9780511013683 0511034725 9780511034725 9780521780056 0521780055 1280429593 9781280429590 0511049978 9780511049972 9780511613142 0511613148 9780521037150 0521037158 1107119928 9781107119925 0511302495 9780511302497 0511155409 9780511155406 0511175213 9780511175213
language	English
oclc_num	51168993
open_access_boolean
owner	MAIN DE-863 DE-BY-FWS
owner_facet	MAIN DE-863 DE-BY-FWS
physical	1 online resource (xi, 174 pages)
psigel	ZDB-4-EBA
publishDate	2000
publishDateSearch	2000
publishDateSort	2000
publisher	Cambridge University Press,
record_format	marc
spelling	Buckland, Warren. http://id.loc.gov/authorities/names/nr95017011 The cognitive semiotics of film / Warren Buckland. Cambridge ; New York : Cambridge University Press, 2000. 1 online resource (xi, 174 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Bibliography Includes bibliographical references (pages 163-169) and index. Print version record. Cover; Title; Copyright; Dedication; CHAPTER ONE The Cognitive Turn in Film Theory; CHAPTER TWO The Body on Screen and in Frame; CHAPTER THREE Not What Is Seen through the Window but the Window Itself; CHAPTER FOUR The Institutional Context; CHAPTER FIVE All in the Mind?; Conclusion; Notes; Bibliography of Works Cited; Index. In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics, he investigates Michel Colin's cognitive semantic theory of film; Francesco Casetti and Christian Metz's theories of film enunciation; Roger Odin's cognitive-pragmatic film theory; and Michel Colin and Dominique Chateau's cognitive studies of film syntax, which are viewed within the framework of Noam Chomsky's transformational generative grammar. Presenting a survey of cognitive film semiotics, this study also reevaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward 'post-theory' in film studies. English. Motion pictures Semiotics. http://id.loc.gov/authorities/subjects/sh86004200 Semiotics and motion pictures. http://id.loc.gov/authorities/subjects/sh2009009230 Sémiotique et cinéma. PERFORMING ARTS Film & Video History & Criticism. bisacsh Semiotics and motion pictures fast Motion pictures Semiotics fast Electronic books. has work: The cognitive semiotics of film (Text) https://id.oclc.org/worldcat/entity/E39PCGX748mQkfFTTCgD97RGRC https://id.oclc.org/worldcat/ontology/hasWork Print version: Buckland, Warren. Cognitive semiotics of film. Cambridge ; New York : Cambridge University Press, 2000 0521780055 (DLC) 00026227 (OCoLC)43615456 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=73099 Volltext
spellingShingle	Buckland, Warren The cognitive semiotics of film / Cover; Title; Copyright; Dedication; CHAPTER ONE The Cognitive Turn in Film Theory; CHAPTER TWO The Body on Screen and in Frame; CHAPTER THREE Not What Is Seen through the Window but the Window Itself; CHAPTER FOUR The Institutional Context; CHAPTER FIVE All in the Mind?; Conclusion; Notes; Bibliography of Works Cited; Index. Motion pictures Semiotics. http://id.loc.gov/authorities/subjects/sh86004200 Semiotics and motion pictures. http://id.loc.gov/authorities/subjects/sh2009009230 Sémiotique et cinéma. PERFORMING ARTS Film & Video History & Criticism. bisacsh Semiotics and motion pictures fast Motion pictures Semiotics fast
subject_GND	http://id.loc.gov/authorities/subjects/sh86004200 http://id.loc.gov/authorities/subjects/sh2009009230
title	The cognitive semiotics of film /
title_auth	The cognitive semiotics of film /
title_exact_search	The cognitive semiotics of film /
title_full	The cognitive semiotics of film / Warren Buckland.
title_fullStr	The cognitive semiotics of film / Warren Buckland.
title_full_unstemmed	The cognitive semiotics of film / Warren Buckland.
title_short	The cognitive semiotics of film /
title_sort	cognitive semiotics of film
topic	Motion pictures Semiotics. http://id.loc.gov/authorities/subjects/sh86004200 Semiotics and motion pictures. http://id.loc.gov/authorities/subjects/sh2009009230 Sémiotique et cinéma. PERFORMING ARTS Film & Video History & Criticism. bisacsh Semiotics and motion pictures fast Motion pictures Semiotics fast
topic_facet	Motion pictures Semiotics. Semiotics and motion pictures. Sémiotique et cinéma. PERFORMING ARTS Film & Video History & Criticism. Semiotics and motion pictures Motion pictures Semiotics Electronic books.
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=73099
work_keys_str_mv	AT bucklandwarren thecognitivesemioticsoffilm AT bucklandwarren cognitivesemioticsoffilm

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