Author's pen and actor's voice :: playing and writing in Shakespeare's theatre /
Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York :
Cambridge University Press,
2000.
|
| Schriftenreihe: | Cambridge studies in Renaissance literature and culture ;
39. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare. |
| Beschreibung: | 1 online resource (xiii, 298 pages) |
| Bibliographie: | Includes bibliographical references (pages 269-288) and index. |
| ISBN: | 0511013086 9780511013089 0521781302 9780521781305 0521787351 9780521787352 051111866X 9780511118661 9780511484070 0511484070 9780511046001 0511046006 0511153651 9780511153655 1280162171 9781280162176 1107120314 9781107120310 0511325169 9780511325168 |
Internformat
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocm51029132 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cn||||||||| | ||
| 008 | 021119s2000 enk ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e pn |c N$T |d OCLCG |d OCLCQ |d TUU |d OCLCQ |d TNF |d OCLCQ |d REDDC |d BAKER |d CO3 |d AU@ |d DKDLA |d MERUC |d CCO |d E7B |d IDEBK |d OCLCO |d OCLCQ |d CAMBR |d OCLCQ |d OCLCF |d OCLCO |d OCLCQ |d YDXCP |d EBLCP |d MHW |d AUW |d FTUBL |d OCLCQ |d AZK |d CNNLC |d COCUF |d AGLDB |d CNNOR |d MOR |d PIFBR |d ZCU |d OTZ |d OCLCQ |d JBG |d OCLCQ |d OCLCO |d WY@ |d U3W |d LUE |d UAB |d STF |d BRL |d WRM |d OCLCQ |d VTS |d CEF |d NRAMU |d ICG |d MOQ |d VT2 |d TOF |d OCLCQ |d OCLCO |d FVL |d WYU |d G3B |d YOU |d TKN |d DKC |d OCLCQ |d CNTRU |d M8D |d OCLCQ |d OCLCO |d OCLCQ |d INARC |d VLY |d LUN |d MM9 |d OCLCA |d UKAHL |d AJS |d OCLCQ |d OCLCO |d QGK |d OCLCO |d OCLCQ |d BRX |d OCLCO |d OCLCL |d OCLCQ | ||
| 019 | |a 70748464 |a 171122719 |a 271788950 |a 475914655 |a 488725717 |a 559459473 |a 613345990 |a 646708034 |a 722112782 |a 756841400 |a 814263010 |a 817923035 |a 819627853 |a 888775533 |a 961640463 |a 962569780 |a 1037512382 |a 1162210965 |a 1167447346 |a 1172924652 |a 1241923590 |a 1259258323 | ||
| 020 | |a 0511013086 |q (electronic bk.) | ||
| 020 | |a 9780511013089 |q (electronic bk.) | ||
| 020 | |a 0521781302 |q (hardback) | ||
| 020 | |a 9780521781305 |q (hardback) | ||
| 020 | |a 0521787351 |q (pbk.) | ||
| 020 | |a 9780521787352 |q (pbk.) | ||
| 020 | |a 051111866X |q (electronic bk.) | ||
| 020 | |a 9780511118661 |q (electronic bk.) | ||
| 020 | |a 9780511484070 |q (electronic bk.) | ||
| 020 | |a 0511484070 |q (electronic bk.) | ||
| 020 | |a 9780511046001 |q (electronic bk.) | ||
| 020 | |a 0511046006 |q (electronic bk.) | ||
| 020 | |a 0511153651 | ||
| 020 | |a 9780511153655 | ||
| 020 | |a 1280162171 | ||
| 020 | |a 9781280162176 | ||
| 020 | |a 1107120314 | ||
| 020 | |a 9781107120310 | ||
| 020 | |a 0511325169 | ||
| 020 | |a 9780511325168 | ||
| 035 | |a (OCoLC)51029132 |z (OCoLC)70748464 |z (OCoLC)171122719 |z (OCoLC)271788950 |z (OCoLC)475914655 |z (OCoLC)488725717 |z (OCoLC)559459473 |z (OCoLC)613345990 |z (OCoLC)646708034 |z (OCoLC)722112782 |z (OCoLC)756841400 |z (OCoLC)814263010 |z (OCoLC)817923035 |z (OCoLC)819627853 |z (OCoLC)888775533 |z (OCoLC)961640463 |z (OCoLC)962569780 |z (OCoLC)1037512382 |z (OCoLC)1162210965 |z (OCoLC)1167447346 |z (OCoLC)1172924652 |z (OCoLC)1241923590 |z (OCoLC)1259258323 | ||
| 050 | 4 | |a PR3034 |b .W45 2000eb | |
| 072 | 7 | |a LIT |x 015000 |2 bisacsh | |
| 072 | 7 | |a DRA |x 010000 |2 bisacsh | |
| 072 | 7 | |a CSB |2 bicssc | |
| 082 | 7 | |a 822.3/3 |2 21 | |
| 084 | |a 18.05 |2 bcl | ||
| 084 | |a 24.11 |2 bcl | ||
| 049 | |a MAIN | ||
| 100 | 1 | |a Weimann, Robert. | |
| 245 | 1 | 0 | |a Author's pen and actor's voice : |b playing and writing in Shakespeare's theatre / |c Robert Weimann ; edited by Helen Higbee and William West. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2000. | ||
| 300 | |a 1 online resource (xiii, 298 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Cambridge studies in Renaissance literature and culture ; |v 39 | |
| 504 | |a Includes bibliographical references (pages 269-288) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Introduction: conjunctures and concepts -- |t Performance and authority in Hamlet (1603) -- |t A new agenda for authority -- |t The "low and ignorant" crust of corruption -- |t Towards a circulation of authority in the theatre -- |t Players, printers, preachers: distraction in authority -- |t Pen and voice: versions of doubleness -- |t "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- |t Bifold authority in Troilus and Cressida -- |t "Unworthy scaffold" for "so great an object" (Henry V) -- |t Playing with a difference -- |t To "disfigure, or to present" (A Midsummer Night's Dream) -- |t To "descant" on difference and deformity (Richard III) -- |t The "self-resembled show" -- |t Presentation, or the performant function -- |t Histories in Elizabethan performance -- |t Disparity in mid-Elizabethan theatre history -- |t Reforming "a whole theatre of others" (Hamlet) -- |t From common player to excellent actor -- |t Differentiation, exclusion, withdrawal -- |t Hamlet and the purposes of playing -- |t Renaissance writing and common playing -- |t Unworthy antics in the glass of fashion -- |t "When in one line two crafts directly meet" -- |t (Word)play and the mirror of representation -- |t Space (in)dividable: locus and platea revisited -- |t Space as symbolic form: the locus -- |t The open space: provenance and function -- |t Locus and platea in Macbeth -- |t Banqueting in Timon of Athens -- |t Shakespeare's endings: commodious thresholds -- |t Epilogues vs. closure -- |t Ends of postponement: holiday into workaday -- |t Thresholds to memory and commodity -- |t Liminality: cultural authority 'betwixt-and-between'. |
| 520 | |a Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare. | ||
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Knowledge |x Performing arts. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Criticism and interpretation. |0 http://id.loc.gov/authorities/subjects/sh85120926 |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Dramatic production. |0 http://id.loc.gov/authorities/subjects/sh85120938 |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd |
| 600 | 1 | 7 | |a Shakespeare, William. |2 swd |
| 650 | 0 | |a Theater in literature. |0 http://id.loc.gov/authorities/subjects/sh94009143 | |
| 650 | 0 | |a Acting in literature. |0 http://id.loc.gov/authorities/subjects/sh93007903 | |
| 650 | 0 | |a Drama |x Technique. |0 http://id.loc.gov/authorities/subjects/sh85039333 | |
| 650 | 6 | |a Théâtre dans la littérature. | |
| 650 | 6 | |a Art dramatique dans la littérature. | |
| 650 | 6 | |a Théâtre (Genre littéraire) |x Technique. | |
| 650 | 7 | |a LITERARY CRITICISM |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a DRAMA |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a Acting in literature |2 fast | |
| 650 | 7 | |a Drama |x Technique |2 fast | |
| 650 | 7 | |a Performing arts |2 fast | |
| 650 | 7 | |a Theater |2 fast | |
| 650 | 7 | |a Theater in literature |2 fast | |
| 650 | 1 | 7 | |a Toneel. |2 gtt |
| 650 | 1 | 7 | |a Engels. |2 gtt |
| 650 | 1 | 7 | |a Schriftcultuur. |2 gtt |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Higbee, Helen. | |
| 700 | 1 | |a West, William. | |
| 776 | 0 | 8 | |i Print version: |a Weimann, Robert. |t Author's pen and actor's voice. |d Cambridge ; New York : Cambridge University Press, 2000 |z 0521781302 |w (DLC) 99087468 |w (OCoLC)43109884 |
| 830 | 0 | |a Cambridge studies in Renaissance literature and culture ; |v 39. |0 http://id.loc.gov/authorities/names/n91126740 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=72804 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH13419185 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH4457922 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37545626 | ||
| 938 | |a Baker & Taylor |b BKTY |c 75.00 |d 75.00 |i 0521781302 |n 0003474721 |s active | ||
| 938 | |a Baker & Taylor |b BKTY |c 28.99 |d 28.99 |i 0521787351 |n 0003520098 |s active | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL201363 | ||
| 938 | |a EBSCOhost |b EBSC |n 72804 | ||
| 938 | |a Internet Archive |b INAR |n authorspenactors0000weim | ||
| 938 | |a YBP Library Services |b YANK |n 2616902 | ||
| 938 | |a YBP Library Services |b YANK |n 3272632 | ||
| 938 | |a YBP Library Services |b YANK |n 2300074 | ||
| 938 | |a YBP Library Services |b YANK |n 2591385 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm51029132 |
|---|---|
| _version_ | 1816881603247341568 |
| adam_text | |
| any_adam_object | |
| author | Weimann, Robert |
| author2 | Higbee, Helen West, William |
| author2_role | |
| author2_variant | h h hh w w ww |
| author_facet | Weimann, Robert Higbee, Helen West, William |
| author_role | |
| author_sort | Weimann, Robert |
| author_variant | r w rw |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR3034 |
| callnumber-raw | PR3034 .W45 2000eb |
| callnumber-search | PR3034 .W45 2000eb |
| callnumber-sort | PR 43034 W45 42000EB |
| callnumber-subject | PR - English Literature |
| collection | ZDB-4-EBA |
| contents | Introduction: conjunctures and concepts -- Performance and authority in Hamlet (1603) -- A new agenda for authority -- The "low and ignorant" crust of corruption -- Towards a circulation of authority in the theatre -- Players, printers, preachers: distraction in authority -- Pen and voice: versions of doubleness -- "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- Bifold authority in Troilus and Cressida -- "Unworthy scaffold" for "so great an object" (Henry V) -- Playing with a difference -- To "disfigure, or to present" (A Midsummer Night's Dream) -- To "descant" on difference and deformity (Richard III) -- The "self-resembled show" -- Presentation, or the performant function -- Histories in Elizabethan performance -- Disparity in mid-Elizabethan theatre history -- Reforming "a whole theatre of others" (Hamlet) -- From common player to excellent actor -- Differentiation, exclusion, withdrawal -- Hamlet and the purposes of playing -- Renaissance writing and common playing -- Unworthy antics in the glass of fashion -- "When in one line two crafts directly meet" -- (Word)play and the mirror of representation -- Space (in)dividable: locus and platea revisited -- Space as symbolic form: the locus -- The open space: provenance and function -- Locus and platea in Macbeth -- Banqueting in Timon of Athens -- Shakespeare's endings: commodious thresholds -- Epilogues vs. closure -- Ends of postponement: holiday into workaday -- Thresholds to memory and commodity -- Liminality: cultural authority 'betwixt-and-between'. |
| ctrlnum | (OCoLC)51029132 |
| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07780cam a2201129 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocm51029132 </controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cn|||||||||</controlfield><controlfield tag="008">021119s2000 enk ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">OCLCG</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TUU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TNF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">REDDC</subfield><subfield code="d">BAKER</subfield><subfield code="d">CO3</subfield><subfield code="d">AU@</subfield><subfield code="d">DKDLA</subfield><subfield code="d">MERUC</subfield><subfield code="d">CCO</subfield><subfield code="d">E7B</subfield><subfield code="d">IDEBK</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">CAMBR</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDXCP</subfield><subfield code="d">EBLCP</subfield><subfield code="d">MHW</subfield><subfield code="d">AUW</subfield><subfield code="d">FTUBL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AZK</subfield><subfield code="d">CNNLC</subfield><subfield code="d">COCUF</subfield><subfield code="d">AGLDB</subfield><subfield code="d">CNNOR</subfield><subfield code="d">MOR</subfield><subfield code="d">PIFBR</subfield><subfield code="d">ZCU</subfield><subfield code="d">OTZ</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">JBG</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">WY@</subfield><subfield code="d">U3W</subfield><subfield code="d">LUE</subfield><subfield code="d">UAB</subfield><subfield code="d">STF</subfield><subfield code="d">BRL</subfield><subfield code="d">WRM</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">VTS</subfield><subfield code="d">CEF</subfield><subfield code="d">NRAMU</subfield><subfield code="d">ICG</subfield><subfield code="d">MOQ</subfield><subfield code="d">VT2</subfield><subfield code="d">TOF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">FVL</subfield><subfield code="d">WYU</subfield><subfield code="d">G3B</subfield><subfield code="d">YOU</subfield><subfield code="d">TKN</subfield><subfield code="d">DKC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">CNTRU</subfield><subfield code="d">M8D</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">INARC</subfield><subfield code="d">VLY</subfield><subfield code="d">LUN</subfield><subfield code="d">MM9</subfield><subfield code="d">OCLCA</subfield><subfield code="d">UKAHL</subfield><subfield code="d">AJS</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">QGK</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">BRX</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">70748464</subfield><subfield code="a">171122719</subfield><subfield code="a">271788950</subfield><subfield code="a">475914655</subfield><subfield code="a">488725717</subfield><subfield code="a">559459473</subfield><subfield code="a">613345990</subfield><subfield code="a">646708034</subfield><subfield code="a">722112782</subfield><subfield code="a">756841400</subfield><subfield code="a">814263010</subfield><subfield code="a">817923035</subfield><subfield code="a">819627853</subfield><subfield code="a">888775533</subfield><subfield code="a">961640463</subfield><subfield code="a">962569780</subfield><subfield code="a">1037512382</subfield><subfield code="a">1162210965</subfield><subfield code="a">1167447346</subfield><subfield code="a">1172924652</subfield><subfield code="a">1241923590</subfield><subfield code="a">1259258323</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0511013086</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780511013089</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0521781302</subfield><subfield code="q">(hardback)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780521781305</subfield><subfield code="q">(hardback)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0521787351</subfield><subfield code="q">(pbk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780521787352</subfield><subfield code="q">(pbk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">051111866X</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780511118661</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780511484070</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0511484070</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780511046001</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0511046006</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0511153651</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780511153655</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1280162171</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781280162176</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1107120314</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781107120310</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0511325169</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780511325168</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)51029132</subfield><subfield code="z">(OCoLC)70748464</subfield><subfield code="z">(OCoLC)171122719</subfield><subfield code="z">(OCoLC)271788950</subfield><subfield code="z">(OCoLC)475914655</subfield><subfield code="z">(OCoLC)488725717</subfield><subfield code="z">(OCoLC)559459473</subfield><subfield code="z">(OCoLC)613345990</subfield><subfield code="z">(OCoLC)646708034</subfield><subfield code="z">(OCoLC)722112782</subfield><subfield code="z">(OCoLC)756841400</subfield><subfield code="z">(OCoLC)814263010</subfield><subfield code="z">(OCoLC)817923035</subfield><subfield code="z">(OCoLC)819627853</subfield><subfield code="z">(OCoLC)888775533</subfield><subfield code="z">(OCoLC)961640463</subfield><subfield code="z">(OCoLC)962569780</subfield><subfield code="z">(OCoLC)1037512382</subfield><subfield code="z">(OCoLC)1162210965</subfield><subfield code="z">(OCoLC)1167447346</subfield><subfield code="z">(OCoLC)1172924652</subfield><subfield code="z">(OCoLC)1241923590</subfield><subfield code="z">(OCoLC)1259258323</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PR3034</subfield><subfield code="b">.W45 2000eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT</subfield><subfield code="x">015000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DRA</subfield><subfield code="x">010000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">CSB</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">822.3/3</subfield><subfield code="2">21</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">18.05</subfield><subfield code="2">bcl</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">24.11</subfield><subfield code="2">bcl</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Weimann, Robert.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Author's pen and actor's voice :</subfield><subfield code="b">playing and writing in Shakespeare's theatre /</subfield><subfield code="c">Robert Weimann ; edited by Helen Higbee and William West.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Cambridge ;</subfield><subfield code="a">New York :</subfield><subfield code="b">Cambridge University Press,</subfield><subfield code="c">2000.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xiii, 298 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Cambridge studies in Renaissance literature and culture ;</subfield><subfield code="v">39</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 269-288) and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Introduction: conjunctures and concepts --</subfield><subfield code="t">Performance and authority in Hamlet (1603) --</subfield><subfield code="t">A new agenda for authority --</subfield><subfield code="t">The "low and ignorant" crust of corruption --</subfield><subfield code="t">Towards a circulation of authority in the theatre --</subfield><subfield code="t">Players, printers, preachers: distraction in authority --</subfield><subfield code="t">Pen and voice: versions of doubleness --</subfield><subfield code="t">"Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) --</subfield><subfield code="t">Bifold authority in Troilus and Cressida --</subfield><subfield code="t">"Unworthy scaffold" for "so great an object" (Henry V) --</subfield><subfield code="t">Playing with a difference --</subfield><subfield code="t">To "disfigure, or to present" (A Midsummer Night's Dream) --</subfield><subfield code="t">To "descant" on difference and deformity (Richard III) --</subfield><subfield code="t">The "self-resembled show" --</subfield><subfield code="t">Presentation, or the performant function --</subfield><subfield code="t">Histories in Elizabethan performance --</subfield><subfield code="t">Disparity in mid-Elizabethan theatre history --</subfield><subfield code="t">Reforming "a whole theatre of others" (Hamlet) --</subfield><subfield code="t">From common player to excellent actor --</subfield><subfield code="t">Differentiation, exclusion, withdrawal --</subfield><subfield code="t">Hamlet and the purposes of playing --</subfield><subfield code="t">Renaissance writing and common playing --</subfield><subfield code="t">Unworthy antics in the glass of fashion --</subfield><subfield code="t">"When in one line two crafts directly meet" --</subfield><subfield code="t">(Word)play and the mirror of representation --</subfield><subfield code="t">Space (in)dividable: locus and platea revisited --</subfield><subfield code="t">Space as symbolic form: the locus --</subfield><subfield code="t">The open space: provenance and function --</subfield><subfield code="t">Locus and platea in Macbeth --</subfield><subfield code="t">Banqueting in Timon of Athens --</subfield><subfield code="t">Shakespeare's endings: commodious thresholds --</subfield><subfield code="t">Epilogues vs. closure --</subfield><subfield code="t">Ends of postponement: holiday into workaday --</subfield><subfield code="t">Thresholds to memory and commodity --</subfield><subfield code="t">Liminality: cultural authority 'betwixt-and-between'.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Shakespeare, William,</subfield><subfield code="d">1564-1616</subfield><subfield code="x">Knowledge</subfield><subfield code="x">Performing arts.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Shakespeare, William,</subfield><subfield code="d">1564-1616</subfield><subfield code="x">Criticism and interpretation.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85120926</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Shakespeare, William,</subfield><subfield code="d">1564-1616</subfield><subfield code="x">Dramatic production.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85120938</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Shakespeare, William,</subfield><subfield code="d">1564-1616</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Shakespeare, William.</subfield><subfield code="2">swd</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Theater in literature.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh94009143</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Acting in literature.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh93007903</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Drama</subfield><subfield code="x">Technique.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85039333</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Théâtre dans la littérature.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Art dramatique dans la littérature.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Théâtre (Genre littéraire)</subfield><subfield code="x">Technique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM</subfield><subfield code="x">Shakespeare.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">DRAMA</subfield><subfield code="x">Shakespeare.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Acting in literature</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Drama</subfield><subfield code="x">Technique</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Performing arts</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Theater</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Theater in literature</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Toneel.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Engels.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Schriftcultuur.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="655" ind1=" " ind2="0"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Higbee, Helen.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">West, William.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Weimann, Robert.</subfield><subfield code="t">Author's pen and actor's voice.</subfield><subfield code="d">Cambridge ; New York : Cambridge University Press, 2000</subfield><subfield code="z">0521781302</subfield><subfield code="w">(DLC) 99087468</subfield><subfield code="w">(OCoLC)43109884</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Cambridge studies in Renaissance literature and culture ;</subfield><subfield code="v">39.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n91126740</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=72804</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH13419185</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH4457922</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH37545626</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Baker & Taylor</subfield><subfield code="b">BKTY</subfield><subfield code="c">75.00</subfield><subfield code="d">75.00</subfield><subfield code="i">0521781302</subfield><subfield code="n">0003474721</subfield><subfield code="s">active</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Baker & Taylor</subfield><subfield code="b">BKTY</subfield><subfield code="c">28.99</subfield><subfield code="d">28.99</subfield><subfield code="i">0521787351</subfield><subfield code="n">0003520098</subfield><subfield code="s">active</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL201363</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">72804</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">authorspenactors0000weim</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">2616902</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">3272632</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">2300074</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">2591385</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocm51029132 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:15:20Z |
| institution | BVB |
| isbn | 0511013086 9780511013089 0521781302 9780521781305 0521787351 9780521787352 051111866X 9780511118661 9780511484070 0511484070 9780511046001 0511046006 0511153651 9780511153655 1280162171 9781280162176 1107120314 9781107120310 0511325169 9780511325168 |
| language | English |
| oclc_num | 51029132 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiii, 298 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2000 |
| publishDateSearch | 2000 |
| publishDateSort | 2000 |
| publisher | Cambridge University Press, |
| record_format | marc |
| series | Cambridge studies in Renaissance literature and culture ; |
| series2 | Cambridge studies in Renaissance literature and culture ; |
| spelling | Weimann, Robert. Author's pen and actor's voice : playing and writing in Shakespeare's theatre / Robert Weimann ; edited by Helen Higbee and William West. Cambridge ; New York : Cambridge University Press, 2000. 1 online resource (xiii, 298 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Cambridge studies in Renaissance literature and culture ; 39 Includes bibliographical references (pages 269-288) and index. Print version record. Introduction: conjunctures and concepts -- Performance and authority in Hamlet (1603) -- A new agenda for authority -- The "low and ignorant" crust of corruption -- Towards a circulation of authority in the theatre -- Players, printers, preachers: distraction in authority -- Pen and voice: versions of doubleness -- "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- Bifold authority in Troilus and Cressida -- "Unworthy scaffold" for "so great an object" (Henry V) -- Playing with a difference -- To "disfigure, or to present" (A Midsummer Night's Dream) -- To "descant" on difference and deformity (Richard III) -- The "self-resembled show" -- Presentation, or the performant function -- Histories in Elizabethan performance -- Disparity in mid-Elizabethan theatre history -- Reforming "a whole theatre of others" (Hamlet) -- From common player to excellent actor -- Differentiation, exclusion, withdrawal -- Hamlet and the purposes of playing -- Renaissance writing and common playing -- Unworthy antics in the glass of fashion -- "When in one line two crafts directly meet" -- (Word)play and the mirror of representation -- Space (in)dividable: locus and platea revisited -- Space as symbolic form: the locus -- The open space: provenance and function -- Locus and platea in Macbeth -- Banqueting in Timon of Athens -- Shakespeare's endings: commodious thresholds -- Epilogues vs. closure -- Ends of postponement: holiday into workaday -- Thresholds to memory and commodity -- Liminality: cultural authority 'betwixt-and-between'. Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare. English. Shakespeare, William, 1564-1616 Knowledge Performing arts. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 Dramatic production. http://id.loc.gov/authorities/subjects/sh85120938 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William. swd Theater in literature. http://id.loc.gov/authorities/subjects/sh94009143 Acting in literature. http://id.loc.gov/authorities/subjects/sh93007903 Drama Technique. http://id.loc.gov/authorities/subjects/sh85039333 Théâtre dans la littérature. Art dramatique dans la littérature. Théâtre (Genre littéraire) Technique. LITERARY CRITICISM Shakespeare. bisacsh DRAMA Shakespeare. bisacsh Acting in literature fast Drama Technique fast Performing arts fast Theater fast Theater in literature fast Toneel. gtt Engels. gtt Schriftcultuur. gtt Electronic books. Criticism, interpretation, etc. fast Higbee, Helen. West, William. Print version: Weimann, Robert. Author's pen and actor's voice. Cambridge ; New York : Cambridge University Press, 2000 0521781302 (DLC) 99087468 (OCoLC)43109884 Cambridge studies in Renaissance literature and culture ; 39. http://id.loc.gov/authorities/names/n91126740 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=72804 Volltext |
| spellingShingle | Weimann, Robert Author's pen and actor's voice : playing and writing in Shakespeare's theatre / Cambridge studies in Renaissance literature and culture ; Introduction: conjunctures and concepts -- Performance and authority in Hamlet (1603) -- A new agenda for authority -- The "low and ignorant" crust of corruption -- Towards a circulation of authority in the theatre -- Players, printers, preachers: distraction in authority -- Pen and voice: versions of doubleness -- "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- Bifold authority in Troilus and Cressida -- "Unworthy scaffold" for "so great an object" (Henry V) -- Playing with a difference -- To "disfigure, or to present" (A Midsummer Night's Dream) -- To "descant" on difference and deformity (Richard III) -- The "self-resembled show" -- Presentation, or the performant function -- Histories in Elizabethan performance -- Disparity in mid-Elizabethan theatre history -- Reforming "a whole theatre of others" (Hamlet) -- From common player to excellent actor -- Differentiation, exclusion, withdrawal -- Hamlet and the purposes of playing -- Renaissance writing and common playing -- Unworthy antics in the glass of fashion -- "When in one line two crafts directly meet" -- (Word)play and the mirror of representation -- Space (in)dividable: locus and platea revisited -- Space as symbolic form: the locus -- The open space: provenance and function -- Locus and platea in Macbeth -- Banqueting in Timon of Athens -- Shakespeare's endings: commodious thresholds -- Epilogues vs. closure -- Ends of postponement: holiday into workaday -- Thresholds to memory and commodity -- Liminality: cultural authority 'betwixt-and-between'. Shakespeare, William, 1564-1616 Knowledge Performing arts. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 Dramatic production. http://id.loc.gov/authorities/subjects/sh85120938 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William. swd Theater in literature. http://id.loc.gov/authorities/subjects/sh94009143 Acting in literature. http://id.loc.gov/authorities/subjects/sh93007903 Drama Technique. http://id.loc.gov/authorities/subjects/sh85039333 Théâtre dans la littérature. Art dramatique dans la littérature. Théâtre (Genre littéraire) Technique. LITERARY CRITICISM Shakespeare. bisacsh DRAMA Shakespeare. bisacsh Acting in literature fast Drama Technique fast Performing arts fast Theater fast Theater in literature fast Toneel. gtt Engels. gtt Schriftcultuur. gtt |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85120926 http://id.loc.gov/authorities/subjects/sh85120938 http://id.loc.gov/authorities/subjects/sh94009143 http://id.loc.gov/authorities/subjects/sh93007903 http://id.loc.gov/authorities/subjects/sh85039333 |
| title | Author's pen and actor's voice : playing and writing in Shakespeare's theatre / |
| title_alt | Introduction: conjunctures and concepts -- Performance and authority in Hamlet (1603) -- A new agenda for authority -- The "low and ignorant" crust of corruption -- Towards a circulation of authority in the theatre -- Players, printers, preachers: distraction in authority -- Pen and voice: versions of doubleness -- "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- Bifold authority in Troilus and Cressida -- "Unworthy scaffold" for "so great an object" (Henry V) -- Playing with a difference -- To "disfigure, or to present" (A Midsummer Night's Dream) -- To "descant" on difference and deformity (Richard III) -- The "self-resembled show" -- Presentation, or the performant function -- Histories in Elizabethan performance -- Disparity in mid-Elizabethan theatre history -- Reforming "a whole theatre of others" (Hamlet) -- From common player to excellent actor -- Differentiation, exclusion, withdrawal -- Hamlet and the purposes of playing -- Renaissance writing and common playing -- Unworthy antics in the glass of fashion -- "When in one line two crafts directly meet" -- (Word)play and the mirror of representation -- Space (in)dividable: locus and platea revisited -- Space as symbolic form: the locus -- The open space: provenance and function -- Locus and platea in Macbeth -- Banqueting in Timon of Athens -- Shakespeare's endings: commodious thresholds -- Epilogues vs. closure -- Ends of postponement: holiday into workaday -- Thresholds to memory and commodity -- Liminality: cultural authority 'betwixt-and-between'. |
| title_auth | Author's pen and actor's voice : playing and writing in Shakespeare's theatre / |
| title_exact_search | Author's pen and actor's voice : playing and writing in Shakespeare's theatre / |
| title_full | Author's pen and actor's voice : playing and writing in Shakespeare's theatre / Robert Weimann ; edited by Helen Higbee and William West. |
| title_fullStr | Author's pen and actor's voice : playing and writing in Shakespeare's theatre / Robert Weimann ; edited by Helen Higbee and William West. |
| title_full_unstemmed | Author's pen and actor's voice : playing and writing in Shakespeare's theatre / Robert Weimann ; edited by Helen Higbee and William West. |
| title_short | Author's pen and actor's voice : |
| title_sort | author s pen and actor s voice playing and writing in shakespeare s theatre |
| title_sub | playing and writing in Shakespeare's theatre / |
| topic | Shakespeare, William, 1564-1616 Knowledge Performing arts. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 Dramatic production. http://id.loc.gov/authorities/subjects/sh85120938 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William. swd Theater in literature. http://id.loc.gov/authorities/subjects/sh94009143 Acting in literature. http://id.loc.gov/authorities/subjects/sh93007903 Drama Technique. http://id.loc.gov/authorities/subjects/sh85039333 Théâtre dans la littérature. Art dramatique dans la littérature. Théâtre (Genre littéraire) Technique. LITERARY CRITICISM Shakespeare. bisacsh DRAMA Shakespeare. bisacsh Acting in literature fast Drama Technique fast Performing arts fast Theater fast Theater in literature fast Toneel. gtt Engels. gtt Schriftcultuur. gtt |
| topic_facet | Shakespeare, William, 1564-1616 Knowledge Performing arts. Shakespeare, William, 1564-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 Dramatic production. Shakespeare, William, 1564-1616 Shakespeare, William. Theater in literature. Acting in literature. Drama Technique. Théâtre dans la littérature. Art dramatique dans la littérature. Théâtre (Genre littéraire) Technique. LITERARY CRITICISM Shakespeare. DRAMA Shakespeare. Acting in literature Drama Technique Performing arts Theater Theater in literature Toneel. Engels. Schriftcultuur. Electronic books. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=72804 |
| work_keys_str_mv | AT weimannrobert authorspenandactorsvoiceplayingandwritinginshakespearestheatre AT higbeehelen authorspenandactorsvoiceplayingandwritinginshakespearestheatre AT westwilliam authorspenandactorsvoiceplayingandwritinginshakespearestheatre |